Bower Ashton is an interesting little area just south of the river from me—in fact, the Rownham Ferry used to take people over from Hotwells to Bower Ashton, operating from at least the twelfth century to around the 1930s.
It's a strangely contradictory little area, with a cluster of old and new houses sandwiched in between the busy A-roads and significantly more industrial area of Ashton and the bucolic country estate of Ashton court roughly east to west, and also between Somerset and Bristol, north to south.
I've been around here before, mostly poking around Bower Ashton's arguably most well-known bit, the Arts faculty campus of the University of the West of England, but I'd missed at least Parklands Road and Blackmoors Lane, so I initially planned just to nip across briefly and wander down each in turn. On a whim, though, I texted my friends Sarah and Vik in case they were out and about, and ended up diverting to the Tobacco Factory Sunday market first, to grab a quick flat white with them, extending my journey a fair bit.
To start with, though, I nipped to a much more local destination, to see something that you can't actually see at all, the Gridiron...
(I also used this wander as a test of the cameras in my new phone. I finally upgraded after a few years, and the new one has extra, separate wide and telephoto lenses compared to the paltry single lens on my old phone. Gawd. I remember when speed-dial was the latest innovation in phones...)
Well, it doesn't seem to lead into the school, and presumably it leads somewhere...
I recently indulged myself by buying a little piece of history. I've mentioned Samuel Loxton and featured and linked to his drawings before, often in the eminently browsable Loxton Collection albums that Bristol Libraries has on Flickr. So when I saw a Loxton drawing of Hotwells pop up on eBay, I decided to get myself a little treat.
I don't think there's any Loxton drawing that features the road I actually live in—it's not very visible from anywhere else, not being one of these Clifton terraces that's perched at the top of a hill, or anything like that, and it's invisible in most views of the area. However, this Loxton drawing, Hotwells, Looking across the river from near the Clifton Bridge station, is probably the closest near-miss I've seen.
I decided to wander out one morning and see if I could reproduce the picture, and also take a photo or two of what's now become of the Clifton Bridge Station, which is still just about discernible in places.
(Then on an even stranger whim I decided to check out a possible little cut-through from Cumberland Road to the harbourside I'd been eyeing up on my commute to work, so walked to Wapping Wharf for a croissant via this potential new route, but that bit's not quite as interesting...)
After carefully skirting the edges of the homeless people's camp that I accidentally found skirting the edges of the tall grass between the allotments and here, I came across my first destination: the footbridge from Clifton Bridge railway station. This is apparently the actual station footbridge, still in service for crossing the lines.
Many people in Bristol will know this as one of the chief ways people from this end of town used to get to Ashton Court, especially for the music festival or the balloon fiesta, before the shiny new Festival Way footpath was installed a decade or two back.
I've been across it before on my wanders, but I didn't know then that it was a remnant of a railway station, rather than just a standalone bridge.
You can just about make out the platform still, there on the left. There used to be a second line and an eastern platform, too.
Clifton Bridge Railway Station was also known as Rownham Station from 1891 to 1910.
It was part of the Port and Pier railyway (as was Hotwells/Clifton station on the north side, nearer my house), opened in 1867, and closed, inevitably, by Beeching, with passenger services stopping in 1964 and freight a year later.
Wikipedia says "Freight trains continued to pass through the station, but their number decreased over time, with the line falling out of regular use from 30 March 1981. The route however was kept intact by British Rail, with occasional freight trains, and in 2002 a single track was relaid to allow rail access to Royal Portbury Dock", so I suppose even the single line we see here is newish.
Adjacent to the station was the New Inn, Rownham, which you can see a bit of in this photo from the Tarring Collection on KYP (or in this Tweet.
People will know the station site as the place where the local police's mounted and dog sections had their headquarters/stables/kennels, though they moved out a couple of years ago, I think.
Although the line is scheduled to return to passenger service as part of MetroWest, the nearest station will still be Temple Meads, so even though there may be passenger trains heading out to Pill and Portishead through here, ten minutes' walk from my house, I'd have to get all the way into town to come back out again, so it would probably be quicker for me to drive. Shame.
At the other end of the Clifton Bridge Railway Station is a little road bridge that I've crossed many times. It's nice to see, under the inevitable tagging, that it's called Clifton Bridge Overbridge, so the name of the old station does live on a little in reality, at least for Network Rail.
(The footbridge from earlier is called Rownham Hill Bridge on its little placard.)
There's a line of horse chestnuts between Ashton Avenue Bridge and Clifton Bridge Station, all of which seemed to be producing some excellent conkers this year.
30 Aug 2021
Lisa and I went for a longish walk, but I didn't take many photos. Mostly we just wandered and nattered. Unusually, my target was outside my 1-mile radius on Burlington Road in Redland, where I snapped quite a few photos of the collection of artistic animals by Julian Warren. This was mostly to provide a fairly arbitrary destination for a roundabout walk in Clifton...
From an Avon Gorge Geology Excursion Guide I dug up:
Just south of the Observatory, on the right of the path is a children’s playground [ST 5667 7325] in the remains of a limestone quarry. In the back wall is a bricked-up adit, presumably representing the entrance to a former iron ore or lead mine (Fig. 10C). The roof of the adit is fissured and sparry, crystalline calcite can be seen in fissures.
The playground itself is in one of the the quarries used for the Suspension Bridge materials.
One of our mutual friends had mentioned that there was a house on Burlington Road with metalwork animals in the garden around here somewhere. It took us a while to find, but find it we did.
The artist is Julian Warren.
08 Aug 2021
This was a wide-ranging wander. I started off crossing the river to Bedminster, to walk a single little cul-de-sac, Hardy Avenue, that I'd managed to miss on at least one previous walk. Then, pausing only to explore a few back alleyways, I headed for a few destinations related mostly by the Hughes family, who I've been researching a little as part of background for a possible novel, as several of them were involved in the Stella Matutina.
However, mostly it's the artistic side of the family I wanted to explore today, as that's where most of their public history lies (as you might expect, there's often not much in the public record about the workings of an occult organisation.) First I visited College Green, where the façade of the Catch 22 Fish & Chip shop still bears the work of Catherine Edith Hughes. Then I wandered up to the top of Park Street to pop into the Clifton Arts Club's annual exhibition, as Catherine, her half-brother Donald, his wife Hope and at least two other Hugheses were members. Donald was chairman for 40 solid years; Hope was Secretary for eight, and Ellard and Margaret Hughes, two more Hughes siblings, were members along with Catherine.
Finally I walked home with a small diversion to Berkeley Square, to confirm the location of Donald Hughes's house by checking for a particular plaque by the front door.
I must admit I'm not entirely sure where all this research is really leading me, but I'm finding it quite interesting to bump across the faint lines of history that link the Hermetic Order of the Golden Dawn, founded in 1888, to modern, quotidian Bristol.
A little remnant of the Avon's history, I assume, gently rusting away on the bank by Cumberland Road
31 Jul 2021
At the end of July I went to have a look around some of the private gardens opened up by the annual Green Squares and Secret Gardens event. Sadly it was compressed into a single day this year, for various Covid-related reasons, it seems, so I didn't get to poke around too many places. I went to:
And snapped a few things in between, too. It was a lovely day—a bit too hot, if anything—and it was interesting to get into a few places I'd only ever seen from the outside, especially The Paragon and Cornwallis gardens, which are the least visible to passing strangers of all of them.
17 Apr 2021
I went rather outside my area today, as I went to pick something up from the Warhammer shop on Wine Street (Games Workshop as-was, and before that I think perhaps a rare retail outlet for Her Majesty's Stationery Office? I may be mis-remembering...) Anyway, a friend of mine wanted something picking up and posting to him, so I figured I'd knock some streets off my list along the way.
I first headed for the St George's Road area, walking down the narrow Brandon Steps and finding some strange wall art on Brandon Steep, then headed to the Old City via Zed Alley. The Warhammer shop visit was friendly and efficient, and, mission accomplished, I treated myself to a sausage roll and a flat white from Spicer + Cole, to take away and eat in Queen Square with its current decoration of hearts. I finished off with a detour up Park Street, looking out for St John's Conduit markers, before finally crossing Brandon Hill on the way home.
Quite a long wander, all told, and I'm a bit knackered today...
...it's nesting season. Coal tit, I think, though I'm more of a word-botcher than an ornithologist.
19 Aug 2023
It's been a long while since I did one of these walks.
I'm thinking of finishing up the project by walking one or two last bits of road, thus being able to declare with all honesty that I've done my best to walk every public road within my mile (and quite a few alleyways besides.) As a prelude, and just because I felt like it, I decided to drag out the camera and GPS on this little wander to the local shops.
I did take a couple of other pictures of zigs and zags in the Zig Zag, but they didn't turn out too well; possibly my hands were shaking too much from the exertion of climbing this violently steep old track.
From near the top of the Zig Zag you can look down a couple of levels and see how vertiginous it is.
05 Dec 2020
Back to Cliftonwood for a wander that included some of the belle views of Bellevue Crescent and other bits of the easternmost part. Highlights included watching someone bump-starting an elderly Nissan Micra in the narrow confines of Bellevue Crescent.
03 Dec 2020
I love the isolation of Cliftonwood -- the geography of it, with its solid boundary of Clifton Vale to the west and Jacob's Wells Road to the east mean that you tend not to be in Cliftonwood unless you've got a reason to be there. It's not a cut-through to anywhere, at least not from side-to-side, and you can only really exit to the south on foot.
I sense that I'd be happy living in Cliftonwood -- like my bit of Hotwells, it's a quiet little area with a sort of quirky feel to it. Plus it contributes the colourful houses that are the backdrop of about half of all Bristol postcards ever made :)
I found the "secret" garden especially interesting, just for the fact that it really does feel quite secret, despite the obvious name on the gate. I've lived a half-mile from it for twenty years and I don't think I've ever noticed it before, despite exploring the area a few times.
From the Independent obit, March 1999:
PETER WARE was one of the West Country's most eminent architects. He was a leading member of the generation of conservationists who acted in time to save the region's historic building stock in the Sixties and Seventies, and a versatile designer too of modern edifices.
...
Among his less prominent jobs was the transformation of the threatened 18th-century Hope Chapel in Hotwells into a flourishing community centre. One of its most successful activities became an annual pantomime. Ware, in Edwardian bathing costume or silly hat, dancing the tango with a dummy or being fired from a mock cannon, was a staple of the cast. He greatly enjoyed a bit of clowning and a good laugh.
Until he and his wife Marie moved out of Hotwells in 1996, to be nearer to their horses and woodland, Ware remained a faithful participant in the minutiae of neighbourhood affairs, chairing the Dowry Square Garden Committee, and was always on hand with technical advice on houses, keenly interested in local planning matters.
02 Dec 2020
This may be the very first time I've gone for a One Mile Matt wander and not actually gone down any new roads, trod any new steps. I just wanted a coffee, frankly, so I went the same old way to Imagine That in the marina and back again.
I think someone lost their hair extension. Or this is the resting place of a My Little Pony that's been buried arse-up.