I started this wander with my "support bubble" Sarah and Vik, after Sarah texted me to say "SNOW!" We parted ways on the towpath and I headed up into the bit of Leigh Woods that's not actually the woods—the village-like part in between Leigh Woods and Ashton Court, where I'd noticed on a map a church I'd not seen before. I found St Mary the Virgin and quite a few other things I'd never experienced, despite having walked nearby them many, many times over many years, including a castellated Victorian water tower that's been turned into a house...
I'm glad my friend Lisa joined me today; she drove in from Shirehampton and told me that the Portway was looking rather lovely, so we set off that way. She's also braver than I am when it comes to doing urbex stuff, so this was just the opportunity to take a peek into the Portnalls Number One Railway Tunnel/Bridge Road Deep Valley Shelter whose entrance I'd found on a previous wander.
It was definitely dark and spooky and impressively big, with a side tunnel that Lisa explored that leads to a little door I don't think I've previously noticed on the side of the Portway. I didn't get many photos—even my astoundingly powerful little torch (£) didn't do much to light things up, and you're not going to get much joy hand-holding a camera in that darkness—but I did shoot a little video, which I might edit and add later.
After plumbing the bowels of the earth, we went up Bridge Valley Path to Clifton, explored some bits around the College and Pembroke Road, then came home via Foliage Cafe for coffee. Nice.
I bought a vintage post card from eBay this week. It's a well-known photo of the Hotwells landing stage, showing what's likely to be a P&A Campbell paddle steamer moored there. (Just yesterday I snapped a photo of their buoy on display at Underfall Yard with its information sign.) It was posted from here to Canada in 1936, and has now returned via a presumably quite circuitous route.
Local journalist Maurice Fells (really local—I could probably hit his house with a well-flung teacake from here) notes in The A-Z of Curious Bristol (£) that:
For tens of thousands of people, the pier at Hotwells was the starting point of their day trip as they boarded steamers with names like Glen Avon, Glen Usk and Britannia. The salty tang of the sea was never far away as the steamers headed for Ilfracombe, Weston-super-Mare, Clevedon and Portishead on the Devon and Somerset coast and Barry, Porthcawl and Tenby in South Wales.
The landing stage is long-abandoned. A variety of economic issues, including fuel prices, the increasing prevalence of the motor car, the construction of the Severn Crossing giving easier access to Wales, and the collapse of Clevedon Pier during safety testing in 1970, which prevented larger pleasure boats from stopping at the resort, all led to dwindling trade.
I went to have a poke about there today, not staying for long as it's a cold day and the wind was biting. I couldn't reproduce the postcard's view—you'd need to risk life, limb and presumably a trespass prosecution—but I did try to judge the rough viewpoint and angle of the photo by lining up with Rock House, the Colonnade and the Suspension Bridge and snapped a photo looking back to where the original photographer would have stood on the pontoon.
This Bristol City Docks history page has many good photos of the landing stage and the nearby Port and Pier Railway line (whose tunnel I was in the other day) and the Hotwells Halt railway station, which was just the other side of the suspension bridge from here.
Not sure what the gap was for, or what the metal bridge-like-thingy that's gently rusting into the water was for, either.
On closer inspection, this looks similar, but not the same as the lamp posts in the picture.
I think this roughly lines up with the viewpoint in the picture. You can just see the suspension bridge stanchion in about the right place behind the tree above the Colonnade.
I wasn't going to take a very long walk on this nice spring evening; it just happened. I was going to knock off a path or two on Brandon Hill, home over centuries to hermits and windmills, cannons and Chartists, and then just wander home, stopping only to fill up my milk bottle at the vending machine in the Pump House car park.
However, when I heard a distant gas burner I stayed on the hill long enough to see if I could get a decent photo of both the hot air balloon drifting over with Cabot Tower in the same frame (spoiler: I couldn't. And only having the fixed-focal-length Fuji with me didn't help) and then, on the way home, bumped into my "support bubble", Sarah and Vik, and extended my walk even further do creep carefully down the slipway next to the old paddle steamer landing stage and get some photos from its furthest extreme during a very low tide...
I was honestly just about to do the homework from my oh-so-thrilling ITIL course when my friends Sarah and Vik asked me if I'd like to come out for a wander down the towpath with them. I enjoyed the company, the evening light and the delicate clouds.
I noticed I'd missed a bit of Circular Road and Ladies Mile, and it was a nice evening for a sunset wander up to Clifton. There was something I recorded along the way, not photographically but in video.
Bristol Zoo, the world's oldest provincial zoo, has recently decided to close its Clifton site after 185 years of occupation, which means that the sounds of wild animals will no longer drift incongruously through this leafy Georgian area. They're moving everything up to their existing second site, The Wild Place Project near Cribbs Causeway. As I was wandering the Downs, I heard some fierce roaring noises, so I decided to see if I could get a little closer while they were still going on and record a sound that's soon to disappear.
I don't have a way yet to put video directly on this site, so here's a link to the video of my attempt to catch a bit of the zoo noises that I just popped on YouTube. It's sad that this might be the last time I hear such noises in Clifton.
I thought this was a fairly short shortcut to Bridge Valley road that I was tryihg to knock off my list. I was wrong, and I retreated. There's a big network of paths all through this (literal) neck of the woods.
So named because they're often extracted from whipped cream cans.
Nitrous oxide is a common recreational drug. It was Thomas Beddoes and Humphrey Davy who pioneered its use, at the Pneumatic Institute on Dowry Square, coining the name "laughing gas" and inviting friends like Samuel Taylor Coleridge to give it a go, so I don't suppose we can criticise the local youth too much...
I wonder how many generations of mildly disreputable youth have got up to no good on this rock?
Slightly stymied again by not knowing my way thorugh this little network of overgrown paths, I mostly just followed my ears towards the sound of traffic on Bridge Valley Road.
I remembered a fallen tree from the last time I was here. Turned out that navigating by trees that have fallen across the path around here isn't that easy, as there's more than one of them.
I hadn't really planned to go out for a wander yesterday; I just got the urge and thought "why not?" (Well, the weather forecast was one possible reason, but I managed to avoid the rain, luckily.)
I wanted to finish off the A369—as it turns out I may still have a small section to go, but I've now walked the bulk of it out to my one-mile radius—and also a few random tracks in Leigh Woods. I'm still not really sure that I'm going to walk them all, especially after discovering today that "the map is not the territory" applies even more in the woods, where one of the marked tracks on the map wasn't really that recognisable as a track in real life... I'm glad I'd programmed the route into the GPS in advance!
Anyway. A pleasant enough walk, oddly bookended, photographically at least, by unusual vehicles. Leigh Woods was fairly busy, especially the section I'd chosen, which was positively dripping with teenage schoolkids with rah accents muttering opprobrium about the Duke of Edinburgh. I'm presuming the harsh remarks were more about taking part in his award scheme than the late Consort himself, but I didn't eavesdrop enough to be certain...
I took this as a comparison shot for this non-OMM photo I snapped the other night, to show how much difference the right conditions can make to a photograph :D
I don't think I've ever been next to these tracks when a train's gone down. I've sometimes seen it from the other side of the river, though. You can read a bit about the nearby disused station here; this used to be a passenger line, but it's freight-only now.
At some point I should dig back through my photos and see if I snapped this frame when it was first left locked to these railings as a full, complete bike.
I went out simply wanting to knock off the very last little unwalked section of Clanage Road, over by Bower Ashton, which has been annoying me for a while as it's quite close by and I've walked the other bits of it several times. So, my plan was to nip over to Greville Smyth Park via a slightly unusual route to wander Clanage Road and tick it off.
Along the way, though, I inevitably got a bit distracted. I took a few photos of Stork House, a grand Hotwell Road building that's recently been done up a bit (I imagine it's student lets, though I'm not sure) and which I found a reference to in a book about the Port Railway and Pier the other week, and also tried to match up a historical photo of Hotwells before the Cumberland Basin Flyover System laid it waste, which included some interesting markers I'll have to do a bit more digging into...
The more I research it, the more I find that Hotwells had far better transport links back in Victorian and Edwardian times than it has today. Along with buses that went to more useful places than the City Centre, there were trams, the funicular up to Clifton, the landing stage for paddle steamer services and two railway stations all within easy walking distance of me.
Today I took a day off work as preparation for doing the bookkeeping for my tax return1, and took a wander along to the site of what would have been my nearest station, Hotwells (or Clifton, as it started out in life), nestled in the shadow of the suspension bridge, the Bristol terminus of the Bristol Port Railway and Pier.
From there I wandered down the Portway, following the original line, until I got to the area around Sneyd Park Junction, where the tunnel from the slightly later Clifton Extension Railway joined up with this originally-isolated BPR line. Then I headed up to Clifton through the "goat gully" at Walcombe Slade, seeing the few above-ground bits of evidence of the tunnel (which is still in regular use) along the way.
It was a lovely day, and a good walk, and it was interesting to daydream of the times when I could have walked a few minutes from my flat down to Dowry Parade, caught a short tram ride to Hotwells Stations, and then headed from there to Avonmouth, perhaps even to board a transatlantic passenger service. The completion of the Clifton Extension Railway that linked the Avonmouth station with Temple Meads made relatively direct transatlantic travel from London via Bristol possible, with passengers travelling up from Paddington to Temple Meads, on to Avonmouth on the Clifton Extension Railway and Port Railway and Pier line, then perhaps catching a Cambpell's paddle steamer—which sometimes acted as tenders for large steamers—to a larger ship that was headed out for Canada, say.
1 I've learned that the best approach is to take two days off and deliberately do something that's not my bookkeeping on the first day, as otherwise I just inevitably end up procrastinating and feeling guilty on the first day no matter what. I have an odd brain, but at least I'm learning strategies for dealing with its strange ways as I get older...
2 Information mostly gleaned from Colin Maggs' The Bristol Port Railway & Pier and the Clifton Extension Railway, The Oakwood Press, 1975.
St Vincent's Parade looking a bit more run-down than normal. This street, like the one I live in, was built as lodging houses for visitors to the hot wells. I imagine it was quite a pleasant aspect before later developments like the building of the Portway.
I didn't go inside, just shot through the gate with a steady hand. I have been in there, though, on one of the open day tours.
From The Bristol Hotwell, by Vincent Waite, ISSN 1362 7759, Bristol Branch of the Historical Association, 2002 reprint.
...in 1867 the new Pump Room was in turn demolished so that Hotwell Point could be removed and river navigation made safer. Thus the spring was lost after a long and eventful history. After much public agitation and complaining in the local press the spring was enclosed and piped to a small grotto hollowed out in the rock. Here a pump was set up in 1877 and an attendant provided by the Bristol Docks committee. In 1880 Dr. Griffin wrote a warning letter to the newspapers claiming that his analysis of this pump water proved that it was not from the original spring which in any case was too far away to retain its correct temperature. Yet up to 1913 the pump was still in use, and sometimes supplied as many as 350 persons a day. Then the long-threatened pollution of the water by the river became too obvious to be ignored and the pump was closed. The entrance, blocked up by a small wooden door, can still be seen in Hotwells Road near the Suspension Bridge.
The wooden door is no longer here, but this is definitely the place.
One of the many problems with the Hotwell Road and Portway is the complete dearth of places to safely cross this road, with a varying number of lanes and a speed limit that hits 50mph for stretches.
You can stand for a very long time looking both ways before taking your life into your hands and scurrying across. It took me quite some time to dash to the other pavement at the point where this one runs out and your only choice is to head up the Zig Zag or cross.
It's a (glass-fibre reinforced, I think) concrete roof to keep falling rocks from blocking the road at this particularly friable bit of the cliff face.
Bower Ashton is an interesting little area just south of the river from me—in fact, the Rownham Ferry used to take people over from Hotwells to Bower Ashton, operating from at least the twelfth century to around the 1930s.
It's a strangely contradictory little area, with a cluster of old and new houses sandwiched in between the busy A-roads and significantly more industrial area of Ashton and the bucolic country estate of Ashton court roughly east to west, and also between Somerset and Bristol, north to south.
I've been around here before, mostly poking around Bower Ashton's arguably most well-known bit, the Arts faculty campus of the University of the West of England, but I'd missed at least Parklands Road and Blackmoors Lane, so I initially planned just to nip across briefly and wander down each in turn. On a whim, though, I texted my friends Sarah and Vik in case they were out and about, and ended up diverting to the Tobacco Factory Sunday market first, to grab a quick flat white with them, extending my journey a fair bit.
To start with, though, I nipped to a much more local destination, to see something that you can't actually see at all, the Gridiron...
(I also used this wander as a test of the cameras in my new phone. I finally upgraded after a few years, and the new one has extra, separate wide and telephoto lenses compared to the paltry single lens on my old phone. Gawd. I remember when speed-dial was the latest innovation in phones...)
I decided to try out the three lenses on my new iPhone camera. This is the "telephoto" lens. It does a reasonably creditable job, though the phone is oversharpening things a bit and I'm not sure I like the colours much.
And here's the middling lens on the camera. Not bad, though on every shot I've taken on the iPhone so far where it's been able to see blue sky it's managed to oversaturate it for my tastes. Still, I guess they're aiming at the mass market, and the mass market does seem to like oversaturated colour and the sharpening turned up to eleven.
Not bad, and it's certainly better than not having a wide-angle lens in your pocket everywhere you go. I won't complain too much. "My iPhone oversaturates my photos. Also my wallet is too small for my fifties and my diamond shoes are pinching..."