Tagged: facade
In Which We Begin and End with Love
05 Mar 2022
I had a lot to get done around the house, so as soon as I heard there might be a shiny new piece of street art near me, under the Cumberland Basin flyovers, I immediately decided that was all the excuse I needed to set off on a round-the-harbour lunchtime walk to get some fresh air and see if I could spot it. So, here's a circular wander that takes in graffiti, boats, wildlife and graffiti again...
A brand new piece by AcerONE and SEPR, replacing their earlier collaboration.
It's nice to have someone brightening up the space under the flyovers regularly.
There's a few more shots of this one when we return here at the end of the walk.
Leigh Woods Purple Path
12 Mar 2022
There's a few tracks in Leigh Woods that lie within my mile and show up on my map but that I've not walked yet, so I decided to take one of my traditional big long walks through the woods on this nice crisp sunny morning.
For years—decades, even—I've been doing a similar route from my place, along the towpath to the far woods entrance, up the hill for a varied walk on one of the marked tracks and then across the Suspension Bridge to Clifton Village for a coffee-based reward. It's my default "long walk", really, and I almost always enjoy it. Today, at last, spring actually seemed to be springing, which made for some extra positivity...
I've always enjoyed the optical illusion that these houses are on stilts from this angle. In fact there's the Hotwell Road the National Express coach is on in between the houses at the back and the disused landing stage at the front, as you'll see in the next pic of the adjacent terrace.
Waterstones Clifton Village there presumably doing their best to sell books that help give context to the current Russian aggression.
I mostly went out to hang out with my friends Sarah and Vik in Bedminster, but along the way I thought I'd take a closer look at something a little nearer home: the last crossing point of the Rownham Ferry.
A sign of the times: all the new build homes of Balfour Road have solar panels on top. I bet they're grateful of that, given the current energy price crisis.
It's interesting to be able to look pretty much a mile back and see the familiar buildings of home. Descending from the top right in the distance we can just see the Observatory on Observatory Hill, then the end of Royal York Crescent, then the Paragon just eclipsing the suspension bridge, then below the bridge on the left there's Windsor Terrace and the more modern Windsor Court flats just visible behind the Bedminster foreground.
Thought I'd grab a close-up of one of the Six Sisters. This one's Oodles of Poodles by "Lucas Antics", aka Alex Lucas & Paul Fearnside, apparently.
Getting back to the Rownham Ferry, the Ashton Avenue Bridge is one of the reasons it was closed. On the excellent Bristol City Docks website you can find a photo called "Rownham Ferry c1906 with Ashton Avenue Bridge nearly built.".
As you'll see in that photo, at low tide the Rownham Ferry was basically just a bridge made out of boats, so it probably still seemed a quick shortcut compared to walking all the way to Ashton Avenue Bridge. I imagine the foot traffic gradually migrated to the new bridge as the ferry was a more daunting prospect at high tide, from what I can gather. Also, the combined road/rail bridge would have allowed people to get the train across the river, rather than stopping at Clifton Bridge Station and using the ferry, I think.
A Coffee and a Curve
27 Mar 2022
I wanted to have a wander along to the Tobacco Factory Market for some shopping, and checking the map for any leftover nearby streets I noticed a tiny curve of road on the way into the modern flats at Paxton Drive that it didn't look like I'd walked down before. I wouldn't take me too far out of my way, so I decided to head there first and then across to North Street to get my groceries and a coffee...
I headed here for a take-away flat white for the walk home. I may have to come here for brunch one day soon; I saw a pair of amazing looking brunch plates being delivered as I was waiting for my coffee. Looking at the brunch menu it could have been the Bubble and Bacon, and the Turkish Tagine.
I noticed I had a few things on my "potential wanders" list that could all be done relatively close to home, and in a fairly straight line, so I set off at lunchtime to recreate a photo of a now-defunct pub, wander behind a Spar (which turned out to be more interesting than I'd expected, but I admit it's a low bar) and spend some time browsing in Dreadnought Books before coming home via a coffee from Spoke & Stringer, a little diversion up Gasworks Lane and a tiny bit of the Rownham Mead estate I'd somehow previously skipped.
Uncredited apart from "from our archives" and undated, this photo appeared in this article on Hotwells in the Evening Post and made me want to re-create the same view today.
The pub had a few changes of name over time—in the Bristol Then and Now Facebook group people recall this being the Spring Gardens in the 1950s, 60s and 70s. Someone remembers it turning into Durty Nelly's in 1995, but I swear it was back to being the Spring Gardens again by the time I moved to the area in 1999. Then it spent some time as La Demi Lune, which you can see on Street View in 2008, and then by 2009 it's back to The Spring Garden (without the "s").
So, from what I can work out, this snap was probably taken in the 1990s, most likely between 1995 and 1999.
This pub—which did good food, and had an extensive garden at the back, from what I remember, when it was the Spring Gardens in the early 2000s—is rather more bland in looks today, as we'll see in the next picture.
While we're on a theme of things to find down alleyways...
We've had a wander around the old gas works site before but I wanted briefly to focus on one tiny detail, which is to be found in this alleyway called Gasworks Lane.
And we'll end on a high note, as Holy Trinity's belfry was looking particularly eye-catching today. The clock's right, too, which is rare in a public clock these days. The bell is back to ringing during the daytime at the moment. It was turned off temporarily during the pandemic as some locals were complaining of losing sleep to it, as it used to ring all night, but the church did some work after running a small campaign for donations to make the timing mechanism more flexible, and now it rings on the hour during the day but is silent during the small hours, at least. It sometimes reminds me that it's time for me to jump on a Teams call when I'm working from home. I find its regular bonging a reassuring Hotwells presence.
Easter Monday Gardens and Flowers
18 Apr 2022
I didn't really set out with a theme of flowers and gardens in mind for this walk. I just fancied heading up to Clifton Village to get lunch. As it turned out, though, Spring was springing, so a minor theme emerged as I started off with the graveyard flowers of Hope Chapel and wandered up to see the beginnings of the new wildflower garden at Clifton Hill Meadow.
I first heard of Clerihews in the Times crossword: The Clerihew is:
a whimsical, four-line biographical poem invented by Edmund Clerihew Bentley.
The reason it's relevant to this plaque on a house just around the corner from mine is that the very first Clerihew was written about Sir Humphry Davy:
Sir Humphry Davy
Abominated gravy.
He lived in the odium
Of having discovered sodium.
(Sir Humphry is indeed credited with having been the first to isolate sodium, six years after moving out of this house...)
Where fly tipping happens, more like. This scrap of land (with a public bench hidden on the far end, against the back fence behind the red bins) has been a bit of an eyesore for years. I've never been a fan of public billboards.
Recently, though, a property developer has applied for planning permission for a block of flats here, and apparently fenced off the bit where the main entrance will be, even though it's fenced in this little corner of land that everyone assumed was public, council bench and all. And now it's attracted fly tippers, it seems.
I've tweeted at the councillor for the area, Alex Hartley, and he's said he's alerted the council and will try to investigate it/get it cleaned up, so here's hoping...
In the long run, maybe there will be some new flats instead of an ugly billboard and some dull fencing, and I'm all for that.
They were not open, gentle reader, despite their A board down the road. Ah well.
On the way back home, it's always worth a poke around the book section at the front of Rachel's and Michael's Antiques.
Also always worth a look, of course, is Audrey Hepburn, who seems to be peering at us from the right-hand end.
And on that somewhat random note, it's time to end our wander. I headed back home to tuck into a bit of work-supplied Easter egg, which was an unexpected bonus of being physically in the office last week!
A Swing of the Plimsoll Bridge
24 Apr 2022
I was originally going to head over to the Ashton area to see if I'd missed any bits around the football stadium—and also to grab some lunch from the Tobacco Factory Market—but in the end I got a little distracted by having accidentally chosen exactly the right time to see the Plimsoll Bridge swing on one of the first busy days of Spring, where a lot of pleasure trips tend to head out down the Avon (and possibly the New Cut) from Hotwells.
In the end I mostly snapped that, and just a couple of photos from the Ashton area where I grabbed some lunch but didn't do any new exploring.
You can see the man whose job it is to work the rather complicated-looking controls in the control tower has come out onto his balcony now the opening procedure is done.
Ticking Off a Pocket of Paths in Leigh Woods
03 Jun 2022
I managed to go for a wander a while ago that was meant to finish off a little tangle of paths in Leigh Woods, or at the very least finish off my wandering of the Purple Path there. And I managed to miss doing either of those things through some kind of navigational incompetence.
Today I woke up with a bit of a headache, feeling a bit knackered as soon as I dragged myself out of bed, but at least with the energy to realise that I'd be better off (a) going for a walk in what looked likely to be the last of the Jubilee weekend sunshine than (b) moping around the flat until it started raining, at which point I could mope more thoroughly.
I had a look at my map, considered going to Ashton Court, but remembered that there was a music festival there today, and instead found these little leftovers of Leigh Woods and decided to have one more try at walking them.
While my main target is Leigh Woods, I do also want to nip into Ashton Court and walk a little path I missed last time I was in the field with the little steam railway in it, so to the gatehouse we cross...
There was actually a gatekeeper today, as it's the weekend of the Love Saves the Day festival, being held at Ashton Court for the first time this year, I think. Happily, as long as you just want to walk a stretch of the grounds away from the festival site, they just wave you in. I wanted to walk a footpath behind the railway track I walked past back in...gosh! November 2020. I've been doing this a while, haven't I?
Having started in the woods, this is the first hint of the Jubilee celebrations I've seen, on the alpine chalet-style house near the Suspension Bridge.
A Quick Swing Past Ashton Court
05 Jun 2022
Another day not dissimilar to my last wander: I'm feeling a bit tired and rather than just moping around the house I thought I'd find some tiny bit of somewhere that I'd not yet walked and get outdoors. This time I headed for the Tobacco Factory Market in Bedminster, as I often do, but went the long way around via Ashton Court Mansion as I knew there were some footpaths and a small section of road I'd not ticked off up there. Finishing all the Ashton Court footpaths will be quite a long job, but you've got to start somewhere...
I did feel rather better by the time I got home, and, pretty much astoundingly given the weather forecast, managed to avoid the rain completely.
First hint of Jubilee-related decorations on this rather odd balcony at the bottom of Granby Hill. The other decoration on this building is a peeing "KEEP YOU JOB KEEP THE POUND" sticker in the next window along that looks like it dates from the 1990s.
For looks, I prefer the side with the mullioned windows, but neither of them seems that satisfactory to me, architecturally-speaking. It's all a bit mis-matched and asymmetrical, with very odd spacing here and there.
Pre-Upfest, as recently as April, Pikto's boy with the catapult still adorned the side of the Coopers Arms.
Not quite sure what to make of the replacement. It's much lower-contrast and less eye-catching, for me. Also, I'm so out of touch I have no idea if that's an original character or some famous pop-cuture reference.
Ahh, according to Natural Adventures it's "what looks like a Vaughn Bode Lizard, an Iconic character in the world of street art", and it's by an artist called Derm. I'd never heard of Vaughn Bodē or his Cheech Wizard and lizard apprentice, so it's not surprising this piece is going over my head. Probably more one for the real aficionados to appreciate.
The technique that Ant Carver used for this piece, called "Love Me/Love Not", is intriguing. I recommend reading the write-up on the always-informative Natural Adventures.
I've been pretty awful at reading so far this year, apparently averaging about one book per month. That's a far cry from 2019, say, where I got through 41 books in the year. Today's wander was prompted by my rubbish reading, as I needed to go hand back some books to the library, because I'd managed to renew them so many times that I hit the limit on renewals. Oops. Several of them were still unread.
So, off to the Central Library for me, tail between my legs. On the way there I did my best to recreate a historical photo of Dowry Square; while I was in the area I walked under the adjacent Norman arch and poked around behind the Cathedral, and I also had a little diversion to the city centre and came back along the south side of the river, hitting some trouble with the lock gates as I finally crossed the harbour back towards home.
I don't know anything about this photo, really; I saw it pop up on eBay in one of my automated searches for "Hotwells" and this nice, open view of Dowry Square, which is a lot more overgrown these days, made me click that "buy" button. This is a print from a negative in a private collection but more that that I can't really tell you. The "Hepworth" could be Watler Hepworth, as it seems there was a Bristol photographer of that name in about the right period, which I"m guessing to be sometime between the First and Second World Wars. The tram rails and electrical lines are still in place, as you can see.
One nice detail is the Bass signs in the windows of what was clearly still back then the York Hotel on the corner of the square. There's some pictures of what I've been assuming is the main bar entrance that faces onto the main road and remains quite well-preserved in a moment...
Off to the side of the photo we've just seen is the pub frontage on the Hotwell Road, apparently a later addition. The listing says
The right-hand return has a late C19 ashlar public house front with 5 panelled pilasters and foliate capitals to left-hand and central doorways, 2 windows with tripartite frames and semicircular-arched panes below, panelled aprons and dentil cornice.
Nowadays known as York House, and apparently offices, this was originally built by George Tully, like a lot of the rest of the square.
According to this Heritage Statement about No. 10 by Mark Hines Architects he started building in 1723, imagining accommodation houses for Hotwells visitors, but later built this large hotel and other buildings like the Clifton Dispensary at No 12 as the spa became more popular and the square evolved into a centre of medicine. I'm a little confused by that claim as the York Hotel went up c. 1780, according to the listing, when Tully had been dead for ten years, but perhaps it means he planned it before he died.
And now we've teleported down the Hotwell Road to College Green, where I found that the library wasn't open yet (I'd forgotten they didn't open until 1pm on a Sunday) so carried on past it and turned through an old Norman archway.
This was a section I wanted to walk, as although I have actually wandered through the arch and pottered around this bit of Bristol before, I think that was one of the days my GPS battery died halfway through a walk, so I never posted any records of it. Here I can redress the issue. We've seen the other side of this grand bit of architecture before, and the next photo has the information plaque which will tell you more about it more concisely than I could.
One fact that isn't on the plaque is that Catherine Hughes, the local artist who made the pomegranates for the front of the Cabot Cafe, had her studio in one of the upper rooms for a time. I presume this was wangled by her father, a local estate agent who was heavily involved in the whole College Green area. From the Clifton and Redland Free Press, 18 April 1900:
Comparatively few people are aware that the interesting structure known as the Abbey Gate House, College Green, the fifteenth century building above the fine old Norman archway, is now given over to the fine arts. It is the studio of Miss Catherine Hughes, and a private view of a charming exhibition of water colour drawings, by that young lady and Miss Ludlow, both local limners, was held last week, when a large number of ladies and gentlemen accepted the invitation to inspect the works, among the company being some local artists. Miss Hughes and Miss Ludlow studied under Ludovici in London, and are now following their profession in Bristol
The Bristol Cathedral School has seen some controversy over the years, especially after it was given permission in 2013 for the Primary School to take over some of the Central Library. They turfed out some of the archives, which is presumably why I need to wait a week when I order an old book from the library, as someone now has to hoof it down to the B Bond warehouse to fetch it for me, rather than just downstairs.
Founded in 1140, dissolved and then re-founded by Henry VIII in 1542 after he dissolved the monastery, it's only very recently become a City Academy. It is allegedly non-selective these days, but my guess would be that its pupils' parents are significantly posher and richer than others in the local catchment area.
"Porter's lodge and gateway to Augustinian monastery, now school. Mid C12 archway in C17 house, rebuilt mid C20", says the listing.
