I was headed into town to return RA Gilbert's biography of AE Waite to the library and along the way I noticed that Dreadnought had finished their refurbishment, but wouldn't be open until midday. That left me some time to kill, so I bimbled around the old St Augustine's/Gaunt's area for a while, then headed up Park Street for a coffee and a snack to eat on Brandon Hill before heading home the way I'd came so I could pop in and buy a pamphlet on the Hot Well I'd been interested in for a while.
This may be the least salubrious bit of the Old City. End of the alleyway behind Toni and Guy, just behind the back of the Greenhouse on Park Street. The most glamorous thing I passed was two hairdressers having a fag.
I really only took the GPS and camera on a "just in case" basis, as I knew I was only going for a coffee in Greville Smyth Park along a well-trodden path this lunchtime. Still, I saw a few new things along the way, so I figured it was worth uploading the handful of photos I took...
When I passed the (then-empty) fencing back in March I wondered what this would turn out to be. I had no idea it would be a miniature nature reserve...
According to the Friends Of Greville Smyth (FROGS!) Facebook page it's a hedgehog oasis, which is rather sweet.
Lisa had a couple of hours to spare before going up in a hot air balloon (exciting!) so we went for a quick local walk, revisiting a bit of Cliftonwood we've seen before, exploring the secret garden I'd visited before that I thought she'd enjoy (I didn't take any new photos there) and then pushing on to another garden, Cherry Garden. Last time we passed this way, I'd noticed the gate, but we hadn't gone in as I'd assumed it was private. I'd since found it on CHIS's list of communal gardens in Clifton, so I wanted to have a look inside this time, and try to figure out whether it was private-communal or public, and possibly Council-owned, like several of the other gardens in Clifton.
Photo taken from the book Bygone Bristol: Hotwells and the City Docks, by Janet and Derek Fisher.
You can see the gate from the previous photo at the start of Narrow Quay. Plenty of other changes in the area, too: the statue of Neptune stands at the head of the water; there are no Cascade Steps yet; cranes still stand on Broad Quay, and you can just about tell that there's still a main road running right across the middle of Queen Square in the distance.
The gate stands half-closed; presumably before the E and W sheds were converted into the cinemas, bars and restaurants of the Watershed and other publically-accessible attractions there was still some need to keep the (working) dockside a little more secure, and I'm guessing it might have been locked at night.
The gates are listed and have apparently been there since 1894.
The boatyard seems quite quiet at the moment, but there's definitely work still going on—as you'll see from Mike Taylor's little Instagram video here, where you can see them lifting his boat out with the 50-ton capacity travel lift, ready for a lot of work to be done, just a few weeks ago.
As it turned out, I didn't manage to get a coffee on my lunchtime coffee trip, as Imagine That were briefly shut down by a Covid-19 exposure notification (false alarm, it seems.) On the plus side, my trip was made worthwhile by spotting a couple of people from the University of Bath Mechanical Engineering Department testing an autonomous body-finding catamaran, which isn't a phrase I was ever expecting to write...
It certainly has the look of an engineering prototype, right down to the Bosch Rexroth-style chassis.
Okay, not much in the way of actual pasture to be had in Bedminster these days, like most of Bristol, but I did take advantage of the current rather toasty weather in Bristol to go and sit under a tree in Greville Smyth Park to read a book for a while before firing up the GPS and taking a little detour around some back streets of Ashton and Bedminster rather than going straight to Coffee #1 for an espresso frappé. This is the first walk in a while where I've actually crossed off an entire new street (the frankly unexciting Carrington Road) as well as exploring a couple of back alleys, just because they were there, really. Along the way I spotted a few examples of graffiti of various qualities, including a live work-in-progress by SNUB23 on Ashton Road and the finished Six Sisters project on North Street.
They've not made much progress on repairing the Chocolate Path, sadly, but it seems they've at least got a budget and a green light now.
The entire New Cut only took five years to dig out, but on the other hand they had literally a thousand men on the job and I imagine several of them died. Probably have to be a bit more careful these days.
On a gorgeous summer's Saturday like this the steps by the Cottage pub would normally have been absolutely rammed with people drinking. I suppose there's still plenty of social distancing going on. Doesn't look like anyone's got a drink, either, so perhaps the Cottage have had to stop letting people take beer out here for the duration? I did pass their outside bar a minute later, though so perhaps not.
I'm so un-used to drinking now that I'd probably be laid out by a single beer in the sunshine. My Covid months have been largely dry.
I can barely stand up from kneeling without falling over on my living room floor; I doubt I'd manage it on a paddleboard.
The far east of the intersection of my one-mile radius and Bedminster, anyway. I was feeling a bit tired this morning, so I motivated myself to get out of the door by imagining one of Mokoko's almond croissants. That got me on my way, and I wandered across to Bedminster, through Greville Smyth Park, along most of the length of North Street (looking out for new Upfest 75-pieces-in-75-days artwork as I went) and then onto some new roads at the far end.
I only wanted to knock a few streets off my "to do" list, but by the time I'd diverted here and there to check out various bits of graffiti and other attractions and come back via the aforementioned purveyors of Bristol's finest croissants, I'd walked 7.4km. Not bad for someone who woke up tired, and at least I've done something with my day. I'm very glad the weather broke (we had tremendous thunderstorms yesterday), even if some of the pictures might've looked better with a blue sky. I was getting fed up with walking around in 29°C heat...
I know nothing about rowing, so I don't really know the value of tethering two canoes together like this. Maybe they just couldn't afford a catamaran.
This was a wide-ranging wander. I started off crossing the river to Bedminster, to walk a single little cul-de-sac, Hardy Avenue, that I'd managed to miss on at least one previous walk. Then, pausing only to explore a few back alleyways, I headed for a few destinations related mostly by the Hughes family, who I've been researching a little as part of background for a possible novel, as several of them were involved in the Stella Matutina.
However, mostly it's the artistic side of the family I wanted to explore today, as that's where most of their public history lies (as you might expect, there's often not much in the public record about the workings of an occult organisation.) First I visited College Green, where the façade of the Catch 22 Fish & Chip shop still bears the work of Catherine Edith Hughes. Then I wandered up to the top of Park Street to pop into the Clifton Arts Club's annual exhibition, as Catherine, her half-brother Donald, his wife Hope and at least two other Hugheses were members. Donald was chairman for 40 solid years; Hope was Secretary for eight, and Ellard and Margaret Hughes, two more Hughes siblings, were members along with Catherine.
Finally I walked home with a small diversion to Berkeley Square, to confirm the location of Donald Hughes's house by checking for a particular plaque by the front door.
I must admit I'm not entirely sure where all this research is really leading me, but I'm finding it quite interesting to bump across the faint lines of history that link the Hermetic Order of the Golden Dawn, founded in 1888, to modern, quotidian Bristol.
Things must be getting back to normal if you can't cross a bridge in Bristol without a hen or stag do waving at you.
Lisa and I mostly went out to have a look at Luke Jerram's Museum of the Moon as its tour hit Bristol Cathedral—I missed it when it was previously in town, at Wills Hall, I think—but we also took a trek up to Redland. Lisa's kind enough to indulge my strange current fascination with the Edwardian eccentrics that made up the Stella Matutina, so we swung by a couple of places with a vague connection to the Bristol branch of the organisation. Well, it was good walking, anyway...
As a stunning bonus, one of the picture's descriptions has more information than you'd probably want on the Bristol Port Railway and Pier's Clifton Extension Railway line, but I did happen to coincidentally write up this wander after reading about the extension line during my lunch hour at work today. It's a thrilling life, I tell you...
I needed to pop to the library, as they'd kindly dug a book out of the reserve store at the B Bond warehouse for me and emailed me to let me know it was ready. So, I took a little trip to town, straight down the Hotwell Road, and spent a few hours reading before stretching my legs with a walk to a new cafe in the actual castle (or remnants thereof, anyway) of Castle Park, before heading back home down the other side of the harbour. As well as books and coffee, I bumped into a remote-controlled pirate ship, which isn't something you see every day, even in Bristol.
According to Sustainable Hive, it's a "remote control litter munching pirate ship". I didn't see it actually munch, but they were giving enthusiastic children a go on the remote controls as I wandered past. Interesting little thing. It seems to be part of the Treasure Your River campaign.
I recently indulged myself by buying a little piece of history. I've mentioned Samuel Loxton and featured and linked to his drawings before, often in the eminently browsable Loxton Collection albums that Bristol Libraries has on Flickr. So when I saw a Loxton drawing of Hotwells pop up on eBay, I decided to get myself a little treat.
I don't think there's any Loxton drawing that features the road I actually live in—it's not very visible from anywhere else, not being one of these Clifton terraces that's perched at the top of a hill, or anything like that, and it's invisible in most views of the area. However, this Loxton drawing, Hotwells, Looking across the river from near the Clifton Bridge station, is probably the closest near-miss I've seen.
I decided to wander out one morning and see if I could reproduce the picture, and also take a photo or two of what's now become of the Clifton Bridge Station, which is still just about discernible in places.
(Then on an even stranger whim I decided to check out a possible little cut-through from Cumberland Road to the harbourside I'd been eyeing up on my commute to work, so walked to Wapping Wharf for a croissant via this potential new route, but that bit's not quite as interesting...)
This must be some kind of invasive species. Normally the inhabitants of this island are the apprently-native shopping trolleys.
Every now and again some speedboat pops under Merchants Road Bridge and does a few quick loops of the Cumberland Basin. I guess that either they're allowed to go fast on the basin or they know they can get away with it...
I think this was about my best attempt to match the Loxton angle. The fact that my photo still has the edge of Entrance Lock in it suggests that Loxton's drawing was taken from a little further downstream, but there are trees there now, obscuring the view.
Much of the buildings further back are unchanged, as you can see, especially Windsor Terrace to the left and The Paragon middle top. The diagonal rise of Freeland Place is still there, too. What's mostly changed is the closer road, where a chunk of Hotwells, including the houses and Cumberland Hall you can see in the Loxton drawing, was swept away for the Cumberland Road flyover system. This probably also explains why there aren't so many pedestrians just enjoying the scenery—it's much noisier there now.
Here's a similar angle to my earlier attempt at recreating the Loxton view, only with a framing that gives a bit more detail of the buildings.
Hurrah! Cumberland Road is fully closed again, this time apparently for stabilisation works on the Chocolate Path, one of my favourite footpaths in Bristol, whcih has been closed since even before part of it actually fell into the river.
That there is an actual plan to re-open the path, that it's got funding, and that work is being done are all good signs, but I'm still trying not to hold my breath. This path's been closed since 2016. (And the entire new cut didn't take this long to dig in the first place...)