21 Nov 2020
A rather more wide-ranging weekend wander with Sarah and Vik, taking in some mock Tudor bits of Bedmo (I should note that I've subsequently been corrected to "Bemmie", but I'm an outsider and have been calling it "Bedmo" for short for decades...), a chunk of Ashton, a path up Rownham Hill called Dead Badger's Bottom(!), The Ashton Court estate, a bit of the UWE campus at Bower Ashton, and some of the Festival Way path.
It used to be a garage. My friends Sarah and Vik tell me that it was a much, much grander building before succumbing to modernisation, at which point only a couple of details like this were preserved.
I have no idea how anyone managed to smack this street furniture so hard, or what direction they came from to do it. It's a pretty straight 30mph road right there, and this is only one side of the dual carriageway. Never seen so much as a near-miss there.
25 Nov 2020
A quick lunchtime jaunt for coffee. I've often wondered about the dots on the wall of the underpass. Apparently they're not intelligible Braille. Maybe it's Marain :D
One of the other sides of this clock is very broken. At least these two show the same time, even if they're wrong. By my calculation, this broken clock is right six times per day.
At least someone's still watering the plethrora of plants that are arranged in Spike Island cafe's windows.
21 Nov 2020
This is my return from getting my annual flu jab at Christ Church, as explained in more detail in my wander up the hill.
This is now the Bristol School of Dancing. Their website says:
Built in 1893, it stands in the garden of 20 Vyvyan Terrace and it is rumoured that it was once a Swedish diplomatic building that contained a gymnasium. This is probably why on either side of the main entrance the words “Swedish Gymnasium” are carved.
The Maneki-neko (招き猫, lit. 'beckoning cat') is a common Japanese figurine which is often believed to bring good luck to the owner.
21 Nov 2020
A trip up the hill to get my winter flu jab. I'm not sure I really needed it this year, what with avoiding Covid—I haven't had so much as a sniffle in more than a year—but seeing as they offered... Instead of the doctor's surgery on Pembroke Road, they'd taken over Christ Church, presumably to give more room and ventilation for the necessary social distancing at the moment. As usual, it was their typically efficient operation, and I was in and out in about three minutes.
On the way there and back I snapped as much as I could, but I wanted to be home in time for the first online Times Crossword Championship. As it turned out, I needn't have bothered, as the technology at the Times couldn't keep up with the demand from competitors, and their system just collapsed under the weight of page-views. They tried again the day after, and it collapsed just as badly. Maybe next year...
This wander is split into two parts, as I turned my tech off to go into Christ Church for my jab. The walk home can be found over here.
26 Nov 2020
I took the day off my day job to do my accounts—or at least do enough bookkeeping to send them to my accountant. I hate doing the books. I woke up late, tired and with a headache and decided to bunk off for a walk around Cliftonwood, Clifton Village and Clifton instead, taking in a couple of good coffees along the way. Thanks, Foliage Café, and Twelve for the flat whites.
From what I've worked out so far, the use of St Vincent's name around so much of Bristol, especially Hotwells and Clifton, dervies from the ancient hermitage and chapel dedicated to St Vincent of Saragossa, which (possibly) was in Ghyston’s Cave, the cave in the rock face now accessible through a tunnel from the observatory, but at the time only by a perilous cliff climb (which I can only presume is what made it so appropriate for a hermitage.)
Why St Vincent of Saragossa? Anthony Adolph says:
It should be explained that the connection of Bristol with the Iberian wine trade led, in the Middle Ages, to Bristol’s importing of the cult of Lisbon’s patron saint, Vincent.
I have done very little real research on this so far, though, so don't take my word for any of it. I am not a historian, etc.
A rubai from The Rubaiyat of Omar Khayyam:
Perplext no more with Human or Divine,
To-morrow's tangle to the winds resign,
And lose your fingers in the tresses of
The Cypress — slender Minister of Wine.
05 Dec 2020
Back to Cliftonwood for a wander that included some of the belle views of Bellevue Crescent and other bits of the easternmost part. Highlights included watching someone bump-starting an elderly Nissan Micra in the narrow confines of Bellevue Crescent.
Part of the wall has collapsed. It seems like the Council don't want to do anything about it until they can figure out the exact ownership, though local residents are urging them to fix it and worry about recovering money from anyone who might be responsible for some of the repair costs later.
I'm not convinced this is meant to be here. Route 4 is a fair way away, over towards Park Street at its nearest, I think.
I mostly went out to hang out with my friends Sarah and Vik in Bedminster, but along the way I thought I'd take a closer look at something a little nearer home: the last crossing point of the Rownham Ferry.
Bower Ashton is an interesting little area just south of the river from me—in fact, the Rownham Ferry used to take people over from Hotwells to Bower Ashton, operating from at least the twelfth century to around the 1930s.
It's a strangely contradictory little area, with a cluster of old and new houses sandwiched in between the busy A-roads and significantly more industrial area of Ashton and the bucolic country estate of Ashton court roughly east to west, and also between Somerset and Bristol, north to south.
I've been around here before, mostly poking around Bower Ashton's arguably most well-known bit, the Arts faculty campus of the University of the West of England, but I'd missed at least Parklands Road and Blackmoors Lane, so I initially planned just to nip across briefly and wander down each in turn. On a whim, though, I texted my friends Sarah and Vik in case they were out and about, and ended up diverting to the Tobacco Factory Sunday market first, to grab a quick flat white with them, extending my journey a fair bit.
To start with, though, I nipped to a much more local destination, to see something that you can't actually see at all, the Gridiron...
(I also used this wander as a test of the cameras in my new phone. I finally upgraded after a few years, and the new one has extra, separate wide and telephoto lenses compared to the paltry single lens on my old phone. Gawd. I remember when speed-dial was the latest innovation in phones...)
The original entrance to the Ashton Court Estate, apparently. The Clifton Lodge entrance is rather grander.
It's always a treat to find a new alleyway, especially when it seems to be leading in the right direction. I reckon we're going to emerge somewhere near the far end of Parklands Road. This also might be a handy shortcut if I ever want to come back to The Ashton from home...
The whole little area here seems to be called Park Farm, and the area is marked as Park Farm on some fairly old maps. By the looks of it there certainly used to be a Park Farm here, but I don't know if any of it remains farmland or if it's all just residential now.
I think some of it, on the far side of these houses, is now the little estate where the Bristol Wood Project lives, where I once saw some pipers practising, and I suppose some of it may have been turned into the allotments, which would make sense for farmland...
It really is quite countrified all of a sudden. There used to be a couple of barns next to this house; the Bower Ashton Website has some interesting old pictures up.
Jersey Cottage is, unsurprisingly, the place the "cow man" used to live, according to this interesting bit of oral history you can listen to on the Ashton Gate House site.
Away from the A road it's very quiet, the loudest sound along this lane was the squabbling of the hosts of sparrows and other tiny bramble-dwelling birds.
Got to be Bower Ashton Residents Association, right? No particularly hot gossip, sadly. I'm always on the lookout for some local undercurrents on a community noticeboard.
I sort-of like what the architect has done with the odd angles of the porch and balcony, and I do like the asymmetric roof, but on the whole I don't think the oddities are bold enough to really do it for me.