Tagged: wood
I was originally going to head over to the Ashton area to see if I'd missed any bits around the football stadium—and also to grab some lunch from the Tobacco Factory Market—but in the end I got a little distracted by having accidentally chosen exactly the right time to see the Plimsoll Bridge swing on one of the first busy days of Spring, where a lot of pleasure trips tend to head out down the Avon (and possibly the New Cut) from Hotwells.
In the end I mostly snapped that, and just a couple of photos from the Ashton area where I grabbed some lunch but didn't do any new exploring.
The brutalist bridge abutment is the old bit, of course, as it's mid-1960s. The boat that looks like John Cabot's 15th century caravel is the new bit. This replica was made in the 1990s, and replicated the original's 1497 trip to Newfoundland in 1997, arriving in June at Bonavista, to be greeted by Queen Elizabeth.
She's just had her annual inspection in the Albion dry dock, so I suppose this is one of her first gorge trips of the summer season.
I managed to go for a wander a while ago that was meant to finish off a little tangle of paths in Leigh Woods, or at the very least finish off my wandering of the Purple Path there. And I managed to miss doing either of those things through some kind of navigational incompetence.
Today I woke up with a bit of a headache, feeling a bit knackered as soon as I dragged myself out of bed, but at least with the energy to realise that I'd be better off (a) going for a walk in what looked likely to be the last of the Jubilee weekend sunshine than (b) moping around the flat until it started raining, at which point I could mope more thoroughly.
I had a look at my map, considered going to Ashton Court, but remembered that there was a music festival there today, and instead found these little leftovers of Leigh Woods and decided to have one more try at walking them.
This is a sentiment that I've often shared, I confess, but never been motivated to express in the form of paint.
Time to exit Ashton Court and head for my main target at Leigh Woods.
If it's rained for a few days in a row in Leigh Woods, some of the lower paths can get pretty muddy; in some past years I've even had to turn back and find another route, given that I mostly just wear ankle-high walking shoes. Today wasn't too bad.
There's a viewpoint "Quarry 5 Viewpoint" marked somewhere along here on OpenStreetMap. I think pretty much all the viewpoints on this stretch have gradually been overcome by forest growth. Here you can just make out the cliffs on the far side of the gorge through trees.
At this point I had gone back and forth a fair bit, following my little satnav pointer, including heading down a couple of paths only to come straight back up them once I was sure I'd completed the un-done parts of the track.
I was a little weird, following this complicated little route. I felt a bit like a bee doing the waggle dance, or something.
Possibly fenced off to stop people trying to clamber or mountain bike over it and cause more damage before it can be rebuilt?
Having started in the woods, this is the first hint of the Jubilee celebrations I've seen, on the alpine chalet-style house near the Suspension Bridge.
Another day not dissimilar to my last wander: I'm feeling a bit tired and rather than just moping around the house I thought I'd find some tiny bit of somewhere that I'd not yet walked and get outdoors. This time I headed for the Tobacco Factory Market in Bedminster, as I often do, but went the long way around via Ashton Court Mansion as I knew there were some footpaths and a small section of road I'd not ticked off up there. Finishing all the Ashton Court footpaths will be quite a long job, but you've got to start somewhere...
I did feel rather better by the time I got home, and, pretty much astoundingly given the weather forecast, managed to avoid the rain completely.
First hint of Jubilee-related decorations on this rather odd balcony at the bottom of Granby Hill. The other decoration on this building is a peeing "KEEP YOU JOB KEEP THE POUND" sticker in the next window along that looks like it dates from the 1990s.
Yup, it's definitely all kicking off. They'll probably manage to build an entire development here before the Council finish fixing the bit of Cumberland Road that collapsed just around the corner.
Hard to do this tree justice, as it was both wider and taller than the widest angle of my camera, and any further back the fence gets in the way.
Of course, if I'd brought a full-frame camera with a wide-angle lens, this is exactly the moment when a peregrine falcon would land on a branch at the same time a magnificent stag wandered past in the middle distance. You never have the right lens...
Well, it's giant, it's got a definite red hue and it's made of wood. I wonder what it could be...
A batch of giant redwood seeds arrived at the Veitch nursery in Exeter in 1855, and the Smythe family bought quite a few of them, apparently. Many of the sequoia around Bristol date from around then, including the lovely tree in Paradise Bottom in Leigh Woods, which would then have been Leigh Court's arboretum.
I was 99% sure this was an ice house, and a quick search finds a confirmation from Weird Bristol.
I got a bit distracted by a tempting little entrance into a little network of paths in the little patch of trees just north of the UWE campus. There wasn't much of note in there.
We're suddenly out of the woods and a fair distance away; I didn't take any snaps on my way through the little alleyway I've used before to get to Rownham village and down Parklands Road back toward Bedminster. Here we see an eye peeking out at the start of an underpass.
I've been pretty awful at reading so far this year, apparently averaging about one book per month. That's a far cry from 2019, say, where I got through 41 books in the year. Today's wander was prompted by my rubbish reading, as I needed to go hand back some books to the library, because I'd managed to renew them so many times that I hit the limit on renewals. Oops. Several of them were still unread.
So, off to the Central Library for me, tail between my legs. On the way there I did my best to recreate a historical photo of Dowry Square; while I was in the area I walked under the adjacent Norman arch and poked around behind the Cathedral, and I also had a little diversion to the city centre and came back along the south side of the river, hitting some trouble with the lock gates as I finally crossed the harbour back towards home.
Nowadays known as York House, and apparently offices, this was originally built by George Tully, like a lot of the rest of the square.
According to this Heritage Statement about No. 10 by Mark Hines Architects he started building in 1723, imagining accommodation houses for Hotwells visitors, but later built this large hotel and other buildings like the Clifton Dispensary at No 12 as the spa became more popular and the square evolved into a centre of medicine. I'm a little confused by that claim as the York Hotel went up c. 1780, according to the listing, when Tully had been dead for ten years, but perhaps it means he planned it before he died.
"Porter's lodge and gateway to Augustinian monastery, now school. Mid C12 archway in C17 house, rebuilt mid C20", says the listing.
It's a cocktail bar inspired by the occult in general and the Tarot in particular, apparently. It's by the same people behind Hyde's, which I remember enjoying very much on the couple of occasions I've made it there.
Again, more of a "record shot" for me, which probably looks rather unimpressive to anyone who didn't see the exhibition in person. It was music and projections of video art which I found fascinating and hypnotic, and was a lovely five or ten minutes' of escape from the bustling outside world.
According to the website this is "a research site and artwork to help us think about the future" by Ella Good & Nicki Kent. I'll be interested to go back for another look...
I'm in the habit of going over to the Tobacco Factory Market on a Sunday. I think I've walked all the routes around that way, but as a Plimsoll Bridge swing let me cross the road to the far side of Brunel Way on my return journey and I took a couple of photos of the brownfield development at the old Ashton Gate Depot site I thought I'd call it a Wander and pop some photos up.
I've recently been playing the computer game Life Is Strange, and it's inspired me to get a bit more snappy. The heroine is a photography student, and part of the game is to go around snapping artistic pics with her Polaroid camera. I don't have a polaroid, but the game did inspire me to stick the simple 50mm prime lens on the camera and to trust my instincts on things to snap. This was probably the best result of the day.
I wonder how many different things this patch of land has been over the years? I imagine it was one of the choice "brownfield" sites for some new flats down here. It's certainly doing its best to look very "brownfield" today!
It's been a long while since I did one of these walks.
I'm thinking of finishing up the project by walking one or two last bits of road, thus being able to declare with all honesty that I've done my best to walk every public road within my mile (and quite a few alleyways besides.) As a prelude, and just because I felt like it, I decided to drag out the camera and GPS on this little wander to the local shops.
Also looking nice and fresh since my last wander is the pair of community noticeboards, with a plethora of local news.
I found out recently that I was a winnner of one of the Hotwells & Cliftonwood Community Association 500 club prizes, which, alongside my membership, is a fun way to give money to the local organisation that puts up these noticeboards and does so much else for the community.
I was concerned about the state of Rock House, or at least its southern half, the last time I took a closer look at it while passing. Happily it seems to have been bought by someone prepared to fix up that drooping balcony. Here's hoping these repairs continue and my next photo of the place shows both sides of this old house (dated back to at least 1731 by a William Halfpenny engraving, no matter what the Listing says.)
Just behind Rock House you can see a bit of the Colonnade, sawn off at the end to make room for the widened Hotwell Road, I believe. Back in the day, according to 1925's The Bristol guide; being a complete ancient and modern history of the city of Bristol, the Hotwells and Clifton:
For those who prefer exercise to silting, there is the Colonade with shops, built beneath the rocks, and a parade about
800 feet long, shaded with trees, by the side of the river, so that the company may enjoy a dry and pleasant walk when it rains, or an airy, cool, and shady walk in the warmest season: also during the influx and efflux of the river, they may be entertained with the sight of the Merchant's ships, Steam packets, and Coasting vessels that generally pass up or down.
I did take a couple of other pictures of zigs and zags in the Zig Zag, but they didn't turn out too well; possibly my hands were shaking too much from the exertion of climbing this violently steep old track.
From near the top of the Zig Zag you can look down a couple of levels and see how vertiginous it is.
An enormous walk today, or at least it felt enormous. My feet are sore, anyway. I started off recreating a couple of local historical photos in Hotwells, but then headed for my traditional walk along the towpath in the Avon Gorge to the far extreme of Leigh Woods, up and through the woods to the height of the Suspension Bridge, finally crossing into Clifton Village for a well-deserved vanilla latte.
I say "traditional" because this used to be a very regular route for me, first walking, years and years ago, and later jogging—this route combined with a circuit of the Downs on the other side used to be my way of making sure I was fit to do a half-marathon (I did six of them in total, between 2010 and 2014).
I miss the routine of this walk, even though it's a long way and it used to pretty much wipe me out when I did it—I'd come back home and collapse and do very little for the rest of the day. But perhaps that's what Sundays are for, and I should try to remember that.
Doing this walk regularly was quite a meditative experience. Not so much of that today, but once I got to the further extreme of the towpath, where the roar of the Portway traffic on the other side of the river dwindles and I turned into Leigh Woods to climb ever closer to birdsong and further from rushing cars, I did seem to recapture a little of the feeling of previous walks. (I would say my mind cleared, but I was mentally singing along to Life Without Buildings' The Leanover for most of the wander. There are worse songs to have stuck in one's head, though; it's a great track...)
Anyway. Apparently the walk made me more likely to ramble in words, too. I'll stop now :)
"Untitled. handwritten note on reverse 'Merchants Arms, Merchants Road, Hotwells. Licencee 1912 Mrs Florence Norris (over right hand door)'"
The roofed area below the Suspension Bridge is called The Gallery; it's there to prevent rocks from the particularly friable cliff face below the bridge from falling onto the Portway. It's also the rough former location of the Hotwells railway station on the Port Railway and Pier, which I explore in more details on a later wander.
One of many archways under the Portishead railway line that runs along the edge of Leigh Woods.
This is the rock face more traditionally viewed from the other side. There were a couple of lads right at the top. I can barely see them if I zoom in on this photo on my giant Mac screen, so you'll probably have to take my word for it.