Tagged: onemilematt
Pastures New!
17 Jul 2021
Okay, not much in the way of actual pasture to be had in Bedminster these days, like most of Bristol, but I did take advantage of the current rather toasty weather in Bristol to go and sit under a tree in Greville Smyth Park to read a book for a while before firing up the GPS and taking a little detour around some back streets of Ashton and Bedminster rather than going straight to Coffee #1 for an espresso frappé. This is the first walk in a while where I've actually crossed off an entire new street (the frankly unexciting Carrington Road) as well as exploring a couple of back alleys, just because they were there, really. Along the way I spotted a few examples of graffiti of various qualities, including a live work-in-progress by SNUB23 on Ashton Road and the finished Six Sisters project on North Street.
By all accounts a fine cafe in the greasy spoon archetype. Top right you can see a little tribute to Ashton Gate football stadium, a stone's throw away. Currently the stadium is being used as a Covid-19 vaccination centre.
It was actually the sound of Six Underground, the astoundingly good Sneaker Pimps number, coming from this direction that caught my ear before the in-progress mural caught my eye, but they both had the same source, as it turned out...
I think I'm right in saying that that's snub_23 popping up a new piece, but I'm only really basing that off some quick Instagram research and some assumptions; I'm not exactly plugged into the Bristol graff scene and I didn't want to interrupt the conversation.
I'd noticed I'd missed this end bit of Durnford Street in previous wanders, so on my way to knocking off some full-length roads (and alleyways, as it turned out) I took a snap. It's not very prepossessing.
In my defence, this little alleyway/service road looked more like a road on the map. Still, seeing as I'm here...
...on Bendy Studio, by Nick Harvey. Shame I couldn't get a clear shot. I do like a Siamese fighting fish...
With bonus transom. I thought I might have snapped the transom before, but I think I was thinking of this one.
A Journey to the Far East
25 Jul 2021
The far east of the intersection of my one-mile radius and Bedminster, anyway. I was feeling a bit tired this morning, so I motivated myself to get out of the door by imagining one of Mokoko's almond croissants. That got me on my way, and I wandered across to Bedminster, through Greville Smyth Park, along most of the length of North Street (looking out for new Upfest 75-pieces-in-75-days artwork as I went) and then onto some new roads at the far end.
I only wanted to knock a few streets off my "to do" list, but by the time I'd diverted here and there to check out various bits of graffiti and other attractions and come back via the aforementioned purveyors of Bristol's finest croissants, I'd walked 7.4km. Not bad for someone who woke up tired, and at least I've done something with my day. I'm very glad the weather broke (we had tremendous thunderstorms yesterday), even if some of the pictures might've looked better with a blue sky. I was getting fed up with walking around in 29°C heat...
Well, like last time there's still a van and a car in the way, but at least the van's smaller this time.
I don't normally edit photos to the extent of doing perspective correction, but I thought it would be interesting to see this piece straight-on.
Green Squares and Secret Gardens
31 Jul 2021
At the end of July I went to have a look around some of the private gardens opened up by the annual Green Squares and Secret Gardens event. Sadly it was compressed into a single day this year, for various Covid-related reasons, it seems, so I didn't get to poke around too many places. I went to:
- A talk by the oldest resident of Victoria Square
- The St Vincent's Rocks Hotel garden
- The Paragon garden
- Cornwallis Crescent gardens, both east and west
- The Polygon garden
And snapped a few things in between, too. It was a lovely day—a bit too hot, if anything—and it was interesting to get into a few places I'd only ever seen from the outside, especially The Paragon and Cornwallis gardens, which are the least visible to passing strangers of all of them.
It's a little tamer now than it was back when anti-residents' parking zone protesters drove a tank through the city to deliver their petition. This one's about an experiment to pedestrianise Princess Victoria Street.
Won't make any difference to me one way or the other, really; I just walk up to Clifton Village for my shopping. Or, quite often, in completely the other direction, to North Street in Bedminster. I like both areas for shopping, and it's good to live close enough to either to get there on foot.
Kicked off my Clifton "secret gardens" visit by attending a talk by Victoria Square's "oldest resident", who is 95 and has lived there all his life. He did mention his family name in passing, but I've got a memory like a sieve, and his name's not on the event details. Ah well.
He really brought the square to life, with memories of the children playing in the square, making their way between the two halves using the tunnel—which I learned also had enough room to store the gardener's equipment, so must have been bigger than I thought!—and with the oldest child having a garden key hanging around their neck on a bit of string, ready to use when each family used a distinctive sound—anything from a whistle to a cowbell—to call the kids back home. He also touched on delivery men, including horsedrawn milk carts that would fill maids' jusgs from their churns, and the Walls ice cream boy who would visit houses who had hung the distinctive "W" sign in their windows on a Sunday, and gave many other amazing details. I really wish I'd recorded the event.
Among other new tidbits I can recall:
- Number 4 was blown to smithereens during WWII, hit so badly by a German bomb that bodies were blown into Mortimer Road. Grim.
- The "pinch point" made by the railings below the Arch House were motivated by a battle between the residents, and the Council and Merchant Venturers (who basically built/owned the Square, hence the adjacent Merchants Road) over a road that was planned to run diagonally through the square (as actually happened with Queen Square). The pinch point was constructed to preserve the maximum width of the existing right of way through the corner, making it too narrow for cars.
- The Victora Square Hotel used to be the vicarage for St Andrew's Church. Our Oldest Resident attended Sunday School there.
- The old [Church/Church Hall](htt
The Victoria Square event was at 11am, and I didn't have a lot of energy, so hanging around until 2pm for the Richmond Terrace Garden to open would've been too much for me. Maybe next year! The event might be back up to the whole weekend by then, rather than being squeezed into a single day.
This section of Victoria Square, the second side to be built (Lansdown Road is the oldest—Regency—bit) is called Royal Promenade, and it built to resemble a palace. William Batemen Reed built it, then went on to build the Queens Hotel opposite the Victoria Rooms, which every Bristolian I know would more likely recognise by the description "the old Habitat at the top of Park Street" :D
Apparently if the Royal Promenade were symmetrical, the windows of 7 and 8 would be the same size. As it is, 8 is clearly very slightly grander.
Nobody's quite sure why the Royal coat of arms appears here. Nobody royal appears to have given permission for it, and Victoria, as far as anyone can work out, never stayed here.
The weather appears to have been kinder to the unicorn than the lion.
You can't see the join. Number 4 was obliterated when a bomb hit it in 1941, taking significant chunks of numbers 3 and 5 with it. Clearly they did a good job of the post-war restoration. There's a mention of the bombing on one of the BBC's People's War pages.
A Long Wander Of Miscellany and Magick
08 Aug 2021
This was a wide-ranging wander. I started off crossing the river to Bedminster, to walk a single little cul-de-sac, Hardy Avenue, that I'd managed to miss on at least one previous walk. Then, pausing only to explore a few back alleyways, I headed for a few destinations related mostly by the Hughes family, who I've been researching a little as part of background for a possible novel, as several of them were involved in the Stella Matutina.
However, mostly it's the artistic side of the family I wanted to explore today, as that's where most of their public history lies (as you might expect, there's often not much in the public record about the workings of an occult organisation.) First I visited College Green, where the façade of the Catch 22 Fish & Chip shop still bears the work of Catherine Edith Hughes. Then I wandered up to the top of Park Street to pop into the Clifton Arts Club's annual exhibition, as Catherine, her half-brother Donald, his wife Hope and at least two other Hugheses were members. Donald was chairman for 40 solid years; Hope was Secretary for eight, and Ellard and Margaret Hughes, two more Hughes siblings, were members along with Catherine.
Finally I walked home with a small diversion to Berkeley Square, to confirm the location of Donald Hughes's house by checking for a particular plaque by the front door.
I must admit I'm not entirely sure where all this research is really leading me, but I'm finding it quite interesting to bump across the faint lines of history that link the Hermetic Order of the Golden Dawn, founded in 1888, to modern, quotidian Bristol.
This may be a more interesting view than you'd think at first sight. Whitemead and Winterstoke House, with Southbow House out of sight on the far side, were finished in 1962, as the post-War housing crisis continued. There's a fascinating article in the Bristol Post about them, especially Whitemead House, the block on the left here, which was famously used for external scenes in Only Fools and Horses after filming moved to Bristol, standing in for the fictional Nelson Mandela House in Peckham where the Trotters lived.
My guess is that these rental parking spaces are very popular when there's a match on at Ashton Gate. I could hear the cheering coming from the stadium from my front room in Hotwells over this weekend (I'm writing this on October 3, 2021, as I've got a bit of a photo-processing backlog!) so it seems that biggish matches—either football or Rugby or both—are back on.
A little remnant of the Avon's history, I assume, gently rusting away on the bank by Cumberland Road
Museum of the Moon, and a Bit of Redland
21 Aug 2021
Lisa and I mostly went out to have a look at Luke Jerram's Museum of the Moon as its tour hit Bristol Cathedral—I missed it when it was previously in town, at Wills Hall, I think—but we also took a trek up to Redland. Lisa's kind enough to indulge my strange current fascination with the Edwardian eccentrics that made up the Stella Matutina, so we swung by a couple of places with a vague connection to the Bristol branch of the organisation. Well, it was good walking, anyway...
As a stunning bonus, one of the picture's descriptions has more information than you'd probably want on the Bristol Port Railway and Pier's Clifton Extension Railway line, but I did happen to coincidentally write up this wander after reading about the extension line during my lunch hour at work today. It's a thrilling life, I tell you...
Mostly the Metal Animals of a Clifton Garden
30 Aug 2021
Lisa and I went for a longish walk, but I didn't take many photos. Mostly we just wandered and nattered. Unusually, my target was outside my 1-mile radius on Burlington Road in Redland, where I snapped quite a few photos of the collection of artistic animals by Julian Warren. This was mostly to provide a fairly arbitrary destination for a roundabout walk in Clifton...
I don't know enough about fruit trees to know what this was, but I can tell you that the fruit was apple-ish and very sharp indeed.
Unusual to see an espalier on a north-facing wall. This one faces the little car park behind Freeland Place
More dual numbering. I was curious, as I think the first couple of houses of the Colonnade were demolished at some point, so I wanted to see whether (a) the old numbers were there at all, rather than just the new Hotwell Road numbers, and (b) if they maybe started at number 3...
The controversy about the pedestrianisation of this section of Princess Victoria Street continues to rage on NextDoor (seriously; I just had a look and the most recent thread about it had more than three hundred comments!)
Anything to do with parking/people driving into Clifton Village is always an insanely hot topic. I've never been able to get that worked up about it, myself, but then I live within walking distance (and I'm not trying to run a business that relies on people driving to me...)
From an Avon Gorge Geology Excursion Guide I dug up:
Just south of the Observatory, on the right of the path is a children’s playground [ST 5667 7325] in the remains of a limestone quarry. In the back wall is a bricked-up adit, presumably representing the entrance to a former iron ore or lead mine (Fig. 10C). The roof of the adit is fissured and sparry, crystalline calcite can be seen in fissures.
The playground itself is in one of the the quarries used for the Suspension Bridge materials.
One of our mutual friends had mentioned that there was a house on Burlington Road with metalwork animals in the garden around here somewhere. It took us a while to find, but find it we did.
The artist is Julian Warren.
Short and Sweet
06 Sep 2021
As if to prove that I don't have to go on giant rambles, here's a quick four-photo trip up to Clifton Village for a bit of cake. No new streets, just a tiny slice of life.
This is the first time I've properly tried the experimental pededstrianised bit of Princess Victoria Street. It was okay, though the table was on quite a tilt because of the camber of the road. Excellent cake from Spicer + Cole, of course.
Shiny New Hope
24 Sep 2021
A quick lunchtime jaunt to Clifton Village. Along the way I admired the new sign on Hope Chapel and added to my tsundoku collection.
The scaffolding is down and there's a nice new sign (reminiscent of a historical one, I think,but I can't find the photo at the moment because Know Your Place Bristol is down) and you can just see the newly-installed solar panels on the roof behind it.
There's a mason at work on the carved pilaster tops on the frontage of the old Coventry (and before then, Stroud and Swindon) Building Society. They've moved everything to a central branch in town in the interests of efficiency, so now I have to go to bloody Broadmead to do anything.
(Yes, I actually went into town to get a cheque out of the building society just the other day, in 2021. I know I should chuck this old-fashioned malarkey in for a shiny electronic account, but it's for the management committee of the house I live in, so there's complexity and inertia involved...)
I have since blogged about this little find in the boxes of books outside Rachel’s and Michael’s Antiques.
Apologies for the poor picture quality; it was a quick snap from the iPhone. There's a better picture on t'blog. It's notable that this book was written by "J L", Joseph Leech, former Bristol newspaper magnate and the man who had Burwalls Mansion built, just the other side of the Suspension Bridge.
Among the many arguments about this pedestrianisation experiment, there has been quite the sub-debate over the delightfully modern COR-TEN steel steel/hideously ugly rusty* planters.
- Delete as applicable
A Morning of Research and a Cafe in a Castle
25 Sep 2021
I needed to pop to the library, as they'd kindly dug a book out of the reserve store at the B Bond warehouse for me and emailed me to let me know it was ready. So, I took a little trip to town, straight down the Hotwell Road, and spent a few hours reading before stretching my legs with a walk to a new cafe in the actual castle (or remnants thereof, anyway) of Castle Park, before heading back home down the other side of the harbour. As well as books and coffee, I bumped into a remote-controlled pirate ship, which isn't something you see every day, even in Bristol.
It's nice to see a new business open up on this stretch of the Hotwell Road. Since Asia Channel disappeared (and took with it my favourite local source of crispy beef) and the Hotwells Pine folks retired, it's all been looking a bit tatty.
This place has already garnered several good reviews from locals on Nextdoor and Google Reviews. I must try it at some point.
The sign about the wildflower meadow on Clifton Hill Bank is part of the consultation I mentioned the other day.
Have I ever looked up and noticed the view above Western Car Radio, which looks like perhaps the terraced back garden of St George's Primary? If I have, I don't seem to have snapped it before.
There are some unexpected links between Triodos Bank and some of the magical stuff I've been researching. I first found out when I checked the upcoming events at the Bristol Theosophical Lodge and saw a director of the bank would be giving a talk there. Apparently the bank is rooted in the ideas of Rudolf Steiner's anthroposophy. The Guardian says:
Its roots (like the UK bank Mercury Provident, which it took over in 1995), are in the anthroposophy movement. This refers to the ideas of the Austrian spiritualist thinker Rudolf Steiner, who died in 1925 and whose interests included education, 'biodynamic' agriculture, eurythmy (movement as art) and therapeutic medicine.
Triodos Bank's statutes committed it to anthroposophical principles until 1999, when this formal link was dropped, and in recent years the bank, under its current head Peter Blom, has embarked on a policy of reaching out beyond Steiner adherents and of broadening its appeal. Nevertheless, Triodos's origins are reflected in the fact that most of the Dutch directors come from within anthroposophy, and it is banker for many Steiner-inspired projects.
Bristol boasts one of the quietest rooms in the world. That one's in the Ultra-Low Noise Labs at the University of Bristol, where "Losing all auditory references does funny things to your balance, and I lurch slightly as the double doors open to let me out. It's a relief to hear the faint underlying buzz that indicates life as we know it."
Sadly, although it looks the part, the reading room in the Reference section of Bristol Central Library is usually a caophony of irritations. I'm not sure what took the prize today: the burglar alarm going off outside for ages, the stertorous snoring, the queues of people trying to get 10p pieces for the photocopier like it was still 1985, the angry researcher trying to get a porter along to rouse and tick off the stertorous snorer...
In between all this I read through the letters of the Reverend W A Ayton, alchemist of the Golden Dawn, once described by W B Yeats as "the most panic-stricken person" he had ever known. I think he'd have had to read in Bristol Central Library it might have tipped him over the edge...
(I should temper this critique by at least oberving that the librarians are themselves uniformly friendly and helpful.)
I like this little watery installation at Castle Park, so I try to cut through here if it's on my way.
I recently indulged myself by buying a little piece of history. I've mentioned Samuel Loxton and featured and linked to his drawings before, often in the eminently browsable Loxton Collection albums that Bristol Libraries has on Flickr. So when I saw a Loxton drawing of Hotwells pop up on eBay, I decided to get myself a little treat.
I don't think there's any Loxton drawing that features the road I actually live in—it's not very visible from anywhere else, not being one of these Clifton terraces that's perched at the top of a hill, or anything like that, and it's invisible in most views of the area. However, this Loxton drawing, Hotwells, Looking across the river from near the Clifton Bridge station, is probably the closest near-miss I've seen.
I decided to wander out one morning and see if I could reproduce the picture, and also take a photo or two of what's now become of the Clifton Bridge Station, which is still just about discernible in places.
(Then on an even stranger whim I decided to check out a possible little cut-through from Cumberland Road to the harbourside I'd been eyeing up on my commute to work, so walked to Wapping Wharf for a croissant via this potential new route, but that bit's not quite as interesting...)
I'd broadly planned to figure out the vantage point Loxton had used for his drawing by lining up Windsor Terrace with The Paragon, so I started taking bearings fairly early.
There's a frankly disturbing and gruesome reason why this rabbit has been crossed out. I'll tell you why in a few photos time.
This must be some kind of invasive species. Normally the inhabitants of this island are the apprently-native shopping trolleys.
Every now and again some speedboat pops under Merchants Road Bridge and does a few quick loops of the Cumberland Basin. I guess that either they're allowed to go fast on the basin or they know they can get away with it...
Site of the Rownham Ferry. Follow the link for a charming Loxton ink drawing on Know Your Place, also viewable at the Bristol Libraries Flickr collection.
This was a later site for the ferry, which earlier was a tad further out along the river. It would have been a key crossing point at this end of Bristol before the arrival of any bridges near here. Before the Ashton Swing Bridge and the Vauxhall footbridge arrived, the next-nearest crossing point would have been the Vauxhall ferry, which was where Vauxhaull Bridge stands now, I think.
Okay, so here's the reason that the earlier rabbit had a big red cross through him, and that this one has been painted out. Bristol's graffiti community is currently trying to erase these rabbits after a terrible revelation about the man who had been painting them.
Here's the Bristol Post, on Damian Lasota, aka "Eldey" or "FollowMyRabbits":
A pervert with a penchant for grannies tried to rape one elderly woman in her home and sexually targeted another.
Damian Lasota was described by a judge as the "stuff of nightmares" after preying on the two lone females in Twerton, Bath.
His campaign of terror was halted after police installed CCTV at the women's homes and he was caught in action and arrested.
Lasota, 27, of Parry Close in Southdown, Bath, pleaded guilty to attempted rape, two charges of trespass with intent to commit a sex offence and two charges of exposure.
He appeared in the dock at Bristol Crown Court with a grey jumper draped over his head.
Judge Julian Lambert handed him a 20-year sentence, comprising of a 13-and-a-half year jail term and six-and-a-half years extended licence.
So, that's pretty damn terrifying, and also the reason why there won't be any more rabbits in Bristol. There's a little more info in this Somerset Live article.