Tagged: illustration
Leigh Woods Walk
14 Mar 2021
An enormous walk today, or at least it felt enormous. My feet are sore, anyway. I started off recreating a couple of local historical photos in Hotwells, but then headed for my traditional walk along the towpath in the Avon Gorge to the far extreme of Leigh Woods, up and through the woods to the height of the Suspension Bridge, finally crossing into Clifton Village for a well-deserved vanilla latte.
I say "traditional" because this used to be a very regular route for me, first walking, years and years ago, and later jogging—this route combined with a circuit of the Downs on the other side used to be my way of making sure I was fit to do a half-marathon (I did six of them in total, between 2010 and 2014).
I miss the routine of this walk, even though it's a long way and it used to pretty much wipe me out when I did it—I'd come back home and collapse and do very little for the rest of the day. But perhaps that's what Sundays are for, and I should try to remember that.
Doing this walk regularly was quite a meditative experience. Not so much of that today, but once I got to the further extreme of the towpath, where the roar of the Portway traffic on the other side of the river dwindles and I turned into Leigh Woods to climb ever closer to birdsong and further from rushing cars, I did seem to recapture a little of the feeling of previous walks. (I would say my mind cleared, but I was mentally singing along to Life Without Buildings' The Leanover for most of the wander. There are worse songs to have stuck in one's head, though; it's a great track...)
Anyway. Apparently the walk made me more likely to ramble in words, too. I'll stop now :)
Harbourside Milestone
17 Mar 2021
The other day I realised (hello, Maggie!) that my next walk would be my hundredth, and that I'd done 393.4km so far. I figured it would be nice to get to 100 walks and 400km on the same walk, so I went for a nice long harbourside wander after work, rather than dashing out at lunchtime. As it turned out, we're just coming up to the time of year where I can leave the house at 5:30 in the evening and there's still just enough light to take photos by the time I've made it around the harbourside. Though only just, and mostly because I've got a full-frame camera that's not bad in low light...
Still, the evening light made a lovely change, and some of the photos turned out to be pretty good photos per se, rather than just record shots of my walk. I'm looking forward to more evening walks like this as summer approaches.
On the way around this evening I wandered through one of the oldest bits of the city to extend my walk and snapped some interesting bits of architecture, including an NCP car park(!) and a nighttime shot of one of my favourite subjects, the clock tower at the Albion dockyard.
It's seen better day. Virtually every Banksy appears to be either vandalised or stolen as soon as it turns up in Bristol these days. Wikipedia even has an article devoted to a list of his works that have been destroyed.
A Journey to the Far East
25 Jul 2021
The far east of the intersection of my one-mile radius and Bedminster, anyway. I was feeling a bit tired this morning, so I motivated myself to get out of the door by imagining one of Mokoko's almond croissants. That got me on my way, and I wandered across to Bedminster, through Greville Smyth Park, along most of the length of North Street (looking out for new Upfest 75-pieces-in-75-days artwork as I went) and then onto some new roads at the far end.
I only wanted to knock a few streets off my "to do" list, but by the time I'd diverted here and there to check out various bits of graffiti and other attractions and come back via the aforementioned purveyors of Bristol's finest croissants, I'd walked 7.4km. Not bad for someone who woke up tired, and at least I've done something with my day. I'm very glad the weather broke (we had tremendous thunderstorms yesterday), even if some of the pictures might've looked better with a blue sky. I was getting fed up with walking around in 29°C heat...
A Long Wander Of Miscellany and Magick
08 Aug 2021
This was a wide-ranging wander. I started off crossing the river to Bedminster, to walk a single little cul-de-sac, Hardy Avenue, that I'd managed to miss on at least one previous walk. Then, pausing only to explore a few back alleyways, I headed for a few destinations related mostly by the Hughes family, who I've been researching a little as part of background for a possible novel, as several of them were involved in the Stella Matutina.
However, mostly it's the artistic side of the family I wanted to explore today, as that's where most of their public history lies (as you might expect, there's often not much in the public record about the workings of an occult organisation.) First I visited College Green, where the façade of the Catch 22 Fish & Chip shop still bears the work of Catherine Edith Hughes. Then I wandered up to the top of Park Street to pop into the Clifton Arts Club's annual exhibition, as Catherine, her half-brother Donald, his wife Hope and at least two other Hugheses were members. Donald was chairman for 40 solid years; Hope was Secretary for eight, and Ellard and Margaret Hughes, two more Hughes siblings, were members along with Catherine.
Finally I walked home with a small diversion to Berkeley Square, to confirm the location of Donald Hughes's house by checking for a particular plaque by the front door.
I must admit I'm not entirely sure where all this research is really leading me, but I'm finding it quite interesting to bump across the faint lines of history that link the Hermetic Order of the Golden Dawn, founded in 1888, to modern, quotidian Bristol.
I'm afraid that this is a bit of a badly-curated wander, where I mostly just popped out to find out a little of the history of Underfall Yard and poke around the various open workshops, and, in hindsight, really didn't take pictures in any kind of coherent order. So there's a lot of pictures, but they don't really tell the story that, in hindsight, I seem to have been trying to tell, of the unusual electrical substation in Avon Crescent, the Bristol Electricity that predates the National Grid but is still in use, the history of the hydraulic power house... It's a bit of a mess.
But I suppose sometimes these wanders—always chronologically presented in the order I walked and took photos—simply will sometimes be a bit of a mess. Let's hope you still get something out of it, anyway...
And here's the Loxton picture of the exterior, from the Bristol Libraries collection. Seems such a shame to have bricked up those lovely windows.
Recreating a Loxton Drawing on a Lunchtime Jaunt
05 Nov 2021
I did do a much longer wander earlier in the week, but that'll take me some time to process (and cast a plethora of photos into the "out-takes" pile!) In the meantime, here's my lunchtime jaunt, taken to give myself a break from doing the company bookkeeping to send to my accountant so the taxman doesn't sling me in chokey.
I've recently bought a slightly creased secondhand copy of Redcliffe Press's 1992 collection of Samuel Loxton drawings, Loxton's Bristol: The city's Edwardian years in black and white. It's a nice selection of Bristol Library's collection of the drawings. I'd noticed a drawing of 25 Royal York Crescent, a house I pass quite often, so I thought I'd wander up the crescent on the way to pick up some lunch and try to reproduce it.
On the way back I took a few photos of Clifton Hill Bank as the crowdfunder to make quite a lot of it into a wildflower meadow has just hit its target, so I figured some "before" shots might be a good investment for the future...
Loxton drawing from Bristol Library collection via Loxton's Bristol, Redcliffe Press, 1995 ISBN 1 872971 86 5.
I was just about starting to feel better—the antibiotics seemed to have kicked in for my dental issues, and it had been some days since I'd left the house, and I was at last starting to get itchy feet. So, a wander. But where? Well, there were a few industrial bits near Winterstoke Road in the Ashton/Ashton Vale areas of Bristol that needed walking. I knew they were likely to be quite, well, unattractive, frankly. So why not do them while I wasn't feeling exactly 100% myself? Maybe it would fit my mood. Hopefully you're also in the mood for a bit of post-industrial wasteland, for that's what some of this feels like...
Then, at the last minute, I thought again about the Bristol International Exhibition—I've got a book about it on the way now—and that gave me another goal, which could just about be said to be in the same direction, and I decided to walk significantly further than my normal 1-mile limit and try recreating another historical photo...
Sadly I don't know much about the Ashton area; it's just on the edges of my mile and I rarely have cause to go there. It's brimming with history, I'm sure: the whole South Bristol area rapidly developed from farmland to coal mines to factories to its current interesting mixture of suburbs and industrial work over the last few hundred years. As a more working class area less attention was paid to it by historians, at least historically-speaking, than the Georgian heights of Clifton, and much of it has been knocked down and reinvented rather than listed and preserved. I see here and there some of this lack is being addressed, but I'm afraid I'll be very light on the history myself on this wander, as most of my usual sources aren't throwing up their normal reams of information as when I point them at Clifton, Hotwells or the old city.
Here's the BBC report. This was posted on a telephone junction box in the "Daveside" area, the little strip of Festival Way that's used as a skate park in between the old railway depot and the White City allotments.
In Which We Begin and End with Love
05 Mar 2022
I had a lot to get done around the house, so as soon as I heard there might be a shiny new piece of street art near me, under the Cumberland Basin flyovers, I immediately decided that was all the excuse I needed to set off on a round-the-harbour lunchtime walk to get some fresh air and see if I could spot it. So, here's a circular wander that takes in graffiti, boats, wildlife and graffiti again...
A Coffee and a Curve
27 Mar 2022
I wanted to have a wander along to the Tobacco Factory Market for some shopping, and checking the map for any leftover nearby streets I noticed a tiny curve of road on the way into the modern flats at Paxton Drive that it didn't look like I'd walked down before. I wouldn't take me too far out of my way, so I decided to head there first and then across to North Street to get my groceries and a coffee...
Looks more like a naughty-lus to me! We've seen another artistic nautilus before, on Park Row, by Lucas Antics, but this doesn't look like their style to my (entirely untrained!) eye.
I noticed I had a few things on my "potential wanders" list that could all be done relatively close to home, and in a fairly straight line, so I set off at lunchtime to recreate a photo of a now-defunct pub, wander behind a Spar (which turned out to be more interesting than I'd expected, but I admit it's a low bar) and spend some time browsing in Dreadnought Books before coming home via a coffee from Spoke & Stringer, a little diversion up Gasworks Lane and a tiny bit of the Rownham Mead estate I'd somehow previously skipped.
On Know Your Place you can check out old maps of Bristol. Sadly there doesn't seem to be an easy way of linking to a particular map/location. Still, here's a little screenshot of the 1898-1939 layer. These tracks are still there on the later 1949 map, so at least this section survived the war, I think.
Having checked Wikipedia I think this section, which ran from Canons Marsh to Ashton Avenue Bridge and then on to the south was created in 1906, and closed in 1965.
This map fragment will be © Ordnance Survey.