03 Dec 2020
I love the isolation of Cliftonwood -- the geography of it, with its solid boundary of Clifton Vale to the west and Jacob's Wells Road to the east mean that you tend not to be in Cliftonwood unless you've got a reason to be there. It's not a cut-through to anywhere, at least not from side-to-side, and you can only really exit to the south on foot.
I sense that I'd be happy living in Cliftonwood -- like my bit of Hotwells, it's a quiet little area with a sort of quirky feel to it. Plus it contributes the colourful houses that are the backdrop of about half of all Bristol postcards ever made :)
I found the "secret" garden especially interesting, just for the fact that it really does feel quite secret, despite the obvious name on the gate. I've lived a half-mile from it for twenty years and I don't think I've ever noticed it before, despite exploring the area a few times.
From the Independent obit, March 1999:
PETER WARE was one of the West Country's most eminent architects. He was a leading member of the generation of conservationists who acted in time to save the region's historic building stock in the Sixties and Seventies, and a versatile designer too of modern edifices.
...
Among his less prominent jobs was the transformation of the threatened 18th-century Hope Chapel in Hotwells into a flourishing community centre. One of its most successful activities became an annual pantomime. Ware, in Edwardian bathing costume or silly hat, dancing the tango with a dummy or being fired from a mock cannon, was a staple of the cast. He greatly enjoyed a bit of clowning and a good laugh.
Until he and his wife Marie moved out of Hotwells in 1996, to be nearer to their horses and woodland, Ware remained a faithful participant in the minutiae of neighbourhood affairs, chairing the Dowry Square Garden Committee, and was always on hand with technical advice on houses, keenly interested in local planning matters.