Tagged: facade
Quick Clifton Jaunt Finishing with Southville
09 Jan 2022
It's been pretty dismal recently, weather-wise, so when Sarah called up to say that she and Vik had just left the swimming pool at the student union building up in Clifton, and would I like to join them for a trip to the Last Bookshop, also known as The £3 Bookshop, for reasons you can probably deduce, I leapt at the chance.
Not many photos on this walk, but I did manage to get down a little road I'd never been to before, basically just the access road to a car park at a block of flats, but it was on the map looking all tempting, so I figured I'd knock it off the list as we were passing.
The museum and the Wills Memorial looking resplendent. Behind me on this chilly morning was someone sleeping in a doorway under a quilt, with a plastic suitcase presumably containing their entirely worldly possessions. It's a place of contrasts, Clifton.
Lunchtime Reproduction (of an old photo...)
17 Jan 2022
This was basically the quick lunchtime jaunt I tried to do at the beginning of January, only this time I actually managed to get to roughly the viewpoint I'd been hoping for to recreate a historical photo of the Bristol International Exhibition.
I did this walk about a month ago, but I've been a bit poorly and not really up to doing much in my spare time, and it's taken me this long to even face processing even these few photos. Hopefully normal service will be resumed at some point and I can carry on trying to walk any roads and paths that I need to do to make this project feel complete...
Gargoyles? Caryatids? Gargyatids? Caryoyles? There's probably a proper name for them, knowing architecture...
This is St Vincent's Priory, a very odd building on Clifton Hill. According to Maurice Fells' excellent Clifton: History You Can See:
Its name conjures up visions to the sounds of monastic of an ancient religious foundation with its hallowed walls echoing chanting. But St Vincent's Priory is a private house and the likelihood is that it was built as such and probably conceived as an architectural folly...
Just think, I could upgrade to a flat just up the hill from me, with an extra bedroom, for only about three quarters of a million quid...
From Electric Arc Lamps in Bristol, by Peter Lamb, a supplement to the Histelec News, August 1997:
In looking at old photographs of late Victorian or early Edwardian scenes, many of you may have noticed very decorative street lights gracing the foregrounds. These lamp standards had long cylindrical shapes above the lamp, which distinguished them as being electric arc lamps. You may have wondered, like me, what was inside these housings. These cylinders, known colloquially at the turn of the century as “chimneys” were not chimneys at all, but housed the complex mechanisms regulating the carbon electrodes. Only two lamp standards of this distinctive design remain as street furniture on the Bristol streets and these are situated at The Mall, Clifton Village.
Given the long cylindrical shape and the fact it's on the Mall, pretty sure this must be one of the last two electric arc lamps still standing, or possibly the last one, as I couldn't find the other one.
EDIT: Having asked on Next Door, where there've been a few threads about historic lamp restoration, it seems the other one used to stand at the end of West Mall, not far away, was taken away for restoration a long time ago, and has yet to reappear.
There's another Bristol connection too, with Sir Humphrey Davy, as the article continues:
Sir Humphrey Davey is credited with inventing the first arc lamp, when he demonstrated his invention at the Royal Institution in 1810. It was powered by batteries and used charcoal elements enclosed in a vacuum. The vacuum allowed a longer arc with a much higher voltage. It was some years later (1844) that the principle was further developed by a Frenchman by the name of Foucault. He used carbons from the retorts of a gasworks, which were more durable. Thomas Wright devised the first arc lamp which involved adjustment of the carbons automatically as they burnt away, and W.C.Staite used an electric current for the regulation of the carbons. Foucault responded in 1858 by producing his regulating lamp.
(Yes, that is Foucault of Foucault's Pendulum fame.)
Lunchtime Cliftonwood Wander
18 Jan 2022
Another workday, another quick lunchtime trip to get me out of the house. This time my flimsy pretext is a tiny bit of Clifton Vale Close that I'd apparently not walked, and the fact that although I'd walked down Church Lane at least once before I still hadn't taken a single photo of it. Really I just fancied a mosey through Cliftonwood in the sunshine, with the promise of a coffee from Clifton Village at the top of the hill.
We've popped down here before, on the site of the Clifton National School that didn't survive bombing in the war.
Today, the modern flats look to me as I imagine their original models would have done back when they were still just an idea on an architect's table (or more likely computer monitor, I suppose.)
This is apparently "Amhurst", "House and stables, now pair of attached houses."
In a few pics' time we'll take a closer look at the door, and its description in the listing...
As promised, a bit more detail of the Amhurst door from the listing:
Left-of-centre doorway has Gibbs surround and thin consoles to a pediment, architrave with a split key, overlight with 4 pointed-arched panes and a 6-panel door, the upper ones raised.
Hopefully someone plans to give it a lick of paint at some point soon...
Mid-to-late 18th century, in the "gothick" style according to the listing. I approve of their spelling. This is definitely the right listing, as here's exactly what we see:
Symmetrical end has an elaborate Dutch gable with a 2-centred arched doorway with panelled door, and matching windows each side with lattice leaded lights. Above is a tripartite window with 2-centred arched heads, central casement with interlacing upper glazing bars and blind outer ones.
I imagine, given the fifteen minute gap between the last photo and this one, that I clambered up as far as the delightful Foliage Cafe and shot this on the way back home with my coffee. It's been a month between doing this walk and typing up the notes, though, so I couldn't tell you for sure.
Anyway, here's the gentle curve of Royal York Crescent, one of my preferred routes home as the view's rather lovely and the raised pavement takes you away from any traffic.
I've always really liked the big mansard-roofed houses along this stretch. There's something big and dignified about them.
And that's the end of another lunchtime jaunt. I don't know if there's any trips left in the backlog. Hopefully at some point the weather will let up a bit (we've just been through Storm Eunice and there's more heavy weather on the way, apparently) and I'll feel like heading out for a wander again.
Bedminster Trip for New Walking Shoes
26 Feb 2022
I needed to buy new walking shoes—my old ones were squeaking and it was driving me up the wall—so I ordered some for collection from Taunton Leisure on East Street in Bedminster, and decided to make picking them up an official wander.
I didn't cover any new ground within my mile, but I did take advantage of the trip to take in a few interesting things just outside my normal radius, mostly New Gaol-related. Along the way there are a couple of sanitation-related diversions, including a visit to a rare manhole cover. You can hardly wait, I can tell!
The bridge seemed to be taking a while to lock back into place, and I don't recall seeing one of the life-jacketed operators wandering up and down it before. I did wonder if something had gone wrong, but it closed eventually.
Wapping Wharf was fairly busy. I didn't stop for a coffee from Mokoko or Little Victories, though it's always tempting.
The blurb for The Cuckoo Cage sounds fun:
In this unique experiment, twelve authors have been tasked with resurrecting that tradition: to spawn a new generation of present-day British superheroes, willing to bring the fight back to British shores and to more progressive causes.
But I'd probably take issue with the experiment's claimed uniqueness, given that it sounds virtually the same concept as 1991's Temps. Still, I'll be interested to read it and I snapped this to remind myself that I might want to get a ticket for the launch.
Here's a first glimpse of something I'm interested in seeing even though it's just outside my mile radius.
This gateway is a remnant of the New Gaol, which is apparently sometimes called The Old City Gaol, oddly. I suppose it depends on one's historical perspective.
The original New Gaol was destroyed during the 1831 Bristol Riots, and replaced with a redesigned version including this gate. That replacement New Gaol was itself replaced by Horfield Prison (which still stands and still operates as a prison) in 1884 and demolished in 1898. So, in fact, you could argue that this the ex-old-new-New Gaol. Clear? Good.
Or possibly the way in. Can't've been much fun, being escorted through these gates and knowing you were going to stay here for some time. I doubt prisons have ever been a barrel of laughs, but Victorian prisons definitely have a fairly terrifying reputation.
I'm sure I must have seen/noticed this giant pile on the corner of the New Cut and Bedminster Parade before, but It's quite well-hidden from the road.
Apparently it's the offices of a shopfitters. According to the listing, which is so laden with architectural words I found it quite heavy to copy from Historic England's website:
Zion House and attached railings and gateways. Congregational chapel, now offices. 1830. For John Hare. Pennant stone rubble and limestone ashlar, slate roof. Open plan. Classical style. 2 storeys and basement; 5-window range. Portico of tetrastyle-in-antis cast-iron Tuscan columns, with a deep entablature returning at the ends; the pediment contains a louvred oculus supported by a wide blank panel with relief palmettes
Apparently the antae are the bits supporting the sides of the entranceway, and stylos is a column, so the supporting ends with the four columns in between are a tetrastyle-in-antis. I will now forget that before it appears in a Times cryptic.
I'm fairly sure I saw Louvred Oculus playing a gig at the Louisiana once.
In Which We Begin and End with Love
05 Mar 2022
I had a lot to get done around the house, so as soon as I heard there might be a shiny new piece of street art near me, under the Cumberland Basin flyovers, I immediately decided that was all the excuse I needed to set off on a round-the-harbour lunchtime walk to get some fresh air and see if I could spot it. So, here's a circular wander that takes in graffiti, boats, wildlife and graffiti again...
A brand new piece by AcerONE and SEPR, replacing their earlier collaboration.
It's nice to have someone brightening up the space under the flyovers regularly.
There's a few more shots of this one when we return here at the end of the walk.
Leigh Woods Purple Path
12 Mar 2022
There's a few tracks in Leigh Woods that lie within my mile and show up on my map but that I've not walked yet, so I decided to take one of my traditional big long walks through the woods on this nice crisp sunny morning.
For years—decades, even—I've been doing a similar route from my place, along the towpath to the far woods entrance, up the hill for a varied walk on one of the marked tracks and then across the Suspension Bridge to Clifton Village for a coffee-based reward. It's my default "long walk", really, and I almost always enjoy it. Today, at last, spring actually seemed to be springing, which made for some extra positivity...
I've always enjoyed the optical illusion that these houses are on stilts from this angle. In fact there's the Hotwell Road the National Express coach is on in between the houses at the back and the disused landing stage at the front, as you'll see in the next pic of the adjacent terrace.
Waterstones Clifton Village there presumably doing their best to sell books that help give context to the current Russian aggression.
A Coffee and a Curve
27 Mar 2022
I wanted to have a wander along to the Tobacco Factory Market for some shopping, and checking the map for any leftover nearby streets I noticed a tiny curve of road on the way into the modern flats at Paxton Drive that it didn't look like I'd walked down before. I wouldn't take me too far out of my way, so I decided to head there first and then across to North Street to get my groceries and a coffee...
I headed here for a take-away flat white for the walk home. I may have to come here for brunch one day soon; I saw a pair of amazing looking brunch plates being delivered as I was waiting for my coffee. Looking at the brunch menu it could have been the Bubble and Bacon, and the Turkish Tagine.
I noticed I had a few things on my "potential wanders" list that could all be done relatively close to home, and in a fairly straight line, so I set off at lunchtime to recreate a photo of a now-defunct pub, wander behind a Spar (which turned out to be more interesting than I'd expected, but I admit it's a low bar) and spend some time browsing in Dreadnought Books before coming home via a coffee from Spoke & Stringer, a little diversion up Gasworks Lane and a tiny bit of the Rownham Mead estate I'd somehow previously skipped.
Uncredited apart from "from our archives" and undated, this photo appeared in this article on Hotwells in the Evening Post and made me want to re-create the same view today.
The pub had a few changes of name over time—in the Bristol Then and Now Facebook group people recall this being the Spring Gardens in the 1950s, 60s and 70s. Someone remembers it turning into Durty Nelly's in 1995, but I swear it was back to being the Spring Gardens again by the time I moved to the area in 1999. Then it spent some time as La Demi Lune, which you can see on Street View in 2008, and then by 2009 it's back to The Spring Garden (without the "s").
So, from what I can work out, this snap was probably taken in the 1990s, most likely between 1995 and 1999.
This pub—which did good food, and had an extensive garden at the back, from what I remember, when it was the Spring Gardens in the early 2000s—is rather more bland in looks today, as we'll see in the next picture.
While we're on a theme of things to find down alleyways...
We've had a wander around the old gas works site before but I wanted briefly to focus on one tiny detail, which is to be found in this alleyway called Gasworks Lane.
And we'll end on a high note, as Holy Trinity's belfry was looking particularly eye-catching today. The clock's right, too, which is rare in a public clock these days. The bell is back to ringing during the daytime at the moment. It was turned off temporarily during the pandemic as some locals were complaining of losing sleep to it, as it used to ring all night, but the church did some work after running a small campaign for donations to make the timing mechanism more flexible, and now it rings on the hour during the day but is silent during the small hours, at least. It sometimes reminds me that it's time for me to jump on a Teams call when I'm working from home. I find its regular bonging a reassuring Hotwells presence.
Easter Monday Gardens and Flowers
18 Apr 2022
I didn't really set out with a theme of flowers and gardens in mind for this walk. I just fancied heading up to Clifton Village to get lunch. As it turned out, though, Spring was springing, so a minor theme emerged as I started off with the graveyard flowers of Hope Chapel and wandered up to see the beginnings of the new wildflower garden at Clifton Hill Meadow.
I first heard of Clerihews in the Times crossword: The Clerihew is:
a whimsical, four-line biographical poem invented by Edmund Clerihew Bentley.
The reason it's relevant to this plaque on a house just around the corner from mine is that the very first Clerihew was written about Sir Humphry Davy:
Sir Humphry Davy
Abominated gravy.
He lived in the odium
Of having discovered sodium.
(Sir Humphry is indeed credited with having been the first to isolate sodium, six years after moving out of this house...)
Where fly tipping happens, more like. This scrap of land (with a public bench hidden on the far end, against the back fence behind the red bins) has been a bit of an eyesore for years. I've never been a fan of public billboards.
Recently, though, a property developer has applied for planning permission for a block of flats here, and apparently fenced off the bit where the main entrance will be, even though it's fenced in this little corner of land that everyone assumed was public, council bench and all. And now it's attracted fly tippers, it seems.
I've tweeted at the councillor for the area, Alex Hartley, and he's said he's alerted the council and will try to investigate it/get it cleaned up, so here's hoping...
In the long run, maybe there will be some new flats instead of an ugly billboard and some dull fencing, and I'm all for that.
They were not open, gentle reader, despite their A board down the road. Ah well.
On the way back home, it's always worth a poke around the book section at the front of Rachel's and Michael's Antiques.
Also always worth a look, of course, is Audrey Hepburn, who seems to be peering at us from the right-hand end.
And on that somewhat random note, it's time to end our wander. I headed back home to tuck into a bit of work-supplied Easter egg, which was an unexpected bonus of being physically in the office last week!
A Swing of the Plimsoll Bridge
24 Apr 2022
I was originally going to head over to the Ashton area to see if I'd missed any bits around the football stadium—and also to grab some lunch from the Tobacco Factory Market—but in the end I got a little distracted by having accidentally chosen exactly the right time to see the Plimsoll Bridge swing on one of the first busy days of Spring, where a lot of pleasure trips tend to head out down the Avon (and possibly the New Cut) from Hotwells.
In the end I mostly snapped that, and just a couple of photos from the Ashton area where I grabbed some lunch but didn't do any new exploring.
You can see the man whose job it is to work the rather complicated-looking controls in the control tower has come out onto his balcony now the opening procedure is done.
