06 Feb 2021
A lovely walk in the early spring sunshine with my friend Lisa. We headed directly for Jacobs Wells Road, to start off around the scene of one of our earlier walks, but this time took in Jacobs Wells from QEH upward, stopping to snap some photos of a Bear With Me, some interesting areas between Park Street and Brandon Hill including a peculiarly quiet enclave with a ruined old build I'd never found before, then crossed the Centre to grab take-away pies from Pieminister (I had the Heidi Pie) and head back to my place down the harbourside.
It's been a while since I've snapped this ultra-traditional Bristol scene. It felt like I had to. On the left there is a solar tree by artist John Packer. Don't know if you can still charge your phone from it, but I thought it was an interesting idea, at least.
21 Apr 2021
Obviously, I was trying to connect to the industrial history of the Canon's Marsh area, to the old gasworks, the docks railway, the warehouses they blew up to make way for all the rather soulless modern stuff (though I do like the Lloyds building, at least.) But what I mostly got out of today's walk is a new cafe to go to for my lunchtime outings. It's perhaps a little closer than both Imagine That and Hopper Coffee; not quite as close as Foliage and Twelve up in Clifton Village, but also not at the top of a steep hill.
No, not the mediocre Costa, but only a little way away from there: Rod and Ruby's, which opened in 2018 and which I've seen in passing several times but never popped into until today. What can I say? I was foolish. Great flat white, lovely interior, astoundingly good cannoli.
Sometimes you just have to get your head out of history and enjoy a pastry.
I've still never been inside. This mirrorball is one of the most photographed things in Bristol, and rightly so. A fun bit of architecture in the corner of Millennium Square.
29 Apr 2021
Another quick excursion to Canon's Marsh, tempted back by Rod & Ruby's cannoli and flat white. This time I poked around some bits of the modern flats I'd not really experienced before, mused on the old gasworks, and headed back down the Hotwell Road, spotting a re-opening gallery and finishing off at the Adam & Eve, for which some locals are currently rushing to launch a bid to turn it into a community business rather than have a developer turn it into yet-more flats.
I was in a bouncy, positive mood, helped out by Life Without Buildings' Live at the Annandale Hotel album1. Note to self, though: the album is nearly an hour long, so if you hear the encore starting and you're still halfway down the Hotwell Road, you'll probably be late back from lunch...
1 That review's well worth a read. Music journalists tend to go extra-dreamy when trying to describe Sue Tompkins. See what I mean:
She circles her limber tongue-twisters, feints, and attacks from unexpected angles, dicing and rearranging them with the superhuman brio of an anime ninja and a telegraphic sense of lexical rhythm.
A mirrorball planetarium, an Augustinian cathedral, some underground car park vents, a roundabout, a casino and an exploratory science centre. It's a bit of a mix.