Tagged: facade
Bedminster Trip for New Walking Shoes
26 Feb 2022
I needed to buy new walking shoes—my old ones were squeaking and it was driving me up the wall—so I ordered some for collection from Taunton Leisure on East Street in Bedminster, and decided to make picking them up an official wander.
I didn't cover any new ground within my mile, but I did take advantage of the trip to take in a few interesting things just outside my normal radius, mostly New Gaol-related. Along the way there are a couple of sanitation-related diversions, including a visit to a rare manhole cover. You can hardly wait, I can tell!
The bridge seemed to be taking a while to lock back into place, and I don't recall seeing one of the life-jacketed operators wandering up and down it before. I did wonder if something had gone wrong, but it closed eventually.
Wapping Wharf was fairly busy. I didn't stop for a coffee from Mokoko or Little Victories, though it's always tempting.
The blurb for The Cuckoo Cage sounds fun:
In this unique experiment, twelve authors have been tasked with resurrecting that tradition: to spawn a new generation of present-day British superheroes, willing to bring the fight back to British shores and to more progressive causes.
But I'd probably take issue with the experiment's claimed uniqueness, given that it sounds virtually the same concept as 1991's Temps. Still, I'll be interested to read it and I snapped this to remind myself that I might want to get a ticket for the launch.
Here's a first glimpse of something I'm interested in seeing even though it's just outside my mile radius.
This gateway is a remnant of the New Gaol, which is apparently sometimes called The Old City Gaol, oddly. I suppose it depends on one's historical perspective.
The original New Gaol was destroyed during the 1831 Bristol Riots, and replaced with a redesigned version including this gate. That replacement New Gaol was itself replaced by Horfield Prison (which still stands and still operates as a prison) in 1884 and demolished in 1898. So, in fact, you could argue that this the ex-old-new-New Gaol. Clear? Good.
Or possibly the way in. Can't've been much fun, being escorted through these gates and knowing you were going to stay here for some time. I doubt prisons have ever been a barrel of laughs, but Victorian prisons definitely have a fairly terrifying reputation.
I'm sure I must have seen/noticed this giant pile on the corner of the New Cut and Bedminster Parade before, but It's quite well-hidden from the road.
Apparently it's the offices of a shopfitters. According to the listing, which is so laden with architectural words I found it quite heavy to copy from Historic England's website:
Zion House and attached railings and gateways. Congregational chapel, now offices. 1830. For John Hare. Pennant stone rubble and limestone ashlar, slate roof. Open plan. Classical style. 2 storeys and basement; 5-window range. Portico of tetrastyle-in-antis cast-iron Tuscan columns, with a deep entablature returning at the ends; the pediment contains a louvred oculus supported by a wide blank panel with relief palmettes
Apparently the antae are the bits supporting the sides of the entranceway, and stylos is a column, so the supporting ends with the four columns in between are a tetrastyle-in-antis. I will now forget that before it appears in a Times cryptic.
I'm fairly sure I saw Louvred Oculus playing a gig at the Louisiana once.
In Which We Begin and End with Love
05 Mar 2022
I had a lot to get done around the house, so as soon as I heard there might be a shiny new piece of street art near me, under the Cumberland Basin flyovers, I immediately decided that was all the excuse I needed to set off on a round-the-harbour lunchtime walk to get some fresh air and see if I could spot it. So, here's a circular wander that takes in graffiti, boats, wildlife and graffiti again...
A brand new piece by AcerONE and SEPR, replacing their earlier collaboration.
It's nice to have someone brightening up the space under the flyovers regularly.
There's a few more shots of this one when we return here at the end of the walk.
Leigh Woods Purple Path
12 Mar 2022
There's a few tracks in Leigh Woods that lie within my mile and show up on my map but that I've not walked yet, so I decided to take one of my traditional big long walks through the woods on this nice crisp sunny morning.
For years—decades, even—I've been doing a similar route from my place, along the towpath to the far woods entrance, up the hill for a varied walk on one of the marked tracks and then across the Suspension Bridge to Clifton Village for a coffee-based reward. It's my default "long walk", really, and I almost always enjoy it. Today, at last, spring actually seemed to be springing, which made for some extra positivity...
I've always enjoyed the optical illusion that these houses are on stilts from this angle. In fact there's the Hotwell Road the National Express coach is on in between the houses at the back and the disused landing stage at the front, as you'll see in the next pic of the adjacent terrace.
Waterstones Clifton Village there presumably doing their best to sell books that help give context to the current Russian aggression.
I mostly went out to hang out with my friends Sarah and Vik in Bedminster, but along the way I thought I'd take a closer look at something a little nearer home: the last crossing point of the Rownham Ferry.
A sign of the times: all the new build homes of Balfour Road have solar panels on top. I bet they're grateful of that, given the current energy price crisis.
It's interesting to be able to look pretty much a mile back and see the familiar buildings of home. Descending from the top right in the distance we can just see the Observatory on Observatory Hill, then the end of Royal York Crescent, then the Paragon just eclipsing the suspension bridge, then below the bridge on the left there's Windsor Terrace and the more modern Windsor Court flats just visible behind the Bedminster foreground.
Thought I'd grab a close-up of one of the Six Sisters. This one's Oodles of Poodles by "Lucas Antics", aka Alex Lucas & Paul Fearnside, apparently.
Getting back to the Rownham Ferry, the Ashton Avenue Bridge is one of the reasons it was closed. On the excellent Bristol City Docks website you can find a photo called "Rownham Ferry c1906 with Ashton Avenue Bridge nearly built.".
As you'll see in that photo, at low tide the Rownham Ferry was basically just a bridge made out of boats, so it probably still seemed a quick shortcut compared to walking all the way to Ashton Avenue Bridge. I imagine the foot traffic gradually migrated to the new bridge as the ferry was a more daunting prospect at high tide, from what I can gather. Also, the combined road/rail bridge would have allowed people to get the train across the river, rather than stopping at Clifton Bridge Station and using the ferry, I think.
A Coffee and a Curve
27 Mar 2022
I wanted to have a wander along to the Tobacco Factory Market for some shopping, and checking the map for any leftover nearby streets I noticed a tiny curve of road on the way into the modern flats at Paxton Drive that it didn't look like I'd walked down before. I wouldn't take me too far out of my way, so I decided to head there first and then across to North Street to get my groceries and a coffee...
I headed here for a take-away flat white for the walk home. I may have to come here for brunch one day soon; I saw a pair of amazing looking brunch plates being delivered as I was waiting for my coffee. Looking at the brunch menu it could have been the Bubble and Bacon, and the Turkish Tagine.
I noticed I had a few things on my "potential wanders" list that could all be done relatively close to home, and in a fairly straight line, so I set off at lunchtime to recreate a photo of a now-defunct pub, wander behind a Spar (which turned out to be more interesting than I'd expected, but I admit it's a low bar) and spend some time browsing in Dreadnought Books before coming home via a coffee from Spoke & Stringer, a little diversion up Gasworks Lane and a tiny bit of the Rownham Mead estate I'd somehow previously skipped.
Uncredited apart from "from our archives" and undated, this photo appeared in this article on Hotwells in the Evening Post and made me want to re-create the same view today.
The pub had a few changes of name over time—in the Bristol Then and Now Facebook group people recall this being the Spring Gardens in the 1950s, 60s and 70s. Someone remembers it turning into Durty Nelly's in 1995, but I swear it was back to being the Spring Gardens again by the time I moved to the area in 1999. Then it spent some time as La Demi Lune, which you can see on Street View in 2008, and then by 2009 it's back to The Spring Garden (without the "s").
So, from what I can work out, this snap was probably taken in the 1990s, most likely between 1995 and 1999.
This pub—which did good food, and had an extensive garden at the back, from what I remember, when it was the Spring Gardens in the early 2000s—is rather more bland in looks today, as we'll see in the next picture.
While we're on a theme of things to find down alleyways...
We've had a wander around the old gas works site before but I wanted briefly to focus on one tiny detail, which is to be found in this alleyway called Gasworks Lane.
And we'll end on a high note, as Holy Trinity's belfry was looking particularly eye-catching today. The clock's right, too, which is rare in a public clock these days. The bell is back to ringing during the daytime at the moment. It was turned off temporarily during the pandemic as some locals were complaining of losing sleep to it, as it used to ring all night, but the church did some work after running a small campaign for donations to make the timing mechanism more flexible, and now it rings on the hour during the day but is silent during the small hours, at least. It sometimes reminds me that it's time for me to jump on a Teams call when I'm working from home. I find its regular bonging a reassuring Hotwells presence.
Easter Monday Gardens and Flowers
18 Apr 2022
I didn't really set out with a theme of flowers and gardens in mind for this walk. I just fancied heading up to Clifton Village to get lunch. As it turned out, though, Spring was springing, so a minor theme emerged as I started off with the graveyard flowers of Hope Chapel and wandered up to see the beginnings of the new wildflower garden at Clifton Hill Meadow.
I first heard of Clerihews in the Times crossword: The Clerihew is:
a whimsical, four-line biographical poem invented by Edmund Clerihew Bentley.
The reason it's relevant to this plaque on a house just around the corner from mine is that the very first Clerihew was written about Sir Humphry Davy:
Sir Humphry Davy
Abominated gravy.
He lived in the odium
Of having discovered sodium.
(Sir Humphry is indeed credited with having been the first to isolate sodium, six years after moving out of this house...)
Where fly tipping happens, more like. This scrap of land (with a public bench hidden on the far end, against the back fence behind the red bins) has been a bit of an eyesore for years. I've never been a fan of public billboards.
Recently, though, a property developer has applied for planning permission for a block of flats here, and apparently fenced off the bit where the main entrance will be, even though it's fenced in this little corner of land that everyone assumed was public, council bench and all. And now it's attracted fly tippers, it seems.
I've tweeted at the councillor for the area, Alex Hartley, and he's said he's alerted the council and will try to investigate it/get it cleaned up, so here's hoping...
In the long run, maybe there will be some new flats instead of an ugly billboard and some dull fencing, and I'm all for that.
They were not open, gentle reader, despite their A board down the road. Ah well.
On the way back home, it's always worth a poke around the book section at the front of Rachel's and Michael's Antiques.
Also always worth a look, of course, is Audrey Hepburn, who seems to be peering at us from the right-hand end.
And on that somewhat random note, it's time to end our wander. I headed back home to tuck into a bit of work-supplied Easter egg, which was an unexpected bonus of being physically in the office last week!
A Swing of the Plimsoll Bridge
24 Apr 2022
I was originally going to head over to the Ashton area to see if I'd missed any bits around the football stadium—and also to grab some lunch from the Tobacco Factory Market—but in the end I got a little distracted by having accidentally chosen exactly the right time to see the Plimsoll Bridge swing on one of the first busy days of Spring, where a lot of pleasure trips tend to head out down the Avon (and possibly the New Cut) from Hotwells.
In the end I mostly snapped that, and just a couple of photos from the Ashton area where I grabbed some lunch but didn't do any new exploring.
You can see the man whose job it is to work the rather complicated-looking controls in the control tower has come out onto his balcony now the opening procedure is done.
Ticking Off a Pocket of Paths in Leigh Woods
03 Jun 2022
I managed to go for a wander a while ago that was meant to finish off a little tangle of paths in Leigh Woods, or at the very least finish off my wandering of the Purple Path there. And I managed to miss doing either of those things through some kind of navigational incompetence.
Today I woke up with a bit of a headache, feeling a bit knackered as soon as I dragged myself out of bed, but at least with the energy to realise that I'd be better off (a) going for a walk in what looked likely to be the last of the Jubilee weekend sunshine than (b) moping around the flat until it started raining, at which point I could mope more thoroughly.
I had a look at my map, considered going to Ashton Court, but remembered that there was a music festival there today, and instead found these little leftovers of Leigh Woods and decided to have one more try at walking them.
While my main target is Leigh Woods, I do also want to nip into Ashton Court and walk a little path I missed last time I was in the field with the little steam railway in it, so to the gatehouse we cross...
There was actually a gatekeeper today, as it's the weekend of the Love Saves the Day festival, being held at Ashton Court for the first time this year, I think. Happily, as long as you just want to walk a stretch of the grounds away from the festival site, they just wave you in. I wanted to walk a footpath behind the railway track I walked past back in...gosh! November 2020. I've been doing this a while, haven't I?
Having started in the woods, this is the first hint of the Jubilee celebrations I've seen, on the alpine chalet-style house near the Suspension Bridge.
A Quick Swing Past Ashton Court
05 Jun 2022
Another day not dissimilar to my last wander: I'm feeling a bit tired and rather than just moping around the house I thought I'd find some tiny bit of somewhere that I'd not yet walked and get outdoors. This time I headed for the Tobacco Factory Market in Bedminster, as I often do, but went the long way around via Ashton Court Mansion as I knew there were some footpaths and a small section of road I'd not ticked off up there. Finishing all the Ashton Court footpaths will be quite a long job, but you've got to start somewhere...
I did feel rather better by the time I got home, and, pretty much astoundingly given the weather forecast, managed to avoid the rain completely.
First hint of Jubilee-related decorations on this rather odd balcony at the bottom of Granby Hill. The other decoration on this building is a peeing "KEEP YOU JOB KEEP THE POUND" sticker in the next window along that looks like it dates from the 1990s.
For looks, I prefer the side with the mullioned windows, but neither of them seems that satisfactory to me, architecturally-speaking. It's all a bit mis-matched and asymmetrical, with very odd spacing here and there.
Pre-Upfest, as recently as April, Pikto's boy with the catapult still adorned the side of the Coopers Arms.
Not quite sure what to make of the replacement. It's much lower-contrast and less eye-catching, for me. Also, I'm so out of touch I have no idea if that's an original character or some famous pop-cuture reference.
Ahh, according to Natural Adventures it's "what looks like a Vaughn Bode Lizard, an Iconic character in the world of street art", and it's by an artist called Derm. I'd never heard of Vaughn Bodē or his Cheech Wizard and lizard apprentice, so it's not surprising this piece is going over my head. Probably more one for the real aficionados to appreciate.
The technique that Ant Carver used for this piece, called "Love Me/Love Not", is intriguing. I recommend reading the write-up on the always-informative Natural Adventures.