Tagged: art
I mostly went out to hang out with my friends Sarah and Vik in Bedminster, but along the way I thought I'd take a closer look at something a little nearer home: the last crossing point of the Rownham Ferry.
The windows of the Bedminster terraces are often interesting. Here's a colourful octopus from my wander back to Sarah and Vik's place to do a crossword or three.
(The general setup is that Sarah and I attempt a Guardian cryptic, and Vik is very entertained by Sarah's increasing annoyance at the stretching of the English language, bad puns, obscure words and generally terrifying wordplay.)
Thought I'd grab a close-up of one of the Six Sisters. This one's Oodles of Poodles by "Lucas Antics", aka Alex Lucas & Paul Fearnside, apparently.
Much as I admire Sylvia Crowe's ambitious vision of her landscaping of the area the more I hear of it, I'm firmly in the camp who thinks the concrete now just looks grim and virtually anything improves it. I mean, it's not my cup of tea, but at least it brightens the dinginess up a bit.
I wanted to have a wander along to the Tobacco Factory Market for some shopping, and checking the map for any leftover nearby streets I noticed a tiny curve of road on the way into the modern flats at Paxton Drive that it didn't look like I'd walked down before. I wouldn't take me too far out of my way, so I decided to head there first and then across to North Street to get my groceries and a coffee...
Looks more like a naughty-lus to me! We've seen another artistic nautilus before, on Park Row, by Lucas Antics, but this doesn't look like their style to my (entirely untrained!) eye.
I noticed I had a few things on my "potential wanders" list that could all be done relatively close to home, and in a fairly straight line, so I set off at lunchtime to recreate a photo of a now-defunct pub, wander behind a Spar (which turned out to be more interesting than I'd expected, but I admit it's a low bar) and spend some time browsing in Dreadnought Books before coming home via a coffee from Spoke & Stringer, a little diversion up Gasworks Lane and a tiny bit of the Rownham Mead estate I'd somehow previously skipped.
Uncredited apart from "from our archives" and undated, this photo appeared in this article on Hotwells in the Evening Post and made me want to re-create the same view today.
The pub had a few changes of name over time—in the Bristol Then and Now Facebook group people recall this being the Spring Gardens in the 1950s, 60s and 70s. Someone remembers it turning into Durty Nelly's in 1995, but I swear it was back to being the Spring Gardens again by the time I moved to the area in 1999. Then it spent some time as La Demi Lune, which you can see on Street View in 2008, and then by 2009 it's back to The Spring Garden (without the "s").
So, from what I can work out, this snap was probably taken in the 1990s, most likely between 1995 and 1999.
This pub—which did good food, and had an extensive garden at the back, from what I remember, when it was the Spring Gardens in the early 2000s—is rather more bland in looks today, as we'll see in the next picture.
I can only guess that the Raj Bari restaurant has been trying to grow their own herbs and spices. Doesn't look that successful at the moment, to be honest, but maybe I'm looking at things that aren't in season...
On Know Your Place you can check out old maps of Bristol. Sadly there doesn't seem to be an easy way of linking to a particular map/location. Still, here's a little screenshot of the 1898-1939 layer. These tracks are still there on the later 1949 map, so at least this section survived the war, I think.
Having checked Wikipedia I think this section, which ran from Canons Marsh to Ashton Avenue Bridge and then on to the south was created in 1906, and closed in 1965.
This map fragment will be © Ordnance Survey.
I was originally going to head over to the Ashton area to see if I'd missed any bits around the football stadium—and also to grab some lunch from the Tobacco Factory Market—but in the end I got a little distracted by having accidentally chosen exactly the right time to see the Plimsoll Bridge swing on one of the first busy days of Spring, where a lot of pleasure trips tend to head out down the Avon (and possibly the New Cut) from Hotwells.
In the end I mostly snapped that, and just a couple of photos from the Ashton area where I grabbed some lunch but didn't do any new exploring.
I managed to go for a wander a while ago that was meant to finish off a little tangle of paths in Leigh Woods, or at the very least finish off my wandering of the Purple Path there. And I managed to miss doing either of those things through some kind of navigational incompetence.
Today I woke up with a bit of a headache, feeling a bit knackered as soon as I dragged myself out of bed, but at least with the energy to realise that I'd be better off (a) going for a walk in what looked likely to be the last of the Jubilee weekend sunshine than (b) moping around the flat until it started raining, at which point I could mope more thoroughly.
I had a look at my map, considered going to Ashton Court, but remembered that there was a music festival there today, and instead found these little leftovers of Leigh Woods and decided to have one more try at walking them.
This is a sentiment that I've often shared, I confess, but never been motivated to express in the form of paint.
Another day not dissimilar to my last wander: I'm feeling a bit tired and rather than just moping around the house I thought I'd find some tiny bit of somewhere that I'd not yet walked and get outdoors. This time I headed for the Tobacco Factory Market in Bedminster, as I often do, but went the long way around via Ashton Court Mansion as I knew there were some footpaths and a small section of road I'd not ticked off up there. Finishing all the Ashton Court footpaths will be quite a long job, but you've got to start somewhere...
I did feel rather better by the time I got home, and, pretty much astoundingly given the weather forecast, managed to avoid the rain completely.
Trasparenza, by Andrea Greenlees, originally built for Burning Man in 2016. It has transparent benches inside, but it looked a bit of a tight squeeze, so I left the children of the family that arrived a couple of minutes later to it. They seemed to enjoy exploring. There's a view from the inside on Andrea's Instagram.
I think the Latin edging the doorway is "Pulchritudo Est Aliquid Incorporeum": "Beauty is an incorporeal thing", near as I can make out.
We're suddenly out of the woods and a fair distance away; I didn't take any snaps on my way through the little alleyway I've used before to get to Rownham village and down Parklands Road back toward Bedminster. Here we see an eye peeking out at the start of an underpass.
People have been telling me I'd enjoy Peep Show since it first came out in 2003. Nineteen years later anonymous daubers are still making the exhortation at me...
Wikipedia notes "The television series has been considered one of the best ever produced in the 21st century", so perhaps I should give it yet another try.
Pre-Upfest, as recently as April, Pikto's boy with the catapult still adorned the side of the Coopers Arms.
Not quite sure what to make of the replacement. It's much lower-contrast and less eye-catching, for me. Also, I'm so out of touch I have no idea if that's an original character or some famous pop-cuture reference.
Ahh, according to Natural Adventures it's "what looks like a Vaughn Bode Lizard, an Iconic character in the world of street art", and it's by an artist called Derm. I'd never heard of Vaughn Bodē or his Cheech Wizard and lizard apprentice, so it's not surprising this piece is going over my head. Probably more one for the real aficionados to appreciate.
The technique that Ant Carver used for this piece, called "Love Me/Love Not", is intriguing. I recommend reading the write-up on the always-informative Natural Adventures.
I'm in the habit of going over to the Tobacco Factory Market on a Sunday. I think I've walked all the routes around that way, but as a Plimsoll Bridge swing let me cross the road to the far side of Brunel Way on my return journey and I took a couple of photos of the brownfield development at the old Ashton Gate Depot site I thought I'd call it a Wander and pop some photos up.
We start the day wandering around the periphery of the Cumberland Basin flyover system. Across Entrance Lock and then around the edge of Spike Island is my preferred route to get to Asthon Avenue Bridge and cross the river.
An enormous walk today, or at least it felt enormous. My feet are sore, anyway. I started off recreating a couple of local historical photos in Hotwells, but then headed for my traditional walk along the towpath in the Avon Gorge to the far extreme of Leigh Woods, up and through the woods to the height of the Suspension Bridge, finally crossing into Clifton Village for a well-deserved vanilla latte.
I say "traditional" because this used to be a very regular route for me, first walking, years and years ago, and later jogging—this route combined with a circuit of the Downs on the other side used to be my way of making sure I was fit to do a half-marathon (I did six of them in total, between 2010 and 2014).
I miss the routine of this walk, even though it's a long way and it used to pretty much wipe me out when I did it—I'd come back home and collapse and do very little for the rest of the day. But perhaps that's what Sundays are for, and I should try to remember that.
Doing this walk regularly was quite a meditative experience. Not so much of that today, but once I got to the further extreme of the towpath, where the roar of the Portway traffic on the other side of the river dwindles and I turned into Leigh Woods to climb ever closer to birdsong and further from rushing cars, I did seem to recapture a little of the feeling of previous walks. (I would say my mind cleared, but I was mentally singing along to Life Without Buildings' The Leanover for most of the wander. There are worse songs to have stuck in one's head, though; it's a great track...)
Anyway. Apparently the walk made me more likely to ramble in words, too. I'll stop now :)
Presumably this is how David Icke views the British monarchy.
(It's Queen Lizzie, by sledone.)
