Tagged: bristol
Avoiding the Accounts
26 Nov 2020
I took the day off my day job to do my accounts—or at least do enough bookkeeping to send them to my accountant. I hate doing the books. I woke up late, tired and with a headache and decided to bunk off for a walk around Cliftonwood, Clifton Village and Clifton instead, taking in a couple of good coffees along the way. Thanks, Foliage Café, and Twelve for the flat whites.
From what I've worked out so far, the use of St Vincent's name around so much of Bristol, especially Hotwells and Clifton, dervies from the ancient hermitage and chapel dedicated to St Vincent of Saragossa, which (possibly) was in Ghyston’s Cave, the cave in the rock face now accessible through a tunnel from the observatory, but at the time only by a perilous cliff climb (which I can only presume is what made it so appropriate for a hermitage.)
Why St Vincent of Saragossa? Anthony Adolph says:
It should be explained that the connection of Bristol with the Iberian wine trade led, in the Middle Ages, to Bristol’s importing of the cult of Lisbon’s patron saint, Vincent.
I have done very little real research on this so far, though, so don't take my word for any of it. I am not a historian, etc.
More Cliftonwood
05 Dec 2020
Back to Cliftonwood for a wander that included some of the belle views of Bellevue Crescent and other bits of the easternmost part. Highlights included watching someone bump-starting an elderly Nissan Micra in the narrow confines of Bellevue Crescent.
A "bright and airy self contained single storey Freehold studio / workshop (277 Sq Ft)". The floorplan shows that it's basically just a single room with tiny room with a loo and a sink inset, and nothing else. I suppose an enterprising hairdresser or nail technician might be able to make something of it.
I mostly went out to hang out with my friends Sarah and Vik in Bedminster, but along the way I thought I'd take a closer look at something a little nearer home: the last crossing point of the Rownham Ferry.
That reminds me; I must re-read Iain M Banks's Use of Weapons again. In the novel he used the name Size Isn't Everything for one of the Culture's General System Vehicles, a spacecraft approximately 80km long... In the Culture, spacecraft are sentient and Culture ships choose their own names, often ironically.
He we have something of the opposite size of craft.
You don't often see Entrance Lock cycle at this kind of tide, but a little boat like that doesn't need a lot of water in the river to manoeuvre.
Yes, okay, it's quite the challenge to spot the hand-made historic artifact in this picture. In the next pic I'll zoom in a bit.
There, hopefully you can see it now—the slipway of the last incarnation of the Rownham Ferry, in use from as early as the 12th century to 1932, when this particular slipway was last used.
There's not much to see at the moment, as the tide's a bit too high. I'm going to head over to the Tobacco Factory Market, meet some friends, do a crossword or two, and head back at lower tide.
Again, the slipway is easy to miss. I like these little barely-visible curiosities that hide such heritage. The site of the crossing moved around—it's fairly obvious it wasn't right here in the 12th century, for example, because the river was only diverted into the New Cut, which the ferry crosses here, in the early 1800s. Earlier it was further downstream.
The Tobacco Factory, Bedminster's will-known theatre and bar, bought a farm in 2018 and now has a farm shop attached. always trying to be innovative, bought a farm in 2018 and now has a farm shop attached. I sometimes pop in on a Sunday, though it's the Sunday market that pops up in the back yard that actually lures me over there.