Tagged: neighbourhood
The track on the map doesn't tell the whole story of this walk with Lisa around and about Clifton, Berkeley Square, Brandon Hill and the harbourside, because the batteries on my GPS ran out while we were on the roof of Trenchard Street car park, it seems. Oh well. I think I did most of the area I was interested in finishing off around the University; there were only a few new bits around Brandon Hill that won't be on the track, and I can easily do them again.
Still, technology woes aside it was a nice walk, albeit a bit warm for climbing all those hills, and sat on the harbourside watching the world go by for a while, too. It was good to see the Bristol Ferry Boats carrying people around again, especially.
I've sometimes idly wondered what this thing on the side of Richmond Heights is. I'm told by KYP Bristol (who certainly know their local history) that it used to have the name of the building on it, but the letters fell off.
This means that somewhere out there, a student almost certainly has all the letters they need to make a large sign saying "CHERISH MID THONG"...
Looked a bit to me like number 16 had tilted over to the left a bit since it was built...
"Identified as an Unlisted building of Merit in the St Michael's Hill and Christmas Steps Conservation Area Character Appraisal, January 2009.". It's certainly attractive, clearly old, and feels quite out of place dwarfed by the Uni's modern architecture. Interesting little house.
I was completely wrong in my guess about the little silver piple in the mid-distance; it's not the Airstream trailers on the roof of the boutique hotel in St Nick's; Lisa was right that it's too far to the left in this view. It is, in fact, the roof of Cabot Circus, much further away.
In my defence, it was harder to see with the naked eye, especially as my naked eyes don't work very well anyway...
I had to return a book to the library—Ellic Howe's Magicians of the Golden Dawn, very interesting, thanks for asking—so I decided to pick the Central Library as my drop-off point and walk down a segment of Deanery Road that I've surprisingly overlooked so far. In any normal time I'd have been walking to work that way quite often, or heading through at the weekend on the way to do some shopping in the city centre, or for a coffee at St Nick's, but those excursions have been quite thin on the ground for the last year or so, for obvious reasons.
I've never been inside a single building on Deanery Road itself; the Library is technically on College Green and the rest is mostly student accommodation or Bristol College buildings, by the looks of things. It's a fairly mediocre street, used merely to get to other places. (St George's Road, which merges into it, at least has the distinction of several good shops verging from the practical and long-lived car radio fitters to the excellent little Dreadnought Books, sadly currently closed for refurbishment...)
After dropping off my book I came home via the harbourside, the better to enjoy the nice sunny blue skies of the day.
Or rather, a bit of St George's Road. At the corner there, St George's Road actually continues down the side street to the left. The road straight ahead, on the far side of the junction, is actually Deanery Road, which is the bit I've not walked yet.
I hadn't really planned to go out for a wander yesterday; I just got the urge and thought "why not?" (Well, the weather forecast was one possible reason, but I managed to avoid the rain, luckily.)
I wanted to finish off the A369—as it turns out I may still have a small section to go, but I've now walked the bulk of it out to my one-mile radius—and also a few random tracks in Leigh Woods. I'm still not really sure that I'm going to walk them all, especially after discovering today that "the map is not the territory" applies even more in the woods, where one of the marked tracks on the map wasn't really that recognisable as a track in real life... I'm glad I'd programmed the route into the GPS in advance!
Anyway. A pleasant enough walk, oddly bookended, photographically at least, by unusual vehicles. Leigh Woods was fairly busy, especially the section I'd chosen, which was positively dripping with teenage schoolkids with rah accents muttering opprobrium about the Duke of Edinburgh. I'm presuming the harsh remarks were more about taking part in his award scheme than the late Consort himself, but I didn't eavesdrop enough to be certain...
They've been working quickly. I'm pretty sure this house didn't have the extension when I last passed.
This might explain why I've put off this bit of the A369 for so long. It's mostly just a boring road, desgined for cars.
I was headed into town to return RA Gilbert's biography of AE Waite to the library and along the way I noticed that Dreadnought had finished their refurbishment, but wouldn't be open until midday. That left me some time to kill, so I bimbled around the old St Augustine's/Gaunt's area for a while, then headed up Park Street for a coffee and a snack to eat on Brandon Hill before heading home the way I'd came so I could pop in and buy a pamphlet on the Hot Well I'd been interested in for a while.
I imagine this is the house whose owners also own the plot with planning permission; it seems to be the end of their back garden.
These nearest houses were originally called Chapel Row; they're an extension of the western end of Dowry Square, built 1725-1727. Most of the houses in this area were built from the 1720s onwards as the popularity of the Hot Well caused a demand for lodging space closer than College Green, where people generally stayed before.
Number 262 here, the closest, is presumably owned by the same people who own the little plot of ground that's for sale, given that it's basically at the end of their back garden.
It was called Chapel Row because a chapel used to stand in the middle of this terrace, long before Carrick House was built at the far end.
On the ever-helpful Church Crawler you can see some pictures of the original chapel Dowry Chapel, and its successor, St-Andrew-the-Less. St Andrew (-the-Greater) was of course St Andrew's in Clifton Village.
Pevsner apparently said of St-Andrew-the-Less:
is an unforgiveable crime against the architecture of Dowry Square and chapel Row. Of no value either in its own Gothic forms. The spire is particularly nasty.
Personally, I thought it looked rather nice, but I'm used to Bristol's jumbletechture. It definitely lasted until c. 1963 as there's a picture of it around then (in the background of the devastation wrought by the demolition to clear the way for the Cumberland Basin Flyover System) in Hotwells - Spa to Pantomime.
Though what caught my eye was the barely-visible slogan on the side wall in the middle of the picture: "I DID MY FIRST GRAFFITI HERE WAY TOO LONG AGO".
Anyway. Then I popped along the walkway to return the biography of AE Waite I've just finished, and to discover if the library's reference section had re-opened yet. It hadn't.
A dull alley, but an interesting number plate, at least. It's SSS 666; I've just checked on the DVLA website.
And the subtle spoor of a police horse, I imagine, given how many protests and football fan excursions were going on...
A snappy little trip up the Zig Zag to the shops. It's a steep old route, the Zig Zag, going from just over river level to about the height of the suspension bridge (101 metres) in a compact switchback of a footpath.
I was too busy struggling to breathe to take many snaps of the actual Zig Zag (I've been trying to make it up all the way without stopping the last few times, but I've not quite managed it yet). I did at least take a few snaps either side on this quick lunchtime jaunt to fetch coffee (Coffee #1) and a sarnie (Parsons) from Clifton Village...
Apparently one of the reasons that collections are being missed (this lot's been on Albermarle Row for nearly a fortnight) is a shortage of drivers. There's a general HGV driver shortage at the moment, as well as a backlog of testing for new drivers.
Okay, not much in the way of actual pasture to be had in Bedminster these days, like most of Bristol, but I did take advantage of the current rather toasty weather in Bristol to go and sit under a tree in Greville Smyth Park to read a book for a while before firing up the GPS and taking a little detour around some back streets of Ashton and Bedminster rather than going straight to Coffee #1 for an espresso frappé. This is the first walk in a while where I've actually crossed off an entire new street (the frankly unexciting Carrington Road) as well as exploring a couple of back alleys, just because they were there, really. Along the way I spotted a few examples of graffiti of various qualities, including a live work-in-progress by SNUB23 on Ashton Road and the finished Six Sisters project on North Street.
I think I'm right in saying that that's snub_23 popping up a new piece, but I'm only really basing that off some quick Instagram research and some assumptions; I'm not exactly plugged into the Bristol graff scene and I didn't want to interrupt the conversation.
With bonus transom. I thought I might have snapped the transom before, but I think I was thinking of this one.
This was a work in progress last time I passed. Now all Six Sisters of this female-led graffiti project are finished and fair glowing in the sunshine.
The little balcony there seems to have had increasing numbers of home comforts added over the last year or two. It's astroturfed, too... I suppose lockdowns make you try to use as much available space as possible, even if you are right next to the A4, and all the noise and traffic fumes that entails.
The far east of the intersection of my one-mile radius and Bedminster, anyway. I was feeling a bit tired this morning, so I motivated myself to get out of the door by imagining one of Mokoko's almond croissants. That got me on my way, and I wandered across to Bedminster, through Greville Smyth Park, along most of the length of North Street (looking out for new Upfest 75-pieces-in-75-days artwork as I went) and then onto some new roads at the far end.
I only wanted to knock a few streets off my "to do" list, but by the time I'd diverted here and there to check out various bits of graffiti and other attractions and come back via the aforementioned purveyors of Bristol's finest croissants, I'd walked 7.4km. Not bad for someone who woke up tired, and at least I've done something with my day. I'm very glad the weather broke (we had tremendous thunderstorms yesterday), even if some of the pictures might've looked better with a blue sky. I was getting fed up with walking around in 29°C heat...
Best coffee on North Street, for my money. I made the practical choice and abstained, though, as it's hard to take photos with a coffee in one hand.
Keith Hopewell's piece is one that got vandalised a few days ago, apparently by someone who hates Upfest. It seems to be mostly intact, though, barring the bit in the bottom right (close-up next pic.) Perhaps it was mostly saved by the CCTV camera that appears to be growing out of the girl with her back to us's left leg...
I like this piece, especially the somewhat Samuri-looking robot/cyborg/whatever-he-is.
At the end of July I went to have a look around some of the private gardens opened up by the annual Green Squares and Secret Gardens event. Sadly it was compressed into a single day this year, for various Covid-related reasons, it seems, so I didn't get to poke around too many places. I went to:
- A talk by the oldest resident of Victoria Square
- The St Vincent's Rocks Hotel garden
- The Paragon garden
- Cornwallis Crescent gardens, both east and west
- The Polygon garden
And snapped a few things in between, too. It was a lovely day—a bit too hot, if anything—and it was interesting to get into a few places I'd only ever seen from the outside, especially The Paragon and Cornwallis gardens, which are the least visible to passing strangers of all of them.
This section of Victoria Square, the second side to be built (Lansdown Road is the oldest—Regency—bit) is called Royal Promenade, and it built to resemble a palace. William Batemen Reed built it, then went on to build the Queens Hotel opposite the Victoria Rooms, which every Bristolian I know would more likely recognise by the description "the old Habitat at the top of Park Street" :D
Apparently if the Royal Promenade were symmetrical, the windows of 7 and 8 would be the same size. As it is, 8 is clearly very slightly grander.
You can't see the join. Number 4 was obliterated when a bomb hit it in 1941, taking significant chunks of numbers 3 and 5 with it. Clearly they did a good job of the post-war restoration. There's a mention of the bombing on one of the BBC's People's War pages.
Here's the listing. This bit's described thus:
To the rear a late C19 long brick extension raised on open arches
I've been trying to get a decent picture of this for a while.
Freshly painted, with the scaffolding only recently removed, and looking rather lovely. To its right is the old entrance to the earlier Hotwell pump house that used to stand down on the Hotwell Road, and just to the right of that is the entrance to the Clfiton Rocks Railway. Behind all that is the site of the original Clifton Spa pump room, a grand "long room" that was later used as a cinema and then a ball room. I wonder if there are any plans to renovate it? It was still disused, last I heard, but that was a long time ago, when I peeped through from a Rocks Railway open day....
And on to another garden! This is the upper part of one half of Cornwallis Crescent, which for my money has to have the best combination of size and privacy of all the Clifton communal gardens. It's big and rambling and runs the entire length of Cornwallis Crescent, and is mostly bordered by high walls, with the entrance gates in the alley above the Polygon not giving much away.
One of my nearest private gardens. The Polygon folk were very welcoming, and when they heard I lived locally said I was welcome back at any time. It's a nice little garden. Maybe I'll take them up on it at some point.
This was a wide-ranging wander. I started off crossing the river to Bedminster, to walk a single little cul-de-sac, Hardy Avenue, that I'd managed to miss on at least one previous walk. Then, pausing only to explore a few back alleyways, I headed for a few destinations related mostly by the Hughes family, who I've been researching a little as part of background for a possible novel, as several of them were involved in the Stella Matutina.
However, mostly it's the artistic side of the family I wanted to explore today, as that's where most of their public history lies (as you might expect, there's often not much in the public record about the workings of an occult organisation.) First I visited College Green, where the façade of the Catch 22 Fish & Chip shop still bears the work of Catherine Edith Hughes. Then I wandered up to the top of Park Street to pop into the Clifton Arts Club's annual exhibition, as Catherine, her half-brother Donald, his wife Hope and at least two other Hugheses were members. Donald was chairman for 40 solid years; Hope was Secretary for eight, and Ellard and Margaret Hughes, two more Hughes siblings, were members along with Catherine.
Finally I walked home with a small diversion to Berkeley Square, to confirm the location of Donald Hughes's house by checking for a particular plaque by the front door.
I must admit I'm not entirely sure where all this research is really leading me, but I'm finding it quite interesting to bump across the faint lines of history that link the Hermetic Order of the Golden Dawn, founded in 1888, to modern, quotidian Bristol.
This may be a more interesting view than you'd think at first sight. Whitemead and Winterstoke House, with Southbow House out of sight on the far side, were finished in 1962, as the post-War housing crisis continued. There's a fascinating article in the Bristol Post about them, especially Whitemead House, the block on the left here, which was famously used for external scenes in Only Fools and Horses after filming moved to Bristol, standing in for the fictional Nelson Mandela House in Peckham where the Trotters lived.
The extra strip of modular shops and eateries at Wapping Wharf seems to be doing quite well.
These days it's a fish and chip shop, but it started as the Cabot Cafe.
According to this description of an etching by Alexander Heaney:
Built in 1904 for an estate agent, Walter Hughes, to the design of Latrobe & Weston, architects well known for their cinemas. Above the word ‘Café’ can just be seen the Pomegranate mosaic with enamel insets by the client's daughter, Catherine Hughes, taken from Charles Rickett's bookbinding for Oscar Wilde's A House of Pomegranates, 1891.
Caroline's Miscellany tells us:
Less bright, but equally beautiful, are the copper panels to either side. These continue the pomegranate theme and are pure Art Nouveau. Other details, by contrast, are more baroque (a mixture of styles characteristic of LaTrobe and Weston's work).
Cabot Cafe suffered damage in the Second World War. We are fortunate, then, that this intriguing facade nevertheless survived to delight us today.
I wandered into a back alleyway that I hadn't explored before.
I reckon this is the back of Denmark Street, around where Smoke and Mirrors is.
I reckon this is probably the Co-Op's air conditioning. Don't tell me I never take you anywhere exciting.
The RWA is having extensive work done, including fitting a new lift on the outside (on the far side from here) so people who have trouble with stairs don't have to use the frankly terrifying freight lift.
It's almost like I planned this in advance. This is the 111th annual open exhibition of the Clifton Arts Club, founded 1906.
The Clifton Arts Club featured several members of the Hughes family. The three I'm interested in are Catherine Huges, of the earlier pomegranates, her brother Donald Hughes, and his wife Hope Hughes. They were all at some point members of the Stella Matutina as well as various arts groups in the city. Donald was a member of the Bristol Savages—ahem, sorry, Bristol 1904 Arts, as they've recently rebranded—and apparently something of a leading light on the Bristol art scene.
Lisa and I mostly went out to have a look at Luke Jerram's Museum of the Moon as its tour hit Bristol Cathedral—I missed it when it was previously in town, at Wills Hall, I think—but we also took a trek up to Redland. Lisa's kind enough to indulge my strange current fascination with the Edwardian eccentrics that made up the Stella Matutina, so we swung by a couple of places with a vague connection to the Bristol branch of the organisation. Well, it was good walking, anyway...
As a stunning bonus, one of the picture's descriptions has more information than you'd probably want on the Bristol Port Railway and Pier's Clifton Extension Railway line, but I did happen to coincidentally write up this wander after reading about the extension line during my lunch hour at work today. It's a thrilling life, I tell you...
Cotham House seems to make more architectural sense from the back. Maybe this was originally the front?
