I noticed I had a few things on my "potential wanders" list that could all be done relatively close to home, and in a fairly straight line, so I set off at lunchtime to recreate a photo of a now-defunct pub, wander behind a Spar (which turned out to be more interesting than I'd expected, but I admit it's a low bar) and spend some time browsing in Dreadnought Books before coming home via a coffee from Spoke & Stringer, a little diversion up Gasworks Lane and a tiny bit of the Rownham Mead estate I'd somehow previously skipped.
18 Apr 2022
I didn't really set out with a theme of flowers and gardens in mind for this walk. I just fancied heading up to Clifton Village to get lunch. As it turned out, though, Spring was springing, so a minor theme emerged as I started off with the graveyard flowers of Hope Chapel and wandered up to see the beginnings of the new wildflower garden at Clifton Hill Meadow.
24 Apr 2022
I was originally going to head over to the Ashton area to see if I'd missed any bits around the football stadium—and also to grab some lunch from the Tobacco Factory Market—but in the end I got a little distracted by having accidentally chosen exactly the right time to see the Plimsoll Bridge swing on one of the first busy days of Spring, where a lot of pleasure trips tend to head out down the Avon (and possibly the New Cut) from Hotwells.
In the end I mostly snapped that, and just a couple of photos from the Ashton area where I grabbed some lunch but didn't do any new exploring.
The Plimsoll Bridge is definitely not the oldest swinger in town. In fact, it may be the youngest swinger in town. I think the only other functioning swing bridges on the floating harbour (side-to-side rather than up-down like Redcliffe Bascule) are Junction Bridge (hidden in this picture, it's on the far side of the Cumberland Basin, carrying Merchants Road) and Prince Street Bridge, built in 1925 and 1879 respectively. The Plimsoll Bridge is mid-1960s.
You don't often see this view of the brutalist bridge abutment, because the bridge itself is normally blocking and overshadowing the view here. Excuse me while I take far too many photos of it to be healthy.
I've always particularly liked the spiral staircases and the control tower, which looks like it's escaped from a prison camp.
You can see the man whose job it is to work the rather complicated-looking controls in the control tower has come out onto his balcony now the opening procedure is done.
03 Jun 2022
I managed to go for a wander a while ago that was meant to finish off a little tangle of paths in Leigh Woods, or at the very least finish off my wandering of the Purple Path there. And I managed to miss doing either of those things through some kind of navigational incompetence.
Today I woke up with a bit of a headache, feeling a bit knackered as soon as I dragged myself out of bed, but at least with the energy to realise that I'd be better off (a) going for a walk in what looked likely to be the last of the Jubilee weekend sunshine than (b) moping around the flat until it started raining, at which point I could mope more thoroughly.
I had a look at my map, considered going to Ashton Court, but remembered that there was a music festival there today, and instead found these little leftovers of Leigh Woods and decided to have one more try at walking them.
05 Jun 2022
Another day not dissimilar to my last wander: I'm feeling a bit tired and rather than just moping around the house I thought I'd find some tiny bit of somewhere that I'd not yet walked and get outdoors. This time I headed for the Tobacco Factory Market in Bedminster, as I often do, but went the long way around via Ashton Court Mansion as I knew there were some footpaths and a small section of road I'd not ticked off up there. Finishing all the Ashton Court footpaths will be quite a long job, but you've got to start somewhere...
I did feel rather better by the time I got home, and, pretty much astoundingly given the weather forecast, managed to avoid the rain completely.
Fairly typical Bristol scene here, as the traffic is held up for a bridge swing caused by a replica of a 15th century caravel.
I'd normally walk over those open lock gates she's just sailed through, but it's easy enough to walk down to the gates at the river end.
Trasparenza, by Andrea Greenlees, originally built for Burning Man in 2016. It has transparent benches inside, but it looked a bit of a tight squeeze, so I left the children of the family that arrived a couple of minutes later to it. They seemed to enjoy exploring. There's a view from the inside on Andrea's Instagram.
I think the Latin edging the doorway is "Pulchritudo Est Aliquid Incorporeum": "Beauty is an incorporeal thing", near as I can make out.
I've been pretty awful at reading so far this year, apparently averaging about one book per month. That's a far cry from 2019, say, where I got through 41 books in the year. Today's wander was prompted by my rubbish reading, as I needed to go hand back some books to the library, because I'd managed to renew them so many times that I hit the limit on renewals. Oops. Several of them were still unread.
So, off to the Central Library for me, tail between my legs. On the way there I did my best to recreate a historical photo of Dowry Square; while I was in the area I walked under the adjacent Norman arch and poked around behind the Cathedral, and I also had a little diversion to the city centre and came back along the south side of the river, hitting some trouble with the lock gates as I finally crossed the harbour back towards home.
Library business concluded, I decided that my feet weren't quite sore enough, so decided to head back home by completing a circuit of the harbour rathter than just heading back down the noisy Hotwell Road. Wandering past the Arnolfini, I spotted this from a viewpoint not far from where the status of John Cabot stands, surveying the docks.
While I was taking the last few photos I'd been hearing the two-tone alarm signal of a bridge swing, so I knew something would be going on at the lock when I got here. This time, though, I got more than I bargained for.
I was coming up to cross at these lock gates like normal when I saw that the lock keeper operating the hydraulics was having some difficulties. Sure enough, after a few attempts at closing the gates, it became apparent that they just weren't having any of it. They were getting this close to closing and then jamming.
...which was good in some ways; I've always been curious about the control panel for the lock gates, and as the lockkeeper went to have a closer look at the gates themsevles I took this snap and, in the next photo, a close-up.
As you can see, there were quite a lot of boats waiting to leave Bristol for a jaunt down the river, most notably the Matthew, and Bristol Packet's Bagheera.
As a pedestrian I have a few alternative routes to cross. I decided to stroll down to the outer lock gate and get back to my side of the harbour there rather than going the long way around over the Plimsoll Bridge.
In the distance you can see a lockkeeper fishing in the water with a grappling hook on the end of some blue line to see if he can figure out what the gate is fouling on.
I was expecting them to pull a shopping trolley out at any moment. They weren't managing to snag anything, though.
While I was tempted to hang around to see if they eventually pulled anything out of the way, the heat of the day was beating down pretty hard by this point and I didn't want to risk sunburn, so I headed home. As did all the boats in the lock, who returned back into Cumberland Basin and presumably eventually back to the city, refunding/rebooking their passengers.
I found out that my decision to leave had been a good one two days later, on Tuesday evening, when I happened to be on my walking commute home during another locking out, this time with the lock gates working. I asked the lock keeper about the problem, and apparently they'd tried hooking out whatever was fouling the gate for quite some time on Sunday, but eventually gave up and sent divers in on Monday, who pulled out a large section of chain-link fence that was fouling the south lock gate and got everything working again.
I'm in the habit of going over to the Tobacco Factory Market on a Sunday. I think I've walked all the routes around that way, but as a Plimsoll Bridge swing let me cross the road to the far side of Brunel Way on my return journey and I took a couple of photos of the brownfield development at the old Ashton Gate Depot site I thought I'd call it a Wander and pop some photos up.
"STEEP DROP INTO MUD AND FAST FLOWING WATER".
This sign has been mildly annoying photographers since it was put up, getting a bit in the way of several alternative views from this bit of land. I presume it was installed in response to some kind of accident, but I'd hazard a guess that whatever difficulties someone got into probably wouldn't have been prevented by a sign that stated the completely bloody obvious.
I took two shots from the south side of Brunel Way, a slightly different vantage point from my usual snapping point at the end of Spike Island down below. I'm not sure if I prefer this colour one...
18 Mar 2021
Reproducing historical photos seems to be a developing interest for me. On today's wander I just went for my normal coffee at Imagine That, but along the way I stopped at Baltic Wharf (the modern housing estate; historically-speaking, I was probably in between Canada Wharf and Gefle Wharf—about here, in fact) to reproduce a 1930s photo of the Mardyke area from the Tarring collection.
Mardyke, from what I can work out, means "a ditch along the margins". Before my researches, I only really knew the name from the Mardyke pub, a big place on the Hotwell Road. Everyone knows the Mardyke, partly because of its size and signage, but I've only been in once or twice, too long ago to remember much of what it was like. However, the wharf there used to be known as Mardyke Wharf, and the area in general as Mardyke. (I just found an 1826 painting by Thomas Leeson Rowbotham of "Mardyke seen from near Hilhouse's Dock, showing the 'Clifton Ark' floating chapel" that shows the area before much development had happened, incidentally, and now I feel like I need to find out a bit more about the floating chapel...)
I enjoyed snapping the "after" photo; the process involved moving a group of swans out of the place I needed to stand to get the photo; luckily I've started carrying waterfowl food along with my on my harbourside jaunts, so I could use bribery rather than a more confrontational approach. Not sure I'd fancy my chances against a swan, though I did once team up with another passerby to shoo a recalcitrant one off the Redcliffe bascule bridge so a busful of commuters could continue their journey to work...
Via Know Your Place Bristol/the Tarring Collection.
The Mardyke area—apparently Mardyke means a dyke on the margins, which would make sense for the location—in the 1930s. That's got to be a Campbell paddle steamer from their White Funnel fleet, but I don't know which one. Looks to be a similar configuration to the Princess May, though the paddles look a bit different. In the background, the Mardyke Pub still stands today, but the three largest buildings do not. They are:
Top right: the Clifton National School (there's a Loxton sketch uploaded to this Wander where you can see the name on the front.)
Directly in front and below the Clfiton National School, on the main Hotwell Road: The Clifton Industrial School, Mardyke building.
Standing halfway up the hill, more towards the middle of the picture: the Clifton Industrial School, Church Path Steps building.
Lots of info to be found on the Industrial Schools here:
In addition to their classroom lessons, the boys were employed in tailoring, shoemaking and brush-making, with basket making later added. The boys also assisted with the kitchen, laundry, and house work. In 1870, some additional rooms were rented in the locality for use as an infirmary if required. A School band was established.
I can't find so much on the National School (though apparently the Bristol Archives have some of their records) but the Clifton & Hotwells
Character Appraisal suggest it was built in 1835 and, along with the Industrial School buildings, destroyed during WWII:
A bomb also largely destroyed the Clifton National School and Mardyke House School. The lack of bomb- proof shelters in Clifton led to the Clifton Rocks Railway to be used as shelter, which was prepared for occupation in 1940.
The colourful modern flats stand on School Road, presumably the last hint that the Clifton National Schools building was there before. It's nice to see both the Mardyke Pub and some of the ordinary houses from the terrace dead centre still there and looking much the same.
20 Mar 2021
My friend Lisa was meeting another friend for a walk near the suspension bridge, so we fitted in a quick harbourside loop from my place first. We discussed gardening (we're both envious of the gardening skills of the Pooles Wharf residents; we can just about keep herbs alive, whereas they're growing heartily-fruiting lemon trees outdoors in England along with everything from bonsai to magnolias), cafes, work and architecture, among other things.
I wasn't going to take a very long walk on this nice spring evening; it just happened. I was going to knock off a path or two on Brandon Hill, home over centuries to hermits and windmills, cannons and Chartists, and then just wander home, stopping only to fill up my milk bottle at the vending machine in the Pump House car park.
However, when I heard a distant gas burner I stayed on the hill long enough to see if I could get a decent photo of both the hot air balloon drifting over with Cabot Tower in the same frame (spoiler: I couldn't. And only having the fixed-focal-length Fuji with me didn't help) and then, on the way home, bumped into my "support bubble", Sarah and Vik, and extended my walk even further do creep carefully down the slipway next to the old paddle steamer landing stage and get some photos from its furthest extreme during a very low tide...