08 Aug 2021
This was a wide-ranging wander. I started off crossing the river to Bedminster, to walk a single little cul-de-sac, Hardy Avenue, that I'd managed to miss on at least one previous walk. Then, pausing only to explore a few back alleyways, I headed for a few destinations related mostly by the Hughes family, who I've been researching a little as part of background for a possible novel, as several of them were involved in the Stella Matutina.
However, mostly it's the artistic side of the family I wanted to explore today, as that's where most of their public history lies (as you might expect, there's often not much in the public record about the workings of an occult organisation.) First I visited College Green, where the façade of the Catch 22 Fish & Chip shop still bears the work of Catherine Edith Hughes. Then I wandered up to the top of Park Street to pop into the Clifton Arts Club's annual exhibition, as Catherine, her half-brother Donald, his wife Hope and at least two other Hugheses were members. Donald was chairman for 40 solid years; Hope was Secretary for eight, and Ellard and Margaret Hughes, two more Hughes siblings, were members along with Catherine.
Finally I walked home with a small diversion to Berkeley Square, to confirm the location of Donald Hughes's house by checking for a particular plaque by the front door.
I must admit I'm not entirely sure where all this research is really leading me, but I'm finding it quite interesting to bump across the faint lines of history that link the Hermetic Order of the Golden Dawn, founded in 1888, to modern, quotidian Bristol.
It's almost like I planned this in advance. This is the 111th annual open exhibition of the Clifton Arts Club, founded 1906.
The Clifton Arts Club featured several members of the Hughes family. The three I'm interested in are Catherine Huges, of the earlier pomegranates, her brother Donald Hughes, and his wife Hope Hughes. They were all at some point members of the Stella Matutina as well as various arts groups in the city. Donald was a member of the Bristol Savages—ahem, sorry, Bristol 1904 Arts, as they've recently rebranded—and apparently something of a leading light on the Bristol art scene.
There really was a lot. I didn't like to snap inside, but I thought one shot would give a flavour. There was a lot of good stuff. I shall be going back next year.