Tagged: city
Bedmo and Ashton Court
21 Nov 2020
A rather more wide-ranging weekend wander with Sarah and Vik, taking in some mock Tudor bits of Bedmo (I should note that I've subsequently been corrected to "Bemmie", but I'm an outsider and have been calling it "Bedmo" for short for decades...), a chunk of Ashton, a path up Rownham Hill called Dead Badger's Bottom(!), The Ashton Court estate, a bit of the UWE campus at Bower Ashton, and some of the Festival Way path.
Gosh. I had no idea why it's called the White City Allotments, but apparently:
Bristol International Exhibition opened in May 1914 promising to be 'a place of pleasure and delight', celebrating 'the resourcefulness and progress of Great Britain and her Dominions'. 32 acres in Ashton Gate were transformed by palaces and pavilions. It quickly became known as the ‘White City’ because of the plaster used on the temporary buildings.
I often walk through Greville Smyth park, and there's many other things in Bristol bearing the Smyth name. John Henry Greville Smyth was...
...an English naturalist and collector of natural history specimens. He is best known for his large private collection of mammals, birds, and insects kept at his stately home of Ashton Court in Bristol. On his death his wife, Lady Emily Greville Smyth, donated the bulk of the collection to the Bristol Natural History Museum, now known as Bristol Museum and Art Gallery.
But the Smyth name in general is all over this bit of Bristol, from Greviille Smyth Park outwards, which is hardly surprising given that the Smyth family home was Ashton Court, where four hundred years' worth of Smyths resided after Sir Thomas Arundel sold the place to a John Smyth in 1545, a few years after being gifted it by Henry VIII.
Bedminster, Ashton, Ashton Court sunset walk
12 Dec 2020
A walk with Sarah focusing on Ashton and the surrounds, taken on a day with really nice light around sunset. Just what I needed.
A London Wander in Southville
10 Apr 2021
There's a bit of Southville that I've been meaning to get to for some time, where the streets seem to take some strong inspiration from London. There's a Camden Road that crosses with an Islington Road, and a Dalston Road, even an Edgeware Road. For me these names are more evocative than the rather more exotic names I passed by to get there—Sydney Row or Hanover Place, say, because I've actually been to the places in London. The last time I was in Islington I saw Monkey Swallows the Universe play at The Angel, and I can't think of Camden without remembering a gondola trip with my friend Tara where a cheery youth played Beatles music for us on a saz...
I really liked this little area, with its mostly well-kept pretty houses and hints here and there of the creative side of the residents. It's arty and down-to-earth at the same time, and I wouldn't mind living there, I think.
On the way there I got the chance to walk through Underfall Yard for the first time in a while, and on the way back I had my first take-away hot food for many months, grabbing some crispy fried squid from the excellent Woky Ko at Wapping Wharf.
This is the first time I've been able to walk through Underfall Yard in months; it's been closed during the lockdown, and it's really reminded me how much nicer the route around the harbourside is when it's open. Cumberland Road is just dull.
Apparently the electric motor that still winches ships up out of the water on this "heave-up" slip (patented 1819 by Thomas Morton of Leith) dates from 1924, when it replaced the previous hydraulic system. I've never been there to watch a ship be hauled up, but it regularly deals with things as large as the Matthew.
The listing has this to say:
Patent slip and quay walls. Mid C19, restored 1888. Granite and Pennant rubble. 1 in 14 inclined slip with rails and timber cradle on wheels, drawn by an electric winch. Quay walls extend approx 50m along frontage of the Underfall Yard. HISTORICAL NOTE: Built on land reclaimed behind Jessop's 1809 Overfall Dam, originally part of the c1850 Nova Scotia Yard, purchased by the Docks Committee in 1880. Capable of raising a load of 250 tons. (Lord J and Southam J: The Floating Harbour: Bristol: 1983-: 65).
Like the building with the clock tower around the corner, this was apparently offices for the shipbuilding firm. The listing says it's mid-nineteenth century, and:
Originally offices for Charles Hill & Sons, formed 1848, shipbuilders at the Albion Dockyard (qv). Their last ship was launched in 1976
The former stone mason's place. Geograph has a good photo of what it looked like before. From what I can see from the planning website, it might be becoming offices, rather than the flats I'd assumed would emerge. I may have been mis-reading the vast array of planning applications, though; I suppose we'll see...
The door across this is normally closed. You can just about see Wallace and Gromit smiling on the side of the building, presumably not coincidentally, given that Aardman Animations' office is down there and up the driveway to the left.
I think this may be a remnant of St Raphael's Church, whose adjacent almshouses for aged seamen are now the site of the flats at Perret's Court, just to the left there.
Ah! Yes, according to ChurchCrawler:
1853-9 by Henry Woodyer, closed 1878 following disapproval of the bishop and not reopened until 1893. Some war damage, the church was again closed and became part of a factory in 1953 and demolished 1954. Part of the W front still stands in the garden between two blocks of flats.
Leading diagonally down the bank opposite you can see a ramp which I believe would have led down to the actual ferry that the bridge replaced.
There are some sturdy and pleasantly-proprotioned houses along the Coronation Road. I don't imagine they're enjoying the extra levels of traffic since Cumberland Road has been so impacted by bits of it falling into the river; it wasn't exactly quiet before. Maybe the reduction in general traffic since the pandemic has at least mitigated things.
24 photos in and I've finally reached my ostensible target for this trip, starting with Camden Road.
Green Squares and Secret Gardens
31 Jul 2021
At the end of July I went to have a look around some of the private gardens opened up by the annual Green Squares and Secret Gardens event. Sadly it was compressed into a single day this year, for various Covid-related reasons, it seems, so I didn't get to poke around too many places. I went to:
- A talk by the oldest resident of Victoria Square
- The St Vincent's Rocks Hotel garden
- The Paragon garden
- Cornwallis Crescent gardens, both east and west
- The Polygon garden
And snapped a few things in between, too. It was a lovely day—a bit too hot, if anything—and it was interesting to get into a few places I'd only ever seen from the outside, especially The Paragon and Cornwallis gardens, which are the least visible to passing strangers of all of them.
It's a little tamer now than it was back when anti-residents' parking zone protesters drove a tank through the city to deliver their petition. This one's about an experiment to pedestrianise Princess Victoria Street.
Won't make any difference to me one way or the other, really; I just walk up to Clifton Village for my shopping. Or, quite often, in completely the other direction, to North Street in Bedminster. I like both areas for shopping, and it's good to live close enough to either to get there on foot.
Apparently if the Royal Promenade were symmetrical, the windows of 7 and 8 would be the same size. As it is, 8 is clearly very slightly grander.
Nobody's quite sure why the Royal coat of arms appears here. Nobody royal appears to have given permission for it, and Victoria, as far as anyone can work out, never stayed here.
The weather appears to have been kinder to the unicorn than the lion.
You can just about see the profile of Queen Victoria in the keystone; apparently it's the same image as used on the Penny Black.
I've been wanting to go through these gates for a while; you can only get tantalising glimpses of the listed extension from the bit of grass adjacent.
Freshly painted, with the scaffolding only recently removed, and looking rather lovely. To its right is the old entrance to the earlier Hotwell pump house that used to stand down on the Hotwell Road, and just to the right of that is the entrance to the Clfiton Rocks Railway. Behind all that is the site of the original Clifton Spa pump room, a grand "long room" that was later used as a cinema and then a ball room. I wonder if there are any plans to renovate it? It was still disused, last I heard, but that was a long time ago, when I peeped through from a Rocks Railway open day....
I've been pretty awful at reading so far this year, apparently averaging about one book per month. That's a far cry from 2019, say, where I got through 41 books in the year. Today's wander was prompted by my rubbish reading, as I needed to go hand back some books to the library, because I'd managed to renew them so many times that I hit the limit on renewals. Oops. Several of them were still unread.
So, off to the Central Library for me, tail between my legs. On the way there I did my best to recreate a historical photo of Dowry Square; while I was in the area I walked under the adjacent Norman arch and poked around behind the Cathedral, and I also had a little diversion to the city centre and came back along the south side of the river, hitting some trouble with the lock gates as I finally crossed the harbour back towards home.
I don't know anything about this photo, really; I saw it pop up on eBay in one of my automated searches for "Hotwells" and this nice, open view of Dowry Square, which is a lot more overgrown these days, made me click that "buy" button. This is a print from a negative in a private collection but more that that I can't really tell you. The "Hepworth" could be Watler Hepworth, as it seems there was a Bristol photographer of that name in about the right period, which I"m guessing to be sometime between the First and Second World Wars. The tram rails and electrical lines are still in place, as you can see.
One nice detail is the Bass signs in the windows of what was clearly still back then the York Hotel on the corner of the square. There's some pictures of what I've been assuming is the main bar entrance that faces onto the main road and remains quite well-preserved in a moment...
Off to the side of the photo we've just seen is the pub frontage on the Hotwell Road, apparently a later addition. The listing says
The right-hand return has a late C19 ashlar public house front with 5 panelled pilasters and foliate capitals to left-hand and central doorways, 2 windows with tripartite frames and semicircular-arched panes below, panelled aprons and dentil cornice.
Nowadays known as York House, and apparently offices, this was originally built by George Tully, like a lot of the rest of the square.
According to this Heritage Statement about No. 10 by Mark Hines Architects he started building in 1723, imagining accommodation houses for Hotwells visitors, but later built this large hotel and other buildings like the Clifton Dispensary at No 12 as the spa became more popular and the square evolved into a centre of medicine. I'm a little confused by that claim as the York Hotel went up c. 1780, according to the listing, when Tully had been dead for ten years, but perhaps it means he planned it before he died.
And now we've teleported down the Hotwell Road to College Green, where I found that the library wasn't open yet (I'd forgotten they didn't open until 1pm on a Sunday) so carried on past it and turned through an old Norman archway.
This was a section I wanted to walk, as although I have actually wandered through the arch and pottered around this bit of Bristol before, I think that was one of the days my GPS battery died halfway through a walk, so I never posted any records of it. Here I can redress the issue. We've seen the other side of this grand bit of architecture before, and the next photo has the information plaque which will tell you more about it more concisely than I could.
One fact that isn't on the plaque is that Catherine Hughes, the local artist who made the pomegranates for the front of the Cabot Cafe, had her studio in one of the upper rooms for a time. I presume this was wangled by her father, a local estate agent who was heavily involved in the whole College Green area. From the Clifton and Redland Free Press, 18 April 1900:
Comparatively few people are aware that the interesting structure known as the Abbey Gate House, College Green, the fifteenth century building above the fine old Norman archway, is now given over to the fine arts. It is the studio of Miss Catherine Hughes, and a private view of a charming exhibition of water colour drawings, by that young lady and Miss Ludlow, both local limners, was held last week, when a large number of ladies and gentlemen accepted the invitation to inspect the works, among the company being some local artists. Miss Hughes and Miss Ludlow studied under Ludovici in London, and are now following their profession in Bristol
The Bristol Cathedral School has seen some controversy over the years, especially after it was given permission in 2013 for the Primary School to take over some of the Central Library. They turfed out some of the archives, which is presumably why I need to wait a week when I order an old book from the library, as someone now has to hoof it down to the B Bond warehouse to fetch it for me, rather than just downstairs.
Founded in 1140, dissolved and then re-founded by Henry VIII in 1542 after he dissolved the monastery, it's only very recently become a City Academy. It is allegedly non-selective these days, but my guess would be that its pupils' parents are significantly posher and richer than others in the local catchment area.
One last view of the Choir School building, the old Deanery, before we leave this area and head into town.
Jaunt to a Closed Coffee Shop
17 Nov 2020
A fruitless wander, as Spoke and Stringer (who I thought might do a decent flat white) were closed, and the only other harbourside inlet offering were a bit too busy to wait at, especially as I'd spent some time wandering some of the convolutions of Rownham Mead. This last congeries of dull alleyways and brown-painted garages was at least somewhere I've never been before, in parts.
A bethel ship was a kind of floating church; it would moor up near other ships and the sailors could board it for worship.
There are yet more plans to turn this pub into yet more flats. I heard from a few different people that the owner has a habit of renting it to people but making them responsible for repairs, which normally turns out to be a bad deal for them as the place is falling apart. Of course, I've only heard that side of the story from the renters. I've experienced it in a few different forms, and in some of them it was a truly excellent local pub.
I don't spend a lot of time in pubs, but if I had to choose a "local", this is the one I would choose. Welcoming, interesting, and often to be found with a nice fire burning in the winter. After the last time some fool drove their car through the front wall (this bend on the Hotwell Road appears to be a magnet for bad drivers), the boarding up was decorated with the bonnet badge of the offending vehicle, a Toyota, if I remember correctly.
When the commuter ferry was still a thing—the council subsidy was cut in the wake of the last global recession—I used to wander through this little alleyway all the time to wait at the ferry stop at this little inlet for the boat to work. Happier times.
A lot of folks aren't fans of the architecture at Poole's Wharf, but I'd love to live in one of these houses.
According to Wikipedia, this sculpture was commissioned by the house builders who developed the site, designed by a student at the University of the West of England Art School with engineering by David Abel's Boatyard.
Arlington Villas and WH Smith Destruction
10 Feb 2021
I actually dashed up to Clifton to take a look at Arlington Villas, just around the back of St Paul's Road, one of those slightly odd little enclaves of overlooked housing that you know is there, but you never have a reason to visit or travel down. As it turned out, interesting though the (public) garden is, I actually took far more pictures of the now-completely-demolished site bounded by King's Road, Boyce's Avenue and Clifton Down Road where WH Smith and other places used to stand.
It's interesting to imagine how nice this little area would be if turned into a permanent public square, but of course the developers already have their planning permission to build it right back up again.
There's a strip of hotels on St Paul's Road; they make the most of the available space by converting as much basement as possible to rooms.
The listing claims that this is St Peter preaching, but (a) that seems odd for St Paul's church, plus this literally has "HEAR WHAT ST PAUL SAITH" above the head of the main bloke who seems to be preaching. Is there something I don't know, or has the listing made a boo-boo?
In Between
06 Feb 2021
A lovely walk in the early spring sunshine with my friend Lisa. We headed directly for Jacobs Wells Road, to start off around the scene of one of our earlier walks, but this time took in Jacobs Wells from QEH upward, stopping to snap some photos of a Bear With Me, some interesting areas between Park Street and Brandon Hill including a peculiarly quiet enclave with a ruined old build I'd never found before, then crossed the Centre to grab take-away pies from Pieminister (I had the Heidi Pie) and head back to my place down the harbourside.
I guess I was wrong about them coming back to finish off the rest of the sign.
First it was a house, though a strange small one, from what I recall, then it was a ruin, then it was a gap, and now it's a structure and I imagine it will soon be a house again.
Unlike the other day, there at least wasn't water flooding out of the well house today.
Harbourside Milestone
17 Mar 2021
The other day I realised (hello, Maggie!) that my next walk would be my hundredth, and that I'd done 393.4km so far. I figured it would be nice to get to 100 walks and 400km on the same walk, so I went for a nice long harbourside wander after work, rather than dashing out at lunchtime. As it turned out, we're just coming up to the time of year where I can leave the house at 5:30 in the evening and there's still just enough light to take photos by the time I've made it around the harbourside. Though only just, and mostly because I've got a full-frame camera that's not bad in low light...
Still, the evening light made a lovely change, and some of the photos turned out to be pretty good photos per se, rather than just record shots of my walk. I'm looking forward to more evening walks like this as summer approaches.
On the way around this evening I wandered through one of the oldest bits of the city to extend my walk and snapped some interesting bits of architecture, including an NCP car park(!) and a nighttime shot of one of my favourite subjects, the clock tower at the Albion dockyard.
From Wikipedia:
William Friese-Greene (born William Edward Green, 7 September 1855 – 5 May 1921) was a prolific English inventor and professional photographer. He is principally known as a pioneer in the field of motion pictures, having devised a series of cameras in 1888–1891, with which he shot moving pictures in London. He went on to patent an early two-colour filming process in 1905. His inventions in the field of printing – including photo-typesetting and a method of printing without ink – brought him wealth, as did his chain of photographic studios. However, he spent everything he earned on inventing, went bankrupt three times and was jailed once, before dying in poverty.
This year there's apparently a year-long celebration of his life and work.
Spoke & Stringer were a long indoor cafe in the Beforetimes. Now there's three separate vending areas: fish & chips, brunch & tacos; coffee & shakes.
The idea here is that the development still leaves a clear line of sight from the harbour to the cathedral, along Cathedral Walk.
Cheeky. I also run a Cafe Signs Tumblr so I'm always on the lookout for good signage.
No, it's not a massively distorting wide-angle lens I'm using, that's just not ninety degrees!
It's never occurred to me that when I"m wandering up the ramp at this entrace to the library that I'm also hanging suspended in mid-air
This is actually a Banksy work, not as well-known as many. Oddly, it seems like this loading bay may have been added after the graffiti was put there, and the graffit carefully transferred. I'll have to find out whether that's what actually happened...
I got interested in Bristol's medieval water supplies after poking around near Jacobs Wells Road and Brandon Hill. It was during that research I found out about a pipe that's still there today, and, as far as I know, still actually functioning, that was originally commissioned by Carmelite monks in the 13th century. They wanted a supply of spring water from Brandon Hill to their priory on the site of what's now the Bristol Beacon—Colston Hall, as-was. It was created around 1267, and later, in 1376, extended generously with an extra "feather" pipe to St John's On The Wall, giving the pipework its modern name of "St John's Conduit".
St John's on the Wall is still there, guarding the remaining city gate at the end of Broad Street, and the outlet tap area was recently refurbished. It doesn't run continuously now, like it did when I first moved to Bristol and worked at the end of Broad Street, in the Everard Building, but I believe the pipe still functions. One day I'd like to see that tap running...
There are a few links on the web about the pipe, but by far the best thing to do is to watch this short and fascinating 1970s TV documentary called The Hidden Source, which has some footage of the actual pipe and also lots of fantastic general footage of Bristol in the seventies.
On my walk today I was actually just going to the building society in town, but I decided to trace some of the route of the Carmelite pipe, including visiting streets it runs under, like Park Street, Christmas Street, and, of course, Pipe Lane. I also went a bit out of my way to check out St James' Priory, the oldest building in Bristol, seeing as it was just around the corner from the building society.
There are far too many pictures from this walk, and my feet are now quite sore, because it was a long one. But I enjoyed it.
Clever: stencil out the pavement, then pressure-wash it, to make your point by highlighting the discolouration that's partly caused by airborne particulate pollution.
Looks like something's getting spruced up ready for opening. Good. This bit of the Hotwell Road needs some nice new shops, of any and all varieties.
This place was joined up with the shop to the left as a hot tub sales showroom, and before that it was the View art gallery. Before that it was a brothel for a while, oddly, but I think the general community reaction was a bit too hostile for it to survive. Looks like it's now been separated from the next door shop.
It's the home of the Avon Wildlife Trust now, but back in the day it was Brandon Hill Police Station. It's marked on maps as recent as the 1950s Bristol Town Plans. An interesting tidbit from Bristol Then and Now on Facebook:
One of the first police stations in Bristol, it was opened in 1836 - policemen from the station used the building housing the Jacob's Well as a bicycle store and many old bicycle lamp batteries were found in excavating the small entrance to the mikveh. The Police Station closed in 1967 and it is now the base of Avon Wildlife Trust.
It's a museum in the form of a well-preseved Georgian house with appropriate fixtures and fittings. Well worth a visit, and when we can go back, I plan to. The thing I remember most is the grandfather clock, and the rest of my memory of the place is fairly scant, because it's been a long time.
I feel like I can make out some kind of figure in the random blotches on this wall, but it might just be my imagination.
