Tagged: art
The far east of the intersection of my one-mile radius and Bedminster, anyway. I was feeling a bit tired this morning, so I motivated myself to get out of the door by imagining one of Mokoko's almond croissants. That got me on my way, and I wandered across to Bedminster, through Greville Smyth Park, along most of the length of North Street (looking out for new Upfest 75-pieces-in-75-days artwork as I went) and then onto some new roads at the far end.
I only wanted to knock a few streets off my "to do" list, but by the time I'd diverted here and there to check out various bits of graffiti and other attractions and come back via the aforementioned purveyors of Bristol's finest croissants, I'd walked 7.4km. Not bad for someone who woke up tired, and at least I've done something with my day. I'm very glad the weather broke (we had tremendous thunderstorms yesterday), even if some of the pictures might've looked better with a blue sky. I was getting fed up with walking around in 29°C heat...
Well, like last time there's still a van and a car in the way, but at least the van's smaller this time.
At the end of July I went to have a look around some of the private gardens opened up by the annual Green Squares and Secret Gardens event. Sadly it was compressed into a single day this year, for various Covid-related reasons, it seems, so I didn't get to poke around too many places. I went to:
- A talk by the oldest resident of Victoria Square
- The St Vincent's Rocks Hotel garden
- The Paragon garden
- Cornwallis Crescent gardens, both east and west
- The Polygon garden
And snapped a few things in between, too. It was a lovely day—a bit too hot, if anything—and it was interesting to get into a few places I'd only ever seen from the outside, especially The Paragon and Cornwallis gardens, which are the least visible to passing strangers of all of them.
Nobody's quite sure why the Royal coat of arms appears here. Nobody royal appears to have given permission for it, and Victoria, as far as anyone can work out, never stayed here.
The weather appears to have been kinder to the unicorn than the lion.
Lisa and I mostly went out to have a look at Luke Jerram's Museum of the Moon as its tour hit Bristol Cathedral—I missed it when it was previously in town, at Wills Hall, I think—but we also took a trek up to Redland. Lisa's kind enough to indulge my strange current fascination with the Edwardian eccentrics that made up the Stella Matutina, so we swung by a couple of places with a vague connection to the Bristol branch of the organisation. Well, it was good walking, anyway...
As a stunning bonus, one of the picture's descriptions has more information than you'd probably want on the Bristol Port Railway and Pier's Clifton Extension Railway line, but I did happen to coincidentally write up this wander after reading about the extension line during my lunch hour at work today. It's a thrilling life, I tell you...
I was surprised to find that "thank-offering" is actually in Chambers' dictionary, and not at all surprised to find it means exactly what you'd expect.
The inscription is from Psalm 114:
Tremble, thou earth, at the presence of the Lord, at the presence of the God of Jacob;
Which turned the rock into a standing water, the flint into a fountain of waters.
I had no idea who had done this when I snapped it, but on a later wander I found this bit of street art only a few hundred yards from my front door which seems to confirm the artist as @maybepaints.
Lisa and I went for a longish walk, but I didn't take many photos. Mostly we just wandered and nattered. Unusually, my target was outside my 1-mile radius on Burlington Road in Redland, where I snapped quite a few photos of the collection of artistic animals by Julian Warren. This was mostly to provide a fairly arbitrary destination for a roundabout walk in Clifton...
Local councillor Katy Grant had this to say in a Nextdoor post:
...many sonar and other tests have been carried out to see if felling it could be avoided. Sadly, there has been no way out, and there is a risk that the tree will imminently start to be a danger to passers-by.
So this has been the sad outcome. A three metre monolith will be left behind, as a feature, and a habitat for insects and other creatures. A new beech will be planted alongside during thus winter's planting season. And six other trees will be planted along the edge of the Park Place green slope.
As if to prove that I don't have to go on giant rambles, here's a quick four-photo trip up to Clifton Village for a bit of cake. No new streets, just a tiny slice of life.
I needed to pop to the library, as they'd kindly dug a book out of the reserve store at the B Bond warehouse for me and emailed me to let me know it was ready. So, I took a little trip to town, straight down the Hotwell Road, and spent a few hours reading before stretching my legs with a walk to a new cafe in the actual castle (or remnants thereof, anyway) of Castle Park, before heading back home down the other side of the harbour. As well as books and coffee, I bumped into a remote-controlled pirate ship, which isn't something you see every day, even in Bristol.
The sign about the wildflower meadow on Clifton Hill Bank is part of the consultation I mentioned the other day.
I like this little watery installation at Castle Park, so I try to cut through here if it's on my way.
There's a deeply disturbing reason that this rabbit has been crossed out, but I've written that up in a later Wander, so you'll have to wait for an upcoming photo in October.
For the first time in a while, I had the time and energy to go further afield and knock off some new roads from my "to do" list. I headed through the first Hotwells Festival to Ashton and Bedminster to cross off a few of the suburban roads south of North Street.
First, though, I decided to try to reproduce an old photo of the now-demolished Rownham Hotel just around the corner from where I live...
I wasn't in a particularly festive mood, so I decided mostly to bypass the Hotwells Festival. On a different day it might have been right up my street.
From @maybepaints, purveyor of "cheeky doodles round Bristol." It reminded me of this and by the looks of it that's by the same artist.
Well, presumably I'd be twice as happy, at least. Must tayk sum efurt 2 spell mor than haff ur wurds that badli.
There were only a few streets left to wander in the more residential bit of Bedminster, so I thought I should target those today. The streets themselves weren't that notable, though Balfour Road has a contrasting mix of old and new housing. I tried to snap a few more interesting things along the way there and back, snapping all three of the familiar bond warehouses, nipping onto North Street to find some new street art, and finding a few pumpkins for good measure. It is hallowe'en, after all...
I'd been looking at the map and wondering if I needed to walk down this, as it looked like a road. I'd say it's private, though.
Again, pretty sure this isn't a public road, and frankly it didn't look like I'd see anything interesting even if I did risk venturing to the end...
Spotted this new piece on Lime Road as I was wandering past on North Street. There's some interesting background, especially on the technical aspect of the painting on the Natural Adventures blog.
I did do a much longer wander earlier in the week, but that'll take me some time to process (and cast a plethora of photos into the "out-takes" pile!) In the meantime, here's my lunchtime jaunt, taken to give myself a break from doing the company bookkeeping to send to my accountant so the taxman doesn't sling me in chokey.
I've recently bought a slightly creased secondhand copy of Redcliffe Press's 1992 collection of Samuel Loxton drawings, Loxton's Bristol: The city's Edwardian years in black and white. It's a nice selection of Bristol Library's collection of the drawings. I'd noticed a drawing of 25 Royal York Crescent, a house I pass quite often, so I thought I'd wander up the crescent on the way to pick up some lunch and try to reproduce it.
On the way back I took a few photos of Clifton Hill Bank as the crowdfunder to make quite a lot of it into a wildflower meadow has just hit its target, so I figured some "before" shots might be a good investment for the future...
Loxton drawing from Bristol Library collection via Loxton's Bristol, Redcliffe Press, 1995 ISBN 1 872971 86 5.
The more I research it, the more I find that Hotwells had far better transport links back in Victorian and Edwardian times than it has today. Along with buses that went to more useful places than the City Centre, there were trams, the funicular up to Clifton, the landing stage for paddle steamer services and two railway stations all within easy walking distance of me.
Today I took a day off work as preparation for doing the bookkeeping for my tax return1, and took a wander along to the site of what would have been my nearest station, Hotwells (or Clifton, as it started out in life), nestled in the shadow of the suspension bridge, the Bristol terminus of the Bristol Port Railway and Pier.
From there I wandered down the Portway, following the original line, until I got to the area around Sneyd Park Junction, where the tunnel from the slightly later Clifton Extension Railway joined up with this originally-isolated BPR line. Then I headed up to Clifton through the "goat gully" at Walcombe Slade, seeing the few above-ground bits of evidence of the tunnel (which is still in regular use) along the way.
It was a lovely day, and a good walk, and it was interesting to daydream of the times when I could have walked a few minutes from my flat down to Dowry Parade, caught a short tram ride to Hotwells Stations, and then headed from there to Avonmouth, perhaps even to board a transatlantic passenger service. The completion of the Clifton Extension Railway that linked the Avonmouth station with Temple Meads made relatively direct transatlantic travel from London via Bristol possible, with passengers travelling up from Paddington to Temple Meads, on to Avonmouth on the Clifton Extension Railway and Port Railway and Pier line, then perhaps catching a Cambpell's paddle steamer—which sometimes acted as tenders for large steamers—to a larger ship that was headed out for Canada, say.
1 I've learned that the best approach is to take two days off and deliberately do something that's not my bookkeeping on the first day, as otherwise I just inevitably end up procrastinating and feeling guilty on the first day no matter what. I have an odd brain, but at least I'm learning strategies for dealing with its strange ways as I get older...
2 Information mostly gleaned from Colin Maggs' The Bristol Port Railway & Pier and the Clifton Extension Railway, The Oakwood Press, 1975.
This photo comes from the M Oakley Collection via a scan from Branch Lines Around Avonmouth, by Vic Mitchell and Keith Smith, ISBN 190447442X. My reproduction quality isn't great, but hopefully you can see Hotwells Station as it was in its early years, including the turntable at the far end, just in front of the stationmaster's house, to the left of the booking office.
Later the turntable was removed and the tracks extended all the way to the end to make the most of the limited platform space; the engine would move onto the centre run-around track in advance, then pull the carriages into the station on the other track using a draw-bar instead of using the turntable to run around them after it had pulled them in.
My favourite tidbit from Colin Maggs' The Bristol Port Railway & Pier is the last bit here:
Around the turn of the century, a stationmaster at Sea Mills kept poultry, pigs, a cow and used his pony and trap to fetch swill from the docks. He sold eggs to passengers and provided the the Superintendent at Bristol with butter and new-laid eggs. Another character was a driver nicknamed ‘Mad Jack’. He enjoyed scaring the dockers to death by rushing through the tunnels into Hotwells, once misjudging his braking power and crashing into the buffers.
Must've been quite unnerving, racing out of the tunnel straight towards the cliff face at speed!
This is the Pembroke Road ventilation tower, sometimes known as the "pound tower", as it's next to the pound the Downs maintenance people use for equipment storage.
From To Keep Open and Unenclosed, the Management of the Durdham Down Since 1861, Bristol Branch of the Historical Association, 2005:
...construction of the tunnel began immediately at Cooks Folly Wood, the top of Pembroke Road and two other points. The Pembroke Road shaft was subsequently retained to ventilate the tunnel. The sinking of this shaft had reached rail level by May 1872 when Captain Beaumont's compressed air diamond drilling machine came into use. Most of the machinery associated with the diamond drilling machine was on the surface: the machine had a 4" diameter compressed air service from a 50 hp steam engine at the surface. By comparison, the engine to lift spoil and water from the tunnel was only 20 hp. The drill had to be cooled by water which was run into trucks and presumably wound to the surface. Dynamite charges were set in the holes after the dynamite had been softened by steam before use! On 10th May 1872 four pounds of dynamite exploded while being 'softened' at 2.30 a.m. blowing off the engine-house roof and smashing windows in the three houses facing the Downs at the top of Pembroke Road. Fortunately no-one was injured and when the glazier called at one house he found that the occupant had slept through the whole episode!