13 Jul 2021
A snappy little trip up the Zig Zag to the shops. It's a steep old route, the Zig Zag, going from just over river level to about the height of the suspension bridge (101 metres) in a compact switchback of a footpath.
I was too busy struggling to breathe to take many snaps of the actual Zig Zag (I've been trying to make it up all the way without stopping the last few times, but I've not quite managed it yet). I did at least take a few snaps either side on this quick lunchtime jaunt to fetch coffee (Coffee #1) and a sarnie (Parsons) from Clifton Village...
When climbing the Zig Zag it's helpful only to focus on where you are, rather than how far you've got left to go.
Apparently one of the reasons that collections are being missed (this lot's been on Albermarle Row for nearly a fortnight) is a shortage of drivers. There's a general HGV driver shortage at the moment, as well as a backlog of testing for new drivers.
14 Jul 2021
As it turned out, I didn't manage to get a coffee on my lunchtime coffee trip, as Imagine That were briefly shut down by a Covid-19 exposure notification (false alarm, it seems.) On the plus side, my trip was made worthwhile by spotting a couple of people from the University of Bath Mechanical Engineering Department testing an autonomous body-finding catamaran, which isn't a phrase I was ever expecting to write...
17 Jul 2021
Okay, not much in the way of actual pasture to be had in Bedminster these days, like most of Bristol, but I did take advantage of the current rather toasty weather in Bristol to go and sit under a tree in Greville Smyth Park to read a book for a while before firing up the GPS and taking a little detour around some back streets of Ashton and Bedminster rather than going straight to Coffee #1 for an espresso frappé. This is the first walk in a while where I've actually crossed off an entire new street (the frankly unexciting Carrington Road) as well as exploring a couple of back alleys, just because they were there, really. Along the way I spotted a few examples of graffiti of various qualities, including a live work-in-progress by SNUB23 on Ashton Road and the finished Six Sisters project on North Street.
I think I'm right in saying that that's snub_23 popping up a new piece, but I'm only really basing that off some quick Instagram research and some assumptions; I'm not exactly plugged into the Bristol graff scene and I didn't want to interrupt the conversation.
In my defence, this little alleyway/service road looked more like a road on the map. Still, seeing as I'm here...
They've not made much progress on repairing the Chocolate Path, sadly, but it seems they've at least got a budget and a green light now.
The entire New Cut only took five years to dig out, but on the other hand they had literally a thousand men on the job and I imagine several of them died. Probably have to be a bit more careful these days.
I can barely stand up from kneeling without falling over on my living room floor; I doubt I'd manage it on a paddleboard.
Some street art in Bristol is a little more primitive. Still, at least it reminded me of Liza "with a Z" Minnelli's collaboration with the Pet Shop Boys... I think she might even have got a smile out of Chris at one point, but the quality of the VT makes it hard to tell.
25 Jul 2021
The far east of the intersection of my one-mile radius and Bedminster, anyway. I was feeling a bit tired this morning, so I motivated myself to get out of the door by imagining one of Mokoko's almond croissants. That got me on my way, and I wandered across to Bedminster, through Greville Smyth Park, along most of the length of North Street (looking out for new Upfest 75-pieces-in-75-days artwork as I went) and then onto some new roads at the far end.
I only wanted to knock a few streets off my "to do" list, but by the time I'd diverted here and there to check out various bits of graffiti and other attractions and come back via the aforementioned purveyors of Bristol's finest croissants, I'd walked 7.4km. Not bad for someone who woke up tired, and at least I've done something with my day. I'm very glad the weather broke (we had tremendous thunderstorms yesterday), even if some of the pictures might've looked better with a blue sky. I was getting fed up with walking around in 29°C heat...
I had no idea this was part of the Monarch's Way, a modern route that tries to trace, as best it can, the path of King Charles II's escape following his defeat by Cromwell in 1651.
08 Aug 2021
This was a wide-ranging wander. I started off crossing the river to Bedminster, to walk a single little cul-de-sac, Hardy Avenue, that I'd managed to miss on at least one previous walk. Then, pausing only to explore a few back alleyways, I headed for a few destinations related mostly by the Hughes family, who I've been researching a little as part of background for a possible novel, as several of them were involved in the Stella Matutina.
However, mostly it's the artistic side of the family I wanted to explore today, as that's where most of their public history lies (as you might expect, there's often not much in the public record about the workings of an occult organisation.) First I visited College Green, where the façade of the Catch 22 Fish & Chip shop still bears the work of Catherine Edith Hughes. Then I wandered up to the top of Park Street to pop into the Clifton Arts Club's annual exhibition, as Catherine, her half-brother Donald, his wife Hope and at least two other Hugheses were members. Donald was chairman for 40 solid years; Hope was Secretary for eight, and Ellard and Margaret Hughes, two more Hughes siblings, were members along with Catherine.
Finally I walked home with a small diversion to Berkeley Square, to confirm the location of Donald Hughes's house by checking for a particular plaque by the front door.
I must admit I'm not entirely sure where all this research is really leading me, but I'm finding it quite interesting to bump across the faint lines of history that link the Hermetic Order of the Golden Dawn, founded in 1888, to modern, quotidian Bristol.
This may be a more interesting view than you'd think at first sight. Whitemead and Winterstoke House, with Southbow House out of sight on the far side, were finished in 1962, as the post-War housing crisis continued. There's a fascinating article in the Bristol Post about them, especially Whitemead House, the block on the left here, which was famously used for external scenes in Only Fools and Horses after filming moved to Bristol, standing in for the fictional Nelson Mandela House in Peckham where the Trotters lived.
My guess is that these rental parking spaces are very popular when there's a match on at Ashton Gate. I could hear the cheering coming from the stadium from my front room in Hotwells over this weekend (I'm writing this on October 3, 2021, as I've got a bit of a photo-processing backlog!) so it seems that biggish matches—either football or Rugby or both—are back on.
A little remnant of the Avon's history, I assume, gently rusting away on the bank by Cumberland Road
30 Aug 2021
Lisa and I went for a longish walk, but I didn't take many photos. Mostly we just wandered and nattered. Unusually, my target was outside my 1-mile radius on Burlington Road in Redland, where I snapped quite a few photos of the collection of artistic animals by Julian Warren. This was mostly to provide a fairly arbitrary destination for a roundabout walk in Clifton...
I don't know enough about fruit trees to know what this was, but I can tell you that the fruit was apple-ish and very sharp indeed.
Unusual to see an espalier on a north-facing wall. This one faces the little car park behind Freeland Place
From an Avon Gorge Geology Excursion Guide I dug up:
Just south of the Observatory, on the right of the path is a children’s playground [ST 5667 7325] in the remains of a limestone quarry. In the back wall is a bricked-up adit, presumably representing the entrance to a former iron ore or lead mine (Fig. 10C). The roof of the adit is fissured and sparry, crystalline calcite can be seen in fissures.
The playground itself is in one of the the quarries used for the Suspension Bridge materials.
Well, I certainly don't remember Park Place having a nice path cut through it before, and it looks pretty new.
I'm no arborist. I have no idea whether the big-arse mushrooms growing from the side here are just plain old benign mushrooms or a symptom of the fungal infection that killed this poor old beech tree.
Local councillor Katy Grant had this to say in a Nextdoor post:
...many sonar and other tests have been carried out to see if felling it could be avoided. Sadly, there has been no way out, and there is a risk that the tree will imminently start to be a danger to passers-by.
So this has been the sad outcome. A three metre monolith will be left behind, as a feature, and a habitat for insects and other creatures. A new beech will be planted alongside during thus winter's planting season. And six other trees will be planted along the edge of the Park Place green slope.
06 Sep 2021
As if to prove that I don't have to go on giant rambles, here's a quick four-photo trip up to Clifton Village for a bit of cake. No new streets, just a tiny slice of life.
24 Sep 2021
A quick lunchtime jaunt to Clifton Village. Along the way I admired the new sign on Hope Chapel and added to my tsundoku collection.
The scaffolding is down and there's a nice new sign (reminiscent of a historical one, I think,but I can't find the photo at the moment because Know Your Place Bristol is down) and you can just see the newly-installed solar panels on the roof behind it.
25 Sep 2021
I needed to pop to the library, as they'd kindly dug a book out of the reserve store at the B Bond warehouse for me and emailed me to let me know it was ready. So, I took a little trip to town, straight down the Hotwell Road, and spent a few hours reading before stretching my legs with a walk to a new cafe in the actual castle (or remnants thereof, anyway) of Castle Park, before heading back home down the other side of the harbour. As well as books and coffee, I bumped into a remote-controlled pirate ship, which isn't something you see every day, even in Bristol.
There are some unexpected links between Triodos Bank and some of the magical stuff I've been researching. I first found out when I checked the upcoming events at the Bristol Theosophical Lodge and saw a director of the bank would be giving a talk there. Apparently the bank is rooted in the ideas of Rudolf Steiner's anthroposophy. The Guardian says:
Its roots (like the UK bank Mercury Provident, which it took over in 1995), are in the anthroposophy movement. This refers to the ideas of the Austrian spiritualist thinker Rudolf Steiner, who died in 1925 and whose interests included education, 'biodynamic' agriculture, eurythmy (movement as art) and therapeutic medicine.
Triodos Bank's statutes committed it to anthroposophical principles until 1999, when this formal link was dropped, and in recent years the bank, under its current head Peter Blom, has embarked on a policy of reaching out beyond Steiner adherents and of broadening its appeal. Nevertheless, Triodos's origins are reflected in the fact that most of the Dutch directors come from within anthroposophy, and it is banker for many Steiner-inspired projects.
I like this little watery installation at Castle Park, so I try to cut through here if it's on my way.
The chambers were apparently once the entrance to the castle's great hall. Historic England has this section of the castle at 13-14th century
I was interested to see it, but a little underwhelmed, if I'm honest. A fairly bland interior and a perfectly adequate flat white—not much "wow" factor.
And towering over one of Bristol's oldest buildings, here's one of Bristol's newest, Castle Park View. Its 26 storeys towering up at 98 metres, it's now Bristol's tallest building, having beaten the 80m Castlemead and St Mary Redcliffe to joint second earlier this year. I'm not sure I'd fancy living in one of the 375 flats, but the view must be nice.
On the site of the old warehouse next to Albion Dock, whose canopy you can see top right. It will, inevitably, be some more posh flats.
There's a deeply disturbing reason that this rabbit has been crossed out, but I've written that up in a later Wander, so you'll have to wait for an upcoming photo in October.
I recently indulged myself by buying a little piece of history. I've mentioned Samuel Loxton and featured and linked to his drawings before, often in the eminently browsable Loxton Collection albums that Bristol Libraries has on Flickr. So when I saw a Loxton drawing of Hotwells pop up on eBay, I decided to get myself a little treat.
I don't think there's any Loxton drawing that features the road I actually live in—it's not very visible from anywhere else, not being one of these Clifton terraces that's perched at the top of a hill, or anything like that, and it's invisible in most views of the area. However, this Loxton drawing, Hotwells, Looking across the river from near the Clifton Bridge station, is probably the closest near-miss I've seen.
I decided to wander out one morning and see if I could reproduce the picture, and also take a photo or two of what's now become of the Clifton Bridge Station, which is still just about discernible in places.
(Then on an even stranger whim I decided to check out a possible little cut-through from Cumberland Road to the harbourside I'd been eyeing up on my commute to work, so walked to Wapping Wharf for a croissant via this potential new route, but that bit's not quite as interesting...)
I'd broadly planned to figure out the vantage point Loxton had used for his drawing by lining up Windsor Terrace with The Paragon, so I started taking bearings fairly early.
There's a frankly disturbing and gruesome reason why this rabbit has been crossed out. I'll tell you why in a few photos time.
Every now and again some speedboat pops under Merchants Road Bridge and does a few quick loops of the Cumberland Basin. I guess that either they're allowed to go fast on the basin or they know they can get away with it...
Site of the Rownham Ferry. Follow the link for a charming Loxton ink drawing on Know Your Place, also viewable at the Bristol Libraries Flickr collection.
This was a later site for the ferry, which earlier was a tad further out along the river. It would have been a key crossing point at this end of Bristol before the arrival of any bridges near here. Before the Ashton Swing Bridge and the Vauxhall footbridge arrived, the next-nearest crossing point would have been the Vauxhall ferry, which was where Vauxhaull Bridge stands now, I think.
Okay, so here's the reason that the earlier rabbit had a big red cross through him, and that this one has been painted out. Bristol's graffiti community is currently trying to erase these rabbits after a terrible revelation about the man who had been painting them.
Here's the Bristol Post, on Damian Lasota, aka "Eldey" or "FollowMyRabbits":
A pervert with a penchant for grannies tried to rape one elderly woman in her home and sexually targeted another.
Damian Lasota was described by a judge as the "stuff of nightmares" after preying on the two lone females in Twerton, Bath.
His campaign of terror was halted after police installed CCTV at the women's homes and he was caught in action and arrested.
Lasota, 27, of Parry Close in Southdown, Bath, pleaded guilty to attempted rape, two charges of trespass with intent to commit a sex offence and two charges of exposure.
He appeared in the dock at Bristol Crown Court with a grey jumper draped over his head.
Judge Julian Lambert handed him a 20-year sentence, comprising of a 13-and-a-half year jail term and six-and-a-half years extended licence.
So, that's pretty damn terrifying, and also the reason why there won't be any more rabbits in Bristol. There's a little more info in this Somerset Live article.
After carefully skirting the edges of the homeless people's camp that I accidentally found skirting the edges of the tall grass between the allotments and here, I came across my first destination: the footbridge from Clifton Bridge railway station. This is apparently the actual station footbridge, still in service for crossing the lines.
Many people in Bristol will know this as one of the chief ways people from this end of town used to get to Ashton Court, especially for the music festival or the balloon fiesta, before the shiny new Festival Way footpath was installed a decade or two back.
I've been across it before on my wanders, but I didn't know then that it was a remnant of a railway station, rather than just a standalone bridge.