10 Apr 2021
There's a bit of Southville that I've been meaning to get to for some time, where the streets seem to take some strong inspiration from London. There's a Camden Road that crosses with an Islington Road, and a Dalston Road, even an Edgeware Road. For me these names are more evocative than the rather more exotic names I passed by to get there—Sydney Row or Hanover Place, say, because I've actually been to the places in London. The last time I was in Islington I saw Monkey Swallows the Universe play at The Angel, and I can't think of Camden without remembering a gondola trip with my friend Tara where a cheery youth played Beatles music for us on a saz...
I really liked this little area, with its mostly well-kept pretty houses and hints here and there of the creative side of the residents. It's arty and down-to-earth at the same time, and I wouldn't mind living there, I think.
On the way there I got the chance to walk through Underfall Yard for the first time in a while, and on the way back I had my first take-away hot food for many months, grabbing some crispy fried squid from the excellent Woky Ko at Wapping Wharf.
I was taken by the colour and texture of these three houses. I have three towels with a very similar colour and finish, at least visually...
Or, I imagine, chimney. But the fins at the bottom really do make it seem quite rockety, and when I asked about it on Twitter someone did find a strong resemblance to some NASA hardware.
As to why Charles Hill & Sons apparently needed an industrial incinerator in the basement of their office, I've not yet found out.
The former stone mason's place. Geograph has a good photo of what it looked like before. From what I can see from the planning website, it might be becoming offices, rather than the flats I'd assumed would emerge. I may have been mis-reading the vast array of planning applications, though; I suppose we'll see...
The door across this is normally closed. You can just about see Wallace and Gromit smiling on the side of the building, presumably not coincidentally, given that Aardman Animations' office is down there and up the driveway to the left.
I think this may be a remnant of St Raphael's Church, whose adjacent almshouses for aged seamen are now the site of the flats at Perret's Court, just to the left there.
Ah! Yes, according to ChurchCrawler:
1853-9 by Henry Woodyer, closed 1878 following disapproval of the bishop and not reopened until 1893. Some war damage, the church was again closed and became part of a factory in 1953 and demolished 1954. Part of the W front still stands in the garden between two blocks of flats.
11 Apr 2021
My friend Lisa joined me again, this time for a long wander through "Bemmie". In fact, I tweeted recently using "Bedmo" as my abbreviation for Bedminster, and apparently there's something of a culture war going on. From what I can glean, the longer-term residents call it "Bemmie" and consider "Bedmo" a name made up by hipster gentrifiers.
I had no idea, but then I didn't grow up around here, and I don't live in Bedminster, and I'm not a hipster. I'm not sure I've ever gentrified anywhere, either; Hotwells was already quite gentrified by the time I arrived. I probably just lowered the tone a bit.
Anyway. Lisa and I entered Bemmie by the traditional toll gate (though actually you'd only have paid if you were coming from the Long Ashton direction, not merely nipping across from Hotwells) and then almost literally combed the streets to knock several new roads off my list of targets. Along the way we saw lots of street art, as you'd expect, and admired the area's panoply of gorgeous knockers.
The reason Ashton Gate is called Ashon Gate is because it's the site of the former turnpike gate between Bristol and Ashton (now known as Long Ashton.) This is the actual toll house, still standing. "The Toll House closed in 1866 and was incorporated c1980 with Toll House Court", says the listing.
Toll House Court is now used by Second Step, a mental health charity, as part of their High Support Accommodation programme to combat homelessness.
The new development on the site of the old brewery (which I visited once for a behind-the-scenes peek with some food- and beer-blogger friends) isn't going down that well with the neighbours.
Work continues on the Six Sisters project, the "UK's largest female-led street art project".
Just to give an idea of prices, that two-bedroom house is currently on sale for £345,000. It looks in excellent condition.
It's actually called Listen to Nature. A piece by Brazillian artist Dinho Bento. This one went up at Upfest 2018.
14 Apr 2021
Apart from a lovely coffee and a slice of Victoria sponge from Twelve, there weren't any new sights on this little lunchtime jaunt except for a slightly better look at the long raised extension at the back of the St Vincent's Rocks Hotel, where I at least got to see the arches it's raised up on. I also got a fair bit of exercise by walking up the Zig Zag to get there, and saw far more people out than I have in months, what with the lockdown having just been significantly lifted. As I walked past The Mall pub they were turning people away from their already-full garden, and the (outdoor) cafe tables were pretty full up.
Nice to see someone keeping The Rocks Garage well-maintained. And they've safely wrapped Maggie Shapland's plaque in a carrier bag to protect it from paint drips, too. Excellent work.
Nice to see someone keeping The Rocks Garage well-maintained. And they've safely wrapped Maggie Shapland's plaque in a carrier bag to protect it from paint drips, too. Excellent work.
15 Apr 2021
Just a quick trip to Imagine That for a flat white and a date ball (they're really nice), snapping the general sights along the way. No new roads, as has rapidly become the default on my lunchtime wanders, but as I'm in the routine of this project it almost seems strange not to pop my wanders up on the site.
Have I ever noticed this plaque screwed into Cumberland Piazza before? Was it previously covered up by one of the massive rocks in the row here? Either way, we've seen the Found Installation Group's work before...
16 Apr 2021
Another day, another quick dash out for a coffee. I did at least try to take a different route from normal, especially on the way back, where I yet again got a bit lost in the strange paths, flyovers and underpasses that make up the odd maze of pedestrian "infrastructure" among the concrete jungle between the west of Greville Smyth and my neck of the woods in Hotwells. I swear one day I'll take a turn I've not tried before and end up being gored by a Bristolian minotaur.
From up here it's easier to see the curving path that the end of Brunel's swing bridge would make along its little steel track, until it hit the wooden buffer on the left-hand side, with the other end pivoting out over Howard's Lock. You can see the turtable it balances on just underneath the temporary roof there.
17 Apr 2021
I went rather outside my area today, as I went to pick something up from the Warhammer shop on Wine Street (Games Workshop as-was, and before that I think perhaps a rare retail outlet for Her Majesty's Stationery Office? I may be mis-remembering...) Anyway, a friend of mine wanted something picking up and posting to him, so I figured I'd knock some streets off my list along the way.
I first headed for the St George's Road area, walking down the narrow Brandon Steps and finding some strange wall art on Brandon Steep, then headed to the Old City via Zed Alley. The Warhammer shop visit was friendly and efficient, and, mission accomplished, I treated myself to a sausage roll and a flat white from Spicer + Cole, to take away and eat in Queen Square with its current decoration of hearts. I finished off with a detour up Park Street, looking out for St John's Conduit markers, before finally crossing Brandon Hill on the way home.
Quite a long wander, all told, and I'm a bit knackered today...
Who was it that decided that petrol stations had to be ugly? It's not like oil companies don't have money...
I think the last time I saw this little sign on Queens Parade, it had a rather different message.
It's unsurprising I've not visited this area in my travels -- it's one of those areas of a city that's basically just a car park.
19 Apr 2021
Just a quick errand to the Post Office to send off Mollog's Mob, but afterwards I bought a flat white and a new plant from Foliage Cafe and headed for The Mall Gardens to enjoy sitting in the sun and reading a book on the first day this year that's been properly warm enough for it. Nice.
The Mall Gardens does actually have some signs up letting people know it's a public garden, but I think it was only my researches for this project that brought the number of public gardens there are in Clifton to my attention, and reminded me that I could make use of this space in Clifton Village, a little closer to the coffee shops and a little more sheltered than Clifton Down.
21 Apr 2021
Obviously, I was trying to connect to the industrial history of the Canon's Marsh area, to the old gasworks, the docks railway, the warehouses they blew up to make way for all the rather soulless modern stuff (though I do like the Lloyds building, at least.) But what I mostly got out of today's walk is a new cafe to go to for my lunchtime outings. It's perhaps a little closer than both Imagine That and Hopper Coffee; not quite as close as Foliage and Twelve up in Clifton Village, but also not at the top of a steep hill.
No, not the mediocre Costa, but only a little way away from there: Rod and Ruby's, which opened in 2018 and which I've seen in passing several times but never popped into until today. What can I say? I was foolish. Great flat white, lovely interior, astoundingly good cannoli.
Sometimes you just have to get your head out of history and enjoy a pastry.
I know very little about the history of these buildings. There's a removals firm called Robinsons with some links to Bristol, and a building in Brimingham with an old sign saying "Robinsons Furniture Depositories", so I suppose it's possible this is a long-defunct furinture repository for a removals firm. Last planning application I can find is from 1998, before I even moved to Hotwells, granting permission to demolish "two storey office building and single storey store", which very much sounds like these two buildings.
The bit on the right still has a sign up saying it's Gnodal and Bioinduction—the firms whose car park is around the back—though Gnodal is defunct and Bioinduction sadly don't have any pictures from the Bristol office on the one-page website.
I really must poke my nose in and see if there's anything more than the apparently-tiny couryard back there.
27 Apr 2021
Bits of Entrance Lock have been coned off for ages, mostly the area with the lockkeepers' house on it. My friends Sarah and Vik mentioned at the weekend that it had recently been un-coned, so I wandered that way to cross the outermost lockgates for the first time this year. I don't know whether it's just my mood today or the weather, but it seemed a day for pushing a couple of photos in a more experimental direction in the post-processing...
The last time I noticed this antenna, I wondered if this was some radio amateur's shed. As soon as they renovated it and stuck the rather utilitarian metal doors on the front, I managed to place it: it's an electrical substation. A lot of the local ones seem to have antenna masts; I suppose it's how they do remote monitoring, or something. In my defence, I'm not sure the sign on the gate with the electricity symbol was there before, either.
29 Apr 2021
Another quick excursion to Canon's Marsh, tempted back by Rod & Ruby's cannoli and flat white. This time I poked around some bits of the modern flats I'd not really experienced before, mused on the old gasworks, and headed back down the Hotwell Road, spotting a re-opening gallery and finishing off at the Adam & Eve, for which some locals are currently rushing to launch a bid to turn it into a community business rather than have a developer turn it into yet-more flats.
I was in a bouncy, positive mood, helped out by Life Without Buildings' Live at the Annandale Hotel album1. Note to self, though: the album is nearly an hour long, so if you hear the encore starting and you're still halfway down the Hotwell Road, you'll probably be late back from lunch...
1 That review's well worth a read. Music journalists tend to go extra-dreamy when trying to describe Sue Tompkins. See what I mean:
She circles her limber tongue-twisters, feints, and attacks from unexpected angles, dicing and rearranging them with the superhuman brio of an anime ninja and a telegraphic sense of lexical rhythm.
A mirrorball planetarium, an Augustinian cathedral, some underground car park vents, a roundabout, a casino and an exploratory science centre. It's a bit of a mix.
This (and I think the place next door, too) used to be the View Gallery; from the looks of the new sign it's becoming the View Gallery again. Good. Hotwell Road needs a bit of regeneration.