18 Mar 2021
Reproducing historical photos seems to be a developing interest for me. On today's wander I just went for my normal coffee at Imagine That, but along the way I stopped at Baltic Wharf (the modern housing estate; historically-speaking, I was probably in between Canada Wharf and Gefle Wharf—about here, in fact) to reproduce a 1930s photo of the Mardyke area from the Tarring collection.
Mardyke, from what I can work out, means "a ditch along the margins". Before my researches, I only really knew the name from the Mardyke pub, a big place on the Hotwell Road. Everyone knows the Mardyke, partly because of its size and signage, but I've only been in once or twice, too long ago to remember much of what it was like. However, the wharf there used to be known as Mardyke Wharf, and the area in general as Mardyke. (I just found an 1826 painting by Thomas Leeson Rowbotham of "Mardyke seen from near Hilhouse's Dock, showing the 'Clifton Ark' floating chapel" that shows the area before much development had happened, incidentally, and now I feel like I need to find out a bit more about the floating chapel...)
I enjoyed snapping the "after" photo; the process involved moving a group of swans out of the place I needed to stand to get the photo; luckily I've started carrying waterfowl food along with my on my harbourside jaunts, so I could use bribery rather than a more confrontational approach. Not sure I'd fancy my chances against a swan, though I did once team up with another passerby to shoo a recalcitrant one off the Redcliffe bascule bridge so a busful of commuters could continue their journey to work...
Showing both the Clifton Industrial School on the Hotwell Road, and the Clifton National Schools building on the hill above.
(via the Loxton Collection from Bristol Libraries on Flickr.)
20 Mar 2021
My friend Lisa was meeting another friend for a walk near the suspension bridge, so we fitted in a quick harbourside loop from my place first. We discussed gardening (we're both envious of the gardening skills of the Pooles Wharf residents; we can just about keep herbs alive, whereas they're growing heartily-fruiting lemon trees outdoors in England along with everything from bonsai to magnolias), cafes, work and architecture, among other things.
14 Apr 2021
Apart from a lovely coffee and a slice of Victoria sponge from Twelve, there weren't any new sights on this little lunchtime jaunt except for a slightly better look at the long raised extension at the back of the St Vincent's Rocks Hotel, where I at least got to see the arches it's raised up on. I also got a fair bit of exercise by walking up the Zig Zag to get there, and saw far more people out than I have in months, what with the lockdown having just been significantly lifted. As I walked past The Mall pub they were turning people away from their already-full garden, and the (outdoor) cafe tables were pretty full up.
29 Apr 2021
Another quick excursion to Canon's Marsh, tempted back by Rod & Ruby's cannoli and flat white. This time I poked around some bits of the modern flats I'd not really experienced before, mused on the old gasworks, and headed back down the Hotwell Road, spotting a re-opening gallery and finishing off at the Adam & Eve, for which some locals are currently rushing to launch a bid to turn it into a community business rather than have a developer turn it into yet-more flats.
I was in a bouncy, positive mood, helped out by Life Without Buildings' Live at the Annandale Hotel album1. Note to self, though: the album is nearly an hour long, so if you hear the encore starting and you're still halfway down the Hotwell Road, you'll probably be late back from lunch...
1 That review's well worth a read. Music journalists tend to go extra-dreamy when trying to describe Sue Tompkins. See what I mean:
She circles her limber tongue-twisters, feints, and attacks from unexpected angles, dicing and rearranging them with the superhuman brio of an anime ninja and a telegraphic sense of lexical rhythm.
03 Jul 2021
I was headed into town to return RA Gilbert's biography of AE Waite to the library and along the way I noticed that Dreadnought had finished their refurbishment, but wouldn't be open until midday. That left me some time to kill, so I bimbled around the old St Augustine's/Gaunt's area for a while, then headed up Park Street for a coffee and a snack to eat on Brandon Hill before heading home the way I'd came so I could pop in and buy a pamphlet on the Hot Well I'd been interested in for a while.
Hurrah! Dreadnought are back after their refurb. I purchased the excellent pamphlet The Bristol Hotwell by Vincent Waite.
Circa 1905. See the previous photo for the modern-day version. Several of the houses on display were destroyed during the blitz of 24 November, 1940.
I'd never heard of this being called Love Street before. It does seem that it was, though: I just searched through all the various digital research materials I've gathered during this project and found this tidbit in A Bristol Miscellany:
It is proposed to drain the whole of this district by means of a low level sewer commencing at the bottom of Woodwelllane or Jacobs Wells road nearly opposite Woodwell crescent passing along the whole length of the Hotwell road and Love street to Dowry square continuing along in front of Dowry Parade and the Gloster Hotel passing the bottom of Granby Hill in front of Ashton place to Saint Vincent's Parade at which point it will receive the sewage from the Royal York Crescent, the West Mall and Caledonia Place, from which point it will continue along in front of Hotwell House underneath the rocks to the towing path in front of Point House at the Round Point to the present outlet of the High Level Sewer District being about 1,100 yards below the Hotwell House.
...but no other mentions than that one. Looking around the web, I can see a few more references, including this delightful business card for Hotwells gardener John Waldron.
I did idly wonder if "Love Street" might've been a euphemism for something, at some point? There were an awful lot of sailors coming off boats nearby! But perhaps it was simply a nice name for a nice stretch of road...
Photo from Hotwells and the City Docks, ISBN 9781899388288
10 Jul 2021
Lisa had a couple of hours to spare before going up in a hot air balloon (exciting!) so we went for a quick local walk, revisiting a bit of Cliftonwood we've seen before, exploring the secret garden I'd visited before that I thought she'd enjoy (I didn't take any new photos there) and then pushing on to another garden, Cherry Garden. Last time we passed this way, I'd noticed the gate, but we hadn't gone in as I'd assumed it was private. I'd since found it on CHIS's list of communal gardens in Clifton, so I wanted to have a look inside this time, and try to figure out whether it was private-communal or public, and possibly Council-owned, like several of the other gardens in Clifton.
Photo taken from the book Bygone Bristol: Hotwells and the City Docks, by Janet and Derek Fisher.
You can see the gate from the previous photo at the start of Narrow Quay. Plenty of other changes in the area, too: the statue of Neptune stands at the head of the water; there are no Cascade Steps yet; cranes still stand on Broad Quay, and you can just about tell that there's still a main road running right across the middle of Queen Square in the distance.
The gate stands half-closed; presumably before the E and W sheds were converted into the cinemas, bars and restaurants of the Watershed and other publically-accessible attractions there was still some need to keep the (working) dockside a little more secure, and I'm guessing it might have been locked at night.
The gates are listed and have apparently been there since 1894.
31 Jul 2021
At the end of July I went to have a look around some of the private gardens opened up by the annual Green Squares and Secret Gardens event. Sadly it was compressed into a single day this year, for various Covid-related reasons, it seems, so I didn't get to poke around too many places. I went to:
And snapped a few things in between, too. It was a lovely day—a bit too hot, if anything—and it was interesting to get into a few places I'd only ever seen from the outside, especially The Paragon and Cornwallis gardens, which are the least visible to passing strangers of all of them.
It's a little tamer now than it was back when anti-residents' parking zone protesters drove a tank through the city to deliver their petition. This one's about an experiment to pedestrianise Princess Victoria Street.
Won't make any difference to me one way or the other, really; I just walk up to Clifton Village for my shopping. Or, quite often, in completely the other direction, to North Street in Bedminster. I like both areas for shopping, and it's good to live close enough to either to get there on foot.
24 Sep 2021
A quick lunchtime jaunt to Clifton Village. Along the way I admired the new sign on Hope Chapel and added to my tsundoku collection.
I have since blogged about this little find in the boxes of books outside Rachel’s and Michael’s Antiques.
Apologies for the poor picture quality; it was a quick snap from the iPhone. There's a better picture on t'blog. It's notable that this book was written by "J L", Joseph Leech, former Bristol newspaper magnate and the man who had Burwalls Mansion built, just the other side of the Suspension Bridge.
I recently indulged myself by buying a little piece of history. I've mentioned Samuel Loxton and featured and linked to his drawings before, often in the eminently browsable Loxton Collection albums that Bristol Libraries has on Flickr. So when I saw a Loxton drawing of Hotwells pop up on eBay, I decided to get myself a little treat.
I don't think there's any Loxton drawing that features the road I actually live in—it's not very visible from anywhere else, not being one of these Clifton terraces that's perched at the top of a hill, or anything like that, and it's invisible in most views of the area. However, this Loxton drawing, Hotwells, Looking across the river from near the Clifton Bridge station, is probably the closest near-miss I've seen.
I decided to wander out one morning and see if I could reproduce the picture, and also take a photo or two of what's now become of the Clifton Bridge Station, which is still just about discernible in places.
(Then on an even stranger whim I decided to check out a possible little cut-through from Cumberland Road to the harbourside I'd been eyeing up on my commute to work, so walked to Wapping Wharf for a croissant via this potential new route, but that bit's not quite as interesting...)
Here's a photo of the entire original Samuel Loxton ink drawing, including the title, Hotwells, Looking across the river from near the Clifton Bridge station.
I bought this from eBay on something of a whim. I have no provenance for it, and the listing mentioned it was "circa 1910". It certainly seems to be (a) original, and (b) by Loxton. The very faded pencil below the picture seems to be very in keeping with Loxton's work: there are instructions for reducing the picture for print use, and I think a mention of the Bristol Observer, where Loxton's pictures were regularly published. It's very hard to make out the writing, though.
I'm afraid that this is a bit of a badly-curated wander, where I mostly just popped out to find out a little of the history of Underfall Yard and poke around the various open workshops, and, in hindsight, really didn't take pictures in any kind of coherent order. So there's a lot of pictures, but they don't really tell the story that, in hindsight, I seem to have been trying to tell, of the unusual electrical substation in Avon Crescent, the Bristol Electricity that predates the National Grid but is still in use, the history of the hydraulic power house... It's a bit of a mess.
But I suppose sometimes these wanders—always chronologically presented in the order I walked and took photos—simply will sometimes be a bit of a mess. Let's hope you still get something out of it, anyway...
And here's the Loxton picture of the exterior, from the Bristol Libraries collection. Seems such a shame to have bricked up those lovely windows.