18 Apr 2022
I didn't really set out with a theme of flowers and gardens in mind for this walk. I just fancied heading up to Clifton Village to get lunch. As it turned out, though, Spring was springing, so a minor theme emerged as I started off with the graveyard flowers of Hope Chapel and wandered up to see the beginnings of the new wildflower garden at Clifton Hill Meadow.
I've taken plenty of snaps looking at Holy Trinity from the road, but I think this may be my first looking at the road from Holy Trinity.
There was a somewhat precarious path in the road protected by those yellow plastic barriers to get around some holes being dug in the pavement. I chose the safer route through the church garden and thought I might as well take a pic from the main entrance.
I reckon this has recently been repainted. It definitely caught my eye in the spring sunshine.
24 Apr 2022
I was originally going to head over to the Ashton area to see if I'd missed any bits around the football stadium—and also to grab some lunch from the Tobacco Factory Market—but in the end I got a little distracted by having accidentally chosen exactly the right time to see the Plimsoll Bridge swing on one of the first busy days of Spring, where a lot of pleasure trips tend to head out down the Avon (and possibly the New Cut) from Hotwells.
In the end I mostly snapped that, and just a couple of photos from the Ashton area where I grabbed some lunch but didn't do any new exploring.
Pikto's piece on the side of the Coopers Arms was looking particularly eye-catching in the sunshine...
03 Jun 2022
I managed to go for a wander a while ago that was meant to finish off a little tangle of paths in Leigh Woods, or at the very least finish off my wandering of the Purple Path there. And I managed to miss doing either of those things through some kind of navigational incompetence.
Today I woke up with a bit of a headache, feeling a bit knackered as soon as I dragged myself out of bed, but at least with the energy to realise that I'd be better off (a) going for a walk in what looked likely to be the last of the Jubilee weekend sunshine than (b) moping around the flat until it started raining, at which point I could mope more thoroughly.
I had a look at my map, considered going to Ashton Court, but remembered that there was a music festival there today, and instead found these little leftovers of Leigh Woods and decided to have one more try at walking them.
The Mall was pleasantly decked out with bunting and there was live music, but sadly I got there just as the skiffle band were finishing the last song of their set. Plus I was knackered by this stage—in the end my walk lasted three hours, and I'd walked 10k by the time I got here—so I decided just to get a quick take-away from Coffee #1 (awful Coronation Chicken sandwich, sadly, will probably never try food there again) and head home, so this is my last snap of the wander.
(I timed it well, as the rain started not long after, and right now at half past five in the afternoon while I'm editing these photos it's coming down a storm. A very typical Bank Holiday in England!)
05 Jun 2022
Another day not dissimilar to my last wander: I'm feeling a bit tired and rather than just moping around the house I thought I'd find some tiny bit of somewhere that I'd not yet walked and get outdoors. This time I headed for the Tobacco Factory Market in Bedminster, as I often do, but went the long way around via Ashton Court Mansion as I knew there were some footpaths and a small section of road I'd not ticked off up there. Finishing all the Ashton Court footpaths will be quite a long job, but you've got to start somewhere...
I did feel rather better by the time I got home, and, pretty much astoundingly given the weather forecast, managed to avoid the rain completely.
Fairly typical Bristol scene here, as the traffic is held up for a bridge swing caused by a replica of a 15th century caravel.
I'd normally walk over those open lock gates she's just sailed through, but it's easy enough to walk down to the gates at the river end.
Pre-Upfest, as recently as April, Pikto's boy with the catapult still adorned the side of the Coopers Arms.
Not quite sure what to make of the replacement. It's much lower-contrast and less eye-catching, for me. Also, I'm so out of touch I have no idea if that's an original character or some famous pop-cuture reference.
Ahh, according to Natural Adventures it's "what looks like a Vaughn Bode Lizard, an Iconic character in the world of street art", and it's by an artist called Derm. I'd never heard of Vaughn Bodē or his Cheech Wizard and lizard apprentice, so it's not surprising this piece is going over my head. Probably more one for the real aficionados to appreciate.
I've been pretty awful at reading so far this year, apparently averaging about one book per month. That's a far cry from 2019, say, where I got through 41 books in the year. Today's wander was prompted by my rubbish reading, as I needed to go hand back some books to the library, because I'd managed to renew them so many times that I hit the limit on renewals. Oops. Several of them were still unread.
So, off to the Central Library for me, tail between my legs. On the way there I did my best to recreate a historical photo of Dowry Square; while I was in the area I walked under the adjacent Norman arch and poked around behind the Cathedral, and I also had a little diversion to the city centre and came back along the south side of the river, hitting some trouble with the lock gates as I finally crossed the harbour back towards home.
I don't know anything about this photo, really; I saw it pop up on eBay in one of my automated searches for "Hotwells" and this nice, open view of Dowry Square, which is a lot more overgrown these days, made me click that "buy" button. This is a print from a negative in a private collection but more that that I can't really tell you. The "Hepworth" could be Watler Hepworth, as it seems there was a Bristol photographer of that name in about the right period, which I"m guessing to be sometime between the First and Second World Wars. The tram rails and electrical lines are still in place, as you can see.
One nice detail is the Bass signs in the windows of what was clearly still back then the York Hotel on the corner of the square. There's some pictures of what I've been assuming is the main bar entrance that faces onto the main road and remains quite well-preserved in a moment...
Nowadays known as York House, and apparently offices, this was originally built by George Tully, like a lot of the rest of the square.
According to this Heritage Statement about No. 10 by Mark Hines Architects he started building in 1723, imagining accommodation houses for Hotwells visitors, but later built this large hotel and other buildings like the Clifton Dispensary at No 12 as the spa became more popular and the square evolved into a centre of medicine. I'm a little confused by that claim as the York Hotel went up c. 1780, according to the listing, when Tully had been dead for ten years, but perhaps it means he planned it before he died.
And now we've teleported down the Hotwell Road to College Green, where I found that the library wasn't open yet (I'd forgotten they didn't open until 1pm on a Sunday) so carried on past it and turned through an old Norman archway.
This was a section I wanted to walk, as although I have actually wandered through the arch and pottered around this bit of Bristol before, I think that was one of the days my GPS battery died halfway through a walk, so I never posted any records of it. Here I can redress the issue. We've seen the other side of this grand bit of architecture before, and the next photo has the information plaque which will tell you more about it more concisely than I could.
One fact that isn't on the plaque is that Catherine Hughes, the local artist who made the pomegranates for the front of the Cabot Cafe, had her studio in one of the upper rooms for a time. I presume this was wangled by her father, a local estate agent who was heavily involved in the whole College Green area. From the Clifton and Redland Free Press, 18 April 1900:
Comparatively few people are aware that the interesting structure known as the Abbey Gate House, College Green, the fifteenth century building above the fine old Norman archway, is now given over to the fine arts. It is the studio of Miss Catherine Hughes, and a private view of a charming exhibition of water colour drawings, by that young lady and Miss Ludlow, both local limners, was held last week, when a large number of ladies and gentlemen accepted the invitation to inspect the works, among the company being some local artists. Miss Hughes and Miss Ludlow studied under Ludovici in London, and are now following their profession in Bristol
Okay, so given that the library won't be open until 1pm I need to kill some time. I decided to have a mooch around the "old city" area.
Here I noticed a newish specialist darts club, apparently. Can't for the life of me remember what was at 41 Corn Street before this appeared.
My boss plays darts, but given how accident-prone she is it would take some convincing for me to enter a room where she was both drinking and in charge of throwable pointy objects.
The Mother's Ruin and Seamus O'Donnell's, just to the left here, are both good pubs. Sandwiched in between them at the moment is Shall Not Fade, who sell plants, vinyl records and clothes. The also, apparently, run a record label and a festival. I was tempted by a calathea, but I didn't want to be carrying it around for the next couple of hours. I'll have to come back another day.
I'm in the habit of going over to the Tobacco Factory Market on a Sunday. I think I've walked all the routes around that way, but as a Plimsoll Bridge swing let me cross the road to the far side of Brunel Way on my return journey and I took a couple of photos of the brownfield development at the old Ashton Gate Depot site I thought I'd call it a Wander and pop some photos up.
The street art is still looking good, but one of these properties has been turned into such low-end multiple-occupancy accommodation that it got into the Bristol Post this week with pictures of one tiny room with a shower alongside the bed serving as the sole room per person, with a toilet shared between four "studio rooms". I suppose this is actually better than the student accommodation I had in my first year at Warwick, but at least that was actually on campus...
Well, technically that's Freeland Place, I suppose, but I was standing on Granby Hill to take the photo. I wonder how many photos of this fab house with its wrapping of Boston ivy I've taken over the years? I find it hard to resist on a nice clear day, especially if there aren't any cars parked on the hill and the ivy is in full effect.
19 Aug 2023
It's been a long while since I did one of these walks.
I'm thinking of finishing up the project by walking one or two last bits of road, thus being able to declare with all honesty that I've done my best to walk every public road within my mile (and quite a few alleyways besides.) As a prelude, and just because I felt like it, I decided to drag out the camera and GPS on this little wander to the local shops.
I was concerned about the state of Rock House, or at least its southern half, the last time I took a closer look at it while passing. Happily it seems to have been bought by someone prepared to fix up that drooping balcony. Here's hoping these repairs continue and my next photo of the place shows both sides of this old house (dated back to at least 1731 by a William Halfpenny engraving, no matter what the Listing says.)
Just behind Rock House you can see a bit of the Colonnade, sawn off at the end to make room for the widened Hotwell Road, I believe. Back in the day, according to 1925's The Bristol guide; being a complete ancient and modern history of the city of Bristol, the Hotwells and Clifton:
For those who prefer exercise to silting, there is the Colonade with shops, built beneath the rocks, and a parade about
800 feet long, shaded with trees, by the side of the river, so that the company may enjoy a dry and pleasant walk when it rains, or an airy, cool, and shady walk in the warmest season: also during the influx and efflux of the river, they may be entertained with the sight of the Merchant's ships, Steam packets, and Coasting vessels that generally pass up or down.
18 Mar 2021
Reproducing historical photos seems to be a developing interest for me. On today's wander I just went for my normal coffee at Imagine That, but along the way I stopped at Baltic Wharf (the modern housing estate; historically-speaking, I was probably in between Canada Wharf and Gefle Wharf—about here, in fact) to reproduce a 1930s photo of the Mardyke area from the Tarring collection.
Mardyke, from what I can work out, means "a ditch along the margins". Before my researches, I only really knew the name from the Mardyke pub, a big place on the Hotwell Road. Everyone knows the Mardyke, partly because of its size and signage, but I've only been in once or twice, too long ago to remember much of what it was like. However, the wharf there used to be known as Mardyke Wharf, and the area in general as Mardyke. (I just found an 1826 painting by Thomas Leeson Rowbotham of "Mardyke seen from near Hilhouse's Dock, showing the 'Clifton Ark' floating chapel" that shows the area before much development had happened, incidentally, and now I feel like I need to find out a bit more about the floating chapel...)
I enjoyed snapping the "after" photo; the process involved moving a group of swans out of the place I needed to stand to get the photo; luckily I've started carrying waterfowl food along with my on my harbourside jaunts, so I could use bribery rather than a more confrontational approach. Not sure I'd fancy my chances against a swan, though I did once team up with another passerby to shoo a recalcitrant one off the Redcliffe bascule bridge so a busful of commuters could continue their journey to work...
The colourful modern flats stand on School Road, presumably the last hint that the Clifton National Schools building was there before. It's nice to see both the Mardyke Pub and some of the ordinary houses from the terrace dead centre still there and looking much the same.
20 Mar 2021
My friend Lisa was meeting another friend for a walk near the suspension bridge, so we fitted in a quick harbourside loop from my place first. We discussed gardening (we're both envious of the gardening skills of the Pooles Wharf residents; we can just about keep herbs alive, whereas they're growing heartily-fruiting lemon trees outdoors in England along with everything from bonsai to magnolias), cafes, work and architecture, among other things.
This was one of the details I used to line up my "after" pic of Mardyke with the 1930s "before" pic on my last wander.
I wasn't going to take a very long walk on this nice spring evening; it just happened. I was going to knock off a path or two on Brandon Hill, home over centuries to hermits and windmills, cannons and Chartists, and then just wander home, stopping only to fill up my milk bottle at the vending machine in the Pump House car park.
However, when I heard a distant gas burner I stayed on the hill long enough to see if I could get a decent photo of both the hot air balloon drifting over with Cabot Tower in the same frame (spoiler: I couldn't. And only having the fixed-focal-length Fuji with me didn't help) and then, on the way home, bumped into my "support bubble", Sarah and Vik, and extended my walk even further do creep carefully down the slipway next to the old paddle steamer landing stage and get some photos from its furthest extreme during a very low tide...
This is clearly the modern corner of QEH, though the turrets at the far right are from the 1847 Tudor Gothic Revival building. QEH was founded in 1586, but was originally housed in Gaunt's Hospital mansion house, Unity Street. (There's more information on the name Gaunt in an earlier photo of Gaunts Lane)...