Tagged: house
Another day not dissimilar to my last wander: I'm feeling a bit tired and rather than just moping around the house I thought I'd find some tiny bit of somewhere that I'd not yet walked and get outdoors. This time I headed for the Tobacco Factory Market in Bedminster, as I often do, but went the long way around via Ashton Court Mansion as I knew there were some footpaths and a small section of road I'd not ticked off up there. Finishing all the Ashton Court footpaths will be quite a long job, but you've got to start somewhere...
I did feel rather better by the time I got home, and, pretty much astoundingly given the weather forecast, managed to avoid the rain completely.
First hint of Jubilee-related decorations on this rather odd balcony at the bottom of Granby Hill. The other decoration on this building is a peeing "KEEP YOU JOB KEEP THE POUND" sticker in the next window along that looks like it dates from the 1990s.
Fairly typical Bristol scene here, as the traffic is held up for a bridge swing caused by a replica of a 15th century caravel.
I was 99% sure this was an ice house, and a quick search finds a confirmation from Weird Bristol.
Pre-Upfest, as recently as April, Pikto's boy with the catapult still adorned the side of the Coopers Arms.
Not quite sure what to make of the replacement. It's much lower-contrast and less eye-catching, for me. Also, I'm so out of touch I have no idea if that's an original character or some famous pop-cuture reference.
Ahh, according to Natural Adventures it's "what looks like a Vaughn Bode Lizard, an Iconic character in the world of street art", and it's by an artist called Derm. I'd never heard of Vaughn Bodē or his Cheech Wizard and lizard apprentice, so it's not surprising this piece is going over my head. Probably more one for the real aficionados to appreciate.
I've been pretty awful at reading so far this year, apparently averaging about one book per month. That's a far cry from 2019, say, where I got through 41 books in the year. Today's wander was prompted by my rubbish reading, as I needed to go hand back some books to the library, because I'd managed to renew them so many times that I hit the limit on renewals. Oops. Several of them were still unread.
So, off to the Central Library for me, tail between my legs. On the way there I did my best to recreate a historical photo of Dowry Square; while I was in the area I walked under the adjacent Norman arch and poked around behind the Cathedral, and I also had a little diversion to the city centre and came back along the south side of the river, hitting some trouble with the lock gates as I finally crossed the harbour back towards home.
Nowadays known as York House, and apparently offices, this was originally built by George Tully, like a lot of the rest of the square.
According to this Heritage Statement about No. 10 by Mark Hines Architects he started building in 1723, imagining accommodation houses for Hotwells visitors, but later built this large hotel and other buildings like the Clifton Dispensary at No 12 as the spa became more popular and the square evolved into a centre of medicine. I'm a little confused by that claim as the York Hotel went up c. 1780, according to the listing, when Tully had been dead for ten years, but perhaps it means he planned it before he died.
And now we've teleported down the Hotwell Road to College Green, where I found that the library wasn't open yet (I'd forgotten they didn't open until 1pm on a Sunday) so carried on past it and turned through an old Norman archway.
This was a section I wanted to walk, as although I have actually wandered through the arch and pottered around this bit of Bristol before, I think that was one of the days my GPS battery died halfway through a walk, so I never posted any records of it. Here I can redress the issue. We've seen the other side of this grand bit of architecture before, and the next photo has the information plaque which will tell you more about it more concisely than I could.
One fact that isn't on the plaque is that Catherine Hughes, the local artist who made the pomegranates for the front of the Cabot Cafe, had her studio in one of the upper rooms for a time. I presume this was wangled by her father, a local estate agent who was heavily involved in the whole College Green area. From the Clifton and Redland Free Press, 18 April 1900:
Comparatively few people are aware that the interesting structure known as the Abbey Gate House, College Green, the fifteenth century building above the fine old Norman archway, is now given over to the fine arts. It is the studio of Miss Catherine Hughes, and a private view of a charming exhibition of water colour drawings, by that young lady and Miss Ludlow, both local limners, was held last week, when a large number of ladies and gentlemen accepted the invitation to inspect the works, among the company being some local artists. Miss Hughes and Miss Ludlow studied under Ludovici in London, and are now following their profession in Bristol
The Bristol Cathedral School has seen some controversy over the years, especially after it was given permission in 2013 for the Primary School to take over some of the Central Library. They turfed out some of the archives, which is presumably why I need to wait a week when I order an old book from the library, as someone now has to hoof it down to the B Bond warehouse to fetch it for me, rather than just downstairs.
Founded in 1140, dissolved and then re-founded by Henry VIII in 1542 after he dissolved the monastery, it's only very recently become a City Academy. It is allegedly non-selective these days, but my guess would be that its pupils' parents are significantly posher and richer than others in the local catchment area.
One last view of the Choir School building, the old Deanery, before we leave this area and head into town.
A fairly wrong clock, given that I took this at about 12:40. This used to be the Midland Bank.
It's a cocktail bar inspired by the occult in general and the Tarot in particular, apparently. It's by the same people behind Hyde's, which I remember enjoying very much on the couple of occasions I've made it there.
Again, more of a "record shot" for me, which probably looks rather unimpressive to anyone who didn't see the exhibition in person. It was music and projections of video art which I found fascinating and hypnotic, and was a lovely five or ten minutes' of escape from the bustling outside world.
An enormous walk today, or at least it felt enormous. My feet are sore, anyway. I started off recreating a couple of local historical photos in Hotwells, but then headed for my traditional walk along the towpath in the Avon Gorge to the far extreme of Leigh Woods, up and through the woods to the height of the Suspension Bridge, finally crossing into Clifton Village for a well-deserved vanilla latte.
I say "traditional" because this used to be a very regular route for me, first walking, years and years ago, and later jogging—this route combined with a circuit of the Downs on the other side used to be my way of making sure I was fit to do a half-marathon (I did six of them in total, between 2010 and 2014).
I miss the routine of this walk, even though it's a long way and it used to pretty much wipe me out when I did it—I'd come back home and collapse and do very little for the rest of the day. But perhaps that's what Sundays are for, and I should try to remember that.
Doing this walk regularly was quite a meditative experience. Not so much of that today, but once I got to the further extreme of the towpath, where the roar of the Portway traffic on the other side of the river dwindles and I turned into Leigh Woods to climb ever closer to birdsong and further from rushing cars, I did seem to recapture a little of the feeling of previous walks. (I would say my mind cleared, but I was mentally singing along to Life Without Buildings' The Leanover for most of the wander. There are worse songs to have stuck in one's head, though; it's a great track...)
Anyway. Apparently the walk made me more likely to ramble in words, too. I'll stop now :)
I love the terracing between the back of Rock House/the Colonnade and the heights of Clifton
Amusingly, I think this technically fits some definitions of the word "bungalow", given that the upper half is a giant mansard roof with dormer windows.
