31 Mar 2021
Not a literal run, but I didn't hang about, as I had a job interview to get to (I was an interviewer, not the interviewee, but you still have to be there on time...) Along the way to pick up a lunchtime coffee I mostly seemed to take photos of the high tide, though I also came across a bit of outreach work for small spiny mammals...
01 Apr 2021
Another workday, another quick coffee excursion. This time I decided to swing past Sydney Row on the way back from the marina car park where Imagine That have their horsebox. I didn't know until recently that the terrace was built for workers at the adjacent dockyard.
I've also gradually come to the conclusion that I don't really think very two-dimensionally when it comes to finding my way around or associating one place with another. I only realised in the last few days that the odd industrial building that takes up the other half of Syndey Row, the one that's always covered with graffiti, is the back of the dockyard works. In my defence, as it's tucked away in a corner of the little industrial estate that I've never ventured into (I rarely find I have a need for the products of safety valve manufacturers), I don't think I've ever seen the front of the building...
I don't think I ever put two and two together before and worked out that this was the back of one of the industrial buldings on the Albion Dockyard. I'm not sure you can see it from the front, or at least not without wandering into the fairly private-looking works area.
That website doesn't seem to be there, which seems a bit odd for a sign that's only just gone up.
The pivot point of the Plimsoll Bridge is getting a lot of paint-based attention at the moment. Graffiti seems to be rife all round, in fact. I suppose there's not much else going on right now...
I noticed I'd missed a bit of Circular Road and Ladies Mile, and it was a nice evening for a sunset wander up to Clifton. There was something I recorded along the way, not photographically but in video.
Bristol Zoo, the world's oldest provincial zoo, has recently decided to close its Clifton site after 185 years of occupation, which means that the sounds of wild animals will no longer drift incongruously through this leafy Georgian area. They're moving everything up to their existing second site, The Wild Place Project near Cribbs Causeway. As I was wandering the Downs, I heard some fierce roaring noises, so I decided to see if I could get a little closer while they were still going on and record a sound that's soon to disappear.
I don't have a way yet to put video directly on this site, so here's a link to the video of my attempt to catch a bit of the zoo noises that I just popped on YouTube. It's sad that this might be the last time I hear such noises in Clifton.
So named because they're often extracted from whipped cream cans.
Nitrous oxide is a common recreational drug. It was Thomas Beddoes and Humphrey Davy who pioneered its use, at the Pneumatic Institute on Dowry Square, coining the name "laughing gas" and inviting friends like Samuel Taylor Coleridge to give it a go, so I don't suppose we can criticise the local youth too much...
06 Apr 2021
I'd originally intended just to pop up to the area around Alma Road, where I'd missed a few streets on earlier wanders. It was such a nice evening, though, I decided to extend my walk up to the very top of Pembroke Road, just outside my one mile radius, to take a few snaps of something intriguing I'd found in my researches.
I've driven, walked and jogged past the little triangle of land at the top of Pembroke road a great deal in my time in Bristol, but I didn't know that it used to be the site of a gibbet, in fact that the road itself there used to be called Gallows Acre Lane. According to the Durdham Down history trail, by Francis Greenacre (an excellent name for a Downs researcher!) among other sources:
...it was below this quarry near the top of Pembroke Road, once called Gallows Acre Lane, that a gibbet stood. It was sometimes occupied by those who had committed robberies on the Downs and was last used in 1783 to hang Shenkin Protheroe for the murder of a drover. Stories quickly spread that he descended from the gibbet at midnight every night and stalked through Clifton. Such was the alarm that his body was cut down
and buried.
Also very close to this little triangle of land was one of the gates of the extensive turnpike system...
Anyway. Along the way I encountered a wooden tortoise and a real squirrel, among other things. It was a good walk, and more light in the evenings means I can move my wanders out of the ticking countdown clock of work lunch-hours and be a bit more leisurely.
It's a great door, and I really couldn't find the best way of capturing it. Ah well.
This fella definitely wasn't here a few years back, when I used to commute to work at Axa at the top of Whiteladies Road past this garden.
This is now Alma Church.
According to the ever-useful churchdb:
It was founded in 1871 as a daughter church of Bethesda Chapel in Great George Street, Brandon Hill, and was called "Clifton Bethesda" to distinguish it.
I didn't remember noticing the original Bethesda Chapel on Great George Street and apparently I didn't miss it—it seems from churchdb that it was hit by a bomb during WWII and later demolished. The KYP map from after the war shows its outline on the corner of Charlotte Street South, tagged "Ruin", and there's a picture of it. It's back to being grassland on Brandon Hill now, pretty much exactly where this earlier photo was taken.
Bethesda Chapel was founded by George Müller, one of the founders of the Plymouth Brethren, and director of Ashley Down orphanage, looking after more than ten thousand orphans in his lifetime.
I don't know if either this fountain or the beech tree were placed to mark the former gibbet in some way.
11 Apr 2021
My friend Lisa joined me again, this time for a long wander through "Bemmie". In fact, I tweeted recently using "Bedmo" as my abbreviation for Bedminster, and apparently there's something of a culture war going on. From what I can glean, the longer-term residents call it "Bemmie" and consider "Bedmo" a name made up by hipster gentrifiers.
I had no idea, but then I didn't grow up around here, and I don't live in Bedminster, and I'm not a hipster. I'm not sure I've ever gentrified anywhere, either; Hotwells was already quite gentrified by the time I arrived. I probably just lowered the tone a bit.
Anyway. Lisa and I entered Bemmie by the traditional toll gate (though actually you'd only have paid if you were coming from the Long Ashton direction, not merely nipping across from Hotwells) and then almost literally combed the streets to knock several new roads off my list of targets. Along the way we saw lots of street art, as you'd expect, and admired the area's panoply of gorgeous knockers.
The new development on the site of the old brewery (which I visited once for a behind-the-scenes peek with some food- and beer-blogger friends) isn't going down that well with the neighbours.
A piece by Dale Grimshaw. There's a great little piece on this here at Diff Graff, including some details of the migrating swarm of bees that interrupted the painting...
It's actually called Listen to Nature. A piece by Brazillian artist Dinho Bento. This one went up at Upfest 2018.
I bought some replacement glass for a photo frame here once, cut to size on the spot. They were very friendly.
15 Apr 2021
Just a quick trip to Imagine That for a flat white and a date ball (they're really nice), snapping the general sights along the way. No new roads, as has rapidly become the default on my lunchtime wanders, but as I'm in the routine of this project it almost seems strange not to pop my wanders up on the site.
16 Apr 2021
Another day, another quick dash out for a coffee. I did at least try to take a different route from normal, especially on the way back, where I yet again got a bit lost in the strange paths, flyovers and underpasses that make up the odd maze of pedestrian "infrastructure" among the concrete jungle between the west of Greville Smyth and my neck of the woods in Hotwells. I swear one day I'll take a turn I've not tried before and end up being gored by a Bristolian minotaur.
Some of the Cumberland Basin Flyover System's pedestrian pathways really do feel like you're making your way through a post-apocalyptic computer game.
21 Apr 2021
Obviously, I was trying to connect to the industrial history of the Canon's Marsh area, to the old gasworks, the docks railway, the warehouses they blew up to make way for all the rather soulless modern stuff (though I do like the Lloyds building, at least.) But what I mostly got out of today's walk is a new cafe to go to for my lunchtime outings. It's perhaps a little closer than both Imagine That and Hopper Coffee; not quite as close as Foliage and Twelve up in Clifton Village, but also not at the top of a steep hill.
No, not the mediocre Costa, but only a little way away from there: Rod and Ruby's, which opened in 2018 and which I've seen in passing several times but never popped into until today. What can I say? I was foolish. Great flat white, lovely interior, astoundingly good cannoli.
Sometimes you just have to get your head out of history and enjoy a pastry.
I've still never been inside. This mirrorball is one of the most photographed things in Bristol, and rightly so. A fun bit of architecture in the corner of Millennium Square.
From some approaches, it does actually look rather like him. It seems a bit too gormless from this direction, though.
27 Apr 2021
Bits of Entrance Lock have been coned off for ages, mostly the area with the lockkeepers' house on it. My friends Sarah and Vik mentioned at the weekend that it had recently been un-coned, so I wandered that way to cross the outermost lockgates for the first time this year. I don't know whether it's just my mood today or the weather, but it seemed a day for pushing a couple of photos in a more experimental direction in the post-processing...
29 Apr 2021
Another quick excursion to Canon's Marsh, tempted back by Rod & Ruby's cannoli and flat white. This time I poked around some bits of the modern flats I'd not really experienced before, mused on the old gasworks, and headed back down the Hotwell Road, spotting a re-opening gallery and finishing off at the Adam & Eve, for which some locals are currently rushing to launch a bid to turn it into a community business rather than have a developer turn it into yet-more flats.
I was in a bouncy, positive mood, helped out by Life Without Buildings' Live at the Annandale Hotel album1. Note to self, though: the album is nearly an hour long, so if you hear the encore starting and you're still halfway down the Hotwell Road, you'll probably be late back from lunch...
1 That review's well worth a read. Music journalists tend to go extra-dreamy when trying to describe Sue Tompkins. See what I mean:
She circles her limber tongue-twisters, feints, and attacks from unexpected angles, dicing and rearranging them with the superhuman brio of an anime ninja and a telegraphic sense of lexical rhythm.