17 Jan 2022
This was basically the quick lunchtime jaunt I tried to do at the beginning of January, only this time I actually managed to get to roughly the viewpoint I'd been hoping for to recreate a historical photo of the Bristol International Exhibition.
I did this walk about a month ago, but I've been a bit poorly and not really up to doing much in my spare time, and it's taken me this long to even face processing even these few photos. Hopefully normal service will be resumed at some point and I can carry on trying to walk any roads and paths that I need to do to make this project feel complete...
I think this may be the "avonmouth monster"; a plume of outflow from the works at Avonmouth. I took a photo of it some years back and asked BBC weatherman Ian Fergusson about it in the comments on this blog post—I'd recently done a tiny segment for his show "Wild Weather of the West" on how to photograph lightning—and that's what he said it was. This looks suspiciously similar and is in the right direction.
I've been pretty awful at reading so far this year, apparently averaging about one book per month. That's a far cry from 2019, say, where I got through 41 books in the year. Today's wander was prompted by my rubbish reading, as I needed to go hand back some books to the library, because I'd managed to renew them so many times that I hit the limit on renewals. Oops. Several of them were still unread.
So, off to the Central Library for me, tail between my legs. On the way there I did my best to recreate a historical photo of Dowry Square; while I was in the area I walked under the adjacent Norman arch and poked around behind the Cathedral, and I also had a little diversion to the city centre and came back along the south side of the river, hitting some trouble with the lock gates as I finally crossed the harbour back towards home.
This was the poster on the A-board at the head of the alley that leads to the Centrespace Gallery, and is usually worth a look. It wasn't particularly eyecatching, though, with an A4 poster rather lost in the middle of the much larger board...
And now we've teleported down the Hotwell Road to College Green, where I found that the library wasn't open yet (I'd forgotten they didn't open until 1pm on a Sunday) so carried on past it and turned through an old Norman archway.
This was a section I wanted to walk, as although I have actually wandered through the arch and pottered around this bit of Bristol before, I think that was one of the days my GPS battery died halfway through a walk, so I never posted any records of it. Here I can redress the issue. We've seen the other side of this grand bit of architecture before, and the next photo has the information plaque which will tell you more about it more concisely than I could.
One fact that isn't on the plaque is that Catherine Hughes, the local artist who made the pomegranates for the front of the Cabot Cafe, had her studio in one of the upper rooms for a time. I presume this was wangled by her father, a local estate agent who was heavily involved in the whole College Green area. From the Clifton and Redland Free Press, 18 April 1900:
Comparatively few people are aware that the interesting structure known as the Abbey Gate House, College Green, the fifteenth century building above the fine old Norman archway, is now given over to the fine arts. It is the studio of Miss Catherine Hughes, and a private view of a charming exhibition of water colour drawings, by that young lady and Miss Ludlow, both local limners, was held last week, when a large number of ladies and gentlemen accepted the invitation to inspect the works, among the company being some local artists. Miss Hughes and Miss Ludlow studied under Ludovici in London, and are now following their profession in Bristol
A fairly wrong clock, given that I took this at about 12:40. This used to be the Midland Bank.
And now I've killed some time wandering around town, here we are back at the other side of the Abbot's gate on the way to collect the book I wanted from the library now it's actually past 1pm and the place is open. At least I accidentally found an interesting art exhibition along the way.
Library business concluded, I decided that my feet weren't quite sore enough, so decided to head back home by completing a circuit of the harbour rathter than just heading back down the noisy Hotwell Road. Wandering past the Arnolfini, I spotted this from a viewpoint not far from where the status of John Cabot stands, surveying the docks.
For now, though, I escaped the hustle and bustle of Wapping Wharf by crossing Gaol Ferry Bridge—soon to be closed for "at least six to nine months" much to the distress of local businesses. And I imagine the local businesses know what the Council normally mean by "six to nine months": somewhere between two and three years would be my guess.
17 Jul 2021
Okay, not much in the way of actual pasture to be had in Bedminster these days, like most of Bristol, but I did take advantage of the current rather toasty weather in Bristol to go and sit under a tree in Greville Smyth Park to read a book for a while before firing up the GPS and taking a little detour around some back streets of Ashton and Bedminster rather than going straight to Coffee #1 for an espresso frappé. This is the first walk in a while where I've actually crossed off an entire new street (the frankly unexciting Carrington Road) as well as exploring a couple of back alleys, just because they were there, really. Along the way I spotted a few examples of graffiti of various qualities, including a live work-in-progress by SNUB23 on Ashton Road and the finished Six Sisters project on North Street.
It was actually the sound of Six Underground, the astoundingly good Sneaker Pimps number, coming from this direction that caught my ear before the in-progress mural caught my eye, but they both had the same source, as it turned out...
I'd noticed I'd missed this end bit of Durnford Street in previous wanders, so on my way to knocking off some full-length roads (and alleyways, as it turned out) I took a snap. It's not very prepossessing.
In my defence, this little alleyway/service road looked more like a road on the map. Still, seeing as I'm here...
Not much to say, really. The strange mock-Tudor upper halves of the right-hand-side of the street were about the only distinguising feature, and personally I'm not sure that's distinguishing in a good way.
I've clearly sniped this one from the end of the road on a previous pass, but this is definitely the first time I've actually walked the length of it.
According to Google Street View, a few years ago this was just a modest corner house. I imagine someone's made a tidy profit.
This was a work in progress last time I passed. Now all Six Sisters of this female-led graffiti project are finished and fair glowing in the sunshine.
They've not made much progress on repairing the Chocolate Path, sadly, but it seems they've at least got a budget and a green light now.
The entire New Cut only took five years to dig out, but on the other hand they had literally a thousand men on the job and I imagine several of them died. Probably have to be a bit more careful these days.
13 Jul 2021
A snappy little trip up the Zig Zag to the shops. It's a steep old route, the Zig Zag, going from just over river level to about the height of the suspension bridge (101 metres) in a compact switchback of a footpath.
I was too busy struggling to breathe to take many snaps of the actual Zig Zag (I've been trying to make it up all the way without stopping the last few times, but I've not quite managed it yet). I did at least take a few snaps either side on this quick lunchtime jaunt to fetch coffee (Coffee #1) and a sarnie (Parsons) from Clifton Village...
But I don't think it's the original end -- if you check this picture from a history pamphlet I posted on Twitter you'll see that it looks like the Colonnade used to curve around rather more, and there's an even better view on this drawing from the British Library collection of Hotwell Parade. Looking at the historic basemap layers there on KYP it certainly seems like sometime between 1855 and 1874 (both Ashmead maps) the first couple of houses in the terrace were lopped off, leaving only numbers 3, 4, 5 and 6. I imagine they were shaved off at the same time as the second Hot Well House was demolished, which was in 1867. It used to stand on Hotwell Point, sticking out into the river, and the whole lot was removed to ease navigation.
I've never actually looked at the Colonnade door numbers to see if they're still like that—I'll try to remember the next time I pass.
One of many fine old lamp posts in Clifton Village. The late, great Maggie Shapland apparently used to keep an eagle eye on them and make sure they were returned if they were ever carted off for repair. The Clifton Club lurks grandly in the background.
Although you may immediately think "gas lamp", here's an extract from Electric Arc Lamps in Bristol by Peter Lamb, published as a supplement to the Histelec News, newsletter of the Western Power Electricity Historical Society:
In looking at old photographs of late Victorian or early Edwardian scenes, many of you may have noticed very decorative street lights gracing the foregrounds. These lamp standards had long cylindrical shapes above the lamp, which distinguished them as being electric arc lamps. You may have wondered, like me, what was inside these housings. These cylinders, known colloquially at the turn of the century as “chimneys” were not chimneys at all, but housed the complex mechanisms regulating the carbon electrodes. Only two lamp standards of this distinctive design remain as street furniture on the Bristol streets and these are situated at The Mall, Clifton Village.
14 Jul 2021
As it turned out, I didn't manage to get a coffee on my lunchtime coffee trip, as Imagine That were briefly shut down by a Covid-19 exposure notification (false alarm, it seems.) On the plus side, my trip was made worthwhile by spotting a couple of people from the University of Bath Mechanical Engineering Department testing an autonomous body-finding catamaran, which isn't a phrase I was ever expecting to write...
10 Jul 2021
Lisa had a couple of hours to spare before going up in a hot air balloon (exciting!) so we went for a quick local walk, revisiting a bit of Cliftonwood we've seen before, exploring the secret garden I'd visited before that I thought she'd enjoy (I didn't take any new photos there) and then pushing on to another garden, Cherry Garden. Last time we passed this way, I'd noticed the gate, but we hadn't gone in as I'd assumed it was private. I'd since found it on CHIS's list of communal gardens in Clifton, so I wanted to have a look inside this time, and try to figure out whether it was private-communal or public, and possibly Council-owned, like several of the other gardens in Clifton.
...with the end of "Jacobethan" Transit Shed "E". The end facing and baroque tower were apparently created to make looking this way from the centre a bit more pleasant; it's fairly plain further down. This is a smidge outside my one mile, but I was interested in the gates, having spotted them in a historic photo in one of my research books—see next pic.
There are some other pics from earlier times on the Watershed's web site, including one from 1981, not long before the E and W sheds were transformed into the complex that houses the excellent Watershed Cinema, their Cafe Bar, the Pervasive Media Studio and other modern features.
The boatyard seems quite quiet at the moment, but there's definitely work still going on—as you'll see from Mike Taylor's little Instagram video here, where you can see them lifting his boat out with the 50-ton capacity travel lift, ready for a lot of work to be done, just a few weeks ago.
06 Jul 2021
I really only took the GPS and camera on a "just in case" basis, as I knew I was only going for a coffee in Greville Smyth Park along a well-trodden path this lunchtime. Still, I saw a few new things along the way, so I figured it was worth uploading the handful of photos I took...
This shop's on the Hotwell Road (no. 257) has been closed for so long I've completely forgotten what it used to be. Hopefully someone's being brave enough to open something new...
Dead centre of this picture is a herd of cows, though I imagine you'd be hard pressed to find them once this picture is shrunk down a bit for the web. They were more obvious to my naked eye, wandering around on the hill. You don't often see cows from town.
I thought that was part of Ashton Court's Red Deer Park, but perhaps they're diversifying...
Of course, in the old days you'd have seen plenty of cattle near here in the city. Just behind the Pump House were the cattle sheds and an abattoir that used to stand where the Rownham Mead housing development is now. You can see them in one of the pictures on the City Docks website, here.
19 May 2021
I just nipped up to Clifton Village to get a coffee, though I did manage to walk down a little alleyway I'd not really noticed before. Or perhaps I had noticed it and it looked private, but today I felt like wandering up its twenty or so feet anyway... The reflections in the shop windows on Boyce's Avenue gave me the idea to take a few snaps of them, so that's the majority of my small amount of snapping today.
I'd quite likely been down this little alleyway (that leads to the back of the Clifton Medi-spa where I used to have acupuncture) before, but it's so nondescript I coudln't remember. Better safe than sorry. It has a view of some cars and the back of Royal York Villas
Well, not now it isn't. The church was demolished (after spending some post-war time deconsecrated as St Andrew's Hall) to make way for flats in 1975. There are some photos of how it used to look on ChurchCrawler.
Not that you can get much of a view of it with a little camera and with it behind a bunch of netting. Looks rather friable. Apparently it was part of a scheme to attract Queen Victoria to visit that never came to fruition.
12 May 2021
I wanted to take another snap of an interesting Gothic Revival place in Clifton, having found out a bit more about the owner. On the way I walked through the Clifton Vale Close estate, idly wondering again whether it might've been the site of Bristol's Vauxhall Pleasure Gardens (I've not researched further yet.) On the way back I knocked off the last remaining bit of Queens Road I had yet to walk and tried to find the bit of communal land that Sarah Guppy bought so as not to have her view built on...
It's an odd little nook. I imagine there's a quite expensive property back there. I've also never noticed the "OTF" carved into the near door pillar before.
Between the gate and the oriel, the keystone reads "The Mew House 1995".
The bricked-up door to the left seems to be an outbuilding in the incredibly grand-looking back garden of the Bishop's House. Speaking of which, here's a bonus pic of the Vicar of Clifton standing at the front door.
I love this Gothic Revival pile. I've snapped it before, but I recently found out something interesting...
07 May 2021
I saw this tweet the other day and started thinking of my second Covid-19 vaccination as my "Sequel Injection" (to a geek, it's funny. You'll have to take my word for it.) Whatever you call it, this morning I went and got it.
It was in the same place I got my initial injection—my left arm! No, okay, it was at the Clifton College Prep School. I didn't take any photos of the event itself; the NHS production line is so efficient you barely have time to do anything else, even if the privacy of other patients wasn't a factor.
Along the way I mused at all the road resurfacing going on in Clifton, and also discovered a secret (okay, not-well-known and possibly slightly trespassey) way into Canynge Square, and on the way back I knocked off a few streets from my "leftovers list" of north-east Clifton. I've got much of Clifton done now, with the only obvious "to dos" on the east side of Whiteladies Road...
It was quite a long walk, and I'm feeling pretty tired now, though that might be the effects of the jab too, I suppose. Anyway. Tomorrow and Monday I'm walking outside Bristol, I think, and I imagine my feet will need some recovery time on Sunday, so it might be a while before I post another Wander.
The Fujifilm X100T that I mostly use for these trips is a great camera, but it's also a fixed lens, approximately that of a 35mm focal length on a full-frame camera. So I quite often can't fit in whole buildings, whole terraces, or whole suspension bridges :D
I tried to figure out what this used to be—didn't have a lot of luck, but the next snap is taken from an old OS map showing that this area has been a stand for public transport since long before the modern bus stop here.
There were a lot of closed roads in Clifton this morning. I watched the white van at the end make its way carefully around the ROAD CLOSED signs at the village end of Observatory Road, drive past me, and get to where you can see it in the distance here before the driver was sent back with a flea in his ear from the workman on "stop the idiots driving through the newly-laid tarmac" duty.
Told you they were doing a lot of resurfacing.
Here's a related fun fact to go with a dull picture, at least: the "greatest advance in road construction since Roman times" is the process of "Macadamisation": crushed stone bound with gravel on a firm base of large stones, with a camber, raised above the surrounding ground. It was invented by Bristol Turnpike Trust surveyor John McAdam, and was later refined by the addition of tar as a binding agent, giving us tarmacadam, or "tarmac", as we generally call it today.
So, basically, this ROAD CLOSED AHEAD sign, due to resurfacing, can be traced back to 1820s Bristol, where the very idea of surfacing roads was invented.
I vaguely remembered having "get better picture of Worcester Terrace" on my "to-do" list, so of course it's got scaffolding up now.