24 Apr 2022
I was originally going to head over to the Ashton area to see if I'd missed any bits around the football stadium—and also to grab some lunch from the Tobacco Factory Market—but in the end I got a little distracted by having accidentally chosen exactly the right time to see the Plimsoll Bridge swing on one of the first busy days of Spring, where a lot of pleasure trips tend to head out down the Avon (and possibly the New Cut) from Hotwells.
In the end I mostly snapped that, and just a couple of photos from the Ashton area where I grabbed some lunch but didn't do any new exploring.
My first hint that there might be something interesting to look at was that the lock gates that I was planning on walking over were open rather than closed. Then I spotted the pleasure boat in the lock, just behind the descending steps from the footbridge there.
Pikto's piece on the side of the Coopers Arms was looking particularly eye-catching in the sunshine...
Can't spot any music or a cafe in this photo? I don't blame you. But, if you look mid-left, you'll see a circular concrete plinth where the cafe used to stand near the children's playground in the heyday of the Cumberland Basin. And behind it is what caught my ear as I was crossing the lock gates—a saxophonist is practising his scales.
I've come across practising musicians in this area before. Presumably they've come away from home to avoid annoying the neighbours (or the rest of the family!) The traffic noise covers even unmuted brass quite well—by the time I was at the other end of the footbridge, on the far side of the flyover, I could barely hear him.
03 Jun 2022
I managed to go for a wander a while ago that was meant to finish off a little tangle of paths in Leigh Woods, or at the very least finish off my wandering of the Purple Path there. And I managed to miss doing either of those things through some kind of navigational incompetence.
Today I woke up with a bit of a headache, feeling a bit knackered as soon as I dragged myself out of bed, but at least with the energy to realise that I'd be better off (a) going for a walk in what looked likely to be the last of the Jubilee weekend sunshine than (b) moping around the flat until it started raining, at which point I could mope more thoroughly.
I had a look at my map, considered going to Ashton Court, but remembered that there was a music festival there today, and instead found these little leftovers of Leigh Woods and decided to have one more try at walking them.
At this point I'd just walked up the steep bit of Rownham Hill and was already too hot and a bit knackered. Still, at least it's levelling out.
The Mall was pleasantly decked out with bunting and there was live music, but sadly I got there just as the skiffle band were finishing the last song of their set. Plus I was knackered by this stage—in the end my walk lasted three hours, and I'd walked 10k by the time I got here—so I decided just to get a quick take-away from Coffee #1 (awful Coronation Chicken sandwich, sadly, will probably never try food there again) and head home, so this is my last snap of the wander.
(I timed it well, as the rain started not long after, and right now at half past five in the afternoon while I'm editing these photos it's coming down a storm. A very typical Bank Holiday in England!)
05 Jun 2022
Another day not dissimilar to my last wander: I'm feeling a bit tired and rather than just moping around the house I thought I'd find some tiny bit of somewhere that I'd not yet walked and get outdoors. This time I headed for the Tobacco Factory Market in Bedminster, as I often do, but went the long way around via Ashton Court Mansion as I knew there were some footpaths and a small section of road I'd not ticked off up there. Finishing all the Ashton Court footpaths will be quite a long job, but you've got to start somewhere...
I did feel rather better by the time I got home, and, pretty much astoundingly given the weather forecast, managed to avoid the rain completely.
I'd normally walk over those open lock gates she's just sailed through, but it's easy enough to walk down to the gates at the river end.
Ah, so it's the triathlon next weekend, then. The swimming bit is done in the Cumberland Basin, so I expect they'll be draining it and re-filling it with fresher water towards the end of the week. I wouldn't fancy it, even in a wetsuit.
The technique that Ant Carver used for this piece, called "Love Me/Love Not", is intriguing. I recommend reading the write-up on the always-informative Natural Adventures.
I've been pretty awful at reading so far this year, apparently averaging about one book per month. That's a far cry from 2019, say, where I got through 41 books in the year. Today's wander was prompted by my rubbish reading, as I needed to go hand back some books to the library, because I'd managed to renew them so many times that I hit the limit on renewals. Oops. Several of them were still unread.
So, off to the Central Library for me, tail between my legs. On the way there I did my best to recreate a historical photo of Dowry Square; while I was in the area I walked under the adjacent Norman arch and poked around behind the Cathedral, and I also had a little diversion to the city centre and came back along the south side of the river, hitting some trouble with the lock gates as I finally crossed the harbour back towards home.
The same view these days is a lot less romantic, especially with the temporary crate from some roadworks sitting at the corner of the square.
I don't blame anyone who lives this close to the Hotwell Road (and can't get double glazing fitted because it wouldn't be in keeping with the character) for wanting a lot of trees and bushes in between them and the roar of the traffic, but I think it's objectively a lot less appealing to the eye with so much shrubbery in the way. Probably good for the local wildlife, though.
It's less obstructive in winter, as you can see from this earlier photo taken from the back of the square looking back toward me.
Samuel Taylor Coleridge and Robert Southey both spent time in the garden of the square, apparently—I wonder what they'd make of it today?
The Mother's Ruin and Seamus O'Donnell's, just to the left here, are both good pubs. Sandwiched in between them at the moment is Shall Not Fade, who sell plants, vinyl records and clothes. The also, apparently, run a record label and a festival. I was tempted by a calathea, but I didn't want to be carrying it around for the next couple of hours. I'll have to come back another day.
For now, though, I escaped the hustle and bustle of Wapping Wharf by crossing Gaol Ferry Bridge—soon to be closed for "at least six to nine months" much to the distress of local businesses. And I imagine the local businesses know what the Council normally mean by "six to nine months": somewhere between two and three years would be my guess.
As a pedestrian I have a few alternative routes to cross. I decided to stroll down to the outer lock gate and get back to my side of the harbour there rather than going the long way around over the Plimsoll Bridge.
In the distance you can see a lockkeeper fishing in the water with a grappling hook on the end of some blue line to see if he can figure out what the gate is fouling on.
I'm in the habit of going over to the Tobacco Factory Market on a Sunday. I think I've walked all the routes around that way, but as a Plimsoll Bridge swing let me cross the road to the far side of Brunel Way on my return journey and I took a couple of photos of the brownfield development at the old Ashton Gate Depot site I thought I'd call it a Wander and pop some photos up.
Now, what's actually meant to happen at this point is that all the traffic follows the giant flashing ALL TRAFFIC sign pointing to the exit ramp on the left. Then they go down the ramp, along a short stretch of road, cross the harbour at Merchants Road bridge (officially Junction Swing Bridge, in fact), join the Hotwell Road and continue on their merry way, without any cause for delay.
This never actually seems to happen, and a queue just forms here. Today this particularly annoyed the driver of a Waitrose van, presumably late for a delivery and stuck behind what he clearly thought were a line of idiots that he hooted angrily at for quite some time, to as much effect as you'd imagine.
I walked back to the point I'd spotted all this activity from the far side of the road. This is the old tile merchant/concrete works/Ashton Gate Railway Depot/Bristol International Exhibition site. I imagine it was plenty of other things along the way, too. Here's an earlier snap with a bad photo from the far side of the site, but some detail on what the site was/will be along with a link to planning documents.
I'm currently toying with the idea of a little mini-website that takes a digitised and vectorised version of the Bristol International Exhibition plan (from 1914) and superimposes it on the same area today. It'd be interesting to see exactly where things were. My best guess from eyeballing it at the moment is that in 1914, this view would be looking towards the International Pavilion, Concert Hall and Art Gallery areas of the Exhibition, and we'd be standing on the train tracks that used to head for Ashton Avenue Bridge, which back then would have been a double-decker road and rail swing bridge, with the trains on the ground level deck, the road on the top deck, and a high-level swing control room above it all. Quite some feat of engineering.
They really couldn't make it much clearer that drivers are meant to nip off down the off ramp up ahead and take Junction Swing Bridge instead. But if anyone ever does I've not seen it. I don't think I've ever been caught in the queue here as a driver, but then I don't do much driving.
19 Aug 2023
It's been a long while since I did one of these walks.
I'm thinking of finishing up the project by walking one or two last bits of road, thus being able to declare with all honesty that I've done my best to walk every public road within my mile (and quite a few alleyways besides.) As a prelude, and just because I felt like it, I decided to drag out the camera and GPS on this little wander to the local shops.
I would absolutely love to have lived in this area before World War II, before the widening of the road knocked down so many interesting things and replaced them with a few busy lanes of traffic, before the tramways were bombed into oblivion, and while you could still wander down to these moorings and catch a White Funnel boat out to Ilfracombe, or at least wander down to Hotwells Station and catch a steam train out to Shirehampton, Sea Mills or Avonmouth. Pre-1934 I could even have skipped the arduous walk up the Zig Zag and taken the 40-second ride up the funicular railway to Clifton Village...
The Hotwell Road really needs more facilities for pedestrians. I spotted plenty of other walkers just on my brief trip along this short section, but all of us were being forced out to share the road with the busy traffic or prevented from crossing to the safer side and back as we made our way.
Thin pavements and a lack of crossings really show how much the car is king in this bit of Bristol, despite the gorgeous landscape.
14 Mar 2021
An enormous walk today, or at least it felt enormous. My feet are sore, anyway. I started off recreating a couple of local historical photos in Hotwells, but then headed for my traditional walk along the towpath in the Avon Gorge to the far extreme of Leigh Woods, up and through the woods to the height of the Suspension Bridge, finally crossing into Clifton Village for a well-deserved vanilla latte.
I say "traditional" because this used to be a very regular route for me, first walking, years and years ago, and later jogging—this route combined with a circuit of the Downs on the other side used to be my way of making sure I was fit to do a half-marathon (I did six of them in total, between 2010 and 2014).
I miss the routine of this walk, even though it's a long way and it used to pretty much wipe me out when I did it—I'd come back home and collapse and do very little for the rest of the day. But perhaps that's what Sundays are for, and I should try to remember that.
Doing this walk regularly was quite a meditative experience. Not so much of that today, but once I got to the further extreme of the towpath, where the roar of the Portway traffic on the other side of the river dwindles and I turned into Leigh Woods to climb ever closer to birdsong and further from rushing cars, I did seem to recapture a little of the feeling of previous walks. (I would say my mind cleared, but I was mentally singing along to Life Without Buildings' The Leanover for most of the wander. There are worse songs to have stuck in one's head, though; it's a great track...)
Anyway. Apparently the walk made me more likely to ramble in words, too. I'll stop now :)
I'm not sure what the cross-beam over the top with the height restriction on is called, but I much prefer the original one. Although the bridge is very utilitarian in looks, anyway.
Via KYP Bristol/The Tarring Collection. ca. 1930.
The Tarring Collection is a grand set of images of Bristol taken by Herbert Frank Tarring, who worked as a Quantity Surveyor for Bristol Corporation in the 1930s.