Tagged: plant
I mostly went out to hang out with my friends Sarah and Vik in Bedminster, but along the way I thought I'd take a closer look at something a little nearer home: the last crossing point of the Rownham Ferry.
You don't often see Entrance Lock cycle at this kind of tide, but a little boat like that doesn't need a lot of water in the river to manoeuvre.
Yes, okay, it's quite the challenge to spot the hand-made historic artifact in this picture. In the next pic I'll zoom in a bit.
There, hopefully you can see it now—the slipway of the last incarnation of the Rownham Ferry, in use from as early as the 12th century to 1932, when this particular slipway was last used.
There's not much to see at the moment, as the tide's a bit too high. I'm going to head over to the Tobacco Factory Market, meet some friends, do a crossword or two, and head back at lower tide.
Again, the slipway is easy to miss. I like these little barely-visible curiosities that hide such heritage. The site of the crossing moved around—it's fairly obvious it wasn't right here in the 12th century, for example, because the river was only diverted into the New Cut, which the ferry crosses here, in the early 1800s. Earlier it was further downstream.
The Tobacco Factory, Bedminster's will-known theatre and bar, bought a farm in 2018 and now has a farm shop attached. always trying to be innovative, bought a farm in 2018 and now has a farm shop attached. I sometimes pop in on a Sunday, though it's the Sunday market that pops up in the back yard that actually lures me over there.
If you were following this route you'll have noticed I just magically took a shortcut through a bunch of houses. That's because I've elided the bit of the route that goes to Sarah and Vik's place and stays there for an hour or two.
Thought I'd grab a close-up of one of the Six Sisters. This one's Oodles of Poodles by "Lucas Antics", aka Alex Lucas & Paul Fearnside, apparently.
Getting back to the Rownham Ferry, the Ashton Avenue Bridge is one of the reasons it was closed. On the excellent Bristol City Docks website you can find a photo called "Rownham Ferry c1906 with Ashton Avenue Bridge nearly built.".
As you'll see in that photo, at low tide the Rownham Ferry was basically just a bridge made out of boats, so it probably still seemed a quick shortcut compared to walking all the way to Ashton Avenue Bridge. I imagine the foot traffic gradually migrated to the new bridge as the ferry was a more daunting prospect at high tide, from what I can gather. Also, the combined road/rail bridge would have allowed people to get the train across the river, rather than stopping at Clifton Bridge Station and using the ferry, I think.
Now the tide's lower, we can see the end of the slipway we looked at earlier poking out from the Somerset side. According this article from the Bristol & Avon
Family History Society:
In 1793 the ferry was identified as being used by many passengers to "cross the river at Rownham ferry and walk to the sweet and wholesome village of Ashton to eat strawberries and cream"
Bower Ashton is an interesting little area just south of the river from me—in fact, the Rownham Ferry used to take people over from Hotwells to Bower Ashton, operating from at least the twelfth century to around the 1930s.
It's a strangely contradictory little area, with a cluster of old and new houses sandwiched in between the busy A-roads and significantly more industrial area of Ashton and the bucolic country estate of Ashton court roughly east to west, and also between Somerset and Bristol, north to south.
I've been around here before, mostly poking around Bower Ashton's arguably most well-known bit, the Arts faculty campus of the University of the West of England, but I'd missed at least Parklands Road and Blackmoors Lane, so I initially planned just to nip across briefly and wander down each in turn. On a whim, though, I texted my friends Sarah and Vik in case they were out and about, and ended up diverting to the Tobacco Factory Sunday market first, to grab a quick flat white with them, extending my journey a fair bit.
To start with, though, I nipped to a much more local destination, to see something that you can't actually see at all, the Gridiron...
(I also used this wander as a test of the cameras in my new phone. I finally upgraded after a few years, and the new one has extra, separate wide and telephoto lenses compared to the paltry single lens on my old phone. Gawd. I remember when speed-dial was the latest innovation in phones...)
You can't actually see the Gridiron in this photo, but I believe it's still there, under that amazing buildup of silt.
The Gridiron—one of the few photos of it can be seen on the Maritime Mud and Miasma page of About Bristol—was a cheaper alternative to putting your boat in a dry dock. It was a 200-foot long grid (there seems to be some debate over whether the grid itself is actually metal, or in fact timber; I'll have to try to find out), 38 feet wide, nestled here between the north and south entrance locks. A ship captain could sail his vessel over here at high tide, then as the tide gradually receded, the ship—up to 250 feet, as overhanging a bit was apparently okay—would settle onto the gridiron.
At that point an inspection and repair crew could make their way down to the gridiron by ladder and do whatever work they could manage before the tide rose up again.
You can still see some ladders in place, I can only presume they were there to get you down to the gridiron, but that is just a guess; information on it seems quite hard to find.
One last snap before we move on. I'm using the wide lens on the iPhone here, and have managed to include a silhouette selfie...
And here's the middling lens on the camera. Not bad, though on every shot I've taken on the iPhone so far where it's been able to see blue sky it's managed to oversaturate it for my tastes. Still, I guess they're aiming at the mass market, and the mass market does seem to like oversaturated colour and the sharpening turned up to eleven.
Not bad, and it's certainly better than not having a wide-angle lens in your pocket everywhere you go. I won't complain too much. "My iPhone oversaturates my photos. Also my wallet is too small for my fifties and my diamond shoes are pinching..."
I love the little details in this piece by Philth and N4T4. — see how it's signed by N4T4 in the hair on the left... It's on the corner of Clift House Road and the bit of Coronation Road that heads toward North Street and has replaced this previous piece.
Most of the front gardens on this little stretch retain what's presumably the original garden walls, all rather nicely put together in a chequerboard pattern of bricks.
It's a nice little terrace, but given that it backs onto the city ground, I'd imagine you have to be a football fan to really enjoy it here.
At this point I've already abandoned my original plan of heading straight to Parklands Road, as some friends had texted me to say there were at the tobacco factory market and would I like to join them for a coffee? Best laid plans, so forth...
Okay, diversion to Tobacco Factory for a flat white complete, now it's time to figure out how to find Blackmoor Lane or Parklands Road from this direction.
Trying to get somewhere around here is a bit like following the White Rabbit, except when you pop back up again there's more industrial estates and fewer hookah-smoking caterpillars.
“Cat: Where are you going?
Alice: Which way should I go?
Cat: That depends on where you are going.
Alice: I don’t know.
Cat: Then it doesn’t matter which way you go.”