12 Mar 2022
There's a few tracks in Leigh Woods that lie within my mile and show up on my map but that I've not walked yet, so I decided to take one of my traditional big long walks through the woods on this nice crisp sunny morning.
For years—decades, even—I've been doing a similar route from my place, along the towpath to the far woods entrance, up the hill for a varied walk on one of the marked tracks and then across the Suspension Bridge to Clifton Village for a coffee-based reward. It's my default "long walk", really, and I almost always enjoy it. Today, at last, spring actually seemed to be springing, which made for some extra positivity...
There have been new plans put forward by the council for the Western Harbour Development The previous plans would have put a bridge in between here and the suspension bridge. I've not looked at the new ones yet.
This is probably the most popular spot to take photos of the bridge from this direction. I'd guess the large majority of photos of the Suspension Bridge are taken from the other side.
This is the point on the walk where I get to look at how far I've walked, by looking down on the towpath and seeing tiny things in the distance that I was right next to earlier, like the white navigation light you can just see toward the far end of the curving flood plain of the river down there.
I mostly went out to hang out with my friends Sarah and Vik in Bedminster, but along the way I thought I'd take a closer look at something a little nearer home: the last crossing point of the Rownham Ferry.
That reminds me; I must re-read Iain M Banks's Use of Weapons again. In the novel he used the name Size Isn't Everything for one of the Culture's General System Vehicles, a spacecraft approximately 80km long... In the Culture, spacecraft are sentient and Culture ships choose their own names, often ironically.
He we have something of the opposite size of craft.
Yes, okay, it's quite the challenge to spot the hand-made historic artifact in this picture. In the next pic I'll zoom in a bit.
Again, the slipway is easy to miss. I like these little barely-visible curiosities that hide such heritage. The site of the crossing moved around—it's fairly obvious it wasn't right here in the 12th century, for example, because the river was only diverted into the New Cut, which the ferry crosses here, in the early 1800s. Earlier it was further downstream.
27 Mar 2022
I wanted to have a wander along to the Tobacco Factory Market for some shopping, and checking the map for any leftover nearby streets I noticed a tiny curve of road on the way into the modern flats at Paxton Drive that it didn't look like I'd walked down before. I wouldn't take me too far out of my way, so I decided to head there first and then across to North Street to get my groceries and a coffee...
Work on the New Cut, this man-made diversion of the river to allow the harbour to float free of the tide, was officially started on 1st May 1804 and finished on 1st May 1809, with something of a party:
On 1 May 1809 the docks project was certified as complete and a celebratory dinner was held on Spike Island for a thousand of the navvies, navigational engineers who had worked on the construction, at which "two oxen, roasted whole, a proportionate weight of potatoes, and six hundredweight of plum pudding" were consumed, along with a gallon of strong beer for each man. When the beer ran out a mass brawl between English and Irish labourers turned into a riot which had to be suppressed by the press gang.
24 Apr 2022
I was originally going to head over to the Ashton area to see if I'd missed any bits around the football stadium—and also to grab some lunch from the Tobacco Factory Market—but in the end I got a little distracted by having accidentally chosen exactly the right time to see the Plimsoll Bridge swing on one of the first busy days of Spring, where a lot of pleasure trips tend to head out down the Avon (and possibly the New Cut) from Hotwells.
In the end I mostly snapped that, and just a couple of photos from the Ashton area where I grabbed some lunch but didn't do any new exploring.
05 Jun 2022
Another day not dissimilar to my last wander: I'm feeling a bit tired and rather than just moping around the house I thought I'd find some tiny bit of somewhere that I'd not yet walked and get outdoors. This time I headed for the Tobacco Factory Market in Bedminster, as I often do, but went the long way around via Ashton Court Mansion as I knew there were some footpaths and a small section of road I'd not ticked off up there. Finishing all the Ashton Court footpaths will be quite a long job, but you've got to start somewhere...
I did feel rather better by the time I got home, and, pretty much astoundingly given the weather forecast, managed to avoid the rain completely.
I'd normally walk over those open lock gates she's just sailed through, but it's easy enough to walk down to the gates at the river end.
I've been pretty awful at reading so far this year, apparently averaging about one book per month. That's a far cry from 2019, say, where I got through 41 books in the year. Today's wander was prompted by my rubbish reading, as I needed to go hand back some books to the library, because I'd managed to renew them so many times that I hit the limit on renewals. Oops. Several of them were still unread.
So, off to the Central Library for me, tail between my legs. On the way there I did my best to recreate a historical photo of Dowry Square; while I was in the area I walked under the adjacent Norman arch and poked around behind the Cathedral, and I also had a little diversion to the city centre and came back along the south side of the river, hitting some trouble with the lock gates as I finally crossed the harbour back towards home.
I was expecting them to pull a shopping trolley out at any moment. They weren't managing to snag anything, though.
I'm in the habit of going over to the Tobacco Factory Market on a Sunday. I think I've walked all the routes around that way, but as a Plimsoll Bridge swing let me cross the road to the far side of Brunel Way on my return journey and I took a couple of photos of the brownfield development at the old Ashton Gate Depot site I thought I'd call it a Wander and pop some photos up.
"STEEP DROP INTO MUD AND FAST FLOWING WATER".
This sign has been mildly annoying photographers since it was put up, getting a bit in the way of several alternative views from this bit of land. I presume it was installed in response to some kind of accident, but I'd hazard a guess that whatever difficulties someone got into probably wouldn't have been prevented by a sign that stated the completely bloody obvious.
14 Mar 2021
An enormous walk today, or at least it felt enormous. My feet are sore, anyway. I started off recreating a couple of local historical photos in Hotwells, but then headed for my traditional walk along the towpath in the Avon Gorge to the far extreme of Leigh Woods, up and through the woods to the height of the Suspension Bridge, finally crossing into Clifton Village for a well-deserved vanilla latte.
I say "traditional" because this used to be a very regular route for me, first walking, years and years ago, and later jogging—this route combined with a circuit of the Downs on the other side used to be my way of making sure I was fit to do a half-marathon (I did six of them in total, between 2010 and 2014).
I miss the routine of this walk, even though it's a long way and it used to pretty much wipe me out when I did it—I'd come back home and collapse and do very little for the rest of the day. But perhaps that's what Sundays are for, and I should try to remember that.
Doing this walk regularly was quite a meditative experience. Not so much of that today, but once I got to the further extreme of the towpath, where the roar of the Portway traffic on the other side of the river dwindles and I turned into Leigh Woods to climb ever closer to birdsong and further from rushing cars, I did seem to recapture a little of the feeling of previous walks. (I would say my mind cleared, but I was mentally singing along to Life Without Buildings' The Leanover for most of the wander. There are worse songs to have stuck in one's head, though; it's a great track...)
Anyway. Apparently the walk made me more likely to ramble in words, too. I'll stop now :)
I enjoy shooting it from the other side, but it's hard to catch it at a photogenic moment. It's great when it's misty.
Via KYP Bristol/The Tarring Collection. ca. 1930.
The Tarring Collection is a grand set of images of Bristol taken by Herbert Frank Tarring, who worked as a Quantity Surveyor for Bristol Corporation in the 1930s.