05 Jun 2022
Another day not dissimilar to my last wander: I'm feeling a bit tired and rather than just moping around the house I thought I'd find some tiny bit of somewhere that I'd not yet walked and get outdoors. This time I headed for the Tobacco Factory Market in Bedminster, as I often do, but went the long way around via Ashton Court Mansion as I knew there were some footpaths and a small section of road I'd not ticked off up there. Finishing all the Ashton Court footpaths will be quite a long job, but you've got to start somewhere...
I did feel rather better by the time I got home, and, pretty much astoundingly given the weather forecast, managed to avoid the rain completely.
I'd normally walk over those open lock gates she's just sailed through, but it's easy enough to walk down to the gates at the river end.
Ah, so it's the triathlon next weekend, then. The swimming bit is done in the Cumberland Basin, so I expect they'll be draining it and re-filling it with fresher water towards the end of the week. I wouldn't fancy it, even in a wetsuit.
The technique that Ant Carver used for this piece, called "Love Me/Love Not", is intriguing. I recommend reading the write-up on the always-informative Natural Adventures.
I've been pretty awful at reading so far this year, apparently averaging about one book per month. That's a far cry from 2019, say, where I got through 41 books in the year. Today's wander was prompted by my rubbish reading, as I needed to go hand back some books to the library, because I'd managed to renew them so many times that I hit the limit on renewals. Oops. Several of them were still unread.
So, off to the Central Library for me, tail between my legs. On the way there I did my best to recreate a historical photo of Dowry Square; while I was in the area I walked under the adjacent Norman arch and poked around behind the Cathedral, and I also had a little diversion to the city centre and came back along the south side of the river, hitting some trouble with the lock gates as I finally crossed the harbour back towards home.
The same view these days is a lot less romantic, especially with the temporary crate from some roadworks sitting at the corner of the square.
I don't blame anyone who lives this close to the Hotwell Road (and can't get double glazing fitted because it wouldn't be in keeping with the character) for wanting a lot of trees and bushes in between them and the roar of the traffic, but I think it's objectively a lot less appealing to the eye with so much shrubbery in the way. Probably good for the local wildlife, though.
It's less obstructive in winter, as you can see from this earlier photo taken from the back of the square looking back toward me.
Samuel Taylor Coleridge and Robert Southey both spent time in the garden of the square, apparently—I wonder what they'd make of it today?
The Mother's Ruin and Seamus O'Donnell's, just to the left here, are both good pubs. Sandwiched in between them at the moment is Shall Not Fade, who sell plants, vinyl records and clothes. The also, apparently, run a record label and a festival. I was tempted by a calathea, but I didn't want to be carrying it around for the next couple of hours. I'll have to come back another day.
For now, though, I escaped the hustle and bustle of Wapping Wharf by crossing Gaol Ferry Bridge—soon to be closed for "at least six to nine months" much to the distress of local businesses. And I imagine the local businesses know what the Council normally mean by "six to nine months": somewhere between two and three years would be my guess.
As a pedestrian I have a few alternative routes to cross. I decided to stroll down to the outer lock gate and get back to my side of the harbour there rather than going the long way around over the Plimsoll Bridge.
In the distance you can see a lockkeeper fishing in the water with a grappling hook on the end of some blue line to see if he can figure out what the gate is fouling on.
I'm in the habit of going over to the Tobacco Factory Market on a Sunday. I think I've walked all the routes around that way, but as a Plimsoll Bridge swing let me cross the road to the far side of Brunel Way on my return journey and I took a couple of photos of the brownfield development at the old Ashton Gate Depot site I thought I'd call it a Wander and pop some photos up.
Now, what's actually meant to happen at this point is that all the traffic follows the giant flashing ALL TRAFFIC sign pointing to the exit ramp on the left. Then they go down the ramp, along a short stretch of road, cross the harbour at Merchants Road bridge (officially Junction Swing Bridge, in fact), join the Hotwell Road and continue on their merry way, without any cause for delay.
This never actually seems to happen, and a queue just forms here. Today this particularly annoyed the driver of a Waitrose van, presumably late for a delivery and stuck behind what he clearly thought were a line of idiots that he hooted angrily at for quite some time, to as much effect as you'd imagine.
I walked back to the point I'd spotted all this activity from the far side of the road. This is the old tile merchant/concrete works/Ashton Gate Railway Depot/Bristol International Exhibition site. I imagine it was plenty of other things along the way, too. Here's an earlier snap with a bad photo from the far side of the site, but some detail on what the site was/will be along with a link to planning documents.
I'm currently toying with the idea of a little mini-website that takes a digitised and vectorised version of the Bristol International Exhibition plan (from 1914) and superimposes it on the same area today. It'd be interesting to see exactly where things were. My best guess from eyeballing it at the moment is that in 1914, this view would be looking towards the International Pavilion, Concert Hall and Art Gallery areas of the Exhibition, and we'd be standing on the train tracks that used to head for Ashton Avenue Bridge, which back then would have been a double-decker road and rail swing bridge, with the trains on the ground level deck, the road on the top deck, and a high-level swing control room above it all. Quite some feat of engineering.
They really couldn't make it much clearer that drivers are meant to nip off down the off ramp up ahead and take Junction Swing Bridge instead. But if anyone ever does I've not seen it. I don't think I've ever been caught in the queue here as a driver, but then I don't do much driving.
19 Aug 2023
It's been a long while since I did one of these walks.
I'm thinking of finishing up the project by walking one or two last bits of road, thus being able to declare with all honesty that I've done my best to walk every public road within my mile (and quite a few alleyways besides.) As a prelude, and just because I felt like it, I decided to drag out the camera and GPS on this little wander to the local shops.
I would absolutely love to have lived in this area before World War II, before the widening of the road knocked down so many interesting things and replaced them with a few busy lanes of traffic, before the tramways were bombed into oblivion, and while you could still wander down to these moorings and catch a White Funnel boat out to Ilfracombe, or at least wander down to Hotwells Station and catch a steam train out to Shirehampton, Sea Mills or Avonmouth. Pre-1934 I could even have skipped the arduous walk up the Zig Zag and taken the 40-second ride up the funicular railway to Clifton Village...
The Hotwell Road really needs more facilities for pedestrians. I spotted plenty of other walkers just on my brief trip along this short section, but all of us were being forced out to share the road with the busy traffic or prevented from crossing to the safer side and back as we made our way.
Thin pavements and a lack of crossings really show how much the car is king in this bit of Bristol, despite the gorgeous landscape.
I wasn't going to take a very long walk on this nice spring evening; it just happened. I was going to knock off a path or two on Brandon Hill, home over centuries to hermits and windmills, cannons and Chartists, and then just wander home, stopping only to fill up my milk bottle at the vending machine in the Pump House car park.
However, when I heard a distant gas burner I stayed on the hill long enough to see if I could get a decent photo of both the hot air balloon drifting over with Cabot Tower in the same frame (spoiler: I couldn't. And only having the fixed-focal-length Fuji with me didn't help) and then, on the way home, bumped into my "support bubble", Sarah and Vik, and extended my walk even further do creep carefully down the slipway next to the old paddle steamer landing stage and get some photos from its furthest extreme during a very low tide...
I've bought many things from Marcuss over the years. A pair of secondhand German para boots got me started, I think, and I've bought snowboarding gear, camping gear, winter coats and sundry other things like the Opinel No. 06 knife I use for hunting and skinning the geek's natural prey: Amazon parcels.
I got interested in Bristol's medieval water supplies after poking around near Jacobs Wells Road and Brandon Hill. It was during that research I found out about a pipe that's still there today, and, as far as I know, still actually functioning, that was originally commissioned by Carmelite monks in the 13th century. They wanted a supply of spring water from Brandon Hill to their priory on the site of what's now the Bristol Beacon—Colston Hall, as-was. It was created around 1267, and later, in 1376, extended generously with an extra "feather" pipe to St John's On The Wall, giving the pipework its modern name of "St John's Conduit".
St John's on the Wall is still there, guarding the remaining city gate at the end of Broad Street, and the outlet tap area was recently refurbished. It doesn't run continuously now, like it did when I first moved to Bristol and worked at the end of Broad Street, in the Everard Building, but I believe the pipe still functions. One day I'd like to see that tap running...
There are a few links on the web about the pipe, but by far the best thing to do is to watch this short and fascinating 1970s TV documentary called The Hidden Source, which has some footage of the actual pipe and also lots of fantastic general footage of Bristol in the seventies.
On my walk today I was actually just going to the building society in town, but I decided to trace some of the route of the Carmelite pipe, including visiting streets it runs under, like Park Street, Christmas Street, and, of course, Pipe Lane. I also went a bit out of my way to check out St James' Priory, the oldest building in Bristol, seeing as it was just around the corner from the building society.
There are far too many pictures from this walk, and my feet are now quite sore, because it was a long one. But I enjoyed it.
In the background, two tower blocks, Irving House and Terry House, that hardly anyone notices, as they're mostly hidden when you're on the busiest streets that surround them, Park Street and Park Row. The entrance to their little estate is next to the Esso station on Park Row.
I'm planning on going and having a closer look at them tomorrow.
As I was reminded on my travels today, virtually any street in Bristol could wear the tag "hill street", but this one really is just called Hill Street.
No, I did not witness some kind of accident or crime; I think Mum was dropping kid's coat down to Dad to save him coming back upstairs for it once they realised how cold it was outside.
I don't like it as a venue. It has awful drinks and the last couple of times I've been the place has been overstuffed with people but they haven't opened the upstairs area up to let more people see the band. Nevertheless I just booked tickets to see Wolf Alice there, as they're pretty much the only venue in town for a certain size of band. Maybe the new arena (sadly out of town, so I'd probably have to drive up to it) will at least be better than the Academy.
The site of the Carmelite Priory that St John's Conduit carried water to from around the top of Park Street.
I bumped into my friend Lisa in town during yesterday's wander, and we decided to have a wander today, too. We managed quite a long ramble, starting up through Clifton and nipping down Park Row to investigate the two tower blocks I'd noticed popping up behind Park Street yesterday, then took in a few roads I'd not managed to get to before, including cutting through the grounds of Bristol Grammar School.
01 Apr 2021
Another workday, another quick coffee excursion. This time I decided to swing past Sydney Row on the way back from the marina car park where Imagine That have their horsebox. I didn't know until recently that the terrace was built for workers at the adjacent dockyard.
I've also gradually come to the conclusion that I don't really think very two-dimensionally when it comes to finding my way around or associating one place with another. I only realised in the last few days that the odd industrial building that takes up the other half of Syndey Row, the one that's always covered with graffiti, is the back of the dockyard works. In my defence, as it's tucked away in a corner of the little industrial estate that I've never ventured into (I rarely find I have a need for the products of safety valve manufacturers), I don't think I've ever seen the front of the building...
I don't think I ever put two and two together before and worked out that this was the back of one of the industrial buldings on the Albion Dockyard. I'm not sure you can see it from the front, or at least not without wandering into the fairly private-looking works area.
06 Apr 2021
I'd originally intended just to pop up to the area around Alma Road, where I'd missed a few streets on earlier wanders. It was such a nice evening, though, I decided to extend my walk up to the very top of Pembroke Road, just outside my one mile radius, to take a few snaps of something intriguing I'd found in my researches.
I've driven, walked and jogged past the little triangle of land at the top of Pembroke road a great deal in my time in Bristol, but I didn't know that it used to be the site of a gibbet, in fact that the road itself there used to be called Gallows Acre Lane. According to the Durdham Down history trail, by Francis Greenacre (an excellent name for a Downs researcher!) among other sources:
...it was below this quarry near the top of Pembroke Road, once called Gallows Acre Lane, that a gibbet stood. It was sometimes occupied by those who had committed robberies on the Downs and was last used in 1783 to hang Shenkin Protheroe for the murder of a drover. Stories quickly spread that he descended from the gibbet at midnight every night and stalked through Clifton. Such was the alarm that his body was cut down
and buried.
Also very close to this little triangle of land was one of the gates of the extensive turnpike system...
Anyway. Along the way I encountered a wooden tortoise and a real squirrel, among other things. It was a good walk, and more light in the evenings means I can move my wanders out of the ticking countdown clock of work lunch-hours and be a bit more leisurely.
A great fish restaurant, clearly gearing up for some al fresco dining once the lockdown eases up a bit.
From the satellite view on Google Maps, it looks like it's a little courtyard surrounded by houses on all sides.
The actual street isn't much to look at. Unusually for Clifton, the front of one terrace stares directly at the back of another.
One of Bristol's most famous punning business names (along with mobile kebeb seller Jason Donervan and off-licence Amy's Wine House), Happytat is a long-running secondhand furniture shop on Stokes Croft.
Another snap to remind myself that while it looks like a road on the map, I don't have to walk it because it's private. This is one of the many access roads to Clifton College.
07 Apr 2021
Unusually for my recent lunchtime coffee trips, I managed to find a new road to walk down: Caledonia Mews, which has a little entrance off Princess Victoria Street and runs between it and Caledonia Place. I've noticed it before a couple of times—if you look up from Princess Victoria Street you can see some of it, standing tall above the low buildings on the street itself—but until last night I'd not set foot in it, I think.
As well as focusing on this charming little mews, I looked in on the demolished site of the old WH Smith, and spotted what I think is part of the now-private-houses St Vincent Rocks Hotel that I'd not really noticed before, tucked away between Sion Lane and Sion Hill.
For some reason I always think of Princess Victoria Street as running north-to-south, but that's because of my terrible sense of direction, I suppose, as it's really more east-north-east.
It's a lovely little mews, and looks very well-kept. I like the way that despite being fairly uniform in size and height that things are a bit more mismatched and higgledy-piggledy once you look a little closer.