A long walk around Cliftonwood and Clifton with my friend Lisa, taking in some of the 12 Days of Christmas display at Queens Parade, picking up a take-away coffee from Pinkmans of Park Street, and poking our heads up against the glass of SS Peter and Paul Catholic Cathedral.
I think I prefer it when a new building makes a bold statement in its surroundings rather than trying to meekly fit in. This might be stretching it a bit, though.
On the down side, I got to Bedminster and found long enough queues at both Mark's Bread and Hopper Coffee that I gave up on the idea of buying a drink and a pasty (from the former) or a mince pie flapjack (from the latter.) On the up side, I got to take some pictures of Cumberland Basin being drained and sluiced out, part of its regular maintenance cycle.
I think the cute little Duncan Cottage was my favourite bit of this wander up the hill to get coffee and a pain-au-raisin from Twelve, though I did enjoy gently musing on the public and private gardens of Clifton, inspired by a closer pass than usual to Royal York Crescent's garden.
I managed absent-mindedly to clear my GPS track before saving it, so this hand-created track-log may cause me problems in the future. I suppose we'll see.
Despite a mild headache, I enjoyed this wander over to Bedminster. The light was lovely, especially toward the end. I always enjoy the view down the streets south of North Street at this time of day/year, with the distant hills backdropping the Victorian terraces.
A long meander around bits of Bedminster, from the river to the north to Winterstoke Road to the south, taking a few roads I've seen before, and a few I haven't. The Christmas decorations were an extra bonus.
This is the second house called DUNDRY VIEW I've found on my wanders. The first is on Cornwallis Avenue, much nearer to me.
Not entirely sure what these markings represent, but presumably the place is being re-rendered, otherwise they wouldn't be spraying paint all over it.
Despite the weather, Sarah and Vik and I wandered around Ashton Court a bit as the sun rose. Not that you could really tell. Sadly, the bit we wanted to watch the sunrise from was closed, because people hadn't been treating the deer with appropriate respect. Ah well, at least it was some exercise.
As you do. One of the fibreglass gorillas from the "Wow! Gorillas" public art project organised by Bristol Zoo in 2011. We had one in the lobby when I worked at Axa -- some were bought by corporations and displayed publically; not sure what the story behind this one being on a balcony in Clifton is.
This one is the "I Spy" Gorilla, originally sited at Slimbridge Wetlands and Wildfowl Trust, which presumably explains the decoration, created by artist Dave Bain.
A Christmas Day walk with my friends Sarah and Vik, taking in the shipwrecked Shadow and a hilly chunk of Leigh Woods.
I went to have a peep at the giant sinkhole that's opened up in Canynge Square—ironically, having recently discovered the gardens were public I'd had the (triangular!) square on my list to re-visit for a few days, but now there's no entrance to the gardens due to the danger. The area was well fenced-off for safety, but I tried to get a couple of photos from behind the barriers.
I also explored the area around Camp Road, an real melange of architectures, one of the most mixed-up areas I've seen in Clifton, in fact, and confirmed my friend Claire's suspicion that an earlier snap of a sign from Manilla Road was in fact for a fire hydrant. Nice.
The International Grotto Directory website says:
Prince’s Lane might have been one of the original ancient tracks from Hotwells to Clifton, in the Avon Gorge. The site later formed part of Rownham Woods which comprised some thirteen acres. By the end of the 18th century and the early 19th century, the Society of Merchant Venturers granted to Samuel Powell a building lease, for The Colonnade (1786), St. Vincent’s Parade (1790), Prince’s Buildings (1796), and Rock House. Rock House is generally considered to be the oldest surviving building associated with the Hotwell (see Chapter 20). John Power conveyed part of the woods to William Watts for the construction of Windsor Terrace (1790-1808).
The above development of the Avon Gorge cleared Rownham Woods, and created a triangle of land on the north side of the gorge, that became enclosed as a result, by Mansion Houses, whose garden walls all entered on to Prince’s Lane. The Lane started at the bottom of the gorge, at the base rock of Windsor Terrace, and came out half way up Sion Hill. It is clearly shown as a public footpath, dotted with trees, in Ashmead’s map of 1828. Some of the gardens were quite steep in parts and therefore, had to be terraced, because of the gradient of the gorge.
I've passed Prince's Lane literally thousands of times in my life, every time I've walked past the Avon Gorge Hotel, which itself started (in 1898) as the Grand Clifton Spa and Hydropathic Institution and pumped water up from the Hot Well for its hydropathic treatments. I've never actually ventured down it until today, or at least nothing like as far down it as I did this afternoon—I may have poked my head around the back of the hotel to see the original pump rooms at some point in the past.
This was a great wander, though it does very much feel like a private road, and frankly I may have been pushing my luck a bit by winding my way between the astoundingly big back gardens of the houses of some presumably very wealthy Cliftonites, but I felt vaguely justified in exploring the history of one of the oldest footpaths in my part of Bristol...
Went for a wander with my friend Lisa—the current lockdown rules seem to be that one local walk for exercise per day with a maximum of one person not in one's "bubble" is fine—up to the University of Bristol area right at the edge of my one-mile perimeter to see the Jeppe Hein Mirror Maze, among other things. On the way we mused about Merchant Venturers, the slave and tobacco trades, and dating in the time of Covid.
Having Googled them, Mickey Beans (behind the Waitrose van) is a quite swish-looking coffee shop, not, as I'd expected, a greasy spoon.
You'd be forgiven for thinking this was a Banksy if you were to Google it, but everyone in Bristol knows that as soon as someone so much as lifts a can to a wall it seems to generate endless bollocks "news" articles like IS THIS A NEW BANKSY!?!!??!?!? and the answer usually follows Betteridge's law. This one's by JPS.