Tagged: cloud
Shiny New Hope
24 Sep 2021
A quick lunchtime jaunt to Clifton Village. Along the way I admired the new sign on Hope Chapel and added to my tsundoku collection.
The scaffolding is down and there's a nice new sign (reminiscent of a historical one, I think,but I can't find the photo at the moment because Know Your Place Bristol is down) and you can just see the newly-installed solar panels on the roof behind it.
A Morning of Research and a Cafe in a Castle
25 Sep 2021
I needed to pop to the library, as they'd kindly dug a book out of the reserve store at the B Bond warehouse for me and emailed me to let me know it was ready. So, I took a little trip to town, straight down the Hotwell Road, and spent a few hours reading before stretching my legs with a walk to a new cafe in the actual castle (or remnants thereof, anyway) of Castle Park, before heading back home down the other side of the harbour. As well as books and coffee, I bumped into a remote-controlled pirate ship, which isn't something you see every day, even in Bristol.
Have I ever looked up and noticed the view above Western Car Radio, which looks like perhaps the terraced back garden of St George's Primary? If I have, I don't seem to have snapped it before.
There are some unexpected links between Triodos Bank and some of the magical stuff I've been researching. I first found out when I checked the upcoming events at the Bristol Theosophical Lodge and saw a director of the bank would be giving a talk there. Apparently the bank is rooted in the ideas of Rudolf Steiner's anthroposophy. The Guardian says:
Its roots (like the UK bank Mercury Provident, which it took over in 1995), are in the anthroposophy movement. This refers to the ideas of the Austrian spiritualist thinker Rudolf Steiner, who died in 1925 and whose interests included education, 'biodynamic' agriculture, eurythmy (movement as art) and therapeutic medicine.
Triodos Bank's statutes committed it to anthroposophical principles until 1999, when this formal link was dropped, and in recent years the bank, under its current head Peter Blom, has embarked on a policy of reaching out beyond Steiner adherents and of broadening its appeal. Nevertheless, Triodos's origins are reflected in the fact that most of the Dutch directors come from within anthroposophy, and it is banker for many Steiner-inspired projects.
And towering over one of Bristol's oldest buildings, here's one of Bristol's newest, Castle Park View. Its 26 storeys towering up at 98 metres, it's now Bristol's tallest building, having beaten the 80m Castlemead and St Mary Redcliffe to joint second earlier this year. I'm not sure I'd fancy living in one of the 375 flats, but the view must be nice.
On the site of the old warehouse next to Albion Dock, whose canopy you can see top right. It will, inevitably, be some more posh flats.
There's a deeply disturbing reason that this rabbit has been crossed out, but I've written that up in a later Wander, so you'll have to wait for an upcoming photo in October.
I recently indulged myself by buying a little piece of history. I've mentioned Samuel Loxton and featured and linked to his drawings before, often in the eminently browsable Loxton Collection albums that Bristol Libraries has on Flickr. So when I saw a Loxton drawing of Hotwells pop up on eBay, I decided to get myself a little treat.
I don't think there's any Loxton drawing that features the road I actually live in—it's not very visible from anywhere else, not being one of these Clifton terraces that's perched at the top of a hill, or anything like that, and it's invisible in most views of the area. However, this Loxton drawing, Hotwells, Looking across the river from near the Clifton Bridge station, is probably the closest near-miss I've seen.
I decided to wander out one morning and see if I could reproduce the picture, and also take a photo or two of what's now become of the Clifton Bridge Station, which is still just about discernible in places.
(Then on an even stranger whim I decided to check out a possible little cut-through from Cumberland Road to the harbourside I'd been eyeing up on my commute to work, so walked to Wapping Wharf for a croissant via this potential new route, but that bit's not quite as interesting...)
I'd broadly planned to figure out the vantage point Loxton had used for his drawing by lining up Windsor Terrace with The Paragon, so I started taking bearings fairly early.
Every now and again some speedboat pops under Merchants Road Bridge and does a few quick loops of the Cumberland Basin. I guess that either they're allowed to go fast on the basin or they know they can get away with it...
Site of the Rownham Ferry. Follow the link for a charming Loxton ink drawing on Know Your Place, also viewable at the Bristol Libraries Flickr collection.
This was a later site for the ferry, which earlier was a tad further out along the river. It would have been a key crossing point at this end of Bristol before the arrival of any bridges near here. Before the Ashton Swing Bridge and the Vauxhall footbridge arrived, the next-nearest crossing point would have been the Vauxhall ferry, which was where Vauxhaull Bridge stands now, I think.
I think this was about my best attempt to match the Loxton angle. The fact that my photo still has the edge of Entrance Lock in it suggests that Loxton's drawing was taken from a little further downstream, but there are trees there now, obscuring the view.
Much of the buildings further back are unchanged, as you can see, especially Windsor Terrace to the left and The Paragon middle top. The diagonal rise of Freeland Place is still there, too. What's mostly changed is the closer road, where a chunk of Hotwells, including the houses and Cumberland Hall you can see in the Loxton drawing, was swept away for the Cumberland Road flyover system. This probably also explains why there aren't so many pedestrians just enjoying the scenery—it's much noisier there now.
Here's a similar angle to my earlier attempt at recreating the Loxton view, only with a framing that gives a bit more detail of the buildings.
Hurrah! Cumberland Road is fully closed again, this time apparently for stabilisation works on the Chocolate Path, one of my favourite footpaths in Bristol, whcih has been closed since even before part of it actually fell into the river.
That there is an actual plan to re-open the path, that it's got funding, and that work is being done are all good signs, but I'm still trying not to hold my breath. This path's been closed since 2016. (And the entire new cut didn't take this long to dig in the first place...)
Docks Heritage Weekend Day One
09 Oct 2021
I could spend a lot of time at the Docks Heritage Weekend, poking my nose into industrial places along the harbourside that are usually closed off, but throw open their doors once a year to show off a bit of the backstage area of Bristol's floating harbour. In fact, I warn you: the next wander is a long one, and will have quite a few photos.
However, for today's wander, on the Saturday, my friend Lisa needed a shorter walk than our usual long rambles, as she's recovering from an operation and still a little under the weather, so we just wandered into town for some food and back, with me making mental notes of the places I wanted to come back to on the Sunday... We walked through Underfall Yard, along to the L Shed (this is the warehouse next to the M Shed museum, where they still have the kind of fun old industrial stuff that used to be crammed into the M Shed's predecessor, the old Industrial Museum), through the street food market in town to Ahh Toots for cake and then back home. So, still quite a walk, but no hills and not so much of Lisa having to hang around waiting for me to fool around taking photos as usual, at least...
I wasn't expecting to see a train carriage in the Lloyds amphitheare. Apparently it's got something to do with Stephen Merchant's new drama The Outlaws. They're filming some of it down at my end of the harbour soon, too; I've had a letter through the door about night shoots that'll be closing sections of the Hotwell Road.
I'm afraid that this is a bit of a badly-curated wander, where I mostly just popped out to find out a little of the history of Underfall Yard and poke around the various open workshops, and, in hindsight, really didn't take pictures in any kind of coherent order. So there's a lot of pictures, but they don't really tell the story that, in hindsight, I seem to have been trying to tell, of the unusual electrical substation in Avon Crescent, the Bristol Electricity that predates the National Grid but is still in use, the history of the hydraulic power house... It's a bit of a mess.
But I suppose sometimes these wanders—always chronologically presented in the order I walked and took photos—simply will sometimes be a bit of a mess. Let's hope you still get something out of it, anyway...
It's very hard to get a decent look at this building. This is the top half of the back of it.
You can see this once apparently bright and airy building has had every window bricked up.
I understand that something in or around this building still supplies the odd electrical requirements (specifically, 360V "Bristol voltage") for some bits of Underfall Yard, which is our next stop, so more about that when we get there.
While it's not a listed building, is is notable: it's one of the earliest reinforced concrete buildings in the UK, apparently, construction starting in 1905. I assume it was up by 1907, as that's when Undefall Yard installed their electric pumps.
This oddity of history predates the National Grid and was originally fed from Feeder Road power station (well, Avonbank, on Feeder Road, to be precise. We've seen a bit of that history before, as a line marker for the line from Portishead to Feeder Road.) It was connected to Feeder Road by 1906, with a 6,600V line.
I've added a couple of historic views of the building as the next two photos in the wander, but I'll also pop this link to a Loxton drawing of the Avonbank electricity works, 1908 here.
The patent slip itself. Even empty, it would be quite a weight to haul in and out of the water, let alone with the size of ship it sometimes deals with—if the Matthew were winched up in this photo, you wouldn't be able to see much sky.
I've really taken all these photos in the wrong order, haven't I? This is an overview of the last many shots. The visitor centre is the right hand side of the building. The chimney behind is for the boiler that was inside in the days of steam. In the roof above the visitor centre was the header tank. The pump room we were in is where the open door is between the visitor centre part and the accumulator tower, on the left-hand end. Inside the tower is the old accumulator, and on the end of the building is the newer external accumulator, which as you can see has now descended fully to the ground as the hydraulic power has dissipated.
Before the pumps were converted to electricity, this chimney would have been pouring smoke out pretty much 24x7, as I understand it, from the boiler in the main building to the right. It's a pleasant little visitor centre now, with a nice cafe at the back. When this was a working dock I can only imagine that it must have been like hell on earth inside.
Fresh Fields
17 Oct 2021
For the first time in a while, I had the time and energy to go further afield and knock off some new roads from my "to do" list. I headed through the first Hotwells Festival to Ashton and Bedminster to cross off a few of the suburban roads south of North Street.
First, though, I decided to try to reproduce an old photo of the now-demolished Rownham Hotel just around the corner from where I live...
Here's my version. I couldn't get to the exact original viewpoint without the railings on the far left being in the way of the picture, but this is pretty close.
So, presumably the house (or possibly two?) on the end of Freeland Place, which looks to my eye just as Georgian as the rest of the terrace, must've been built after the Rownham Hotel was demolished for the road widening in 1969...
Apparently the repair of the Chocolate Path itself is now underway here. I won't hold my breath. Shame, as it's within my mile and one of my favourite walks and I've had no chance to walk down it since long before I started this little project.
To give you an idea of what it's like down on the path, here's a photo from 2017 from behind where I'm standing on Vauxhaull Bridge here.
I've taken a few photos of the similar place around the corner, but I hadn't noticed there's another one of these odd mansion-mansard-bungalow-what-the-hell places here, too.
The rest of the road is just your normal-for-round-here brick boxes, really. At the end is the back of the little Winterstoke Road retail park, including PC World and Halfords, which I think are the only two shops I've ever been in there.
A Wide Angle View
30 Oct 2021
I had an unsuccessful wander last week, on Tuesday afternoon: my GPS died within about five minutes of leaving the house, and I didn't notice, plus I found hardly anything I'd been looking for. On the plus side, as I was wandering around Park Street I decided to nip into London Camera Exchange on the offchance they had a secondhand Canon 17-40mm lens. I've been thinking of buying one for around a year, I think.
Long story short: not only did they have one, but due to a mistake with their price labelling which they kindly honoured, I now have a shiny new (to me) wide-angle lens and it cost me less than £300, which is a very good price for one of these in good condition (and including a lens hood.)
So, rather than try to salvage Tuesday's walk, here's a walk where I basically just bimbled up to Clifton Village for a coffee and wandered around taking photos of as many wide views as I could find. I took a lot more photos than these seventeen, but as you might expect, a new lens takes some practice getting used to, so most of them ended up in the "outtakes" pile.
Pretty sure I couldn't have snapped the whole length of this terrace with my previous-widest lens, the 24-70. Fits fine in the 17-40.
I've mentioned the spire before, I'm sure: colloquially known as the "three pin plug", it's apparently meant to represent the Holy Trinity.
Of course, one disadvantage of a wide-angle lens in Clifton is that you get even more cars in the shot. This is a problem with filming, too, from what I've seen of the various historically-set TV shows shot in Bristol: the exterior shots are always very tight angles, presumably because it'll give the game away if one zooms out on Sherlock Holmes to reveal nine identical giant black SUVs parked on the zig zags outside a private school.
Ticking Off a Few Streets in Bedminster
31 Oct 2021
There were only a few streets left to wander in the more residential bit of Bedminster, so I thought I should target those today. The streets themselves weren't that notable, though Balfour Road has a contrasting mix of old and new housing. I tried to snap a few more interesting things along the way there and back, snapping all three of the familiar bond warehouses, nipping onto North Street to find some new street art, and finding a few pumpkins for good measure. It is hallowe'en, after all...
You can see the disturbance in the water on the river side as the sluices drain water from the lock to equalise the levels.
One of the three roads I needed to knock off my list. Just a fairly average slice of suburbia, really.
There's still a few houses on Duckmoor Road (this is the corner of Duckmoor and Frobisher) that use their gardens for gardening rather than just to park cars on, and some of them even have quite big veg gardens growing.
Again, pretty sure this isn't a public road, and frankly it didn't look like I'd see anything interesting even if I did risk venturing to the end...
Recreating a Loxton Drawing on a Lunchtime Jaunt
05 Nov 2021
I did do a much longer wander earlier in the week, but that'll take me some time to process (and cast a plethora of photos into the "out-takes" pile!) In the meantime, here's my lunchtime jaunt, taken to give myself a break from doing the company bookkeeping to send to my accountant so the taxman doesn't sling me in chokey.
I've recently bought a slightly creased secondhand copy of Redcliffe Press's 1992 collection of Samuel Loxton drawings, Loxton's Bristol: The city's Edwardian years in black and white. It's a nice selection of Bristol Library's collection of the drawings. I'd noticed a drawing of 25 Royal York Crescent, a house I pass quite often, so I thought I'd wander up the crescent on the way to pick up some lunch and try to reproduce it.
On the way back I took a few photos of Clifton Hill Bank as the crowdfunder to make quite a lot of it into a wildflower meadow has just hit its target, so I figured some "before" shots might be a good investment for the future...
I'm embarrassed to admit how many times I walked down Cornwallis Avenue wondering what the overgrown garden was along the top without ever bothering to work out that it's the back garden of Cornwallis Crescent (east).
I went out simply wanting to knock off the very last little unwalked section of Clanage Road, over by Bower Ashton, which has been annoying me for a while as it's quite close by and I've walked the other bits of it several times. So, my plan was to nip over to Greville Smyth Park via a slightly unusual route to wander Clanage Road and tick it off.
Along the way, though, I inevitably got a bit distracted. I took a few photos of Stork House, a grand Hotwell Road building that's recently been done up a bit (I imagine it's student lets, though I'm not sure) and which I found a reference to in a book about the Port Railway and Pier the other week, and also tried to match up a historical photo of Hotwells before the Cumberland Basin Flyover System laid it waste, which included some interesting markers I'll have to do a bit more digging into...
I've always loved the bow windows; if you look closely you'll see the window frames are slightly curved to match the curvature of the walls. Must be quite pricey to have repairs done, I'll wager.
I was trying to recreate the angle of the old, pre-Cumberland Road Flyover System photo that comes next. I couldn't get the angle, mostly because of the height, but this seems to be shot from about the right direction.
That historical photo seems to have been taken from a higher vantage point. The most likely place seems to be the B Bond, perhaps from that fire escape, or maybe the roof? Something tells me it's unlikely they'd let me up there, but you never know, maybe one day I'll ask an archivist; I think that area's part of the Bristol Archives stores...
View into the car park of the former stables/kennels. I just poked my camera through a big hole in the gate.
I think it's mostly used for sport, but the only thing I've ever used it for is the Clifton Car Boot Sale.
So that's why all the cars are there—not for the Open Day, it turned out; it's the other signs that are the giveaway. Somewhere, some people are committing a sport.
