31 Mar 2021
Not a literal run, but I didn't hang about, as I had a job interview to get to (I was an interviewer, not the interviewee, but you still have to be there on time...) Along the way to pick up a lunchtime coffee I mostly seemed to take photos of the high tide, though I also came across a bit of outreach work for small spiny mammals...
01 Apr 2021
Another workday, another quick coffee excursion. This time I decided to swing past Sydney Row on the way back from the marina car park where Imagine That have their horsebox. I didn't know until recently that the terrace was built for workers at the adjacent dockyard.
I've also gradually come to the conclusion that I don't really think very two-dimensionally when it comes to finding my way around or associating one place with another. I only realised in the last few days that the odd industrial building that takes up the other half of Syndey Row, the one that's always covered with graffiti, is the back of the dockyard works. In my defence, as it's tucked away in a corner of the little industrial estate that I've never ventured into (I rarely find I have a need for the products of safety valve manufacturers), I don't think I've ever seen the front of the building...
I noticed I'd missed a bit of Circular Road and Ladies Mile, and it was a nice evening for a sunset wander up to Clifton. There was something I recorded along the way, not photographically but in video.
Bristol Zoo, the world's oldest provincial zoo, has recently decided to close its Clifton site after 185 years of occupation, which means that the sounds of wild animals will no longer drift incongruously through this leafy Georgian area. They're moving everything up to their existing second site, The Wild Place Project near Cribbs Causeway. As I was wandering the Downs, I heard some fierce roaring noises, so I decided to see if I could get a little closer while they were still going on and record a sound that's soon to disappear.
I don't have a way yet to put video directly on this site, so here's a link to the video of my attempt to catch a bit of the zoo noises that I just popped on YouTube. It's sad that this might be the last time I hear such noises in Clifton.
I was trying to take a photo of the Portcullis and what I thought was also a disused pub next door, assuming it was big building on the right, but according to this discussion on Flickr, the Gaping Goose was actually next-door-but-one. I'll have to see if I can reproduce that photo of the sign...
Well, that was a bit of a scramble, and some weird venturing off-piste on either side of the normal, sane path to the hill that I'd normally take, but it was interesting. And here I am.
I want to go see the Observatory's camera obscura again at some point.
06 Apr 2021
I'd originally intended just to pop up to the area around Alma Road, where I'd missed a few streets on earlier wanders. It was such a nice evening, though, I decided to extend my walk up to the very top of Pembroke Road, just outside my one mile radius, to take a few snaps of something intriguing I'd found in my researches.
I've driven, walked and jogged past the little triangle of land at the top of Pembroke road a great deal in my time in Bristol, but I didn't know that it used to be the site of a gibbet, in fact that the road itself there used to be called Gallows Acre Lane. According to the Durdham Down history trail, by Francis Greenacre (an excellent name for a Downs researcher!) among other sources:
...it was below this quarry near the top of Pembroke Road, once called Gallows Acre Lane, that a gibbet stood. It was sometimes occupied by those who had committed robberies on the Downs and was last used in 1783 to hang Shenkin Protheroe for the murder of a drover. Stories quickly spread that he descended from the gibbet at midnight every night and stalked through Clifton. Such was the alarm that his body was cut down
and buried.
Also very close to this little triangle of land was one of the gates of the extensive turnpike system...
Anyway. Along the way I encountered a wooden tortoise and a real squirrel, among other things. It was a good walk, and more light in the evenings means I can move my wanders out of the ticking countdown clock of work lunch-hours and be a bit more leisurely.
I came across this photo of 5 Wellington Terrace back when it was the Gaping Goose, two doors down from the Portcullis, and decided to snap the site as it is today. Interesting comparison!
The late, great Maggie Shapland was a familiar feature to anyone interested in historical industry in Bristol.
I think the first time I saw her was on an Open Doors Day for the Clifton Rocks railway, the disused funicular from the Avon Gorge Hotel down to near the landing stage in Hotwells, and the last time was when she was helping to restore Brunel's Other Bridge at Howard's Lock.
Both times I think she'd driven there in one or other of the classic cars she maintained. Sometimes when the garage door here was open on the way past you could sneak a look at the collection.
The last thing I saw her drive was this Moss kit car.
An amazing person by all accounts, I never knew that we shared the profession of "Database Consultant"...
I knew I'd missed a street! This wasn't my destination tonight, though, and there was a children's party going on in the street, by the sound of it, so I decided to come back here another day.
A great fish restaurant, clearly gearing up for some al fresco dining once the lockdown eases up a bit.
07 Apr 2021
Unusually for my recent lunchtime coffee trips, I managed to find a new road to walk down: Caledonia Mews, which has a little entrance off Princess Victoria Street and runs between it and Caledonia Place. I've noticed it before a couple of times—if you look up from Princess Victoria Street you can see some of it, standing tall above the low buildings on the street itself—but until last night I'd not set foot in it, I think.
As well as focusing on this charming little mews, I looked in on the demolished site of the old WH Smith, and spotted what I think is part of the now-private-houses St Vincent Rocks Hotel that I'd not really noticed before, tucked away between Sion Lane and Sion Hill.
The entrance is on Princess Victoria Street, but I imagine based on the name that it was built as a mews for Caledonia Place, which lies on the other side, forming, with West Mall, the surrounding streets of the Mall garden.
For some reason I always think of Princess Victoria Street as running north-to-south, but that's because of my terrible sense of direction, I suppose, as it's really more east-north-east.
It's a lovely little mews, and looks very well-kept. I like the way that despite being fairly uniform in size and height that things are a bit more mismatched and higgledy-piggledy once you look a little closer.
I'm glad I added a search feature to the site recently, as it let me find this earlier photo when the name rang a vague bell. Morsa clearly gets about a bit.
I think the corridor you can see running from the back of the building on Sion Hill to the building on the right, on Sion Lane, is part of the old Saint Vincent Rocks Hotel. It was converted into houses, and the front bit, just the main building on Sion Hill, called Trafalgar House now, was on the market for £1,550,000 back in 2019.
The listing mentions:
To the rear a late C19 long brick extension raised on open arches
...anyway. I think it's likely the Sion Lane building was a hotel annex, though I think it's separate flats now. I wonder which of the two sides owns the corridor between them, assuming it really is a corridor? Or maybe even that's flats now...
Next time maybe I'll wander across the green bit and see what I can see over the wall. I think the area just used to be the hotel car park, but there might be more interesting things to see.
10 Apr 2021
There's a bit of Southville that I've been meaning to get to for some time, where the streets seem to take some strong inspiration from London. There's a Camden Road that crosses with an Islington Road, and a Dalston Road, even an Edgeware Road. For me these names are more evocative than the rather more exotic names I passed by to get there—Sydney Row or Hanover Place, say, because I've actually been to the places in London. The last time I was in Islington I saw Monkey Swallows the Universe play at The Angel, and I can't think of Camden without remembering a gondola trip with my friend Tara where a cheery youth played Beatles music for us on a saz...
I really liked this little area, with its mostly well-kept pretty houses and hints here and there of the creative side of the residents. It's arty and down-to-earth at the same time, and I wouldn't mind living there, I think.
On the way there I got the chance to walk through Underfall Yard for the first time in a while, and on the way back I had my first take-away hot food for many months, grabbing some crispy fried squid from the excellent Woky Ko at Wapping Wharf.
This is the first time I've been able to walk through Underfall Yard in months; it's been closed during the lockdown, and it's really reminded me how much nicer the route around the harbourside is when it's open. Cumberland Road is just dull.
Apparently the electric motor that still winches ships up out of the water on this "heave-up" slip (patented 1819 by Thomas Morton of Leith) dates from 1924, when it replaced the previous hydraulic system. I've never been there to watch a ship be hauled up, but it regularly deals with things as large as the Matthew.
The listing has this to say:
Patent slip and quay walls. Mid C19, restored 1888. Granite and Pennant rubble. 1 in 14 inclined slip with rails and timber cradle on wheels, drawn by an electric winch. Quay walls extend approx 50m along frontage of the Underfall Yard. HISTORICAL NOTE: Built on land reclaimed behind Jessop's 1809 Overfall Dam, originally part of the c1850 Nova Scotia Yard, purchased by the Docks Committee in 1880. Capable of raising a load of 250 tons. (Lord J and Southam J: The Floating Harbour: Bristol: 1983-: 65).
I was taken by the colour and texture of these three houses. I have three towels with a very similar colour and finish, at least visually...
Or, I imagine, chimney. But the fins at the bottom really do make it seem quite rockety, and when I asked about it on Twitter someone did find a strong resemblance to some NASA hardware.
As to why Charles Hill & Sons apparently needed an industrial incinerator in the basement of their office, I've not yet found out.
Like the building with the clock tower around the corner, this was apparently offices for the shipbuilding firm. The listing says it's mid-nineteenth century, and:
Originally offices for Charles Hill & Sons, formed 1848, shipbuilders at the Albion Dockyard (qv). Their last ship was launched in 1976
The former stone mason's place. Geograph has a good photo of what it looked like before. From what I can see from the planning website, it might be becoming offices, rather than the flats I'd assumed would emerge. I may have been mis-reading the vast array of planning applications, though; I suppose we'll see...
The door across this is normally closed. You can just about see Wallace and Gromit smiling on the side of the building, presumably not coincidentally, given that Aardman Animations' office is down there and up the driveway to the left.
11 Apr 2021
My friend Lisa joined me again, this time for a long wander through "Bemmie". In fact, I tweeted recently using "Bedmo" as my abbreviation for Bedminster, and apparently there's something of a culture war going on. From what I can glean, the longer-term residents call it "Bemmie" and consider "Bedmo" a name made up by hipster gentrifiers.
I had no idea, but then I didn't grow up around here, and I don't live in Bedminster, and I'm not a hipster. I'm not sure I've ever gentrified anywhere, either; Hotwells was already quite gentrified by the time I arrived. I probably just lowered the tone a bit.
Anyway. Lisa and I entered Bemmie by the traditional toll gate (though actually you'd only have paid if you were coming from the Long Ashton direction, not merely nipping across from Hotwells) and then almost literally combed the streets to knock several new roads off my list of targets. Along the way we saw lots of street art, as you'd expect, and admired the area's panoply of gorgeous knockers.
The reason Ashton Gate is called Ashon Gate is because it's the site of the former turnpike gate between Bristol and Ashton (now known as Long Ashton.) This is the actual toll house, still standing. "The Toll House closed in 1866 and was incorporated c1980 with Toll House Court", says the listing.
Toll House Court is now used by Second Step, a mental health charity, as part of their High Support Accommodation programme to combat homelessness.
A piece by Dale Grimshaw. There's a great little piece on this here at Diff Graff, including some details of the migrating swarm of bees that interrupted the painting...
Work continues on the Six Sisters project, the "UK's largest female-led street art project".
I love the Masonic's typography. Not been in myself, that I recall. I have the impression that it's more for locals than for visitors; more of a Merchants Arms than a Grain Barge, in Hotwells terms. The far side of the pub used to be a popular wall for street art until the new flats were built there. I remember one of Dan Kitchener's pieces most fondly.
Though actually this very end of it appears to be Fairfield Place, a tiny continuation of the road around the next corner. That's Gaywood House in the distance; we'll be visiting its very odd doctor's surgery in a bit...
14 Apr 2021
Apart from a lovely coffee and a slice of Victoria sponge from Twelve, there weren't any new sights on this little lunchtime jaunt except for a slightly better look at the long raised extension at the back of the St Vincent's Rocks Hotel, where I at least got to see the arches it's raised up on. I also got a fair bit of exercise by walking up the Zig Zag to get there, and saw far more people out than I have in months, what with the lockdown having just been significantly lifted. As I walked past The Mall pub they were turning people away from their already-full garden, and the (outdoor) cafe tables were pretty full up.
I only found out that this was a raised extension when I read the listing after snapping the last photo. Today I ventured as close as I could and got to glimpse a bit of the rather nice support arches.
I'm guessing there used to be a grand front door, but then later the hotel annexed the building and didn't need it any more? But it's only surmise.
These aren't listed per se, but they're on the "local list" and named as 8-14 St Vincents Rocks, so I think that confirms that it used to be part of the hotel.
Surely if you want to mark the passing of the Royal Consort you'd move your dangling flag to the lower window...
15 Apr 2021
Just a quick trip to Imagine That for a flat white and a date ball (they're really nice), snapping the general sights along the way. No new roads, as has rapidly become the default on my lunchtime wanders, but as I'm in the routine of this project it almost seems strange not to pop my wanders up on the site.
16 Apr 2021
Another day, another quick dash out for a coffee. I did at least try to take a different route from normal, especially on the way back, where I yet again got a bit lost in the strange paths, flyovers and underpasses that make up the odd maze of pedestrian "infrastructure" among the concrete jungle between the west of Greville Smyth and my neck of the woods in Hotwells. I swear one day I'll take a turn I've not tried before and end up being gored by a Bristolian minotaur.
I decided to make my way across the water to Greville Smyth Park via a more cicuitous route than normal.
I think I should have gone back down into the park to come back up my normal path, that leads to a place where you can walk under the flyover and get back on the bridge to Hotwells. As it is I just tried heading north and ended up having to cross four lanes of busy traffic.
That seems to be the failure of the pedestrian paths around here: if you know where you're going really well, the best you can hope for is not to make a wrong turn, and then you can end up going all the way around the houses, including quite often back the way you came, and might manage to use some of the provided underpasses and crossings and avoid the most dangerous traffic. But if you don't know them like the back of your hand and just try heading for the place you want to get to, that you can actually see, you'll be led entirely astray and end up in a variety of dead-ends.