Tagged: art
I'm afraid that this is a bit of a badly-curated wander, where I mostly just popped out to find out a little of the history of Underfall Yard and poke around the various open workshops, and, in hindsight, really didn't take pictures in any kind of coherent order. So there's a lot of pictures, but they don't really tell the story that, in hindsight, I seem to have been trying to tell, of the unusual electrical substation in Avon Crescent, the Bristol Electricity that predates the National Grid but is still in use, the history of the hydraulic power house... It's a bit of a mess.
But I suppose sometimes these wanders—always chronologically presented in the order I walked and took photos—simply will sometimes be a bit of a mess. Let's hope you still get something out of it, anyway...
You can tell the pumps use some fairly hefty electric just from the size of those top cables.
This building is, or was, an electrical substation. I heard an unconfirmed rumour that the building itself is now actually empty, and that the entire substation guts are now in these boxes. I have no idea whether that's true or not.
And here's the Loxton picture of the exterior, from the Bristol Libraries collection. Seems such a shame to have bricked up those lovely windows.
A little electrical detail on the Power House. Apparently it's not worked for some years, sadly.
I recently indulged myself by buying a little piece of history. I've mentioned Samuel Loxton and featured and linked to his drawings before, often in the eminently browsable Loxton Collection albums that Bristol Libraries has on Flickr. So when I saw a Loxton drawing of Hotwells pop up on eBay, I decided to get myself a little treat.
I don't think there's any Loxton drawing that features the road I actually live in—it's not very visible from anywhere else, not being one of these Clifton terraces that's perched at the top of a hill, or anything like that, and it's invisible in most views of the area. However, this Loxton drawing, Hotwells, Looking across the river from near the Clifton Bridge station, is probably the closest near-miss I've seen.
I decided to wander out one morning and see if I could reproduce the picture, and also take a photo or two of what's now become of the Clifton Bridge Station, which is still just about discernible in places.
(Then on an even stranger whim I decided to check out a possible little cut-through from Cumberland Road to the harbourside I'd been eyeing up on my commute to work, so walked to Wapping Wharf for a croissant via this potential new route, but that bit's not quite as interesting...)
There's a frankly disturbing and gruesome reason why this rabbit has been crossed out. I'll tell you why in a few photos time.
Okay, so here's the reason that the earlier rabbit had a big red cross through him, and that this one has been painted out. Bristol's graffiti community is currently trying to erase these rabbits after a terrible revelation about the man who had been painting them.
Here's the Bristol Post, on Damian Lasota, aka "Eldey" or "FollowMyRabbits":
A pervert with a penchant for grannies tried to rape one elderly woman in her home and sexually targeted another.
Damian Lasota was described by a judge as the "stuff of nightmares" after preying on the two lone females in Twerton, Bath.
His campaign of terror was halted after police installed CCTV at the women's homes and he was caught in action and arrested.
Lasota, 27, of Parry Close in Southdown, Bath, pleaded guilty to attempted rape, two charges of trespass with intent to commit a sex offence and two charges of exposure.
He appeared in the dock at Bristol Crown Court with a grey jumper draped over his head.
Judge Julian Lambert handed him a 20-year sentence, comprising of a 13-and-a-half year jail term and six-and-a-half years extended licence.
So, that's pretty damn terrifying, and also the reason why there won't be any more rabbits in Bristol. There's a little more info in this Somerset Live article.
Here's a photo of the entire original Samuel Loxton ink drawing, including the title, Hotwells, Looking across the river from near the Clifton Bridge station.
I bought this from eBay on something of a whim. I have no provenance for it, and the listing mentioned it was "circa 1910". It certainly seems to be (a) original, and (b) by Loxton. The very faded pencil below the picture seems to be very in keeping with Loxton's work: there are instructions for reducing the picture for print use, and I think a mention of the Bristol Observer, where Loxton's pictures were regularly published. It's very hard to make out the writing, though.
Well, they may have a point. This is Vauxhall Bridge, previously the site of Vauxhall Ferry. People seem to guess it must have had some connection with Bristol's Vauxhall Pleasure Gardens, but that seems unlikely to me, given that they were not long-lived and closed down before the New Cut was dug, so they woudln't have needed a ferry here...
A Long Wander Of Miscellany and Magick
08 Aug 2021
This was a wide-ranging wander. I started off crossing the river to Bedminster, to walk a single little cul-de-sac, Hardy Avenue, that I'd managed to miss on at least one previous walk. Then, pausing only to explore a few back alleyways, I headed for a few destinations related mostly by the Hughes family, who I've been researching a little as part of background for a possible novel, as several of them were involved in the Stella Matutina.
However, mostly it's the artistic side of the family I wanted to explore today, as that's where most of their public history lies (as you might expect, there's often not much in the public record about the workings of an occult organisation.) First I visited College Green, where the façade of the Catch 22 Fish & Chip shop still bears the work of Catherine Edith Hughes. Then I wandered up to the top of Park Street to pop into the Clifton Arts Club's annual exhibition, as Catherine, her half-brother Donald, his wife Hope and at least two other Hugheses were members. Donald was chairman for 40 solid years; Hope was Secretary for eight, and Ellard and Margaret Hughes, two more Hughes siblings, were members along with Catherine.
Finally I walked home with a small diversion to Berkeley Square, to confirm the location of Donald Hughes's house by checking for a particular plaque by the front door.
I must admit I'm not entirely sure where all this research is really leading me, but I'm finding it quite interesting to bump across the faint lines of history that link the Hermetic Order of the Golden Dawn, founded in 1888, to modern, quotidian Bristol.
Back past the RWA again, on our way to Berkeley Square. I'll see if I can get another snap once all the hoardings are down.
The logo tells me that this is related to Pigsty, the pig-related food place on the end of Cargo 1. And apparently I'm right—this is The Jolly Hog HQ, and The Jolly Hog—butchers, and sausage specialists—own and run the Pigsty. I hadn't realised that they were such a big business.
Must've taken some time to put together. And done with some skill, to still look so good nearly 120 years later.
City Museum and Art Gallery. Though when it was donated by Henry Wills (you can just see The Gift of... in the inscription) it was just The Bristol City Art Gallery.
There really was a lot. I didn't like to snap inside, but I thought one shot would give a flavour. There was a lot of good stuff. I shall be going back next year.
Mirror Maze
10 Jan 2021
Went for a wander with my friend Lisa—the current lockdown rules seem to be that one local walk for exercise per day with a maximum of one person not in one's "bubble" is fine—up to the University of Bristol area right at the edge of my one-mile perimeter to see the Jeppe Hein Mirror Maze, among other things. On the way we mused about Merchant Venturers, the slave and tobacco trades, and dating in the time of Covid.
You'd be forgiven for thinking this was a Banksy if you were to Google it, but everyone in Bristol knows that as soon as someone so much as lifts a can to a wall it seems to generate endless bollocks "news" articles like IS THIS A NEW BANKSY!?!!??!?!? and the answer usually follows Betteridge's law. This one's by JPS.
We were looking for Royal Fort Gardens, and I'd assumed that the giant fort-like building was actually the Royal Fort. Actually, what stands on the former site of the Royal Fort is Royal Fort House, a slightly more modest building. This is the Physics building, doing its best to impart some gravity to the local area.
The thing I came here to see was disappointingly small, frankly, but the effect of walking through it was pretty interesting.
Mokoko
26 Oct 2020
A dash around the harbourside to see if I can get to Mokoko and back in my lunch hour.
This was my first wander and I was still getting the hang of the technology. I managed to record only part of the way back on my GPS, by the looks of it, so I've had to bodge things a bit to pick up the photos, which is why there are photos in places the track doesn't reach!
I also need to fix a few technical things including managing my photo timezones more carefully. This wander was the day after the clocks went back for winter, and I think my camera may still have been in BST, which may not have helped me tie things up. Need to do a bit of research into how my cameras, Lightroom and the code I'm writing on this website handle BST and GMT, but at least I have until the last Sunday in March before things get urgent, I think...
Greville Smyth
28 Oct 2020
Popped out for a coffee in Greville Smyth park, and got a view of the Andy Council work on the side of the Ashton Avenue sewage pumping station on the way back.
Bedminster
31 Oct 2020
Starting up close in Hotwells with a few bits around the Cumberland Basin flyover system, I walked to Bedminster and back on Hallowe'en, including finding some excellent decoration work.
Not many people want to get from one side to the other here, and those that do normally just cross the road; it's normally fairly quiet.
I like the way I can sometimes make something that seems pretty out of the less-attractive bits of the Cumberland Road Flyover System
Local
03 Nov 2020
A very local exploration today, but there are still bits of the near field that I never need to walk down, so it didn't take me long to find somewhere I haven't been in a decade or more, the little enclave of smaller Victorian houses around Oldfield Road and Sandford Road. I'd really like to live in one of those houses, but I doubt I could afford it.
Morning Mist
05 Nov 2020
I spotted the fog and decided to go for a morning walk rather than a lunchtime walk today. It was cold on the Portway, but it was worth it. Most of my One Mile Matt photos are "record shots", but it's nice to get the chance to do something a bit more artistic.
Little Clifton Village Details
09 Nov 2020
I like The Paragon as a terrace, especially the bowed porches. On the other side of the road, a house attic has a stone lion surrounded by rocaille leaves, according to its listing.
I also love the detail of the arrows in the wrought iron of The Mall's balconies. Today I discovered Westfield place, a road I'd never encountered that runs up to the rear of the Coronation Tap. (It's a famous local cider pub, but I've only been in a couple of times. I'm more of a beer man.)
Number 16 The Paragon lies on the other side of the street from the main terrace. It's grade II listed and has "a raised shield to the attic with a lion surrounded by rocaille leaves".
I was particularly intrigued by "MARIA EDGEWORTH his aunt visited here". It's this Maria Edgeworth, a prolific writer, apparently. "She was the second child of Richard Lovell Edgeworth (who eventually fathered 22 children by four wives)", so I imagine Thomas Beddoes had quite a few aunts...