Tagged: urban-area
Recreating a Loxton Drawing on a Lunchtime Jaunt
05 Nov 2021
I did do a much longer wander earlier in the week, but that'll take me some time to process (and cast a plethora of photos into the "out-takes" pile!) In the meantime, here's my lunchtime jaunt, taken to give myself a break from doing the company bookkeeping to send to my accountant so the taxman doesn't sling me in chokey.
I've recently bought a slightly creased secondhand copy of Redcliffe Press's 1992 collection of Samuel Loxton drawings, Loxton's Bristol: The city's Edwardian years in black and white. It's a nice selection of Bristol Library's collection of the drawings. I'd noticed a drawing of 25 Royal York Crescent, a house I pass quite often, so I thought I'd wander up the crescent on the way to pick up some lunch and try to reproduce it.
On the way back I took a few photos of Clifton Hill Bank as the crowdfunder to make quite a lot of it into a wildflower meadow has just hit its target, so I figured some "before" shots might be a good investment for the future...
Docks Heritage Weekend Day One
09 Oct 2021
I could spend a lot of time at the Docks Heritage Weekend, poking my nose into industrial places along the harbourside that are usually closed off, but throw open their doors once a year to show off a bit of the backstage area of Bristol's floating harbour. In fact, I warn you: the next wander is a long one, and will have quite a few photos.
However, for today's wander, on the Saturday, my friend Lisa needed a shorter walk than our usual long rambles, as she's recovering from an operation and still a little under the weather, so we just wandered into town for some food and back, with me making mental notes of the places I wanted to come back to on the Sunday... We walked through Underfall Yard, along to the L Shed (this is the warehouse next to the M Shed museum, where they still have the kind of fun old industrial stuff that used to be crammed into the M Shed's predecessor, the old Industrial Museum), through the street food market in town to Ahh Toots for cake and then back home. So, still quite a walk, but no hills and not so much of Lisa having to hang around waiting for me to fool around taking photos as usual, at least...
The Patent Slip is actually a grade II listed building. Personally I live in a II*-graded building myself; not sure I'd want to slum it down here.
Of course, it's not on the quay any more, because they moved the quay. However, St Mary's Facebook page has at least one picture of it from when this strip of the city centre was still the river.
A Morning of Research and a Cafe in a Castle
25 Sep 2021
I needed to pop to the library, as they'd kindly dug a book out of the reserve store at the B Bond warehouse for me and emailed me to let me know it was ready. So, I took a little trip to town, straight down the Hotwell Road, and spent a few hours reading before stretching my legs with a walk to a new cafe in the actual castle (or remnants thereof, anyway) of Castle Park, before heading back home down the other side of the harbour. As well as books and coffee, I bumped into a remote-controlled pirate ship, which isn't something you see every day, even in Bristol.
It's nice to see a new business open up on this stretch of the Hotwell Road. Since Asia Channel disappeared (and took with it my favourite local source of crispy beef) and the Hotwells Pine folks retired, it's all been looking a bit tatty.
A Long Wander Of Miscellany and Magick
08 Aug 2021
This was a wide-ranging wander. I started off crossing the river to Bedminster, to walk a single little cul-de-sac, Hardy Avenue, that I'd managed to miss on at least one previous walk. Then, pausing only to explore a few back alleyways, I headed for a few destinations related mostly by the Hughes family, who I've been researching a little as part of background for a possible novel, as several of them were involved in the Stella Matutina.
However, mostly it's the artistic side of the family I wanted to explore today, as that's where most of their public history lies (as you might expect, there's often not much in the public record about the workings of an occult organisation.) First I visited College Green, where the façade of the Catch 22 Fish & Chip shop still bears the work of Catherine Edith Hughes. Then I wandered up to the top of Park Street to pop into the Clifton Arts Club's annual exhibition, as Catherine, her half-brother Donald, his wife Hope and at least two other Hugheses were members. Donald was chairman for 40 solid years; Hope was Secretary for eight, and Ellard and Margaret Hughes, two more Hughes siblings, were members along with Catherine.
Finally I walked home with a small diversion to Berkeley Square, to confirm the location of Donald Hughes's house by checking for a particular plaque by the front door.
I must admit I'm not entirely sure where all this research is really leading me, but I'm finding it quite interesting to bump across the faint lines of history that link the Hermetic Order of the Golden Dawn, founded in 1888, to modern, quotidian Bristol.
City Museum and Art Gallery. Though when it was donated by Henry Wills (you can just see The Gift of... in the inscription) it was just The Bristol City Art Gallery.
Green Squares and Secret Gardens
31 Jul 2021
At the end of July I went to have a look around some of the private gardens opened up by the annual Green Squares and Secret Gardens event. Sadly it was compressed into a single day this year, for various Covid-related reasons, it seems, so I didn't get to poke around too many places. I went to:
- A talk by the oldest resident of Victoria Square
- The St Vincent's Rocks Hotel garden
- The Paragon garden
- Cornwallis Crescent gardens, both east and west
- The Polygon garden
And snapped a few things in between, too. It was a lovely day—a bit too hot, if anything—and it was interesting to get into a few places I'd only ever seen from the outside, especially The Paragon and Cornwallis gardens, which are the least visible to passing strangers of all of them.
You can just about see the profile of Queen Victoria in the keystone; apparently it's the same image as used on the Penny Black.
Man on a Mission
17 Apr 2021
I went rather outside my area today, as I went to pick something up from the Warhammer shop on Wine Street (Games Workshop as-was, and before that I think perhaps a rare retail outlet for Her Majesty's Stationery Office? I may be mis-remembering...) Anyway, a friend of mine wanted something picking up and posting to him, so I figured I'd knock some streets off my list along the way.
I first headed for the St George's Road area, walking down the narrow Brandon Steps and finding some strange wall art on Brandon Steep, then headed to the Old City via Zed Alley. The Warhammer shop visit was friendly and efficient, and, mission accomplished, I treated myself to a sausage roll and a flat white from Spicer + Cole, to take away and eat in Queen Square with its current decoration of hearts. I finished off with a detour up Park Street, looking out for St John's Conduit markers, before finally crossing Brandon Hill on the way home.
Quite a long wander, all told, and I'm a bit knackered today...
I think the last time I saw this little sign on Queens Parade, it had a rather different message.
Avoiding the Accounts
26 Nov 2020
I took the day off my day job to do my accounts—or at least do enough bookkeeping to send them to my accountant. I hate doing the books. I woke up late, tired and with a headache and decided to bunk off for a walk around Cliftonwood, Clifton Village and Clifton instead, taking in a couple of good coffees along the way. Thanks, Foliage Café, and Twelve for the flat whites.
From what I've worked out so far, the use of St Vincent's name around so much of Bristol, especially Hotwells and Clifton, dervies from the ancient hermitage and chapel dedicated to St Vincent of Saragossa, which (possibly) was in Ghyston’s Cave, the cave in the rock face now accessible through a tunnel from the observatory, but at the time only by a perilous cliff climb (which I can only presume is what made it so appropriate for a hermitage.)
Why St Vincent of Saragossa? Anthony Adolph says:
It should be explained that the connection of Bristol with the Iberian wine trade led, in the Middle Ages, to Bristol’s importing of the cult of Lisbon’s patron saint, Vincent.
I have done very little real research on this so far, though, so don't take my word for any of it. I am not a historian, etc.
Like several Clifton gardens that feel private, Canynge Square garden is actually owned and maintained by the city council, and is a public garden. Unsurprisingly, perhaps, if you're a casual passer-by, you wouldn't necessarily be able to work this out other than from the lack of the usual "RESIDENTS ONLY" signs that adorn other Clifton gardens.
More Cliftonwood
05 Dec 2020
Back to Cliftonwood for a wander that included some of the belle views of Bellevue Crescent and other bits of the easternmost part. Highlights included watching someone bump-starting an elderly Nissan Micra in the narrow confines of Bellevue Crescent.
Coffee and Graff
22 Jan 2021
Took myself around the harbour to Imagine That's horsebox cafe and treated myself to a flat white and a sourdough cheese toastie. On the way there and back I encountered some local flooding and various bit of graffiti, from some ugly tagging on someone's front windows to a large new piece being added to Cumberland Piazza in the ongoing attempts to cheer the place up.
Can't be pleasant to have your house tagged. I don't imagine that anyone living in a house right on an arterial road whose front door opens virtually onto a pllar supporting one of the ugliest street signs of the Cumberland Basin is exactly swimming in money or time to re-paint their frontage, either.
Leftovers with Lisa
01 May 2021
I didn't get to all the little leftover streets around the northeastern part of my area in today's wander, but I definitely knocked a few off the list, plus Lisa and I enjoyed the walk, and didn't get rained on too badly. We spotted the hotting-up of Wisteria season, checked out Birdcage Walk (both old and new), ventured onto the wrong side of the tracks1 and generally enjoyed the architecture.
1 Well, technically we probably shouldn't have been on the grounds of those retirement flats, but nobody started chasing us around the garden with a Zimmer frame
Now the Everyman cinema, restored to its former use a few years back. It's pricey, but you get an armchair or sofa to sit on and they'll bring you food or a gin & tonic while you're there. Very civilised.
Originally put up in 1920, the ballroom and restaurant are now offices and pub.