03 Jul 2021
I was headed into town to return RA Gilbert's biography of AE Waite to the library and along the way I noticed that Dreadnought had finished their refurbishment, but wouldn't be open until midday. That left me some time to kill, so I bimbled around the old St Augustine's/Gaunt's area for a while, then headed up Park Street for a coffee and a snack to eat on Brandon Hill before heading home the way I'd came so I could pop in and buy a pamphlet on the Hot Well I'd been interested in for a while.
I had a note in my reminders to look for a "niche in the angle of the corner house of Pipe Lane and Frogmore Street", I think because of a reference in a book I'd been reading. And I have a feeling the book might've been written before this block was redeveloped; I couldn't find any niche. I also can't remember the book it was in, so this little side-trip was something of a wash.
I presume the wall and railings at the end here peter out about where the Bethesda chapel was demolished.
06 Jul 2021
I really only took the GPS and camera on a "just in case" basis, as I knew I was only going for a coffee in Greville Smyth Park along a well-trodden path this lunchtime. Still, I saw a few new things along the way, so I figured it was worth uploading the handful of photos I took...
This shop's on the Hotwell Road (no. 257) has been closed for so long I've completely forgotten what it used to be. Hopefully someone's being brave enough to open something new...
Dead centre of this picture is a herd of cows, though I imagine you'd be hard pressed to find them once this picture is shrunk down a bit for the web. They were more obvious to my naked eye, wandering around on the hill. You don't often see cows from town.
I thought that was part of Ashton Court's Red Deer Park, but perhaps they're diversifying...
Of course, in the old days you'd have seen plenty of cattle near here in the city. Just behind the Pump House were the cattle sheds and an abattoir that used to stand where the Rownham Mead housing development is now. You can see them in one of the pictures on the City Docks website, here.
10 Jul 2021
Lisa had a couple of hours to spare before going up in a hot air balloon (exciting!) so we went for a quick local walk, revisiting a bit of Cliftonwood we've seen before, exploring the secret garden I'd visited before that I thought she'd enjoy (I didn't take any new photos there) and then pushing on to another garden, Cherry Garden. Last time we passed this way, I'd noticed the gate, but we hadn't gone in as I'd assumed it was private. I'd since found it on CHIS's list of communal gardens in Clifton, so I wanted to have a look inside this time, and try to figure out whether it was private-communal or public, and possibly Council-owned, like several of the other gardens in Clifton.
13 Jul 2021
A snappy little trip up the Zig Zag to the shops. It's a steep old route, the Zig Zag, going from just over river level to about the height of the suspension bridge (101 metres) in a compact switchback of a footpath.
I was too busy struggling to breathe to take many snaps of the actual Zig Zag (I've been trying to make it up all the way without stopping the last few times, but I've not quite managed it yet). I did at least take a few snaps either side on this quick lunchtime jaunt to fetch coffee (Coffee #1) and a sarnie (Parsons) from Clifton Village...
One of many fine old lamp posts in Clifton Village. The late, great Maggie Shapland apparently used to keep an eagle eye on them and make sure they were returned if they were ever carted off for repair. The Clifton Club lurks grandly in the background.
Although you may immediately think "gas lamp", here's an extract from Electric Arc Lamps in Bristol by Peter Lamb, published as a supplement to the Histelec News, newsletter of the Western Power Electricity Historical Society:
In looking at old photographs of late Victorian or early Edwardian scenes, many of you may have noticed very decorative street lights gracing the foregrounds. These lamp standards had long cylindrical shapes above the lamp, which distinguished them as being electric arc lamps. You may have wondered, like me, what was inside these housings. These cylinders, known colloquially at the turn of the century as “chimneys” were not chimneys at all, but housed the complex mechanisms regulating the carbon electrodes. Only two lamp standards of this distinctive design remain as street furniture on the Bristol streets and these are situated at The Mall, Clifton Village.
Apparently one of the reasons that collections are being missed (this lot's been on Albermarle Row for nearly a fortnight) is a shortage of drivers. There's a general HGV driver shortage at the moment, as well as a backlog of testing for new drivers.
14 Jul 2021
As it turned out, I didn't manage to get a coffee on my lunchtime coffee trip, as Imagine That were briefly shut down by a Covid-19 exposure notification (false alarm, it seems.) On the plus side, my trip was made worthwhile by spotting a couple of people from the University of Bath Mechanical Engineering Department testing an autonomous body-finding catamaran, which isn't a phrase I was ever expecting to write...
17 Jul 2021
Okay, not much in the way of actual pasture to be had in Bedminster these days, like most of Bristol, but I did take advantage of the current rather toasty weather in Bristol to go and sit under a tree in Greville Smyth Park to read a book for a while before firing up the GPS and taking a little detour around some back streets of Ashton and Bedminster rather than going straight to Coffee #1 for an espresso frappé. This is the first walk in a while where I've actually crossed off an entire new street (the frankly unexciting Carrington Road) as well as exploring a couple of back alleys, just because they were there, really. Along the way I spotted a few examples of graffiti of various qualities, including a live work-in-progress by SNUB23 on Ashton Road and the finished Six Sisters project on North Street.
By all accounts a fine cafe in the greasy spoon archetype. Top right you can see a little tribute to Ashton Gate football stadium, a stone's throw away. Currently the stadium is being used as a Covid-19 vaccination centre.
It was actually the sound of Six Underground, the astoundingly good Sneaker Pimps number, coming from this direction that caught my ear before the in-progress mural caught my eye, but they both had the same source, as it turned out...
I think I'm right in saying that that's snub_23 popping up a new piece, but I'm only really basing that off some quick Instagram research and some assumptions; I'm not exactly plugged into the Bristol graff scene and I didn't want to interrupt the conversation.
I'd noticed I'd missed this end bit of Durnford Street in previous wanders, so on my way to knocking off some full-length roads (and alleyways, as it turned out) I took a snap. It's not very prepossessing.
...on Bendy Studio, by Nick Harvey. Shame I couldn't get a clear shot. I do like a Siamese fighting fish...
Not much to say, really. The strange mock-Tudor upper halves of the right-hand-side of the street were about the only distinguising feature, and personally I'm not sure that's distinguishing in a good way.
I've clearly sniped this one from the end of the road on a previous pass, but this is definitely the first time I've actually walked the length of it.
This was a work in progress last time I passed. Now all Six Sisters of this female-led graffiti project are finished and fair glowing in the sunshine.
This Scandinavian design shop has replaced the Hobbs House Bakery Cafe. While I enjoy Scandinavian design, anyone who's looked at my interior design and then looked at my actual exterior can fairly swiftly work out that I enjoy bread rather more. Still, I can get my hands on a Sherston Overnight White (best loaf in the world for toasting, according to both Hobbs House and to me) elsewhere, and clearly Mon Pote needed the extra space—this location is four times the size of their previous one, which was also much further up the road.
25 Jul 2021
The far east of the intersection of my one-mile radius and Bedminster, anyway. I was feeling a bit tired this morning, so I motivated myself to get out of the door by imagining one of Mokoko's almond croissants. That got me on my way, and I wandered across to Bedminster, through Greville Smyth Park, along most of the length of North Street (looking out for new Upfest 75-pieces-in-75-days artwork as I went) and then onto some new roads at the far end.
I only wanted to knock a few streets off my "to do" list, but by the time I'd diverted here and there to check out various bits of graffiti and other attractions and come back via the aforementioned purveyors of Bristol's finest croissants, I'd walked 7.4km. Not bad for someone who woke up tired, and at least I've done something with my day. I'm very glad the weather broke (we had tremendous thunderstorms yesterday), even if some of the pictures might've looked better with a blue sky. I was getting fed up with walking around in 29°C heat...
Well, like last time there's still a van and a car in the way, but at least the van's smaller this time.
Keith Hopewell's piece is one that got vandalised a few days ago, apparently by someone who hates Upfest. It seems to be mostly intact, though, barring the bit in the bottom right (close-up next pic.) Perhaps it was mostly saved by the CCTV camera that appears to be growing out of the girl with her back to us's left leg...
I like this piece, especially the somewhat Samuri-looking robot/cyborg/whatever-he-is.
At last—one of my "to-do" streets. It wasn't much to write home about; it's got that odd setup where the front of one terrace looks onto the garages and back gardens of another. That never feels quite right to me, whether it's in Bedminster or Clifton.
31 Jul 2021
At the end of July I went to have a look around some of the private gardens opened up by the annual Green Squares and Secret Gardens event. Sadly it was compressed into a single day this year, for various Covid-related reasons, it seems, so I didn't get to poke around too many places. I went to:
And snapped a few things in between, too. It was a lovely day—a bit too hot, if anything—and it was interesting to get into a few places I'd only ever seen from the outside, especially The Paragon and Cornwallis gardens, which are the least visible to passing strangers of all of them.
This section of Victoria Square, the second side to be built (Lansdown Road is the oldest—Regency—bit) is called Royal Promenade, and it built to resemble a palace. William Batemen Reed built it, then went on to build the Queens Hotel opposite the Victoria Rooms, which every Bristolian I know would more likely recognise by the description "the old Habitat at the top of Park Street" :D
Apparently if the Royal Promenade were symmetrical, the windows of 7 and 8 would be the same size. As it is, 8 is clearly very slightly grander.
This is how the other half live—making sure that the Suspension Bridge is still there without having to leave one's boules court.
Here's the listing. This bit's described thus:
To the rear a late C19 long brick extension raised on open arches
I've been trying to get a decent picture of this for a while.
Freshly painted, with the scaffolding only recently removed, and looking rather lovely. To its right is the old entrance to the earlier Hotwell pump house that used to stand down on the Hotwell Road, and just to the right of that is the entrance to the Clfiton Rocks Railway. Behind all that is the site of the original Clifton Spa pump room, a grand "long room" that was later used as a cinema and then a ball room. I wonder if there are any plans to renovate it? It was still disused, last I heard, but that was a long time ago, when I peeped through from a Rocks Railway open day....
08 Aug 2021
This was a wide-ranging wander. I started off crossing the river to Bedminster, to walk a single little cul-de-sac, Hardy Avenue, that I'd managed to miss on at least one previous walk. Then, pausing only to explore a few back alleyways, I headed for a few destinations related mostly by the Hughes family, who I've been researching a little as part of background for a possible novel, as several of them were involved in the Stella Matutina.
However, mostly it's the artistic side of the family I wanted to explore today, as that's where most of their public history lies (as you might expect, there's often not much in the public record about the workings of an occult organisation.) First I visited College Green, where the façade of the Catch 22 Fish & Chip shop still bears the work of Catherine Edith Hughes. Then I wandered up to the top of Park Street to pop into the Clifton Arts Club's annual exhibition, as Catherine, her half-brother Donald, his wife Hope and at least two other Hugheses were members. Donald was chairman for 40 solid years; Hope was Secretary for eight, and Ellard and Margaret Hughes, two more Hughes siblings, were members along with Catherine.
Finally I walked home with a small diversion to Berkeley Square, to confirm the location of Donald Hughes's house by checking for a particular plaque by the front door.
I must admit I'm not entirely sure where all this research is really leading me, but I'm finding it quite interesting to bump across the faint lines of history that link the Hermetic Order of the Golden Dawn, founded in 1888, to modern, quotidian Bristol.
This may be a more interesting view than you'd think at first sight. Whitemead and Winterstoke House, with Southbow House out of sight on the far side, were finished in 1962, as the post-War housing crisis continued. There's a fascinating article in the Bristol Post about them, especially Whitemead House, the block on the left here, which was famously used for external scenes in Only Fools and Horses after filming moved to Bristol, standing in for the fictional Nelson Mandela House in Peckham where the Trotters lived.
These days it's a fish and chip shop, but it started as the Cabot Cafe.
According to this description of an etching by Alexander Heaney:
Built in 1904 for an estate agent, Walter Hughes, to the design of Latrobe & Weston, architects well known for their cinemas. Above the word ‘Café’ can just be seen the Pomegranate mosaic with enamel insets by the client's daughter, Catherine Hughes, taken from Charles Rickett's bookbinding for Oscar Wilde's A House of Pomegranates, 1891.
Caroline's Miscellany tells us:
Less bright, but equally beautiful, are the copper panels to either side. These continue the pomegranate theme and are pure Art Nouveau. Other details, by contrast, are more baroque (a mixture of styles characteristic of LaTrobe and Weston's work).
Cabot Cafe suffered damage in the Second World War. We are fortunate, then, that this intriguing facade nevertheless survived to delight us today.
The RWA is having extensive work done, including fitting a new lift on the outside (on the far side from here) so people who have trouble with stairs don't have to use the frankly terrifying freight lift.
Continuing with my magical/Hughes related theme: the last time I was in Berkeley Square, I was trying to figure out where the vault of the Hermes Temple might have been destroyed; a passing mention of its destruction in Ithell Colquhoun's Sword of Wisdom says it was stored in Berkeley Square and destroyed in 1964.
The Vault would have been a septagonal wooden room with esoteric symbols painted on every surface. The Museum of Witchcraft in Boscastle have a picture of one towards the bottom of this page. That one, in Havelock North, New Zealand, would have looked very similar to the Bristol Hermes vault, I think, as they were contemporary Stella Matutina vaults and they were probably each at least partly designed by Robert Felkin, who emigrated from Bristol to New Zealand to form the Smaragdum Thalasses temple there.
This is the site of a proposed wildflower meadow, suggested for rewilding by West Bristol Climate Action. It's normally host to quite a few daffodils in spring, but mostly it's just lawn. (These paths curving up to the churchyard would have made rather more sense when St Andrews was still standing there.)
Not sure what progress the proposal has made, but I think a splash of wild colour would go quite well here.
21 Aug 2021
Lisa and I mostly went out to have a look at Luke Jerram's Museum of the Moon as its tour hit Bristol Cathedral—I missed it when it was previously in town, at Wills Hall, I think—but we also took a trek up to Redland. Lisa's kind enough to indulge my strange current fascination with the Edwardian eccentrics that made up the Stella Matutina, so we swung by a couple of places with a vague connection to the Bristol branch of the organisation. Well, it was good walking, anyway...
As a stunning bonus, one of the picture's descriptions has more information than you'd probably want on the Bristol Port Railway and Pier's Clifton Extension Railway line, but I did happen to coincidentally write up this wander after reading about the extension line during my lunch hour at work today. It's a thrilling life, I tell you...
...and then noticed that it was actually a brace of Rollers. I think the rather more downtrodden one behind was probably bought for spares, but who knows? Maybe they just keep that one for country drives.
This little crop of cottages is on a little road called St Vincent's Hill. I was interested because I'm trying to track down Catherine Hughes's house, where the first Hermes Temple meetings were held. This was apparently "St Vincent's Studio, Grove Road, Redland", and I imagine it was very close to these cottages, if not actually one of them.
Apparently there is still something around here called The Studio, but I couldn't spot it. Maybe I'll come back at some point and have more of a look around.
There were a lovely little set of cottages, and very well-kept. According to Historic England, they're mid-18th century, but "Much restored c1990".