Tagged: window
I managed to go for a wander a while ago that was meant to finish off a little tangle of paths in Leigh Woods, or at the very least finish off my wandering of the Purple Path there. And I managed to miss doing either of those things through some kind of navigational incompetence.
Today I woke up with a bit of a headache, feeling a bit knackered as soon as I dragged myself out of bed, but at least with the energy to realise that I'd be better off (a) going for a walk in what looked likely to be the last of the Jubilee weekend sunshine than (b) moping around the flat until it started raining, at which point I could mope more thoroughly.
I had a look at my map, considered going to Ashton Court, but remembered that there was a music festival there today, and instead found these little leftovers of Leigh Woods and decided to have one more try at walking them.
While my main target is Leigh Woods, I do also want to nip into Ashton Court and walk a little path I missed last time I was in the field with the little steam railway in it, so to the gatehouse we cross...
There was actually a gatekeeper today, as it's the weekend of the Love Saves the Day festival, being held at Ashton Court for the first time this year, I think. Happily, as long as you just want to walk a stretch of the grounds away from the festival site, they just wave you in. I wanted to walk a footpath behind the railway track I walked past back in...gosh! November 2020. I've been doing this a while, haven't I?
Having started in the woods, this is the first hint of the Jubilee celebrations I've seen, on the alpine chalet-style house near the Suspension Bridge.
The Mall was pleasantly decked out with bunting and there was live music, but sadly I got there just as the skiffle band were finishing the last song of their set. Plus I was knackered by this stage—in the end my walk lasted three hours, and I'd walked 10k by the time I got here—so I decided just to get a quick take-away from Coffee #1 (awful Coronation Chicken sandwich, sadly, will probably never try food there again) and head home, so this is my last snap of the wander.
(I timed it well, as the rain started not long after, and right now at half past five in the afternoon while I'm editing these photos it's coming down a storm. A very typical Bank Holiday in England!)
Another day not dissimilar to my last wander: I'm feeling a bit tired and rather than just moping around the house I thought I'd find some tiny bit of somewhere that I'd not yet walked and get outdoors. This time I headed for the Tobacco Factory Market in Bedminster, as I often do, but went the long way around via Ashton Court Mansion as I knew there were some footpaths and a small section of road I'd not ticked off up there. Finishing all the Ashton Court footpaths will be quite a long job, but you've got to start somewhere...
I did feel rather better by the time I got home, and, pretty much astoundingly given the weather forecast, managed to avoid the rain completely.
First hint of Jubilee-related decorations on this rather odd balcony at the bottom of Granby Hill. The other decoration on this building is a peeing "KEEP YOU JOB KEEP THE POUND" sticker in the next window along that looks like it dates from the 1990s.
For looks, I prefer the side with the mullioned windows, but neither of them seems that satisfactory to me, architecturally-speaking. It's all a bit mis-matched and asymmetrical, with very odd spacing here and there.
Pre-Upfest, as recently as April, Pikto's boy with the catapult still adorned the side of the Coopers Arms.
Not quite sure what to make of the replacement. It's much lower-contrast and less eye-catching, for me. Also, I'm so out of touch I have no idea if that's an original character or some famous pop-cuture reference.
Ahh, according to Natural Adventures it's "what looks like a Vaughn Bode Lizard, an Iconic character in the world of street art", and it's by an artist called Derm. I'd never heard of Vaughn Bodē or his Cheech Wizard and lizard apprentice, so it's not surprising this piece is going over my head. Probably more one for the real aficionados to appreciate.
The technique that Ant Carver used for this piece, called "Love Me/Love Not", is intriguing. I recommend reading the write-up on the always-informative Natural Adventures.
I've been pretty awful at reading so far this year, apparently averaging about one book per month. That's a far cry from 2019, say, where I got through 41 books in the year. Today's wander was prompted by my rubbish reading, as I needed to go hand back some books to the library, because I'd managed to renew them so many times that I hit the limit on renewals. Oops. Several of them were still unread.
So, off to the Central Library for me, tail between my legs. On the way there I did my best to recreate a historical photo of Dowry Square; while I was in the area I walked under the adjacent Norman arch and poked around behind the Cathedral, and I also had a little diversion to the city centre and came back along the south side of the river, hitting some trouble with the lock gates as I finally crossed the harbour back towards home.
I don't know anything about this photo, really; I saw it pop up on eBay in one of my automated searches for "Hotwells" and this nice, open view of Dowry Square, which is a lot more overgrown these days, made me click that "buy" button. This is a print from a negative in a private collection but more that that I can't really tell you. The "Hepworth" could be Watler Hepworth, as it seems there was a Bristol photographer of that name in about the right period, which I"m guessing to be sometime between the First and Second World Wars. The tram rails and electrical lines are still in place, as you can see.
One nice detail is the Bass signs in the windows of what was clearly still back then the York Hotel on the corner of the square. There's some pictures of what I've been assuming is the main bar entrance that faces onto the main road and remains quite well-preserved in a moment...
The same view these days is a lot less romantic, especially with the temporary crate from some roadworks sitting at the corner of the square.
I don't blame anyone who lives this close to the Hotwell Road (and can't get double glazing fitted because it wouldn't be in keeping with the character) for wanting a lot of trees and bushes in between them and the roar of the traffic, but I think it's objectively a lot less appealing to the eye with so much shrubbery in the way. Probably good for the local wildlife, though.
It's less obstructive in winter, as you can see from this earlier photo taken from the back of the square looking back toward me.
Samuel Taylor Coleridge and Robert Southey both spent time in the garden of the square, apparently—I wonder what they'd make of it today?
Off to the side of the photo we've just seen is the pub frontage on the Hotwell Road, apparently a later addition. The listing says
The right-hand return has a late C19 ashlar public house front with 5 panelled pilasters and foliate capitals to left-hand and central doorways, 2 windows with tripartite frames and semicircular-arched panes below, panelled aprons and dentil cornice.
Nowadays known as York House, and apparently offices, this was originally built by George Tully, like a lot of the rest of the square.
According to this Heritage Statement about No. 10 by Mark Hines Architects he started building in 1723, imagining accommodation houses for Hotwells visitors, but later built this large hotel and other buildings like the Clifton Dispensary at No 12 as the spa became more popular and the square evolved into a centre of medicine. I'm a little confused by that claim as the York Hotel went up c. 1780, according to the listing, when Tully had been dead for ten years, but perhaps it means he planned it before he died.
And now we've teleported down the Hotwell Road to College Green, where I found that the library wasn't open yet (I'd forgotten they didn't open until 1pm on a Sunday) so carried on past it and turned through an old Norman archway.
This was a section I wanted to walk, as although I have actually wandered through the arch and pottered around this bit of Bristol before, I think that was one of the days my GPS battery died halfway through a walk, so I never posted any records of it. Here I can redress the issue. We've seen the other side of this grand bit of architecture before, and the next photo has the information plaque which will tell you more about it more concisely than I could.
One fact that isn't on the plaque is that Catherine Hughes, the local artist who made the pomegranates for the front of the Cabot Cafe, had her studio in one of the upper rooms for a time. I presume this was wangled by her father, a local estate agent who was heavily involved in the whole College Green area. From the Clifton and Redland Free Press, 18 April 1900:
Comparatively few people are aware that the interesting structure known as the Abbey Gate House, College Green, the fifteenth century building above the fine old Norman archway, is now given over to the fine arts. It is the studio of Miss Catherine Hughes, and a private view of a charming exhibition of water colour drawings, by that young lady and Miss Ludlow, both local limners, was held last week, when a large number of ladies and gentlemen accepted the invitation to inspect the works, among the company being some local artists. Miss Hughes and Miss Ludlow studied under Ludovici in London, and are now following their profession in Bristol
The Bristol Cathedral School has seen some controversy over the years, especially after it was given permission in 2013 for the Primary School to take over some of the Central Library. They turfed out some of the archives, which is presumably why I need to wait a week when I order an old book from the library, as someone now has to hoof it down to the B Bond warehouse to fetch it for me, rather than just downstairs.
Founded in 1140, dissolved and then re-founded by Henry VIII in 1542 after he dissolved the monastery, it's only very recently become a City Academy. It is allegedly non-selective these days, but my guess would be that its pupils' parents are significantly posher and richer than others in the local catchment area.
I'm in the habit of going over to the Tobacco Factory Market on a Sunday. I think I've walked all the routes around that way, but as a Plimsoll Bridge swing let me cross the road to the far side of Brunel Way on my return journey and I took a couple of photos of the brownfield development at the old Ashton Gate Depot site I thought I'd call it a Wander and pop some photos up.
The Clean Air Zone is being introduced later this year (currently they say 28 November 2022, but I think it's already been delayed twice.)
The scheme will see charges instituted for certain vehicles entering parts of the city, especially older diesel cars. This is to encourage people to change these older cars or find alternative routes or modes of transport. Apparently there are grants and loans available for upgrades on offer to private citizens and businesses.
This should only have positive effects for me, as I live just inside the zone, and I drive a recentish petrol car with an efficient and not-so-pollutey engine. In a perfect world, therefore, this scheme means my area might eventually start meeting the government's standards for air quality. This Bristol 24/7 article has some good info, including an estimate that there are currently 300 premature deaths per year from traffic-related air pollution in the proposed Bristol zone.
The street art is still looking good, but one of these properties has been turned into such low-end multiple-occupancy accommodation that it got into the Bristol Post this week with pictures of one tiny room with a shower alongside the bed serving as the sole room per person, with a toilet shared between four "studio rooms". I suppose this is actually better than the student accommodation I had in my first year at Warwick, but at least that was actually on campus...
One of the things I like about Bristol is the strange contrasts. Here we have two crow's nests. The first is the Cumberland Basin Flyover System's Plimsoll Bridge control room, used to give the swing bridge operator a good view of the whole area surrounding the bridge. The second is the reason for the swing, the crow's nest on the tall mast of the replica of John Cabot's Matthew, as it passes through into Entrance Lock.
Well, technically that's Freeland Place, I suppose, but I was standing on Granby Hill to take the photo. I wonder how many photos of this fab house with its wrapping of Boston ivy I've taken over the years? I find it hard to resist on a nice clear day, especially if there aren't any cars parked on the hill and the ivy is in full effect.
It's been a long while since I did one of these walks.
I'm thinking of finishing up the project by walking one or two last bits of road, thus being able to declare with all honesty that I've done my best to walk every public road within my mile (and quite a few alleyways besides.) As a prelude, and just because I felt like it, I decided to drag out the camera and GPS on this little wander to the local shops.
I may not personally be a fan of evangelical Christianity, but at least they keep the place looking nice. It's still very tidy since the recent renovation, installaltion of solar panels on the roof and repainting of the HOPE CHAPEL sign.
I was concerned about the state of Rock House, or at least its southern half, the last time I took a closer look at it while passing. Happily it seems to have been bought by someone prepared to fix up that drooping balcony. Here's hoping these repairs continue and my next photo of the place shows both sides of this old house (dated back to at least 1731 by a William Halfpenny engraving, no matter what the Listing says.)
Just behind Rock House you can see a bit of the Colonnade, sawn off at the end to make room for the widened Hotwell Road, I believe. Back in the day, according to 1925's The Bristol guide; being a complete ancient and modern history of the city of Bristol, the Hotwells and Clifton:
For those who prefer exercise to silting, there is the Colonade with shops, built beneath the rocks, and a parade about
800 feet long, shaded with trees, by the side of the river, so that the company may enjoy a dry and pleasant walk when it rains, or an airy, cool, and shady walk in the warmest season: also during the influx and efflux of the river, they may be entertained with the sight of the Merchant's ships, Steam packets, and Coasting vessels that generally pass up or down.
A random reminder of a TV show of my youth: Londo Mollari, the Centauri Ambassador to Babylon 5. Spotted in the window of the Oxfam shop on Victoria Street after I grabbed a coffee from Foliage Cafe.
An enormous walk today, or at least it felt enormous. My feet are sore, anyway. I started off recreating a couple of local historical photos in Hotwells, but then headed for my traditional walk along the towpath in the Avon Gorge to the far extreme of Leigh Woods, up and through the woods to the height of the Suspension Bridge, finally crossing into Clifton Village for a well-deserved vanilla latte.
I say "traditional" because this used to be a very regular route for me, first walking, years and years ago, and later jogging—this route combined with a circuit of the Downs on the other side used to be my way of making sure I was fit to do a half-marathon (I did six of them in total, between 2010 and 2014).
I miss the routine of this walk, even though it's a long way and it used to pretty much wipe me out when I did it—I'd come back home and collapse and do very little for the rest of the day. But perhaps that's what Sundays are for, and I should try to remember that.
Doing this walk regularly was quite a meditative experience. Not so much of that today, but once I got to the further extreme of the towpath, where the roar of the Portway traffic on the other side of the river dwindles and I turned into Leigh Woods to climb ever closer to birdsong and further from rushing cars, I did seem to recapture a little of the feeling of previous walks. (I would say my mind cleared, but I was mentally singing along to Life Without Buildings' The Leanover for most of the wander. There are worse songs to have stuck in one's head, though; it's a great track...)
Anyway. Apparently the walk made me more likely to ramble in words, too. I'll stop now :)
"Untitled. handwritten note on reverse 'Merchants Arms, Merchants Road, Hotwells. Licencee 1912 Mrs Florence Norris (over right hand door)'"
Sadly closed for lockdown at the moment, of course. Hopefully they'll weather the storm, because it's a great little pub and it's been there since at least 1847.
I'm not sure what the cross-beam over the top with the height restriction on is called, but I much prefer the original one. Although the bridge is very utilitarian in looks, anyway.
I love the terracing between the back of Rock House/the Colonnade and the heights of Clifton
