20 Mar 2021
My friend Lisa was meeting another friend for a walk near the suspension bridge, so we fitted in a quick harbourside loop from my place first. We discussed gardening (we're both envious of the gardening skills of the Pooles Wharf residents; we can just about keep herbs alive, whereas they're growing heartily-fruiting lemon trees outdoors in England along with everything from bonsai to magnolias), cafes, work and architecture, among other things.
21 Apr 2021
Obviously, I was trying to connect to the industrial history of the Canon's Marsh area, to the old gasworks, the docks railway, the warehouses they blew up to make way for all the rather soulless modern stuff (though I do like the Lloyds building, at least.) But what I mostly got out of today's walk is a new cafe to go to for my lunchtime outings. It's perhaps a little closer than both Imagine That and Hopper Coffee; not quite as close as Foliage and Twelve up in Clifton Village, but also not at the top of a steep hill.
No, not the mediocre Costa, but only a little way away from there: Rod and Ruby's, which opened in 2018 and which I've seen in passing several times but never popped into until today. What can I say? I was foolish. Great flat white, lovely interior, astoundingly good cannoli.
Sometimes you just have to get your head out of history and enjoy a pastry.
Here's a weird thing that I always remember when I spot the endoscopy centre: in January 2019 there was a "Major emergency response after incident in city centre", where "Six taken ill after mystery substance is hurled from window near Harbourside".
As far as I know, the Bristol Post—who back then were basically just a Twitter aggregation service rather than an actual newspaper—never did any follow-up stories on what the substance was, or what on earth this was all about, but I do know the window that they mystery substance was hurled out of (or possibly into, the story's a little self-contradictory on that point) was a window of the Prime Endoscopy centre. The mind boggles.
This is probably my least-favourite bit of the harbourside, and there's a mediocre Costa there as if to celebrate the fact.
I suppose it's appropriate for the Canon's Marsh area. I wonder if they considered spelling it with one "n".
29 Apr 2021
Another quick excursion to Canon's Marsh, tempted back by Rod & Ruby's cannoli and flat white. This time I poked around some bits of the modern flats I'd not really experienced before, mused on the old gasworks, and headed back down the Hotwell Road, spotting a re-opening gallery and finishing off at the Adam & Eve, for which some locals are currently rushing to launch a bid to turn it into a community business rather than have a developer turn it into yet-more flats.
I was in a bouncy, positive mood, helped out by Life Without Buildings' Live at the Annandale Hotel album1. Note to self, though: the album is nearly an hour long, so if you hear the encore starting and you're still halfway down the Hotwell Road, you'll probably be late back from lunch...
1 That review's well worth a read. Music journalists tend to go extra-dreamy when trying to describe Sue Tompkins. See what I mean:
She circles her limber tongue-twisters, feints, and attacks from unexpected angles, dicing and rearranging them with the superhuman brio of an anime ninja and a telegraphic sense of lexical rhythm.
So new it doesn't seem to be on Google or Bing Maps yet, at least on the actual map bit, this is the one new build that stands alongside the two historic-building-conversion jobs (Purifier House and Engine House) at Brandon Yard, basically the site of the old gasworks.
They were one of the last sites to be regenerated, after some failed attempts to turn them into offices, including by the Soil Association. I don't know much about what they do in a gasworks, but I heard that the ground was highly polluted and needed a lot of remedial work before anything new could be put there.
Another of the old gasworks buildings (or at least the shell of it.) The modern flat conversion stands on Lime Kiln Road—before this site was flats, it was a gasworks, before it was gasworks it was a timber yard, and before it was a timber yard, starting in the 17th century, it was a lime kiln glassworks, demolished 1838.
I suppose it's possible that purifier house was the reason for the ground pollution I heard about that made the site hard to redevelop, but I'm only guessing, based on the idea that if you remove the impurities from the gas at your gasworks, you probably end up with a whole lot impure stuff you've got to put somewhere...
I'm sure when they were getting the idea of this place past the planning committee there was probably a higher ratio of public art to wheelie bins.