12 Mar 2022
There's a few tracks in Leigh Woods that lie within my mile and show up on my map but that I've not walked yet, so I decided to take one of my traditional big long walks through the woods on this nice crisp sunny morning.
For years—decades, even—I've been doing a similar route from my place, along the towpath to the far woods entrance, up the hill for a varied walk on one of the marked tracks and then across the Suspension Bridge to Clifton Village for a coffee-based reward. It's my default "long walk", really, and I almost always enjoy it. Today, at last, spring actually seemed to be springing, which made for some extra positivity...
"Swing bridge machinery by Sir William Arrol & Co. Ltd": Sir William was knighted for his commitment to his work on both the Forth Bridge and the replacement Tay Bridge, erected following the loss of the previous bridge in the great Tay Bridge Disaster. He was also responsible for knocking up some other little bridges around the country, like london's Tower Bridge, to pick an example...
My friend Sarah made a podcast episode about Sylvia Crowe (credited bottom right on the plaque) and her development of the landscape in this area, with Wendy Tippett, a local landscape architect. It's a great listen if you're familiar with the area, and explains all sorts of things, including the PPILA after Sylvia Crowe's name on the plaque: Past President, Institute of Landscape Artists.
29 Apr 2021
Another quick excursion to Canon's Marsh, tempted back by Rod & Ruby's cannoli and flat white. This time I poked around some bits of the modern flats I'd not really experienced before, mused on the old gasworks, and headed back down the Hotwell Road, spotting a re-opening gallery and finishing off at the Adam & Eve, for which some locals are currently rushing to launch a bid to turn it into a community business rather than have a developer turn it into yet-more flats.
I was in a bouncy, positive mood, helped out by Life Without Buildings' Live at the Annandale Hotel album1. Note to self, though: the album is nearly an hour long, so if you hear the encore starting and you're still halfway down the Hotwell Road, you'll probably be late back from lunch...
1 That review's well worth a read. Music journalists tend to go extra-dreamy when trying to describe Sue Tompkins. See what I mean:
She circles her limber tongue-twisters, feints, and attacks from unexpected angles, dicing and rearranging them with the superhuman brio of an anime ninja and a telegraphic sense of lexical rhythm.
I'm sure when they were getting the idea of this place past the planning committee there was probably a higher ratio of public art to wheelie bins.