Tagged: river-avon
Morning Mist
05 Nov 2020
I spotted the fog and decided to go for a morning walk rather than a lunchtime walk today. It was cold on the Portway, but it was worth it. Most of my One Mile Matt photos are "record shots", but it's nice to get the chance to do something a bit more artistic.
Rabbits, bad pedestrian signage and good coffee
13 Nov 2020
A quick trip with the aim of finding a better way to Greville Smyth park and a good coffee. Sadly I was stymied yet again with the former—it turns out that you do apparently have to take a strange loop around the houses (or at least around the roads) to get to Greville Smyth any way other than my normal route, unless you're prepared to vault some railings. It may be that the disused steps from where the skater kids hang out to the flyover above might once have led to a shorter route, but it's hard to tell. The geography in the area has always confused me.
On the plus side, Rich, who runs Hopper Coffee from a Piaggio Ape does a great flat white and often has a good sign. (I collect cafe signs...)
Misty Walk
30 Oct 2020
Something of a misty start took me around the viewpoint at the end of Spike Island and then on to try to find a new way into Greville Smyth Park. I got lost.
I mostly went out to hang out with my friends Sarah and Vik in Bedminster, but along the way I thought I'd take a closer look at something a little nearer home: the last crossing point of the Rownham Ferry.
That reminds me; I must re-read Iain M Banks's Use of Weapons again. In the novel he used the name Size Isn't Everything for one of the Culture's General System Vehicles, a spacecraft approximately 80km long... In the Culture, spacecraft are sentient and Culture ships choose their own names, often ironically.
He we have something of the opposite size of craft.
You don't often see Entrance Lock cycle at this kind of tide, but a little boat like that doesn't need a lot of water in the river to manoeuvre.
Yes, okay, it's quite the challenge to spot the hand-made historic artifact in this picture. In the next pic I'll zoom in a bit.
There, hopefully you can see it now—the slipway of the last incarnation of the Rownham Ferry, in use from as early as the 12th century to 1932, when this particular slipway was last used.
There's not much to see at the moment, as the tide's a bit too high. I'm going to head over to the Tobacco Factory Market, meet some friends, do a crossword or two, and head back at lower tide.
Again, the slipway is easy to miss. I like these little barely-visible curiosities that hide such heritage. The site of the crossing moved around—it's fairly obvious it wasn't right here in the 12th century, for example, because the river was only diverted into the New Cut, which the ferry crosses here, in the early 1800s. Earlier it was further downstream.
Now the tide's lower, we can see the end of the slipway we looked at earlier poking out from the Somerset side. According this article from the Bristol & Avon
Family History Society:
In 1793 the ferry was identified as being used by many passengers to "cross the river at Rownham ferry and walk to the sweet and wholesome village of Ashton to eat strawberries and cream"
At an earlier site, the ferry was mentioned in the Proceedings in the Court of the Star Chamber in the Reigns of Henry VII and Henry VIII after a dispute between a new competitor and the existing ferry, which was run by St Augustine's Abbey. Presumably the crossing was used to get to and from the abbey property at Abbots Pool, which I've actually swum in, from the Abbey, now Bristol Cathedral.
And here's the picture that inspired this little local visit today. A week or so back I was browsing the boxes of books at Rachel's and Michael's Antiques on Princess VIctoria Street, and flipping through their collection of Reece Winstone books. Winstone's famous Bristol As It Was series are an amazing documentary source created by a man who loved both photography and Bristol and effectively became Bristol's foremost documentary photographer for decades. A lot more of Bristol's history is visible today because of him.
In the Bristol As It Was 1939 - 1914 book I saw this picture of the Rownham Ferry. Unfortunately the book was a first edition and priced at £20, so I ordered a cheaper edition from an independent dealer in Stockport when I got home! (Let's consider that as me leaving the rare first edition for the true connoisseurs, rather than just being cheap.)
Here we see the ferry just five days before its closure on the last day of 1932. Looking closely, it seems to be perhaps operating as a reaction ferry, with the boat tethered to a static line across the river, and the ferryman using the rudder to turn the boat and use the power of the flowing water to shuttle the boat from side to side. Clever!
Photo © Reece Winstone Archive. (I recommend buying the books if you like old photos of Bristol. They're amazing!)
Bower Ashton is an interesting little area just south of the river from me—in fact, the Rownham Ferry used to take people over from Hotwells to Bower Ashton, operating from at least the twelfth century to around the 1930s.
It's a strangely contradictory little area, with a cluster of old and new houses sandwiched in between the busy A-roads and significantly more industrial area of Ashton and the bucolic country estate of Ashton court roughly east to west, and also between Somerset and Bristol, north to south.
I've been around here before, mostly poking around Bower Ashton's arguably most well-known bit, the Arts faculty campus of the University of the West of England, but I'd missed at least Parklands Road and Blackmoors Lane, so I initially planned just to nip across briefly and wander down each in turn. On a whim, though, I texted my friends Sarah and Vik in case they were out and about, and ended up diverting to the Tobacco Factory Sunday market first, to grab a quick flat white with them, extending my journey a fair bit.
To start with, though, I nipped to a much more local destination, to see something that you can't actually see at all, the Gridiron...
(I also used this wander as a test of the cameras in my new phone. I finally upgraded after a few years, and the new one has extra, separate wide and telephoto lenses compared to the paltry single lens on my old phone. Gawd. I remember when speed-dial was the latest innovation in phones...)
You can't actually see the Gridiron in this photo, but I believe it's still there, under that amazing buildup of silt.
The Gridiron—one of the few photos of it can be seen on the Maritime Mud and Miasma page of About Bristol—was a cheaper alternative to putting your boat in a dry dock. It was a 200-foot long grid (there seems to be some debate over whether the grid itself is actually metal, or in fact timber; I'll have to try to find out), 38 feet wide, nestled here between the north and south entrance locks. A ship captain could sail his vessel over here at high tide, then as the tide gradually receded, the ship—up to 250 feet, as overhanging a bit was apparently okay—would settle onto the gridiron.
At that point an inspection and repair crew could make their way down to the gridiron by ladder and do whatever work they could manage before the tide rose up again.
You can still see some ladders in place, I can only presume they were there to get you down to the gridiron, but that is just a guess; information on it seems quite hard to find.
Image from 1946 Aerial layer of KYP Bristol/English Heritage.
As you can see, it was pretty big, and clearly still in use in 1946...
One last snap before we move on. I'm using the wide lens on the iPhone here, and have managed to include a silhouette selfie...
I decided to try out the three lenses on my new iPhone camera. This is the "telephoto" lens. It does a reasonably creditable job, though the phone is oversharpening things a bit and I'm not sure I like the colours much.
And here's the middling lens on the camera. Not bad, though on every shot I've taken on the iPhone so far where it's been able to see blue sky it's managed to oversaturate it for my tastes. Still, I guess they're aiming at the mass market, and the mass market does seem to like oversaturated colour and the sharpening turned up to eleven.
Not bad, and it's certainly better than not having a wide-angle lens in your pocket everywhere you go. I won't complain too much. "My iPhone oversaturates my photos. Also my wallet is too small for my fifties and my diamond shoes are pinching..."
