01 Jan 2022
I picked a fairly arbitrary reason for a wander today. Really, I just wanted to do a New Year's Day wander just to get out of the house and to set a precedent for the year to come.
My ostensible reason was to investigate what looked like a road on my map that quartered the lawn in front of the Ashton Court mansion. As it turned out, this is just a muddy footpath/desire line similar to a half-dozen other tracks nearby, and must be some kind of bug or misclassification with the mapping system I'm using, but that's not important. What's important is that I went for a little walk on the first day of the year. As a bonus, I did happen to wander down a couple of sections of new footpath, so technically I broke some new ground too, which is nice.
It didn't take long for someone to scrawl the sentiments of the season on a bus shelter.
This sounded like a fragment of poetry to me. All Of Ending Bicycles, perhaps a work by Keats?
It's quite a dramatic sign, colour wise. Given that it seems to be written in Sharpie on the lid of an old tub and drawing pinned to the post I imagine it's a temporary measure :D
11 Dec 2021
I woke up on this Saturday with a headache, feeling like I'd not slept at all. As well as that, I'm still in some pain from the wisdom tooth extraction I had a few weeks ago. I moped about the flat for a while and then decided that the best thing to do was to force myself out on at least a small walk to get some fresh air and coffee.
Was there anywhere I could walk locally that I'd never been? Actually, yes! Although it's not a road, and I didn't walk it, there is actually one route that I've not travelled so far in my wanders. And it even had coffee near its far end...
I love the way Spoke & Stringer's deli window with it predictably-hipster type choices and logo are somewhat put into perspective by their wonky big-arse OSB sign with PASTIES daubed on it.
There is a time for fancy marketing, and a time to just shout "GET YER PASTIES 'ERE" at the top of your signage.
31 Oct 2021
There were only a few streets left to wander in the more residential bit of Bedminster, so I thought I should target those today. The streets themselves weren't that notable, though Balfour Road has a contrasting mix of old and new housing. I tried to snap a few more interesting things along the way there and back, snapping all three of the familiar bond warehouses, nipping onto North Street to find some new street art, and finding a few pumpkins for good measure. It is hallowe'en, after all...
It's a much sought-after caravan park. In fact I passed a caravan trying to get to it on the way home down Avon Crescent, where—because of the temporary road closure on Cumberland Road—you often at the moment see arguing couples trying to reverse a caravan out of the no-through-way street to try to find the diversion they should have been using in the first place. It must be quite entertaining for the whole terrace.
17 Oct 2021
For the first time in a while, I had the time and energy to go further afield and knock off some new roads from my "to do" list. I headed through the first Hotwells Festival to Ashton and Bedminster to cross off a few of the suburban roads south of North Street.
First, though, I decided to try to reproduce an old photo of the now-demolished Rownham Hotel just around the corner from where I live...
And I was right, the alleyway didn't really lead anywhere apart from people's garages and back gates, but at least 99 Smyth Road had a nice decorative number on the garage to look at.
Old house? I think the dwelling of an old man would probably mansus senis, but I was never very good with Latin at the best of times. For all I know it's a highbrow joke on Milton's panegyric to Manso...
I presume a foxcote is like a dovecote, only for foxes. Nice to imagine them all there in their array of little foxholes.
From @maybepaints, purveyor of "cheeky doodles round Bristol." It reminded me of this and by the looks of it that's by the same artist.
Well, presumably I'd be twice as happy, at least. Must tayk sum efurt 2 spell mor than haff ur wurds that badli.
04 Dec 2021
I didn't take many pictures on this quite long wander, partly because Lisa and I wandered across to Bedminster via Bower Ashton, which I've snapped quite a lot of on the last couple of walks, and also because we lost the light fairly quickly, though spending a half-hour drinking mulled wine in the Ashton might have had a little to do with that...
Before we left Hotwells I wanted to visit a door I'd heard about on Cornwallis Crescent and also take a little look at a couple of houses in Dowry Square to consider the 1960s regeneration of Hotwells.
Not the front door we were looking for, but I like the hand-carved digit at 9 Cornwallis Crescent.
I have snapped this section of Cornwallis Crescent before, but apparently only en bloc.
I've snapped this before, but I wanted to give it a bit of context. Peter Ware very much helped to save Dowry Square, as one of a group of "Newcomers" to the Hotwells area in the 1960s and 70s. Hotwells was basically a slum before then, with many of the buildings in a terrible state, including Dowry Square and Hope Square.
As I've recently been reading in Hotwells - Spa to Pantomime, these newcomers took their chances on a very dodgy area and decided to buy and do up a lot of the grand old houses that were almost ruins in some cases.
This early gentrification was important enough that John Boorman, of Excalibur fame made a BBC documentary about it called The Newcomers.)
It was this notice that finally let me figure out that this strip of land was called Ashton Gate Depot and find out a bit more about it.
Speaking of gentrification, I doubt you've have seen an arts & crafts cafe on North Street twenty years go.
Bower Ashton is an interesting little area just south of the river from me—in fact, the Rownham Ferry used to take people over from Hotwells to Bower Ashton, operating from at least the twelfth century to around the 1930s.
It's a strangely contradictory little area, with a cluster of old and new houses sandwiched in between the busy A-roads and significantly more industrial area of Ashton and the bucolic country estate of Ashton court roughly east to west, and also between Somerset and Bristol, north to south.
I've been around here before, mostly poking around Bower Ashton's arguably most well-known bit, the Arts faculty campus of the University of the West of England, but I'd missed at least Parklands Road and Blackmoors Lane, so I initially planned just to nip across briefly and wander down each in turn. On a whim, though, I texted my friends Sarah and Vik in case they were out and about, and ended up diverting to the Tobacco Factory Sunday market first, to grab a quick flat white with them, extending my journey a fair bit.
To start with, though, I nipped to a much more local destination, to see something that you can't actually see at all, the Gridiron...
(I also used this wander as a test of the cameras in my new phone. I finally upgraded after a few years, and the new one has extra, separate wide and telephoto lenses compared to the paltry single lens on my old phone. Gawd. I remember when speed-dial was the latest innovation in phones...)
Image from 1946 Aerial layer of KYP Bristol/English Heritage.
As you can see, it was pretty big, and clearly still in use in 1946...
Funny how the architect's drawings of things rarely have the giant busy road next door in them, innit?
Maybe I'll have to go have a look at the front of these houses; I think I missed them on earlier walks
Got to be Bower Ashton Residents Association, right? No particularly hot gossip, sadly. I'm always on the lookout for some local undercurrents on a community noticeboard.
05 Nov 2021
I did do a much longer wander earlier in the week, but that'll take me some time to process (and cast a plethora of photos into the "out-takes" pile!) In the meantime, here's my lunchtime jaunt, taken to give myself a break from doing the company bookkeeping to send to my accountant so the taxman doesn't sling me in chokey.
I've recently bought a slightly creased secondhand copy of Redcliffe Press's 1992 collection of Samuel Loxton drawings, Loxton's Bristol: The city's Edwardian years in black and white. It's a nice selection of Bristol Library's collection of the drawings. I'd noticed a drawing of 25 Royal York Crescent, a house I pass quite often, so I thought I'd wander up the crescent on the way to pick up some lunch and try to reproduce it.
On the way back I took a few photos of Clifton Hill Bank as the crowdfunder to make quite a lot of it into a wildflower meadow has just hit its target, so I figured some "before" shots might be a good investment for the future...
Loxton drawing from Bristol Library collection via Loxton's Bristol, Redcliffe Press, 1995 ISBN 1 872971 86 5.
09 Oct 2021
I could spend a lot of time at the Docks Heritage Weekend, poking my nose into industrial places along the harbourside that are usually closed off, but throw open their doors once a year to show off a bit of the backstage area of Bristol's floating harbour. In fact, I warn you: the next wander is a long one, and will have quite a few photos.
However, for today's wander, on the Saturday, my friend Lisa needed a shorter walk than our usual long rambles, as she's recovering from an operation and still a little under the weather, so we just wandered into town for some food and back, with me making mental notes of the places I wanted to come back to on the Sunday... We walked through Underfall Yard, along to the L Shed (this is the warehouse next to the M Shed museum, where they still have the kind of fun old industrial stuff that used to be crammed into the M Shed's predecessor, the old Industrial Museum), through the street food market in town to Ahh Toots for cake and then back home. So, still quite a walk, but no hills and not so much of Lisa having to hang around waiting for me to fool around taking photos as usual, at least...
I recently indulged myself by buying a little piece of history. I've mentioned Samuel Loxton and featured and linked to his drawings before, often in the eminently browsable Loxton Collection albums that Bristol Libraries has on Flickr. So when I saw a Loxton drawing of Hotwells pop up on eBay, I decided to get myself a little treat.
I don't think there's any Loxton drawing that features the road I actually live in—it's not very visible from anywhere else, not being one of these Clifton terraces that's perched at the top of a hill, or anything like that, and it's invisible in most views of the area. However, this Loxton drawing, Hotwells, Looking across the river from near the Clifton Bridge station, is probably the closest near-miss I've seen.
I decided to wander out one morning and see if I could reproduce the picture, and also take a photo or two of what's now become of the Clifton Bridge Station, which is still just about discernible in places.
(Then on an even stranger whim I decided to check out a possible little cut-through from Cumberland Road to the harbourside I'd been eyeing up on my commute to work, so walked to Wapping Wharf for a croissant via this potential new route, but that bit's not quite as interesting...)
There's a frankly disturbing and gruesome reason why this rabbit has been crossed out. I'll tell you why in a few photos time.
Okay, so here's the reason that the earlier rabbit had a big red cross through him, and that this one has been painted out. Bristol's graffiti community is currently trying to erase these rabbits after a terrible revelation about the man who had been painting them.
Here's the Bristol Post, on Damian Lasota, aka "Eldey" or "FollowMyRabbits":
A pervert with a penchant for grannies tried to rape one elderly woman in her home and sexually targeted another.
Damian Lasota was described by a judge as the "stuff of nightmares" after preying on the two lone females in Twerton, Bath.
His campaign of terror was halted after police installed CCTV at the women's homes and he was caught in action and arrested.
Lasota, 27, of Parry Close in Southdown, Bath, pleaded guilty to attempted rape, two charges of trespass with intent to commit a sex offence and two charges of exposure.
He appeared in the dock at Bristol Crown Court with a grey jumper draped over his head.
Judge Julian Lambert handed him a 20-year sentence, comprising of a 13-and-a-half year jail term and six-and-a-half years extended licence.
So, that's pretty damn terrifying, and also the reason why there won't be any more rabbits in Bristol. There's a little more info in this Somerset Live article.
Here's a photo of the entire original Samuel Loxton ink drawing, including the title, Hotwells, Looking across the river from near the Clifton Bridge station.
I bought this from eBay on something of a whim. I have no provenance for it, and the listing mentioned it was "circa 1910". It certainly seems to be (a) original, and (b) by Loxton. The very faded pencil below the picture seems to be very in keeping with Loxton's work: there are instructions for reducing the picture for print use, and I think a mention of the Bristol Observer, where Loxton's pictures were regularly published. It's very hard to make out the writing, though.
At the other end of the Clifton Bridge Railway Station is a little road bridge that I've crossed many times. It's nice to see, under the inevitable tagging, that it's called Clifton Bridge Overbridge, so the name of the old station does live on a little in reality, at least for Network Rail.
(The footbridge from earlier is called Rownham Hill Bridge on its little placard.)
I don't actually know what "we cap £" means. I do know that it always seemed irritating that the Metrobus worked by having to buy a ticket in advance at fiddly little machines next to the stops, and that being able to just buy a ticket by tapping a card once you were on the bus would seem wildly futuristic if I hadn't had a Oyster card decades ago in London...
Having just tried to read the 2,500-ish word explanation of Tap & Cap, I'm still not sure exactly how to use it, but hopefully it at least means that Bristol bus drivers will no longer swear at you if you don't happen to have exactly the right change sorted out in advance...
25 Sep 2021
I needed to pop to the library, as they'd kindly dug a book out of the reserve store at the B Bond warehouse for me and emailed me to let me know it was ready. So, I took a little trip to town, straight down the Hotwell Road, and spent a few hours reading before stretching my legs with a walk to a new cafe in the actual castle (or remnants thereof, anyway) of Castle Park, before heading back home down the other side of the harbour. As well as books and coffee, I bumped into a remote-controlled pirate ship, which isn't something you see every day, even in Bristol.
This place has already garnered several good reviews from locals on Nextdoor and Google Reviews. I must try it at some point.
The sign about the wildflower meadow on Clifton Hill Bank is part of the consultation I mentioned the other day.