Tagged: letter
I bought a vintage post card from eBay this week. It's a well-known photo of the Hotwells landing stage, showing what's likely to be a P&A Campbell paddle steamer moored there. (Just yesterday I snapped a photo of their buoy on display at Underfall Yard with its information sign.) It was posted from here to Canada in 1936, and has now returned via a presumably quite circuitous route.
Local journalist Maurice Fells (really local—I could probably hit his house with a well-flung teacake from here) notes in The A-Z of Curious Bristol (£) that:
For tens of thousands of people, the pier at Hotwells was the starting point of their day trip as they boarded steamers with names like Glen Avon, Glen Usk and Britannia. The salty tang of the sea was never far away as the steamers headed for Ilfracombe, Weston-super-Mare, Clevedon and Portishead on the Devon and Somerset coast and Barry, Porthcawl and Tenby in South Wales.
The landing stage is long-abandoned. A variety of economic issues, including fuel prices, the increasing prevalence of the motor car, the construction of the Severn Crossing giving easier access to Wales, and the collapse of Clevedon Pier during safety testing in 1970, which prevented larger pleasure boats from stopping at the resort, all led to dwindling trade.
I went to have a poke about there today, not staying for long as it's a cold day and the wind was biting. I couldn't reproduce the postcard's view—you'd need to risk life, limb and presumably a trespass prosecution—but I did try to judge the rough viewpoint and angle of the photo by lining up with Rock House, the Colonnade and the Suspension Bridge and snapped a photo looking back to where the original photographer would have stood on the pontoon.
This Bristol City Docks history page has many good photos of the landing stage and the nearby Port and Pier Railway line (whose tunnel I was in the other day) and the Hotwells Halt railway station, which was just the other side of the suspension bridge from here.
Green Squares and Secret Gardens
31 Jul 2021
At the end of July I went to have a look around some of the private gardens opened up by the annual Green Squares and Secret Gardens event. Sadly it was compressed into a single day this year, for various Covid-related reasons, it seems, so I didn't get to poke around too many places. I went to:
- A talk by the oldest resident of Victoria Square
- The St Vincent's Rocks Hotel garden
- The Paragon garden
- Cornwallis Crescent gardens, both east and west
- The Polygon garden
And snapped a few things in between, too. It was a lovely day—a bit too hot, if anything—and it was interesting to get into a few places I'd only ever seen from the outside, especially The Paragon and Cornwallis gardens, which are the least visible to passing strangers of all of them.
It's a little tamer now than it was back when anti-residents' parking zone protesters drove a tank through the city to deliver their petition. This one's about an experiment to pedestrianise Princess Victoria Street.
Won't make any difference to me one way or the other, really; I just walk up to Clifton Village for my shopping. Or, quite often, in completely the other direction, to North Street in Bedminster. I like both areas for shopping, and it's good to live close enough to either to get there on foot.
I've been pretty awful at reading so far this year, apparently averaging about one book per month. That's a far cry from 2019, say, where I got through 41 books in the year. Today's wander was prompted by my rubbish reading, as I needed to go hand back some books to the library, because I'd managed to renew them so many times that I hit the limit on renewals. Oops. Several of them were still unread.
So, off to the Central Library for me, tail between my legs. On the way there I did my best to recreate a historical photo of Dowry Square; while I was in the area I walked under the adjacent Norman arch and poked around behind the Cathedral, and I also had a little diversion to the city centre and came back along the south side of the river, hitting some trouble with the lock gates as I finally crossed the harbour back towards home.
This was rather more a "memo to self" so I'd be able to find the album (for this exhibition was intrinsically linked with Sean Addicott's music) on Spotify.