Tagged: avon-gorge
On my last wander, to Bower Ashton, I was intending to knock Blackmoors Lane off my list "to-do" list, but got a bit diverted. I also took a little look into the history of the Gridiron, once a cheaper alternative to dry dock that was nestled just south of North Entrance Lock.
Today I had to go to send a parcel off somewhere, so I decided on going to the North Street Post Office via Blackmoors Lane. I didn't have much intention of anything else, but as luck would have it I walked out both at low tide and also as some lockkeepers seemed to be having a bit of a training session, and one of the more senior people was (a) happy to answer a few random questions on the Gridiron and (b) actually knew a lot about it, as Gridiron maintenance had been one of his jobs, more than twenty years ago...
I skipped the photography for the part of the wander where I went to the Post Office on North Street to send my old phone back to Apple for some trade-in, so here we are back at the end of Spike Island, heading back toward Hotwells.
Last photo of the day: I had the luck to walk past AcerONE as he was putting the finishing touches to this new piece under the flyovers of the Cumberland Basin. It's called Avon Gorge. I love the stylised, stained glass feel to it.
He said he still had some shading to do, so I'll try getting another snap of the finished article on another day.
The recent lack of posts here is mostly due to my feeling very run down following having a couple of wisdom teeth extracted. Having had an emergency appointment yesterday1, hopefully I'll be on the mend now, though it does mean I'm on the kind of antibiotics where you can't touch alcohol for the whole of the Christmas period. I have tried to keep myself a little distracted from the pain by working on the nuts and bolts of this website—you should notice that the front page loads rather faster now than it used to, and that there's a shiny new statistics page that I'll probably be continuing to work on. Oh, and you should find that the tags below the photos are now clickable and will take you to a page of all other wanders that have photos with the same tag.
Today I felt like I needed to drag myself out of the house, but I didn't want to go too far, and I needed to get to the Post Office up in Clifton Village to post a Christmas card (spoiler for my parents: it's going to be late. Sorry.) As luck would have it, idly looking at the map I spotted that I'd missed off a section of Burwalls Road in the past, and that's basically one of the long-ways-round to Clifton Village, crossing the river to Rownham and walking up the hill on the Somerset side before coming back across the Suspension Bridge.
As I was heading for Burwalls Road I decided to make Burwalls itself the focal point of the walk, but unfortunately the mansion grounds are private and the place is hard to snap. Still, at least it gave me a destination. Burwalls was the mansion built by Bristol press magnate Joseph Leech, who I've mentioned before after buying a vintage book he wrote on a previous wander. There's a good article about the house on House and Heritage which has some photos from angles I couldn't ever get to. (Well, maybe with a drone, but it seems like the kind of area where they may be kitted out for clay pigeon shooting, so I probably wouldn't risk it.)
1 My dentist admitted that she probably needed to keep her internal monologue a bit more internal after we started the appointment with her staring into my mouth and immediately saying, "oh, that's weird." These are words one doesn't want to hear from a medical professional.
As my plan was to knock off the remaining section of Burwalls Road, my first photo is the small segment of Burwalls itself that you can see from near my house. Burwalls is the mansion on the hilltop, peeping out about halfway from the left edge of the photo and the Suspension Bridge.
Most every time I cross the bridge, I remember one of the first times I walked over it, back in the late 1990s or early 2000s, when some wag—possibly even Banksy, who knows?—had painted a sign on the footway about here: a rectangle of yellow caution stripes containing the words "WARNING. CONCEALED TRAPDOORS IN OPERATION".
Technically that's still actually the Hotwell Road down there, and it doesn't become the Portway until the Bridge Valley Road junction, but I needed the alliteration, okay?
This is the kind of photograph that I really like, but is harder to find appreciation for these days—the Panavision aspect ratio I've chosen, 2.35:1, doesn't play nicely with today's standard media consumption device of a mobile phone held in portrait orientation. Maybe one day we'll all be using the internet through VR headsets and landscape orentation will make a comeback.
I was just about starting to feel better—the antibiotics seemed to have kicked in for my dental issues, and it had been some days since I'd left the house, and I was at last starting to get itchy feet. So, a wander. But where? Well, there were a few industrial bits near Winterstoke Road in the Ashton/Ashton Vale areas of Bristol that needed walking. I knew they were likely to be quite, well, unattractive, frankly. So why not do them while I wasn't feeling exactly 100% myself? Maybe it would fit my mood. Hopefully you're also in the mood for a bit of post-industrial wasteland, for that's what some of this feels like...
Then, at the last minute, I thought again about the Bristol International Exhibition—I've got a book about it on the way now—and that gave me another goal, which could just about be said to be in the same direction, and I decided to walk significantly further than my normal 1-mile limit and try recreating another historical photo...
Sadly I don't know much about the Ashton area; it's just on the edges of my mile and I rarely have cause to go there. It's brimming with history, I'm sure: the whole South Bristol area rapidly developed from farmland to coal mines to factories to its current interesting mixture of suburbs and industrial work over the last few hundred years. As a more working class area less attention was paid to it by historians, at least historically-speaking, than the Georgian heights of Clifton, and much of it has been knocked down and reinvented rather than listed and preserved. I see here and there some of this lack is being addressed, but I'm afraid I'll be very light on the history myself on this wander, as most of my usual sources aren't throwing up their normal reams of information as when I point them at Clifton, Hotwells or the old city.
I nearly didn't take this photo, having snapped this view so many times before, but I do find it almost completely irresistible.
I've often wondered about writing some kind of neural-computing based app that could look through all of my photos for snaps of this view and mash them all together into a time-lapse, or something, but that would be quite the project.
I picked a fairly arbitrary reason for a wander today. Really, I just wanted to do a New Year's Day wander just to get out of the house and to set a precedent for the year to come.
My ostensible reason was to investigate what looked like a road on my map that quartered the lawn in front of the Ashton Court mansion. As it turned out, this is just a muddy footpath/desire line similar to a half-dozen other tracks nearby, and must be some kind of bug or misclassification with the mapping system I'm using, but that's not important. What's important is that I went for a little walk on the first day of the year. As a bonus, I did happen to wander down a couple of sections of new footpath, so technically I broke some new ground too, which is nice.
I took advantage of a rare recent day where it wasn't tipping down with rain to get away from my desk on a lunchtime workday and head up to Clifton Village. I'd hoped to snap a reproduction of historical photo which I'd worked out had been taken from the Suspension Bridge, but the gods were not smiling on me. Still, taking only a nice long lens with me worked out very well as the lovely haze of the day made more distant views quite dramatic...
There's a few tracks in Leigh Woods that lie within my mile and show up on my map but that I've not walked yet, so I decided to take one of my traditional big long walks through the woods on this nice crisp sunny morning.
For years—decades, even—I've been doing a similar route from my place, along the towpath to the far woods entrance, up the hill for a varied walk on one of the marked tracks and then across the Suspension Bridge to Clifton Village for a coffee-based reward. It's my default "long walk", really, and I almost always enjoy it. Today, at last, spring actually seemed to be springing, which made for some extra positivity...
I've always enjoyed the optical illusion that these houses are on stilts from this angle. In fact there's the Hotwell Road the National Express coach is on in between the houses at the back and the disused landing stage at the front, as you'll see in the next pic of the adjacent terrace.
The Campbell Brothers' White Funnel Fleet operated from the Hotwells landing stage up until relatively recently. Last week I bought an old timetable on eBay and popped it up on my blog for anyone who might be interested.
In 1965, the year of the timetable, there were regular sailings from here along the coast or over to Wales. You could go to Ilfracombe and Lundy Island, or head across to Barry, Penarth or Cardiff. All from within five minutes' walk of my front door.
The towpath is a lovely stroll in weather like this. Waterproof walking shoes help, though, as the puddles are often wide enough to span the entire width. I baptised my new walking shoes on this trip.
This is probably the most popular spot to take photos of the bridge from this direction. I'd guess the large majority of photos of the Suspension Bridge are taken from the other side.
There are several ways into Leigh Woods along the towpath, all underneath bridges of the Portishead branch line that runs above.
At the one before this, which is normally locked and leads into a disused police shooting range, a woman beckoned me over to where she was standing with her bike, looking through the gates. "I think I've found your best shot today," she said Sadly, the very wide lens on the camera would have made any picture of the young deer that was standing in the sunlit distance a bit rubbish, so I contented myself with a few moments just looking at the scene.
One of the things you learn as you improve as a photographer is when not to bother trying to take a photo because you can't do it justice, and to just be in the moment and enjoy it instead.
I mostly went out to hang out with my friends Sarah and Vik in Bedminster, but along the way I thought I'd take a closer look at something a little nearer home: the last crossing point of the Rownham Ferry.
That reminds me; I must re-read Iain M Banks's Use of Weapons again. In the novel he used the name Size Isn't Everything for one of the Culture's General System Vehicles, a spacecraft approximately 80km long... In the Culture, spacecraft are sentient and Culture ships choose their own names, often ironically.
He we have something of the opposite size of craft.
You don't often see Entrance Lock cycle at this kind of tide, but a little boat like that doesn't need a lot of water in the river to manoeuvre.
Yes, okay, it's quite the challenge to spot the hand-made historic artifact in this picture. In the next pic I'll zoom in a bit.
There, hopefully you can see it now—the slipway of the last incarnation of the Rownham Ferry, in use from as early as the 12th century to 1932, when this particular slipway was last used.
There's not much to see at the moment, as the tide's a bit too high. I'm going to head over to the Tobacco Factory Market, meet some friends, do a crossword or two, and head back at lower tide.
Again, the slipway is easy to miss. I like these little barely-visible curiosities that hide such heritage. The site of the crossing moved around—it's fairly obvious it wasn't right here in the 12th century, for example, because the river was only diverted into the New Cut, which the ferry crosses here, in the early 1800s. Earlier it was further downstream.
I wanted to have a wander along to the Tobacco Factory Market for some shopping, and checking the map for any leftover nearby streets I noticed a tiny curve of road on the way into the modern flats at Paxton Drive that it didn't look like I'd walked down before. I wouldn't take me too far out of my way, so I decided to head there first and then across to North Street to get my groceries and a coffee...
I managed to go for a wander a while ago that was meant to finish off a little tangle of paths in Leigh Woods, or at the very least finish off my wandering of the Purple Path there. And I managed to miss doing either of those things through some kind of navigational incompetence.
Today I woke up with a bit of a headache, feeling a bit knackered as soon as I dragged myself out of bed, but at least with the energy to realise that I'd be better off (a) going for a walk in what looked likely to be the last of the Jubilee weekend sunshine than (b) moping around the flat until it started raining, at which point I could mope more thoroughly.
I had a look at my map, considered going to Ashton Court, but remembered that there was a music festival there today, and instead found these little leftovers of Leigh Woods and decided to have one more try at walking them.
Another day not dissimilar to my last wander: I'm feeling a bit tired and rather than just moping around the house I thought I'd find some tiny bit of somewhere that I'd not yet walked and get outdoors. This time I headed for the Tobacco Factory Market in Bedminster, as I often do, but went the long way around via Ashton Court Mansion as I knew there were some footpaths and a small section of road I'd not ticked off up there. Finishing all the Ashton Court footpaths will be quite a long job, but you've got to start somewhere...
I did feel rather better by the time I got home, and, pretty much astoundingly given the weather forecast, managed to avoid the rain completely.
