Tagged: metropolis
A lovely walk in the early spring sunshine with my friend Lisa. We headed directly for Jacobs Wells Road, to start off around the scene of one of our earlier walks, but this time took in Jacobs Wells from QEH upward, stopping to snap some photos of a Bear With Me, some interesting areas between Park Street and Brandon Hill including a peculiarly quiet enclave with a ruined old build I'd never found before, then crossed the Centre to grab take-away pies from Pieminister (I had the Heidi Pie) and head back to my place down the harbourside.
Well, okay, according to the listing, "deep curved tetrastyle-in-antis porch with Temple of the Winds capitals to an entablature, and a coffered ceiling."
I will miss the way the old sign lit up with a lovely red glow. Unless the new letters do it to, but they don't look very lighty-uppy. At least the clock's still there.
A wander to knock off a couple of bits around Clifton Park that I'd missed out on previous excursions. This one took in the drinking fountain near Sion Hill and explained a little of how the Seven Years War, which ended in 1763, still has some history on display near Manilla Road.
I'm starting to get the hang of which is which. These are Ionic. You can tell by the volutes.
From the Clifton and Hotwells Character Appraisal:
Vyvyan Terrace (1832 -1846) by Richard Shackleton Pope, was named after the Tory MP Sir Richard Vyvyan, who won the 1832 parliamentary election by defying the Reform Bill & bribing 1200 voters.
Nos. 14-17 were the first to be built and stood alone for many years before the rest of the terrace was completed. The group sits on a privately owned raised pavement and railings were replaced as a community project in the late 1970s.
Normally I don't have enough time in my lunch hour to get all the way around the harbourside. This is a shame, as Wapping Wharf is a great place to get coffee and a snack, but it's pretty much diametrically (perimetrically?) opposite me on the harbour. Today I had the day off, so I decided to go and knock off a few streets around Anchor Road that I'd not covered, as well as visiting the site of the Read Dispensary (well, one of them) and dropping into Mokoko for one of their astounding almond croissants. From there I came back along the south side, checking out the views from as much of the Chocolate Path as you can venture down at the moment, and swapping from Cumberland Road to Coronation Road at Vauxhall Bridge.
There's a lot of meh photos on this walk—my chief output from this project could be politely described as "record shots"—but a few turned out well, especially those of Vauxhall Bridge from the Chocolate Path, which reminded me how much of a loss the current closure of the Chocolate Path is to walkers and cyclists in Bristol.
I'm following the progress of this new building going up with a snap every time I pass this way. Last time it had the frame but not the scaffolding, I think.
The other day I realised (hello, Maggie!) that my next walk would be my hundredth, and that I'd done 393.4km so far. I figured it would be nice to get to 100 walks and 400km on the same walk, so I went for a nice long harbourside wander after work, rather than dashing out at lunchtime. As it turned out, we're just coming up to the time of year where I can leave the house at 5:30 in the evening and there's still just enough light to take photos by the time I've made it around the harbourside. Though only just, and mostly because I've got a full-frame camera that's not bad in low light...
Still, the evening light made a lovely change, and some of the photos turned out to be pretty good photos per se, rather than just record shots of my walk. I'm looking forward to more evening walks like this as summer approaches.
On the way around this evening I wandered through one of the oldest bits of the city to extend my walk and snapped some interesting bits of architecture, including an NCP car park(!) and a nighttime shot of one of my favourite subjects, the clock tower at the Albion dockyard.
This is, believe it or not, far less crowded than it would normally be on one of the first evenings of Spring that's vaguely warm enough to hang around outdoors.
I wasn't going to take a very long walk on this nice spring evening; it just happened. I was going to knock off a path or two on Brandon Hill, home over centuries to hermits and windmills, cannons and Chartists, and then just wander home, stopping only to fill up my milk bottle at the vending machine in the Pump House car park.
However, when I heard a distant gas burner I stayed on the hill long enough to see if I could get a decent photo of both the hot air balloon drifting over with Cabot Tower in the same frame (spoiler: I couldn't. And only having the fixed-focal-length Fuji with me didn't help) and then, on the way home, bumped into my "support bubble", Sarah and Vik, and extended my walk even further do creep carefully down the slipway next to the old paddle steamer landing stage and get some photos from its furthest extreme during a very low tide...
I got interested in Bristol's medieval water supplies after poking around near Jacobs Wells Road and Brandon Hill. It was during that research I found out about a pipe that's still there today, and, as far as I know, still actually functioning, that was originally commissioned by Carmelite monks in the 13th century. They wanted a supply of spring water from Brandon Hill to their priory on the site of what's now the Bristol Beacon—Colston Hall, as-was. It was created around 1267, and later, in 1376, extended generously with an extra "feather" pipe to St John's On The Wall, giving the pipework its modern name of "St John's Conduit".
St John's on the Wall is still there, guarding the remaining city gate at the end of Broad Street, and the outlet tap area was recently refurbished. It doesn't run continuously now, like it did when I first moved to Bristol and worked at the end of Broad Street, in the Everard Building, but I believe the pipe still functions. One day I'd like to see that tap running...
There are a few links on the web about the pipe, but by far the best thing to do is to watch this short and fascinating 1970s TV documentary called The Hidden Source, which has some footage of the actual pipe and also lots of fantastic general footage of Bristol in the seventies.
On my walk today I was actually just going to the building society in town, but I decided to trace some of the route of the Carmelite pipe, including visiting streets it runs under, like Park Street, Christmas Street, and, of course, Pipe Lane. I also went a bit out of my way to check out St James' Priory, the oldest building in Bristol, seeing as it was just around the corner from the building society.
There are far too many pictures from this walk, and my feet are now quite sore, because it was a long one. But I enjoyed it.
Lots of info in the Wikipedia entry.
As you can probably tell, it's built into the original medieval city walls.
I'm reminded of what Gandhi said about Western Civilisation.
Former offices of the National Deposit Friendly Society.
I was taking a shortcut through Trenchard Street Car Park, as Trenchard Street was closed for the building works, when on a whim I decided to carry on climbing the stairs. I nearly died, but the view was worth it.
The old Merchant Venturers Trade School (and, like Batholomew's Hospital at the bottom of Christmas Steps, once also home to the Bristol Grammar School) has a surprising modern multi-storey roof on the top of it that I'd not really noticed from ground level. I guess the developers wanted to wring as much money as possible out of it when they converted it to flats.
My friend Lisa joined me again, this time for a long wander through "Bemmie". In fact, I tweeted recently using "Bedmo" as my abbreviation for Bedminster, and apparently there's something of a culture war going on. From what I can glean, the longer-term residents call it "Bemmie" and consider "Bedmo" a name made up by hipster gentrifiers.
I had no idea, but then I didn't grow up around here, and I don't live in Bedminster, and I'm not a hipster. I'm not sure I've ever gentrified anywhere, either; Hotwells was already quite gentrified by the time I arrived. I probably just lowered the tone a bit.
Anyway. Lisa and I entered Bemmie by the traditional toll gate (though actually you'd only have paid if you were coming from the Long Ashton direction, not merely nipping across from Hotwells) and then almost literally combed the streets to knock several new roads off my list of targets. Along the way we saw lots of street art, as you'd expect, and admired the area's panoply of gorgeous knockers.
Work continues on the Six Sisters project, the "UK's largest female-led street art project".
I went rather outside my area today, as I went to pick something up from the Warhammer shop on Wine Street (Games Workshop as-was, and before that I think perhaps a rare retail outlet for Her Majesty's Stationery Office? I may be mis-remembering...) Anyway, a friend of mine wanted something picking up and posting to him, so I figured I'd knock some streets off my list along the way.
I first headed for the St George's Road area, walking down the narrow Brandon Steps and finding some strange wall art on Brandon Steep, then headed to the Old City via Zed Alley. The Warhammer shop visit was friendly and efficient, and, mission accomplished, I treated myself to a sausage roll and a flat white from Spicer + Cole, to take away and eat in Queen Square with its current decoration of hearts. I finished off with a detour up Park Street, looking out for St John's Conduit markers, before finally crossing Brandon Hill on the way home.
Quite a long wander, all told, and I'm a bit knackered today...
I'd never realised that St George's Road runs from the roundabout at the bottom of Jacobs Wells Road all the way to Park Street, taking a surprising left turn onto something that looks like a different street and then crossing this roundabout.
Obviously, I was trying to connect to the industrial history of the Canon's Marsh area, to the old gasworks, the docks railway, the warehouses they blew up to make way for all the rather soulless modern stuff (though I do like the Lloyds building, at least.) But what I mostly got out of today's walk is a new cafe to go to for my lunchtime outings. It's perhaps a little closer than both Imagine That and Hopper Coffee; not quite as close as Foliage and Twelve up in Clifton Village, but also not at the top of a steep hill.
No, not the mediocre Costa, but only a little way away from there: Rod and Ruby's, which opened in 2018 and which I've seen in passing several times but never popped into until today. What can I say? I was foolish. Great flat white, lovely interior, astoundingly good cannoli.
Sometimes you just have to get your head out of history and enjoy a pastry.
This is probably my least-favourite bit of the harbourside, and there's a mediocre Costa there as if to celebrate the fact.
Another quick excursion to Canon's Marsh, tempted back by Rod & Ruby's cannoli and flat white. This time I poked around some bits of the modern flats I'd not really experienced before, mused on the old gasworks, and headed back down the Hotwell Road, spotting a re-opening gallery and finishing off at the Adam & Eve, for which some locals are currently rushing to launch a bid to turn it into a community business rather than have a developer turn it into yet-more flats.
I was in a bouncy, positive mood, helped out by Life Without Buildings' Live at the Annandale Hotel album1. Note to self, though: the album is nearly an hour long, so if you hear the encore starting and you're still halfway down the Hotwell Road, you'll probably be late back from lunch...
1 That review's well worth a read. Music journalists tend to go extra-dreamy when trying to describe Sue Tompkins. See what I mean:
She circles her limber tongue-twisters, feints, and attacks from unexpected angles, dicing and rearranging them with the superhuman brio of an anime ninja and a telegraphic sense of lexical rhythm.
