Tagged: city-centre
In Between
06 Feb 2021
A lovely walk in the early spring sunshine with my friend Lisa. We headed directly for Jacobs Wells Road, to start off around the scene of one of our earlier walks, but this time took in Jacobs Wells from QEH upward, stopping to snap some photos of a Bear With Me, some interesting areas between Park Street and Brandon Hill including a peculiarly quiet enclave with a ruined old build I'd never found before, then crossed the Centre to grab take-away pies from Pieminister (I had the Heidi Pie) and head back to my place down the harbourside.
I've been up there a few times—the main venue for gigs is behind those curtains to the right, I think, where I last saw Thea Gilmore, which I think means that the little balcony is next to the cafe, though I don't recall there being an outside space there. I may just not have been paying attention. I've had lessons at the Folk House in all sorts of things, from film developing to songwriting, some of them in those top floor rooms (though the darkroom is in a cellar area accessed from the front courtyard.)
Apparently the service areas on this side of Park Street are no more attractive than Hill Street on the other side.
Library, Bookshop, Coffee
03 Jul 2021
I was headed into town to return RA Gilbert's biography of AE Waite to the library and along the way I noticed that Dreadnought had finished their refurbishment, but wouldn't be open until midday. That left me some time to kill, so I bimbled around the old St Augustine's/Gaunt's area for a while, then headed up Park Street for a coffee and a snack to eat on Brandon Hill before heading home the way I'd came so I could pop in and buy a pamphlet on the Hot Well I'd been interested in for a while.
I could also do with a few of the "ANTI FOG LOZENGES" from the bottle at the front. This is the always-interesting window of Bristol Brocante.
A brocante in France is basically a flea market; the purported etymology I've seen is the Dutch word brok, meaning a piece or fragment.
Hurrah! Dreadnought are back after their refurb. I purchased the excellent pamphlet The Bristol Hotwell by Vincent Waite.
Though what caught my eye was the barely-visible slogan on the side wall in the middle of the picture: "I DID MY FIRST GRAFFITI HERE WAY TOO LONG AGO".
Anyway. Then I popped along the walkway to return the biography of AE Waite I've just finished, and to discover if the library's reference section had re-opened yet. It hadn't.
A protest was starting to form on College Green on my way past. As well as this one, there was also a Kill the Bill march that closed the M32 followed by "delirious" England fans having a mass celebration in the city centre, so I'm glad I wandered home pretty early. I wouldn't fancy being the Bristol Waste cleaning team as I write this, on Sunday morning...
When a samba band turns up, I leave. Several of my friends have greatly enjoyed performing in samba bands, and I find virtually everything about them makes me want to run in the opposite direction.
Something tells me that this side passage that leads through to the side door of the chapel has been here quite some time.
A Cliftonwood Revisit with Lisa
10 Jul 2021
Lisa had a couple of hours to spare before going up in a hot air balloon (exciting!) so we went for a quick local walk, revisiting a bit of Cliftonwood we've seen before, exploring the secret garden I'd visited before that I thought she'd enjoy (I didn't take any new photos there) and then pushing on to another garden, Cherry Garden. Last time we passed this way, I'd noticed the gate, but we hadn't gone in as I'd assumed it was private. I'd since found it on CHIS's list of communal gardens in Clifton, so I wanted to have a look inside this time, and try to figure out whether it was private-communal or public, and possibly Council-owned, like several of the other gardens in Clifton.
I'm not sure it would go well in my living room, but if this lamp takes your fancy, it's in the window of Relics furniture shop on St George's Road.
Seemed to be open and busy, which is good. It's always been a good, friendly pub, but I understand it's been on the verge of closure a couple of times recently.
Next to the Cathedral. Which I've still never set foot inside. I should probably put that on the list...
...with the end of "Jacobethan" Transit Shed "E". The end facing and baroque tower were apparently created to make looking this way from the centre a bit more pleasant; it's fairly plain further down. This is a smidge outside my one mile, but I was interested in the gates, having spotted them in a historic photo in one of my research books—see next pic.
There are some other pics from earlier times on the Watershed's web site, including one from 1981, not long before the E and W sheds were transformed into the complex that houses the excellent Watershed Cinema, their Cafe Bar, the Pervasive Media Studio and other modern features.
Photo taken from the book Bygone Bristol: Hotwells and the City Docks, by Janet and Derek Fisher.
You can see the gate from the previous photo at the start of Narrow Quay. Plenty of other changes in the area, too: the statue of Neptune stands at the head of the water; there are no Cascade Steps yet; cranes still stand on Broad Quay, and you can just about tell that there's still a main road running right across the middle of Queen Square in the distance.
The gate stands half-closed; presumably before the E and W sheds were converted into the cinemas, bars and restaurants of the Watershed and other publically-accessible attractions there was still some need to keep the (working) dockside a little more secure, and I'm guessing it might have been locked at night.
The gates are listed and have apparently been there since 1894.
A Long Wander Of Miscellany and Magick
08 Aug 2021
This was a wide-ranging wander. I started off crossing the river to Bedminster, to walk a single little cul-de-sac, Hardy Avenue, that I'd managed to miss on at least one previous walk. Then, pausing only to explore a few back alleyways, I headed for a few destinations related mostly by the Hughes family, who I've been researching a little as part of background for a possible novel, as several of them were involved in the Stella Matutina.
However, mostly it's the artistic side of the family I wanted to explore today, as that's where most of their public history lies (as you might expect, there's often not much in the public record about the workings of an occult organisation.) First I visited College Green, where the façade of the Catch 22 Fish & Chip shop still bears the work of Catherine Edith Hughes. Then I wandered up to the top of Park Street to pop into the Clifton Arts Club's annual exhibition, as Catherine, her half-brother Donald, his wife Hope and at least two other Hugheses were members. Donald was chairman for 40 solid years; Hope was Secretary for eight, and Ellard and Margaret Hughes, two more Hughes siblings, were members along with Catherine.
Finally I walked home with a small diversion to Berkeley Square, to confirm the location of Donald Hughes's house by checking for a particular plaque by the front door.
I must admit I'm not entirely sure where all this research is really leading me, but I'm finding it quite interesting to bump across the faint lines of history that link the Hermetic Order of the Golden Dawn, founded in 1888, to modern, quotidian Bristol.
The rather derelict looking building on the corner of Prince Street and Royal Oak Avenue was at one point a Seaman's Mission & Instutue, and more recently an evangelilcal church of some kind. It was damaged during the war and seems to now be some kind of Frankenstein's monster of architecture with an odd modern frontage. The rather more together-looking (but still, frankly, unattractive!) building to the left is Prince House.
Edit to add: (19 June 2022): Know Your Place has just tweeted some amazing photos of the chapel interior (here's some more) that have just been added to the Community Layer on their incredibly useful website.
These days it's a fish and chip shop, but it started as the Cabot Cafe.
According to this description of an etching by Alexander Heaney:
Built in 1904 for an estate agent, Walter Hughes, to the design of Latrobe & Weston, architects well known for their cinemas. Above the word ‘Café’ can just be seen the Pomegranate mosaic with enamel insets by the client's daughter, Catherine Hughes, taken from Charles Rickett's bookbinding for Oscar Wilde's A House of Pomegranates, 1891.
Caroline's Miscellany tells us:
Less bright, but equally beautiful, are the copper panels to either side. These continue the pomegranate theme and are pure Art Nouveau. Other details, by contrast, are more baroque (a mixture of styles characteristic of LaTrobe and Weston's work).
Cabot Cafe suffered damage in the Second World War. We are fortunate, then, that this intriguing facade nevertheless survived to delight us today.
As I mentioned, these pomegranates were made by Catherine Hughes, daughter of the estate agent who commissioned the cafe.
The Hughes name is one to conjure with. I'm specifically interested in the Hughes family as I've been researching the Golden Dawn1 for a novel, and at least three Hugheses were members of its later offshoot, the Stella Matutina. Catherine Hughes (Lux Orta Est), who made these tiled pomegranates was, I believe, the first Imperatrix of the No. 28 Bristol Hermes Temple of the Stella Matutina, running it to begin with from her home at St Vincent's Studio, Redland, just off the top of Whiteladies Road.
We'll be hearing a bit more about some other members of the Hughes family in a little bit, as I decided to turn this wander into a bit of a magical excursion, for fun and research and because of handy timing and geographical coincidence.
I don't know if these pomegranates from 1904 predate Catherine Hughes's interest in magic per se, but they were made years before she joined the Stella Matutina, in early 1908, so I can't say that they were created by a practising magician!
1 No, not the Greek nutters. The British Victorian, er, eccentrics.
The side window canopies are copper, as you can probably tell by the green streaks below them.
Must've taken some time to put together. And done with some skill, to still look so good nearly 120 years later.
I wandered into a back alleyway that I hadn't explored before.
I reckon this is the back of Denmark Street, around where Smoke and Mirrors is.
Museum of the Moon, and a Bit of Redland
21 Aug 2021
Lisa and I mostly went out to have a look at Luke Jerram's Museum of the Moon as its tour hit Bristol Cathedral—I missed it when it was previously in town, at Wills Hall, I think—but we also took a trek up to Redland. Lisa's kind enough to indulge my strange current fascination with the Edwardian eccentrics that made up the Stella Matutina, so we swung by a couple of places with a vague connection to the Bristol branch of the organisation. Well, it was good walking, anyway...
As a stunning bonus, one of the picture's descriptions has more information than you'd probably want on the Bristol Port Railway and Pier's Clifton Extension Railway line, but I did happen to coincidentally write up this wander after reading about the extension line during my lunch hour at work today. It's a thrilling life, I tell you...
A Morning of Research and a Cafe in a Castle
25 Sep 2021
I needed to pop to the library, as they'd kindly dug a book out of the reserve store at the B Bond warehouse for me and emailed me to let me know it was ready. So, I took a little trip to town, straight down the Hotwell Road, and spent a few hours reading before stretching my legs with a walk to a new cafe in the actual castle (or remnants thereof, anyway) of Castle Park, before heading back home down the other side of the harbour. As well as books and coffee, I bumped into a remote-controlled pirate ship, which isn't something you see every day, even in Bristol.
Have I ever looked up and noticed the view above Western Car Radio, which looks like perhaps the terraced back garden of St George's Primary? If I have, I don't seem to have snapped it before.
There are some unexpected links between Triodos Bank and some of the magical stuff I've been researching. I first found out when I checked the upcoming events at the Bristol Theosophical Lodge and saw a director of the bank would be giving a talk there. Apparently the bank is rooted in the ideas of Rudolf Steiner's anthroposophy. The Guardian says:
Its roots (like the UK bank Mercury Provident, which it took over in 1995), are in the anthroposophy movement. This refers to the ideas of the Austrian spiritualist thinker Rudolf Steiner, who died in 1925 and whose interests included education, 'biodynamic' agriculture, eurythmy (movement as art) and therapeutic medicine.
Triodos Bank's statutes committed it to anthroposophical principles until 1999, when this formal link was dropped, and in recent years the bank, under its current head Peter Blom, has embarked on a policy of reaching out beyond Steiner adherents and of broadening its appeal. Nevertheless, Triodos's origins are reflected in the fact that most of the Dutch directors come from within anthroposophy, and it is banker for many Steiner-inspired projects.
Bristol boasts one of the quietest rooms in the world. That one's in the Ultra-Low Noise Labs at the University of Bristol, where "Losing all auditory references does funny things to your balance, and I lurch slightly as the double doors open to let me out. It's a relief to hear the faint underlying buzz that indicates life as we know it."
Sadly, although it looks the part, the reading room in the Reference section of Bristol Central Library is usually a caophony of irritations. I'm not sure what took the prize today: the burglar alarm going off outside for ages, the stertorous snoring, the queues of people trying to get 10p pieces for the photocopier like it was still 1985, the angry researcher trying to get a porter along to rouse and tick off the stertorous snorer...
In between all this I read through the letters of the Reverend W A Ayton, alchemist of the Golden Dawn, once described by W B Yeats as "the most panic-stricken person" he had ever known. I think he'd have had to read in Bristol Central Library it might have tipped him over the edge...
(I should temper this critique by at least oberving that the librarians are themselves uniformly friendly and helpful.)
I like this little watery installation at Castle Park, so I try to cut through here if it's on my way.
The chambers were apparently once the entrance to the castle's great hall. Historic England has this section of the castle at 13-14th century
I was interested to see it, but a little underwhelmed, if I'm honest. A fairly bland interior and a perfectly adequate flat white—not much "wow" factor.
And towering over one of Bristol's oldest buildings, here's one of Bristol's newest, Castle Park View. Its 26 storeys towering up at 98 metres, it's now Bristol's tallest building, having beaten the 80m Castlemead and St Mary Redcliffe to joint second earlier this year. I'm not sure I'd fancy living in one of the 375 flats, but the view must be nice.
Rear of King Street. I would say "interesting frontage", but presumably this is interesting backage.
Docks Heritage Weekend Day One
09 Oct 2021
I could spend a lot of time at the Docks Heritage Weekend, poking my nose into industrial places along the harbourside that are usually closed off, but throw open their doors once a year to show off a bit of the backstage area of Bristol's floating harbour. In fact, I warn you: the next wander is a long one, and will have quite a few photos.
However, for today's wander, on the Saturday, my friend Lisa needed a shorter walk than our usual long rambles, as she's recovering from an operation and still a little under the weather, so we just wandered into town for some food and back, with me making mental notes of the places I wanted to come back to on the Sunday... We walked through Underfall Yard, along to the L Shed (this is the warehouse next to the M Shed museum, where they still have the kind of fun old industrial stuff that used to be crammed into the M Shed's predecessor, the old Industrial Museum), through the street food market in town to Ahh Toots for cake and then back home. So, still quite a walk, but no hills and not so much of Lisa having to hang around waiting for me to fool around taking photos as usual, at least...
I have nothing against vegan food, I just fancied a hot dog today... I pushed the photo processing a bit more than I usually would on this site; that's because the photo's also destined for my venerable Tumblr blog, Cafe Signs.
I've been pretty awful at reading so far this year, apparently averaging about one book per month. That's a far cry from 2019, say, where I got through 41 books in the year. Today's wander was prompted by my rubbish reading, as I needed to go hand back some books to the library, because I'd managed to renew them so many times that I hit the limit on renewals. Oops. Several of them were still unread.
So, off to the Central Library for me, tail between my legs. On the way there I did my best to recreate a historical photo of Dowry Square; while I was in the area I walked under the adjacent Norman arch and poked around behind the Cathedral, and I also had a little diversion to the city centre and came back along the south side of the river, hitting some trouble with the lock gates as I finally crossed the harbour back towards home.
And now we've teleported down the Hotwell Road to College Green, where I found that the library wasn't open yet (I'd forgotten they didn't open until 1pm on a Sunday) so carried on past it and turned through an old Norman archway.
This was a section I wanted to walk, as although I have actually wandered through the arch and pottered around this bit of Bristol before, I think that was one of the days my GPS battery died halfway through a walk, so I never posted any records of it. Here I can redress the issue. We've seen the other side of this grand bit of architecture before, and the next photo has the information plaque which will tell you more about it more concisely than I could.
One fact that isn't on the plaque is that Catherine Hughes, the local artist who made the pomegranates for the front of the Cabot Cafe, had her studio in one of the upper rooms for a time. I presume this was wangled by her father, a local estate agent who was heavily involved in the whole College Green area. From the Clifton and Redland Free Press, 18 April 1900:
Comparatively few people are aware that the interesting structure known as the Abbey Gate House, College Green, the fifteenth century building above the fine old Norman archway, is now given over to the fine arts. It is the studio of Miss Catherine Hughes, and a private view of a charming exhibition of water colour drawings, by that young lady and Miss Ludlow, both local limners, was held last week, when a large number of ladies and gentlemen accepted the invitation to inspect the works, among the company being some local artists. Miss Hughes and Miss Ludlow studied under Ludovici in London, and are now following their profession in Bristol
The Bristol Cathedral School has seen some controversy over the years, especially after it was given permission in 2013 for the Primary School to take over some of the Central Library. They turfed out some of the archives, which is presumably why I need to wait a week when I order an old book from the library, as someone now has to hoof it down to the B Bond warehouse to fetch it for me, rather than just downstairs.
Founded in 1140, dissolved and then re-founded by Henry VIII in 1542 after he dissolved the monastery, it's only very recently become a City Academy. It is allegedly non-selective these days, but my guess would be that its pupils' parents are significantly posher and richer than others in the local catchment area.
"Porter's lodge and gateway to Augustinian monastery, now school. Mid C12 archway in C17 house, rebuilt mid C20", says the listing.
One last view of the Choir School building, the old Deanery, before we leave this area and head into town.
I got interested in Bristol's medieval water supplies after poking around near Jacobs Wells Road and Brandon Hill. It was during that research I found out about a pipe that's still there today, and, as far as I know, still actually functioning, that was originally commissioned by Carmelite monks in the 13th century. They wanted a supply of spring water from Brandon Hill to their priory on the site of what's now the Bristol Beacon—Colston Hall, as-was. It was created around 1267, and later, in 1376, extended generously with an extra "feather" pipe to St John's On The Wall, giving the pipework its modern name of "St John's Conduit".
St John's on the Wall is still there, guarding the remaining city gate at the end of Broad Street, and the outlet tap area was recently refurbished. It doesn't run continuously now, like it did when I first moved to Bristol and worked at the end of Broad Street, in the Everard Building, but I believe the pipe still functions. One day I'd like to see that tap running...
There are a few links on the web about the pipe, but by far the best thing to do is to watch this short and fascinating 1970s TV documentary called The Hidden Source, which has some footage of the actual pipe and also lots of fantastic general footage of Bristol in the seventies.
On my walk today I was actually just going to the building society in town, but I decided to trace some of the route of the Carmelite pipe, including visiting streets it runs under, like Park Street, Christmas Street, and, of course, Pipe Lane. I also went a bit out of my way to check out St James' Priory, the oldest building in Bristol, seeing as it was just around the corner from the building society.
There are far too many pictures from this walk, and my feet are now quite sore, because it was a long one. But I enjoyed it.
Some of us are old enough to know why that logo goes with the number 45. In face, I probably have a couple of those somewhere in this room...
I don't like it as a venue. It has awful drinks and the last couple of times I've been the place has been overstuffed with people but they haven't opened the upstairs area up to let more people see the band. Nevertheless I just booked tickets to see Wolf Alice there, as they're pretty much the only venue in town for a certain size of band. Maybe the new arena (sadly out of town, so I'd probably have to drive up to it) will at least be better than the Academy.
Just to remind myself that although it's on the map, I couldn't really have walked down it.
"Built in #Bristol in 1851, the Demerara was the 2nd largest ship ever successfully launched (after the SS Great Britain.) However, her maiden voyage was a catastrophe when the tugboat guiding her misjudged the tides and she was broken in the Avon. She was later salvaged for parts... For many years the Demerara's figurehead, salvaged from the wreck, stood above a shop in Steep Street (now Colston Street) and a replica of it can still be seen above the Drawbridge pub on St. Augustine's Parade." — via @WeirdBristol. Well worth clicking through to: tweet 1; tweet 2 to see some pictures.
The site of the Carmelite Priory that St John's Conduit carried water to from around the top of Park Street.
A Trip to the Library
08 Jun 2021
I had to return a book to the library—Ellic Howe's Magicians of the Golden Dawn, very interesting, thanks for asking—so I decided to pick the Central Library as my drop-off point and walk down a segment of Deanery Road that I've surprisingly overlooked so far. In any normal time I'd have been walking to work that way quite often, or heading through at the weekend on the way to do some shopping in the city centre, or for a coffee at St Nick's, but those excursions have been quite thin on the ground for the last year or so, for obvious reasons.
I've never been inside a single building on Deanery Road itself; the Library is technically on College Green and the rest is mostly student accommodation or Bristol College buildings, by the looks of things. It's a fairly mediocre street, used merely to get to other places. (St George's Road, which merges into it, at least has the distinction of several good shops verging from the practical and long-lived car radio fitters to the excellent little Dreadnought Books, sadly currently closed for refurbishment...)
After dropping off my book I came home via the harbourside, the better to enjoy the nice sunny blue skies of the day.
Or rather, a bit of St George's Road. At the corner there, St George's Road actually continues down the side street to the left. The road straight ahead, on the far side of the junction, is actually Deanery Road, which is the bit I've not walked yet.
"He was known for his efforts to abolish the practices of sati and child marriage." I was aware of the awful practice of sati purely because it came up in a crossword once. Efforts to abolish it certainly seem statue-worthy.
This statue stands outside the Central Library, between it and City Hall. The Bristol connection is that he travelled to the UK as an ambassador "to ensure that Lord William Bentinck's Bengal Sati Regulation, 1829 banning the practice of Sati was not overturned". He died in Stapleton, Bristol in 1833. As well as this statue, he's buried in a fine mausoleum in the beautiful Arnos Vale cemetery.
It's still a popular moustache style among Indian gentlemen, if erstwhile workmates from Mumbai and other places are anything to go by.
The arch on the left is the Great Gatehouse of St Augustine's Abbey, precursor to the Cathedral; you can see the Library entrance just behind the Ram Mohan Roy statue.
