Tagged: onemilematt
Clifton Village Mini Wander
20 Nov 2020
Just a quick wander up the hill to get a flat white from Twelve. I really enjoyed the spooky mannequin (?) in the window.
The one nearest is an AirB&B-style rental and looks lovely inside. This is the kind of quirkiness I might aspire to.
Many a time have I wandered down this little cut-through that joins Saville Place and the Fosseway. A shortcut through the Polygon starts me off, then it's pretty much a straight line up through to here and on to Queen's Road.
A little retirement housing block sitting at the end of a private road at the end of the Fossway. I've never wandered up and seen it before, though I've walked past it a thousand times.
I'm not sure what's going on in this fanlight on Richmond Terrace. Maybe it's space for a lamp?
Bedmo and Ashton Court
21 Nov 2020
A rather more wide-ranging weekend wander with Sarah and Vik, taking in some mock Tudor bits of Bedmo (I should note that I've subsequently been corrected to "Bemmie", but I'm an outsider and have been calling it "Bedmo" for short for decades...), a chunk of Ashton, a path up Rownham Hill called Dead Badger's Bottom(!), The Ashton Court estate, a bit of the UWE campus at Bower Ashton, and some of the Festival Way path.
Underpass
25 Nov 2020
A quick lunchtime jaunt for coffee. I've often wondered about the dots on the wall of the underpass. Apparently they're not intelligible Braille. Maybe it's Marain :D
Given that it's on an unwalled bike shed, I doubt it's there for insulation. The CREATE centre my just have it there as an example of what an eco-friendly roof can look like, though.
One of the other sides of this clock is very broken. At least these two show the same time, even if they're wrong. By my calculation, this broken clock is right six times per day.
Must be going through some hard times at the moment. I've been in a few times since I used to live at Baltic Wharf in the mid-nineties, and it's always been a slightly edgy-but-nice local pub that's reasonably welcoming of strangers, too. Plus it's a well-worn stop off for people on the way home from the footy.
At least someone's still watering the plethrora of plants that are arranged in Spike Island cafe's windows.
I don't think I ever crossed this bridge on foot before starting my "One Mile Matt" project.
And Back Down the Hill from the Flu Jab
21 Nov 2020
This is my return from getting my annual flu jab at Christ Church, as explained in more detail in my wander up the hill.
I don't think this is exactly a public right of way. But I started so I tried to finish without getting the police called on me by worried residents
I do love this terrace. The mansard roofs, the grand central house, the ornamentation, the porches. It's all rather grand.
This is now the Bristol School of Dancing. Their website says:
Built in 1893, it stands in the garden of 20 Vyvyan Terrace and it is rumoured that it was once a Swedish diplomatic building that contained a gymnasium. This is probably why on either side of the main entrance the words “Swedish Gymnasium” are carved.
Don't know what the JMJ is all about. Seems to be part of Cedar Care Homes (this is all behind their grand head office on Clifton Down Road, Mortimer House), but it's hard to tell for sure.
Up for the flu jab
21 Nov 2020
A trip up the hill to get my winter flu jab. I'm not sure I really needed it this year, what with avoiding Covid—I haven't had so much as a sniffle in more than a year—but seeing as they offered... Instead of the doctor's surgery on Pembroke Road, they'd taken over Christ Church, presumably to give more room and ventilation for the necessary social distancing at the moment. As usual, it was their typically efficient operation, and I was in and out in about three minutes.
On the way there and back I snapped as much as I could, but I wanted to be home in time for the first online Times Crossword Championship. As it turned out, I needn't have bothered, as the technology at the Times couldn't keep up with the demand from competitors, and their system just collapsed under the weight of page-views. They tried again the day after, and it collapsed just as badly. Maybe next year...
This wander is split into two parts, as I turned my tech off to go into Christ Church for my jab. The walk home can be found over here.
This was meant to be the day of the first online Times Cryptic Crossword Championship. Sadly the Times's web servers let them down, so the event was a washout, and I dashed back from my flu jab to take part for no good reason, as it turned out.
Although it looks like the side of the kind of flats you see everywhere in Clifton Village, the building to the left is actually the Christchurch Recording Studios. Among other artists who've used the studios, two of Massive Attack's number one albums were recorded here, according to this article that sadly but inevitably seems to suggest that the building might be converted into luxury flats soon.
It was originally fitted out as a drama and recording studio by the BBC in the 1980s.
Avoiding the Accounts
26 Nov 2020
I took the day off my day job to do my accounts—or at least do enough bookkeeping to send them to my accountant. I hate doing the books. I woke up late, tired and with a headache and decided to bunk off for a walk around Cliftonwood, Clifton Village and Clifton instead, taking in a couple of good coffees along the way. Thanks, Foliage Café, and Twelve for the flat whites.
From what I've worked out so far, the use of St Vincent's name around so much of Bristol, especially Hotwells and Clifton, dervies from the ancient hermitage and chapel dedicated to St Vincent of Saragossa, which (possibly) was in Ghyston’s Cave, the cave in the rock face now accessible through a tunnel from the observatory, but at the time only by a perilous cliff climb (which I can only presume is what made it so appropriate for a hermitage.)
Why St Vincent of Saragossa? Anthony Adolph says:
It should be explained that the connection of Bristol with the Iberian wine trade led, in the Middle Ages, to Bristol’s importing of the cult of Lisbon’s patron saint, Vincent.
I have done very little real research on this so far, though, so don't take my word for any of it. I am not a historian, etc.
More Cliftonwood
05 Dec 2020
Back to Cliftonwood for a wander that included some of the belle views of Bellevue Crescent and other bits of the easternmost part. Highlights included watching someone bump-starting an elderly Nissan Micra in the narrow confines of Bellevue Crescent.
A "bright and airy self contained single storey Freehold studio / workshop (277 Sq Ft)". The floorplan shows that it's basically just a single room with tiny room with a loo and a sink inset, and nothing else. I suppose an enterprising hairdresser or nail technician might be able to make something of it.
The Gridiron and Bower Ashton Part Two
03 Dec 2021
On my last wander, to Bower Ashton, I was intending to knock Blackmoors Lane off my list "to-do" list, but got a bit diverted. I also took a little look into the history of the Gridiron, once a cheaper alternative to dry dock that was nestled just south of North Entrance Lock.
Today I had to go to send a parcel off somewhere, so I decided on going to the North Street Post Office via Blackmoors Lane. I didn't have much intention of anything else, but as luck would have it I walked out both at low tide and also as some lockkeepers seemed to be having a bit of a training session, and one of the more senior people was (a) happy to answer a few random questions on the Gridiron and (b) actually knew a lot about it, as Gridiron maintenance had been one of his jobs, more than twenty years ago...
Interesting to see a flatscreen TV left out in the traditional "please take this away for free" place, even if it is only a little Alba.
If you look at the lock wall, about halfway between the lock gates and the inset ladder, you'll see a little square hole. I had no idea what it was for until today, and I had no idea I was going to find out...
There were various people on the other side, I got the impression it was some kind of training session, perhaps. Later I'll have a quick chat with the man in the high-vis jacket over there.
In the meantime, I do always enjoy seeing the giant gridded lock gates uncovered by a low tide.
This used to be a view of the Gridiron, the structure I mentioned on yesterday's wander.
I got curious and went back to ask one of the lockkeepers about it. As it turned out, he knew lots about it as he'd previously been responsible for cleaning it! More about that when I come back (including a historical photo of a boat on the Gridiron for some context) as some of the things he told me needed me to retrace my steps for some more photos.
First, though, we'll nip over to Bower Ashton and North Streeet for a quick bit of shopping and to knock Blackmoors Lane of my "to do" list.
So I might have missed the deadline a bit, then. Just as well I don't own any land around here...
The delights of the Bower Ashton roundabout. Here's a picture of it under construction in the 1960s from the Bristol Archives. Don't tell me I don't know how to show you a good time.
Here it is: my target road to tick off the list.
These are the houses in that archive photo.
Some of the houses along here are definitely 1950s, as you can hear in this oral history, where Eileen Pimm describes the process of watching the house she still lives in being built in 1957.
I mostly went out to hang out with my friends Sarah and Vik in Bedminster, but along the way I thought I'd take a closer look at something a little nearer home: the last crossing point of the Rownham Ferry.
That reminds me; I must re-read Iain M Banks's Use of Weapons again. In the novel he used the name Size Isn't Everything for one of the Culture's General System Vehicles, a spacecraft approximately 80km long... In the Culture, spacecraft are sentient and Culture ships choose their own names, often ironically.
He we have something of the opposite size of craft.
You don't often see Entrance Lock cycle at this kind of tide, but a little boat like that doesn't need a lot of water in the river to manoeuvre.
Yes, okay, it's quite the challenge to spot the hand-made historic artifact in this picture. In the next pic I'll zoom in a bit.
There, hopefully you can see it now—the slipway of the last incarnation of the Rownham Ferry, in use from as early as the 12th century to 1932, when this particular slipway was last used.
There's not much to see at the moment, as the tide's a bit too high. I'm going to head over to the Tobacco Factory Market, meet some friends, do a crossword or two, and head back at lower tide.
Again, the slipway is easy to miss. I like these little barely-visible curiosities that hide such heritage. The site of the crossing moved around—it's fairly obvious it wasn't right here in the 12th century, for example, because the river was only diverted into the New Cut, which the ferry crosses here, in the early 1800s. Earlier it was further downstream.
The Tobacco Factory, Bedminster's will-known theatre and bar, bought a farm in 2018 and now has a farm shop attached. always trying to be innovative, bought a farm in 2018 and now has a farm shop attached. I sometimes pop in on a Sunday, though it's the Sunday market that pops up in the back yard that actually lures me over there.
Bower Ashton is an interesting little area just south of the river from me—in fact, the Rownham Ferry used to take people over from Hotwells to Bower Ashton, operating from at least the twelfth century to around the 1930s.
It's a strangely contradictory little area, with a cluster of old and new houses sandwiched in between the busy A-roads and significantly more industrial area of Ashton and the bucolic country estate of Ashton court roughly east to west, and also between Somerset and Bristol, north to south.
I've been around here before, mostly poking around Bower Ashton's arguably most well-known bit, the Arts faculty campus of the University of the West of England, but I'd missed at least Parklands Road and Blackmoors Lane, so I initially planned just to nip across briefly and wander down each in turn. On a whim, though, I texted my friends Sarah and Vik in case they were out and about, and ended up diverting to the Tobacco Factory Sunday market first, to grab a quick flat white with them, extending my journey a fair bit.
To start with, though, I nipped to a much more local destination, to see something that you can't actually see at all, the Gridiron...
(I also used this wander as a test of the cameras in my new phone. I finally upgraded after a few years, and the new one has extra, separate wide and telephoto lenses compared to the paltry single lens on my old phone. Gawd. I remember when speed-dial was the latest innovation in phones...)
You can't actually see the Gridiron in this photo, but I believe it's still there, under that amazing buildup of silt.
The Gridiron—one of the few photos of it can be seen on the Maritime Mud and Miasma page of About Bristol—was a cheaper alternative to putting your boat in a dry dock. It was a 200-foot long grid (there seems to be some debate over whether the grid itself is actually metal, or in fact timber; I'll have to try to find out), 38 feet wide, nestled here between the north and south entrance locks. A ship captain could sail his vessel over here at high tide, then as the tide gradually receded, the ship—up to 250 feet, as overhanging a bit was apparently okay—would settle onto the gridiron.
At that point an inspection and repair crew could make their way down to the gridiron by ladder and do whatever work they could manage before the tide rose up again.
You can still see some ladders in place, I can only presume they were there to get you down to the gridiron, but that is just a guess; information on it seems quite hard to find.
Image from 1946 Aerial layer of KYP Bristol/English Heritage.
As you can see, it was pretty big, and clearly still in use in 1946...
One last snap before we move on. I'm using the wide lens on the iPhone here, and have managed to include a silhouette selfie...
I decided to try out the three lenses on my new iPhone camera. This is the "telephoto" lens. It does a reasonably creditable job, though the phone is oversharpening things a bit and I'm not sure I like the colours much.
And here's the middling lens on the camera. Not bad, though on every shot I've taken on the iPhone so far where it's been able to see blue sky it's managed to oversaturate it for my tastes. Still, I guess they're aiming at the mass market, and the mass market does seem to like oversaturated colour and the sharpening turned up to eleven.
Not bad, and it's certainly better than not having a wide-angle lens in your pocket everywhere you go. I won't complain too much. "My iPhone oversaturates my photos. Also my wallet is too small for my fifties and my diamond shoes are pinching..."
I love the little details in this piece by Philth and N4T4. — see how it's signed by N4T4 in the hair on the left... It's on the corner of Clift House Road and the bit of Coronation Road that heads toward North Street and has replaced this previous piece.
Most of the front gardens on this little stretch retain what's presumably the original garden walls, all rather nicely put together in a chequerboard pattern of bricks.
